Viola Position 1 Alto seul [Partition + CD] - Facile De Haske Publications
Viola - easy SKU: BT.DHP-1145555-400 Fingerings, scales and triads...(+)
Viola - easy
SKU:
BT.DHP-1145555-400
Fingerings, scales and
triads. Composed by
Nico Dezaire. Tuition.
Book with CD. Composed
2014. 92 pages. De Haske
Publications #DHP
1145555-400. Published by
De Haske Publications
(BT.DHP-1145555-400).
ISBN 9789043135979.
English-German-French-Dut
ch.
Position
1 covers the four
fingerings of the first
position. The connection
between these fingerings
and the different keys -
up to three sharps or
flats - is also dealt
with. The book features
38 exercises for the
various fingerings,
sevenscale and triad
exercises, and 68
attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschema?s,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders en
drieklanken inde 1e
positie over 2 oktaven.
De 68 speelstukken kunnen
met cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cd?s. De
vertrouwde afwisseling
van nieuwe stukken,
arrangementen
vanklassieke thema?s en
volksliedjes ontbreekt
uiteraard niet!
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknüpft. Das Buch
umfasst 38 Ã?bungen
für die verschiedenen
Griffarten,
siebenTonleiter- und
Dreiklangsübungen
sowie 68 reizvolle
Vortragsstücke in
einer ganzen Palette an
Musikstilen. Die
Vortragsstücke
können zu den
Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einem Pianistengespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD 2
enthalten.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l´accompagnamento di
un pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF.
Composed by Various. Arranged by Peter Lavender. Music Sales America. Baroque an...(+)
Composed by Various.
Arranged by Peter
Lavender. Music Sales
America. Baroque and
Classical Period. Fake
book (softcover). With
melody line (no
accompaniment included)
and chord names. 128
pages. Music Sales
#AM92350. Published by
Music Sales
Easy Piano - Easy SKU: SP.TS180 Composed by Jonathon Robbins. Arranged by...(+)
Easy Piano - Easy
SKU:
SP.TS180
Composed by
Jonathon Robbins.
Arranged by Jonathon
Robbins. Collection;
Popular. Book and CD.
Santorella Publications
#TS180. Published by
Santorella Publications
(SP.TS180).
ISBN
9781585604623. UPC:
649571101800.
Varie
ty lies at the core of 83
Classified Piano Solos
published by Santorella
Publications. It combines
eighty-three songs from
seven different genres to
form an incredibly unique
product. From Hymns to
Marches, Waltzes to Folk
songs and Classics to
Boogie, 83 Classified
Piano Solos has
everything that a
beginning piano student
needs. Boredom is a major
obstacle to learning
which students and
teachers have
encountered. They have
found it extremely
difficult to maintain
interest when using a
single resource. Often,
supplemental materials
are needed to keep study
interesting and exciting
since it is nearly
impossible to find
adequately diverse books.
This adds a significant
and unnecessary financial
burden on both parties.
83 Classified Piano Solos
from Santorella
Publications is
different. This
best-selling easy piano
title eliminates the need
for costly supplemental
materials while exploring
many composers in varied
genres and keeping study
fun and interesting. To
take full advantage of
the variety, we strongly
urge that you jump around
from section to section
and explore all that 83
Classified Piano Solos
has to offer. This
Jonathon Robbins best
seller from Santorella
Publications includes a
performance CD which
serves as a great tool
for the beginning
student. He or she can
listen to a performance
of each piece performed
at the appropriate
tempos, dynamics and
stylings, then emulate
this during their own
performance, practice or
study sessions. Just take
a look at the incredibly
diverse range of titles
found in this great
Santorella title: WALTZES
- WALTZ (From, The
Sleeping Beauty) -
Tchaikovsky - EMPEROR
WALTZ - Strauss - WALTZ
IN A MINOR - Chopin,
WALTZ IN Bb - Schubert -
WALTZ IN C - Schubert -
WALTZ IN C - Brahms -
WAVES OF THE DANUBE -
Ivanovici - WALTZ OF THE
FLOWERS (From, The
Nutcracker) - Tchaikovsky
COWBOY MUSIC RED RIVER
VALLEY - HOME ON THE
RANGE - POOR, LONESOME
COWBOY - GOOD BYE OLD
PAINT - BIG ROCK CANDY
MOUNTAIN - I'D LIKE TO BE
IN TEXAS - THE COLORADO
TRAIL - TO BURY ME NOT ON
THE LONE PRAIRIE -
WHOOPIE TI-YI-YO! (Git
Along Little Dogies!)
HYMNS ABIDE WITH ME - I
NEED THEE EVERY HOUR -
WHAT A FRIEND WE HAVE IN
JESUS - ETERNAL FATHER -
STRONG TO SAVE - HEAR OUR
PRAYER - O LORD - I LOVE
TO TELL THE STORY - ROCK
OF AGES - COME, THOU
ALMIGHTY KING - MY FAITH
LOOKS UP TO THEE -
NEARER, MY GOD TO THEE -
HE LEADETH ME - ALL HAIL
THE POWER OF JESUS' NAME
- HOLY, HOLY, HOLY -
SWEET HOUR OF PRAYER - IN
THE SWEET BYE AND BYE -
FAITH OF OUR FATHERS FOLK
MUSIC BILLYBOY - ALOUETTE
- ON TOP OF OLD SMOKY -
CRAWDAD SONG - TURKEY IN
THE STRAW - THE FARMER IN
THE DELL - SKIP TO MY LOU
- SHE'LL BE COMIN''ROUND
THE MOUNTAIN - PUT YOUR
LITTLE FOOT - JOHN PEEL -
OH, WHERE HAS MY LITTLE
DOG GONE - MARY HAD A
LITTLE LAMB - FOR HE'S A
JOLLY GOOD FELLOW - POLLY
WOLLY DOODLE MARCHES THE
STARS AND STRIPES FOREVER
- AMERICAN PATROL - MARCH
OF THE PRIESTS (From,
Athalia) - GRAND MARCH
(From the Opera, Aida) -
DIXIE - THE MARINES' HYMN
- SOLDIER'S CHORUS (From
the Opera, Faust) - HAIL
TO THE CHIEF - ANCHORS
AWEIGH - THE THUNDERER
CLASSICS CRADLE SONG -
Brahms - TURKISH MARCH
(From, The Ruins of
Athens) - Beethoven,
NOCTURNE IN F - Chopin -
MINUET IN G - Bach -
MUSETTE - Bach - FANTASIE
IMPROMTU - Chopin - GAITE
PARISIENNE (Can Can) -
Offenbach - THEME FROM
SURPRISE SYMPHONY - Haydn
- MARCHE MILITAIRE -
Schubert - UNFINISHED
SYMPHONY THEME - Schubert
- LARGO (From the Opera,
Xerxes) - Handel -
TOREADOR SONG (From the
Opera, Carmen) - Bizet -
JUNE - Tchaikovsky -
BRIDAL CHORUS (From the
Opera, Lohengrin) -
Wagner - BARCAROLLE
(From, The Tales of
Hoffman) - Offenbach,
HALLELUJAH CHORUS (From,
The Messiah) - Handel -
LA DONNA E MOBILE (From
the Opera, Rigoletto) -
Verdi. BOOGIE WOOGIES
(Jonathon Robbins) BOOGIE
WOOGIE BLUES - DOODLIN'-
RIDE THE BOOGIE WOOGIE
TRAIN - THE LAZY BOOGIE
WOOGIE - ONE NOTE BOOGIE
- MR. BOOGIE WOOGIE - THE
NON-STOP BOOGIE - THE
HORSE BACK BOOGIE.
Repertoire. CD. Trinity
College London #TCL
014948. Published by
Trinity College London
(TL.TCL014948).
ISBN
9780857364678.
This
audio CD contains exam
pieces on the Trinity
College London Violin
syllabus for 2016-2019,
featuring renowned
violinist, Ofer Falk.
(alternative pieces are
not included). In
addition to full
recordings of each piece,
the CD also includes
'minus one' style backing
tracks, allowing students
to practise with the
piano accompaniment
played by Peter
Wild. These
recordings are not
definitive but may be
employed as an aid to
preparation for Trinity
College London
examinations.
Piano seul [Partition + CD] - Débutant Alfred Publishing
The new, easy and fun way to teach yourself to play. Willard A. Palmer and Morto...(+)
The new, easy and fun way
to teach yourself to
play. Willard A. Palmer
and Morton Manus. For
Piano. Piano Method. Book
and CD. 192 pages.
Published by Alfred
Publishing.
A violin method for children. By Egon Sassmannshaus; Kurt Sassmannshaus. Ameri...(+)
A violin method for
children. By Egon
Sassmannshaus; Kurt
Sassmannshaus. American
English translation: Kurt
Sassmannshaus;
Illustrations: Charlotte
Panowsky. For Violin.
Take advantage of our
exclusive introductory
offer now and save 25%
off the regular price -
this special price is
available for a limited
time only. Baerenreiter's
Sassmannshaus. Original
German title: Fruher
Anfang auf der Geige -
Band 2; Eine Violinschule
fur Kinder. Instructional
Method. Method book. Text
language: English. 64
pages. Published by
Baerenreiter Verlag
(German import).
Favorite Piano Classics (CC10) by Various. For Piano. Published by Santorella Pu...(+)
Favorite Piano Classics
(CC10) by Various. For
Piano. Published by
Santorella Publications
(SP.78200).
ISBN 1-58560-526-3.
There is certainly an
abundance of Classical
piano literature in
print. Every publisher
has a collection of piano
classics in their catalog
and the differences are
determined by several
factors. When we narrow
the field to include only
"unedited original works"
of the greatest
composers, the largest
difference is content.
Favorite Piano Classics
from Santorella
Publications contains the
finest assortment of
"unedited original" piano
works in print. Let's let
the titles and their
fathers speak for
themselves.
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 great
masterpieces from the
baroque, classical,
romantic and modern eras.
Series: Piano Treasury
Series. 399 pages.
Published by Music Sales.
Violin - Grade 6 SKU: TL.TCL014689 Repertoire. Trinity College London #TC...(+)
Violin - Grade 6
SKU:
TL.TCL014689
Repertoire. Trinity
College London #TCL
014689. Published by
Trinity College London
(TL.TCL014689).
ISBN
9780857364418.
Sele
cted pieces for Trinity
College London violin
exams for 2016-2019,
expertly graded and
edited by leading music
educators. This item
contains both the full
score and violin
part.
The Wooden Soldier Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115249-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1115249-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2012. 32
pages. De Haske
Publications #DHP
1115249-140. Published by
De Haske Publications
(BT.DHP-1115249-140).
9x12 inches.
English-German-French-Dut
ch.
The Wooden
Soldier is a short
and simple piece
commissioned by the
Singapore Ministry of
Education. It was
originally intended as a
compulsory piece for the
2012 Singapore Youth
Festival. Because many
school bands in Singapore
are incomplete, the
composer was specifically
asked to create a work
that could equally be
played by a limited
ensemble—which
explains various doubled
andoptional parts.The
wooden toy soldier that
inspires the work
initially marches in a
fictitious parade before
gliding into a swift
waltz. Both sections are
based on the same melodic
material: the brisk
triple-time passage is in
fact a variation on the
parade theme. Switching
between majorand minor
keys—together with
a number of surprising
twists—makes an
enthralling work despite
the restrictions imposed.
The Wooden
Soldier is een kort
en eenvoudig werkje dat
is geschreven in opdracht
van het Singaporese
ministerie van Onderwijs.
Het was aanvankelijk
bedoeld als verplicht
werk voor het Singapore
Youth Festival 2012.
Omdat veelschoolorkesten
in Singapore een
onvolledige bezetting
hebben, kreeg de
componist het
nadrukkelijke verzoek om
het werk zo vorm te geven
dat het ook met een
beperkt ensemble
uitgevoerd kan worden:
dat verklaart een aantal
verdubbelingenen
instrumenten ad
libitum.Het houten
speelgoedsoldaatje dat
als inspiratiebron
diende, stapt eerst in
een fictieve parade en
strekt daarna de benen
tijdens een vlotte wals.
Beide passages zijn
gebaseerd op hetzelfde
melodischemateriaal: de
snelle driekwartsmaat is
dus als het ware een
variant op het
paradethema. De
afwisseling tussen grote-
en kleinetertstoonaarden
en hier en daar een
verrassende wending
zorgen ervoor dat dit
werkje met zijn enethema
blijft boeien, ondanks de
vele opgelegde
beperkingen.
Th
e Wooden Soldier ist
ein kurzes, einfaches
Werk, das im Auftrag des
Bildungsministeriums von
Singapur geschrieben
wurde. Es war zunächst
als Pflichtstück
für das Singapurer
Jugendfestival 2012
gedacht. Da viele
Schulblasorchester in
Singapur unvollständig
besetzt sind, bat man den
Komponisten
ausdrücklich, das
Werk so zu gestalten,
dass es auch mit einem
begrenzten Ensemble
gespielt werden könne:
Dies erklärt einige
Verdopplungen und
optionale Instrumente.Der
hölzerne
Spielzeugsoldat, der als
Quelle der Inspiration
diente, marschiert
zunächst in einer
fiktiven Parade, um
danach das Tanzbein zu
einem flotten Walzer zu
schwingen.
BeideAbschnitte basieren
auf demselben melodischen
Material: Der schnelle
Dreivierteltakt ist also
im Grunde eine Variation
auf das Parade-Thema. Der
Wechsel zwischen Dur- und
Moll-Tonarten sowie
eingestreute
überraschende
Wendungen sorgen
dafür, dass dieses
Stück mit seinem
einen Thema trotz der
zahlreichen auferlegten
Beschränkungen stets
spannend bleibt.
Commissionato
come brano
d’obbligo dal
Ministero
dell’Educazione
per il Singapore Youth
Festival 2012, The
Wooden Soldier è
stato arrangiato per
poter essere eseguito da
una formazione ad
organico ridotto. Il
pezzo include varie parti
raddoppiate e opzionali.
Il brano inizia in uno
stile simile a una marcia
da parata per poi
scivolare verso un rapido
valzer, basandosi,
seppure in stili diversi,
sul medesimo materiale
melodico. I passaggi tra
tonalit maggiori e
minori, come anche
sorprendenti colpi di
scena, fanno di questo
brano una valida aggiunta
al programma da
concerto.
Diamond Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 5 SKU: BT.AMP-354-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 5
SKU:
BT.AMP-354-010
Euphonium Concerto No.
3. Composed by Philip
Sparke. Elite Series. Set
(Score & Parts). Composed
2012. Anglo Music Press
#AMP 354-010. Published
by Anglo Music Press
(BT.AMP-354-010).
9x12
inches.
English-German-French-Dut
ch.
Diamond
Concerto was
commissioned by
Musikverein Mörschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven
Mead’s special
euphonium sound in his
head throughout the
composition process and
made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMörschied lies to
the west of Frankfurt am
Main in the area known as
the German Road of
Precious Stones, which is
famous for its thriving
gem industry. Because of
this it was decided to
give the commission a
local connection by
choosing the title,
Diamond Concerto.
Each of the three
movements is named after
a famous diamond:1 EARTH
STARis rather stern in
mood, opening with a free
fantasy for the soloist
over a static chord from
the band. This leads to
an Allegro Moderato in
minor mode where small
motives are gradually
repeated and developed by
both band and soloist.2
OCEAN DREAMuses a varied
quote from the
composer’s
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven
Mead’s suggestion,
in bebop style and takes
the form of a jazz waltz.
The quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Mörschied - met
dirigent Eric Grandjean -
voor een speciaal concert
met Steven Mead als
gastsolist. De
wereldpremière vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarrièr
e.Het plaatsje
Mörschied ligt ten
westen van Frankfurt am
Main, in het gebied dat
bekendstaat als de
Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van
Sparke’s werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben
für den Musikverein
Mörschied, westlich
von Frankfurt am Main an
der Deutschen
Edelsteinstraße
gelegen, wurde jeder der
drei Sätze von
Diamond Concerto
nach einem berühmten
Diamanten benannt: 1
EARTH STAR ist eher
stimmungstechnisch ein
Stern. Der Satz beginnt
mit einer freien Fantasie
des Solisten über
einem statischen Akkord
des Orchesters. Dieses
führt zu einem Allegro
Moderato in Moll, in
welchem kurze Motive von
sowohl Orchester als auch
Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthält, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthält
eine Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen
Holzbläsern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist für Euphonium und
Klavier erhältlich
(AMP 374-401) sowie
für Euphonium und
Brass Band (AMP 354-030).
Composed by
Various. String Duet.
Classical. Softcover. 64
pages. Published by Hal
Leonard (HL.348319).
ISBN 9781540097354.
UPC: 840126930016.
9.0x12.0x0.201
inches.
Classical
Themes for Violin Duet is
designed for violinists
familar with first
position and comfortable
reading basic rhythms. In
each two-page
arrangement, violin 1 and
violin 2 take a turn
playing the melody for a
fun and challenging
ensemble experience. It
includes 30 well-loved
melodies by J.S. Bach,
Beethoven, Debussy,
Gershwin, Grieg, Liszt,
Mussorgsky, Tchaikovsky,
Vivaldi, Wagner, and
more.
106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, ...(+)
106 Graded Pieces from
Baroque to the 20th C.
Compiled and Edited by P.
Low,
S. Schumann, C. Siagian.
Composed by Various.
Edited
by Charmaine Siagian.
Willis.
Classical, Recital,
Solos.
Softcover. Published by
Willis Music
Violin 1 Part Violin 1 (Parts) SKU: HL.51481551 For String Orchestra V...(+)
Violin 1 Part Violin 1
(Parts)
SKU:
HL.51481551
For
String Orchestra Violin 1
Part. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. 17
pages. G. Henle #HN1551.
Published by G. Henle
(HL.51481551).
UPC:
196288207160.
9.25x12.0x0.082
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. “I'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,†he
wrote to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods – be
it the Mozartian first
movement “in the
form of a
sonatinaâ€, the
elegant Waltz, the
melancholy
“Elegia†or
the rousing Finale. For
this new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin 2 Part Violin 2 (Parts) SKU: HL.51481552 For String Orchestra V...(+)
Violin 2 Part Violin 2
(Parts)
SKU:
HL.51481552
For
String Orchestra Violin 2
Part. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. 14
pages. G. Henle #HN1552.
Published by G. Henle
(HL.51481552).
UPC:
196288207177.
9.25x12.0x0.073
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. “I'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,†he
wrote to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods – be
it the Mozartian first
movement “in the
form of a
sonatinaâ€, the
elegant Waltz, the
melancholy
“Elegia†or
the rousing Finale. For
this new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels