SKU: HL.48184402 Composed by Eugene Bozza. Leduc. Classical. Softcover. 1...(+)
SKU: HL.48184402
Composed by Eugene Bozza.
Leduc. Classical.
Softcover. 16 pages.
Alphonse Leduc #AL27401.
Published by Alphonse
Leduc (HL.48184402).
UPC: 888680846923.
9x12.25
inches.
“To
this day, Eugène
Bozza (1905-1991) remains
one of the most prolific
composers for wind
instruments, despite
being a violinist
himself. His Three
Evocations for 2 Flutes
is an exquisite addition
to the repertoire. During
his studies at the Paris
Conservatoire, Bozza won
prizes for Violin,
conducting and
composition, as well as
the Grand Prix de Rome.
He then conducted the
orchestra of the
Opéra-Comique and
became Head of the
Conservatoire in
Valenciennes, whilst
remaining a prominent
composer. Bozza's Three
Evocations are exciting
duets containing much
musical variation and
contrast, suitable for
advanced flautists. As
music educationalist Paul
Griffiths has written of
Bozza's compositions,
”“his works
reveal melodic fluency,
elegance of structure and
a consistently sensitive
concern of instrumental
capabilities.”&ldqu
o;&rdquo.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1725. BWV 168. 24 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/03. Published by
Carus Verlag
(CA.3116803).
ISBN
9790007166724. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1725. BWV
3. 4 pages. Duration 27
minutes. Carus Verlag #CV
31.003/13. Published by
Carus Verlag
(CA.3100313).
ISBN
9790007041465. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Uns ist ein
Kind geboren. Sacred
vocal music, Cantatas,
Christmas. Set of
Orchestra Parts. TVWV
1:1452. Duration 22
minutes. Carus Verlag #CV
39.115/19. Published by
Carus Verlag
(CA.3911519).
ISBN
9790007139346. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and parts
available separately -
see item CA.3911500.
Cantata for the Sunday
of Estomihi. Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat,
Felix Loy. Stuttgart
Urtext Edition: Bach
vocal. German title: Herr
Jesu Christ. Sacred vocal
music, Cantatas, Special
days, Lent and
Passiontide, Holy Week,
Mourning, death. Single
Part, Organ. Composed
1725. BWV 127. 12 pages.
Duration 21 minutes.
Carus Verlag #CV
31.127/49. Published by
Carus Verlag
(CA.3112749).
ISBN
9790007048907. Key: F
major. Language:
German/English. Text:
Eber, Paul. Text: Paul
Eber.
Cantata BWV
127 belongs to the cycle
of chorale cantatas which
Bach performed in 1724/25
in Leipzig. It bears
close links to the St
John Passion, which was
performed on Good Friday
1725 in its second
version. In formal terms
and in the interpretation
of the text and its
orchestration, it is one
of the most astonishing
vocal works by Bach. The
opening chorus, with its
multi-layered
construction, is nothing
less than a preliminary
version for the chorale
fantasia O Mensch bewein
dein Sunde gross. The
aria Die Seele ruht in
Jesu Handen is
distinguished by its
exquisite scoring: a solo
oboe and the soprano form
a duet, whilst the
background comprises
delicate chords on
recorders and continuo,
intended to symbolize
funeral bells. A solo
trumpet gives the
following movement
particular brilliance.
The words Ich breche mit
starker und helfender
Hand unmistakably
anticipate the chorus
Sind Blitze, sind Donner
in Wolken verschwunden
from the St Matthew
Passion. New revised
edition. Score and part
available separately -
see item CA.3112700.
Cantata
for Exaudi. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas. Choral
Score. Composed circa
1724? BWV 44. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.044/05. Published by
Carus Verlag
(CA.3104405).
ISBN
9790007129194. Language:
German/English.
The
cantata Sie werden euch
in den Bann tun, part of
Bach's first Leipzig
annual cycle of cantatas
and the earlier of two
compositions of the same
name, was probably first
performed on the last
Sunday after Ascension in
May 1724. The text is
concerned with suffering
and the Antichrist, both
of which are overcome by
Christian faith. By
employing all four ranges
in solo capacities Bach
creates the greatest
possible variety. It
opens, unusually, with a
duet for tenor and bass,
accompanied by two oboes
and basso continuo. Score
available separately -
see item CA.3104400.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
2x 31.168/21 oboe d'amore
1 + 2. Stuttgart Urtext
Edition: Bach vocal. Tue
Rechnung, Donnerwort.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1725. BWV 168. Duration
17 minutes. Carus Verlag
#CV 31.168/09. Published
by Carus Verlag
(CA.3116809).
ISBN
9790007209254. Language:
German/English. Text:
Franck, Salomo.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Cello/Double
Bass. TVWV 1:1452. 8
pages. Duration 22
minutes. Carus Verlag #CV
39.115/14. Published by
Carus Verlag
(CA.3911514).
ISBN
9790007215637. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and part
available separately -
see item CA.3911500.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1725. BWV 168. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/05. Published by
Carus Verlag
(CA.3116805).
ISBN
9790007166731. Text
language: German/English.
Text: Franck,
Salomo.
The text of
Bach's cantata Tue
Rechnung! Donnerwort was
published in 1715, that
is during Bach's Weimar
period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Set of Orchestra Parts.
BWV 149. Duration 22
minutes. Carus Verlag #CV
31.149/19. Published by
Carus Verlag
(CA.3114919).
ISBN
9790007141233. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Cantata
for Exaudi. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas. Vocal
score. Composed circa
1724? BWV 44. 20 pages.
Duration 22 minutes.
Carus Verlag #CV
31.044/03. Published by
Carus Verlag
(CA.3104403).
ISBN
9790007092016. Language:
German/English.
The
cantata Sie werden euch
in den Bann tun, part of
Bach's first Leipzig
annual cycle of cantatas
and the earlier of two
compositions of the same
name, was probably first
performed on the last
Sunday after Ascension in
May 1724. The text is
concerned with suffering
and the Antichrist, both
of which are overcome by
Christian faith. By
employing all four ranges
in solo capacities Bach
creates the greatest
possible variety. It
opens, unusually, with a
duet for tenor and bass,
accompanied by two oboes
and basso continuo. Score
available separately -
see item CA.3104400.
SA vocal soli, SATB choir, 2 violins, viola, cello/contrabass, organ SKU: CA....(+)
SA vocal soli, SATB
choir, 2 violins, viola,
cello/contrabass, organ
SKU: CA.3207619
Composed by Wilhelm
Friedemann Bach. Edited
by Peter Wollny. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Wohl dem, der den Herren
furchtet. Sacred vocal
music. Set of Orchestra
Parts. Composed 1752.
BR-WFB F 19. Duration 15
minutes. Carus Verlag #CV
32.076/19. Published by
Carus Verlag
(CA.3207619).
ISBN
9790007138974. Language:
German.
The cantata
is one of the few
surviving vocal works
which Wilhelm Friedemann
Bach composed during the
eighteen years which he
spent as organist and
director of music at the
Marktkirche in Halle
(1746-1764). This
cantata, published here
for the first time in
more than 250 years, was
written to introduce the
autumn sermons in 1752. A
musically and technically
demanding composition, it
consists of two
substantial choral
movements, partly
concertante and partly
polyphonic, based on two
biblical utterances. They
surround a sensitive,
while at the same time
strictly contrapuntal,
duet for soprano and alto
with basso continuo in
which God's sweet
teaching for the soul is
described as the true
manna of the faithful,
forming a link with the
sermons which are to
follow. In the
compactness of the
musical construction and
its intensity of
expression W. F. Bach was
clearly following in the
footsteps of his father
in this work. Score and
parts available
separately - see item
CA.3207600.
Cantata
for Exaudi. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas.
Single Part, Organ.
Composed circa 1724? BWV
44. Duration 22 minutes.
Carus Verlag #CV
31.044/49. Published by
Carus Verlag
(CA.3104449).
ISBN
9790007206000. Language:
German/English.
The
cantata Sie werden euch
in den Bann tun, part of
Bach's first Leipzig
annual cycle of cantatas
and the earlier of two
compositions of the same
name, was probably first
performed on the last
Sunday after Ascension in
May 1724. The text is
concerned with suffering
and the Antichrist, both
of which are overcome by
Christian faith. By
employing all four ranges
in solo capacities Bach
creates the greatest
possible variety. It
opens, unusually, with a
duet for tenor and bass,
accompanied by two oboes
and basso continuo. Score
and part available
separately - see item
CA.3104400.
Cantata
for harvest festivals
(Tempore Messis) and
other festivals of
thanksgiving.
Composed by Georg Philipp
Telemann. Edited by
Jurgen Neubacher. This
edition: urtext. 1x
39.109/21 flute, 3x
39.109/31
trumpet/timpani.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Nun danket alle
Gott 4. Sacred vocal
music, Cantatas, Praise
and thanks. Set of
Orchestra Parts. TVWV
1:1166. 26 pages.
Duration 15 minutes.
Carus Verlag #CV
39.109/09. Published by
Carus Verlag
(CA.3910909).
ISBN
9790007215422. Language:
German/English.
Tel
emann's cantata Now thank
we all our God cannot be
assigned to any of the
composer's known annual
cycles of cantatas. The
given designation,
Tempore Messis, which
appears in the title in
the sole surviving
source, suggests it was
composed on the occasion
of a harvest thanksgiving
festival, but the general
nature of the text means
that other occasions for
performance such as New
Year, Reformation Day,
church or organ
consecrations and
weddings are conceivable.
Musically, the work is
distinguished by two
spirited choral movements
reinforced by trumpets
which frame a duet for
tenor and bass and an
aria for alto and
transverse flute. Score
and parts available
separately - see item
CA.3910900.
Cantata for the Sunday
of Estomihi. Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat,
Felix Loy. 1x 31.127/21
recorder 1, 1x 31.127/22
recorder 2, 1x 31.127/23
oboe 1, 1x 31.127/24 oboe
2, 1x 31.127/31 trumpet.
Stuttgart Urtext Edition:
Bach vocal. German title:
Herr Jesu Christ 5.
Sacred vocal music,
Cantatas, Special days,
Lent and Passiontide,
Holy Week, Mourning,
death. Set of Orchestra
Parts. Composed 1725. BWV
127. 30 pages. Duration
21 minutes. Carus Verlag
#CV 31.127/09. Published
by Carus Verlag
(CA.3112709).
ISBN
9790007048853. Key: F
major. Language:
German/English. Text:
Eber, Paul. Text: Paul
Eber.
Cantata BWV
127 belongs to the cycle
of chorale cantatas which
Bach performed in 1724/25
in Leipzig. It bears
close links to the St
John Passion, which was
performed on Good Friday
1725 in its second
version. In formal terms
and in the interpretation
of the text and its
orchestration, it is one
of the most astonishing
vocal works by Bach. The
opening chorus, with its
multi-layered
construction, is nothing
less than a preliminary
version for the chorale
fantasia O Mensch bewein
dein Sunde gross. The
aria Die Seele ruht in
Jesu Handen is
distinguished by its
exquisite scoring: a solo
oboe and the soprano form
a duet, whilst the
background comprises
delicate chords on
recorders and continuo,
intended to symbolize
funeral bells. A solo
trumpet gives the
following movement
particular brilliance.
The words Ich breche mit
starker und helfender
Hand unmistakably
anticipate the chorus
Sind Blitze, sind Donner
in Wolken verschwunden
from the St Matthew
Passion. New revised
edition. Score and parts
available separately -
see item CA.3112700.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, basso
continuo. BWV 149. 12
pages. Duration 22
minutes. Carus Verlag #CV
31.149/14. Published by
Carus Verlag
(CA.3114914).
ISBN
9790007208592. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Organ. BWV
149. 16 pages. Duration
22 minutes. Carus Verlag
#CV 31.149/49. Published
by Carus Verlag
(CA.3114949).
ISBN
9790007208608. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/14. Published by
Carus Verlag
(CA.3100314).
ISBN
9790007041472. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Sacred vocal music,
Cantatas, Christmas.
Choral Score. TVWV
1:1452. 4 pages. Duration
22 minutes. Carus Verlag
#CV 39.115/05. Published
by Carus Verlag
(CA.3911505).
ISBN
9790007128784. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score available
separately - see item
CA.3911500.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1725. BWV 3. Duration 27
minutes. Carus Verlag #CV
31.003/19. Published by
Carus Verlag
(CA.3100319).
ISBN
9790007135911. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
Cantata
for Exaudi. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas. Single Part,
Cello/Double Bass.
Composed circa 1724? BWV
44. 8 pages. Duration 22
minutes. Carus Verlag #CV
31.044/14. Published by
Carus Verlag
(CA.3104414).
ISBN
9790007205997. Language:
German/English.
The
cantata Sie werden euch
in den Bann tun, part of
Bach's first Leipzig
annual cycle of cantatas
and the earlier of two
compositions of the same
name, was probably first
performed on the last
Sunday after Ascension in
May 1724. The text is
concerned with suffering
and the Antichrist, both
of which are overcome by
Christian faith. By
employing all four ranges
in solo capacities Bach
creates the greatest
possible variety. It
opens, unusually, with a
duet for tenor and bass,
accompanied by two oboes
and basso continuo. Score
and part available
separately - see item
CA.3104400.
Cantata for the Sunday
of Estomihi. Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat,
Felix Loy. Stuttgart
Urtext Edition: Bach
vocal. German title: Herr
Jesu Christ. Sacred vocal
music, Cantatas, Special
days, Lent and
Passiontide, Holy Week,
Mourning, death. Choral
Score. Composed 1725. BWV
127. 8 pages. Duration 21
minutes. Carus Verlag #CV
31.127/05. Published by
Carus Verlag
(CA.3112705).
ISBN
9790007048846. Key: F
major. Language:
German/English. Text:
Eber, Paul. Text: Paul
Eber.
Cantata BWV
127 belongs to the cycle
of chorale cantatas which
Bach performed in 1724/25
in Leipzig. It bears
close links to the St
John Passion, which was
performed on Good Friday
1725 in its second
version. In formal terms
and in the interpretation
of the text and its
orchestration, it is one
of the most astonishing
vocal works by Bach. The
opening chorus, with its
multi-layered
construction, is nothing
less than a preliminary
version for the chorale
fantasia O Mensch bewein
dein Sunde gross. The
aria Die Seele ruht in
Jesu Handen is
distinguished by its
exquisite scoring: a solo
oboe and the soprano form
a duet, whilst the
background comprises
delicate chords on
recorders and continuo,
intended to symbolize
funeral bells. A solo
trumpet gives the
following movement
particular brilliance.
The words Ich breche mit
starker und helfender
Hand unmistakably
anticipate the chorus
Sind Blitze, sind Donner
in Wolken verschwunden
from the St Matthew
Passion. New revised
edition. Score available
separately - see item
CA.3112700.
Cantata
for harvest festivals
(Tempore Messis) and
other festivals of
thanksgiving.
Composed by Georg Philipp
Telemann. Edited by
Jurgen Neubacher. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Nun danket alle
Gott. Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Organ. TVWV 1:1166. 12
pages. Duration 15
minutes. Carus Verlag #CV
39.109/49. Published by
Carus Verlag
(CA.3910949).
ISBN
9790007215477. Language:
German/English.
Tel
emann's cantata Now thank
we all our God cannot be
assigned to any of the
composer's known annual
cycles of cantatas. The
given designation,
Tempore Messis, which
appears in the title in
the sole surviving
source, suggests it was
composed on the occasion
of a harvest thanksgiving
festival, but the general
nature of the text means
that other occasions for
performance such as New
Year, Reformation Day,
church or organ
consecrations and
weddings are conceivable.
Musically, the work is
distinguished by two
spirited choral movements
reinforced by trumpets
which frame a duet for
tenor and bass and an
aria for alto and
transverse flute. Score
and part available
separately - see item
CA.3910900.
Cantata
for Exaudi. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Sie werden euch in den
Bann tun. Sacred vocal
music, Cantatas. Full
score. Composed circa
1724? BWV 44. 36 pages.
Duration 22 minutes.
Carus Verlag #CV
31.044/00. Published by
Carus Verlag
(CA.3104400).
ISBN
9790007091903. Language:
German/English.
The
cantata Sie werden euch
in den Bann tun, part of
Bach's first Leipzig
annual cycle of cantatas
and the earlier of two
compositions of the same
name, was probably first
performed on the last
Sunday after Ascension in
May 1724. The text is
concerned with suffering
and the Antichrist, both
of which are overcome by
Christian faith. By
employing all four ranges
in solo capacities Bach
creates the greatest
possible variety. It
opens, unusually, with a
duet for tenor and bass,
accompanied by two oboes
and basso continuo.