Jerusalem Fanfare [Conducteur et Parties séparées] - Facile Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-106-020 Composed by Charles Hubert Has...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-106-020
Composed by Charles
Hubert Hastings Parry.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Festive
and Solemn Music. Set
(Score & Parts). Composed
2004. Anglo Music Press
#AMP 106-020. Published
by Anglo Music Press
(BT.AMP-106-020).
Everyone will
instantly recognize this
great patriotic hymn that
is often thought of as
the second English
national anthem. This
fanfare band arrangement
by Philip Sparke is sure
to be used over and over
again at your
band’s
performances. Your
audience will not be able
to help themselves from
joining in with this
rousing song everytime
you use it as the final
item in any concert.
Sir Hubert Parry
(1848-1918) zette William
Blake’s
Preface to Milton
op muziek voor een
bijeenkomst van de
‘Fight for the
Right’-beweging in
de Queen’s Hall te
Londen in 1916. Het werk
werd bekender onder de
naam Jerusalemtoen
Partry het in 1918
dirigeerde tijdens een
concert dat het laatste
stadium van de campagne
voor vrouwenkiesrecht
markeerde. Sir Edward
Elgar voegde zijn
orkestrale begeleiding
toe voor het Leeds
Festival van 1922.
Sindsdienis dit werk een
geliefde Engelse hymne,
die volgens traditie als
afsluiting wordt gezongen
bij de jaarlijkse Last
Night of the Proms in de
Royal Albert Hall te
Londen.
Bachs
Anstellung im Jahr 1723
als Kantor der
Thomaskirche in Leipzig
brachte die Verpflichtung
mit sich, für jeden
Sonntagsgottesdienst eine
neue Kantate zu
schreiben. Der Choral
Jesus bleibet meine
Freude umfasst beide
Teile der Kantate und ist
ungewöhnlich kunstvoll
ausgearbeitet, mehr wie
eine der Arien denn eine
Kantate. Philip Sparkes
Transkription dieses
beliebten Kantatensatzes
ist eine wahre
Bereicherung Ihres
Repertoires.
Jerusalem Ensemble de cuivres [Conducteur] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-106-130 Composed by Charles Hubert Hasti...(+)
Brass Band - Grade 3
SKU:
BT.AMP-106-130
Composed by Charles
Hubert Hastings Parry.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Festive
and Solemn Music. Score
Only. Composed 2004.
Anglo Music Press #AMP
106-130. Published by
Anglo Music Press
(BT.AMP-106-130).
Everyone will
instantly recognise this
great patriotic hymn that
is often thought of as
the second English
national anthem. This
brass band arrangement by
Philip Sparke is sure to
be used over and over
again at your
band’s
performances. Your
audience will not be able
to help themselves from
joining in with this
rousing song everytime
you use it as the final
item in any concert.
Bachs Anstellung
im Jahr 1723 als Kantor
der Thomaskirche in
Leipzig brachte die
Verpflichtung mit sich,
für jeden
Sonntagsgottesdienst eine
neue Kantate zu
schreiben. Der Choral
Jesus bleibet meine
Freude umfasst beide
Teile der Kantate und ist
ungewöhnlich kunstvoll
ausgearbeitet, mehr wie
eine der Arien denn eine
Kantate. Philip Sparkes
Transkription dieses
beliebten Kantatensatzes
ist eine wahre
Bereicherung Ihres
Repertoires.
Sir
Hubert Parry (1848-1918)
set William
Blake’s Preface
to Milton to music
for a rally of the
‘Fight for the
Right’ movement in
the Queen’s Hall,
London, in 1916. It
became more generally
known as
‘Jerusalem’
when Parry conducted it
in 1918 at a concert to
mark the final stage in
the Votes for Women
Campaign, after which it
was adopted by the
National Federation of
Women’s Institutes
(and is still sung at
meetings of WI Groups all
over Britain). Sir Edward
Elgar added his
orchestral accompaniment
in time for the Leeds
Festival of 1922, since
then it has become a
popular national hymn.
The theme is uniquely
English and there is an
undertone of 19th century
politics. Thisarrangement
by Philip Sparke is sure
to be used over and over
again at your
band’s
performances.
Jerusalem Ensemble de cuivres [Conducteur et Parties séparées] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-106-030 Composed by Charles Hubert Hasti...(+)
Brass Band - Grade 3
SKU:
BT.AMP-106-030
Composed by Charles
Hubert Hastings Parry.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Festive
and Solemn Music. Set
(Score & Parts). Composed
2004. Anglo Music Press
#AMP 106-030. Published
by Anglo Music Press
(BT.AMP-106-030).
Everyone will
instantly recognise this
great patriotic hymn that
is often thought of as
the second English
national anthem. This
brass band arrangement by
Philip Sparke is sure to
be used over and over
again at your
band’s
performances. Your
audience will not be able
to help themselves from
joining in with this
rousing song everytime
you use it as the final
item in any concert.
Bachs Anstellung
im Jahr 1723 als Kantor
der Thomaskirche in
Leipzig brachte die
Verpflichtung mit sich,
für jeden
Sonntagsgottesdienst eine
neue Kantate zu
schreiben. Der Choral
Jesus bleibet meine
Freude umfasst beide
Teile der Kantate und ist
ungewöhnlich kunstvoll
ausgearbeitet, mehr wie
eine der Arien denn eine
Kantate. Philip Sparkes
Transkription dieses
beliebten Kantatensatzes
ist eine wahre
Bereicherung Ihres
Repertoires.
Sir
Hubert Parry (1848-1918)
set William
Blake’s Preface
to Milton to music
for a rally of the
‘Fight for the
Right’ movement in
the Queen’s Hall,
London, in 1916. It
became more generally
known as
‘Jerusalem’
when Parry conducted it
in 1918 at a concert to
mark the final stage in
the Votes for Women
Campaign, after which it
was adopted by the
National Federation of
Women’s Institutes
(and is still sung at
meetings of WI Groups all
over Britain). Sir Edward
Elgar added his
orchestral accompaniment
in time for the Leeds
Festival of 1922, since
then it has become a
popular national hymn.
The theme is uniquely
English and there is an
undertone of 19th century
politics. Thisarrangement
by Philip Sparke is sure
to be used over and over
again at your
band’s
performances.
SATB Choir a Cappella SKU: HL.14033692 Composed by Per Norgard. Music Sal...(+)
SATB Choir a Cappella
SKU: HL.14033692
Composed by Per Norgard.
Music Sales America.
Classical. Vocal Score.
Composed 2005. Edition
Wilhelm Hansen #WH30605.
Published by Edition
Wilhelm Hansen
(HL.14033692).
1. The Native
Land of Light (for mixed
chorus, SATB) 2. Come
lift me up (for mixed
chorus, SATB -) -) the
second movement may be
performed by a children's
chorus or by the female
voices (SSA) from a mixed
chorus Programme Note
From my very first
aquaintance with these
Andersen poems, I was
deeply moved by the
simple, almost naive, yet
evocative imagery, with
which Andersen realized
his visions, images like:
The Melody of the Heart,
The Poem of Beauty, A
Spiritual Hindustan, Fly,
Death, over the Sea of
Time, fly to Eternal
Summer. Along with this
childishness Hans
Christian Andersen's
poetry encompasses
enormous - almost Willim
Blake-ish - cosmic
visions, in
theinterpolations between
e.g. reaching the Heaven
as opposed to you'll find
it in a Rosebud, or the
juxtaposition of Everyday
Life and Eternal Poetry -
which become one. Thus
the music came to life in
my immediate encounter
with these words, which
almost sang themselves
into my Musical Furnace -
if you will. Per
Norgard.
Blake Fragments Chorale SATB SATB A Cappella Boosey and Hawkes
For SATB Chorus and Soloists a cappella. Composed by Sebastian Currier. BH Lar...(+)
For SATB Chorus and
Soloists
a cappella. Composed by
Sebastian Currier. BH
Large
Choral. Concert. Octavo.
24
pages. Boosey and Hawkes
#M051484478. Published by
Boosey and Hawkes
Composed by Shayla L. Blake. National/Emerson Fred Bock. Octavo. 12 pages. Natio...(+)
Composed by Shayla L.
Blake. National/Emerson
Fred Bock. Octavo. 12
pages. National Music
Publishers #NM1035.
Published by National
Music Publishers
(HL.160219).
The Jason Max Ferdinand Choral Series. Composed by Woody Guthrie. Arranged b...(+)
The Jason Max Ferdinand
Choral
Series. Composed by Woody
Guthrie. Arranged by
Blake
Morgan. Gentry
Publications.
Americana, Folk,
Patriotic.
Octavo. Gentry
Publications
#JG2647. Published by
Gentry
Publications
(In The Styles Of Lightnin' Hopkins, Blind Blake, Mississippi John Hurt, BLind B...(+)
(In The Styles Of
Lightnin' Hopkins, Blind
Blake, Mississippi John
Hurt, BLind Boy Fuller
And Big Bill Broonzy)
Arranged by Kenny Sultan.
Instructional book and
examples CD for guitar.
48 pages. Published by
Centerstream
Publications.
Guitar (fingerpicking) - Intermediate SKU: MB.30779M Ragtime Blues Gui...(+)
Guitar (fingerpicking) -
Intermediate
SKU:
MB.30779M
Ragtime
Blues Guitar.
Composed by Stefan
Grossman. Squareback
saddle stitch, Solos,
Blues, Ragtime,
Technique, Theory and
Reference. Grossman
Audio. Style. Book and
online audio. 120 pages.
Mel Bay Publications, Inc
#30779M. Published by Mel
Bay Publications, Inc
(MB.30779M).
ISBN
9781513462691. 8.75 x
11.75
inches.
This
book presents three of
the greatest ragtime
blues guitar players from
the 1920s-1940s. They all
possessed what Rev. Gary
Davis called that
sportinâ?? right hand.
Each could sing the blues
or play a dance
instrumental. They
favored first-position
chords but produced
incredible textures and
rhythms from these easy
left-hand fingerings.
There are years of
exciting fingerpicking
challenges in these
pages. But what fun it
will be once you can play
these tunes!
BIG BILL
BROONZY Big Bill
Blues â?¢ At the Break
of Day â?¢ Friendless
Blues â?¢ Shuffle Rag
â?¢ Worrying You off My
Mind Bull Cow Blues â?¢
Five Feet Five
BLIND
BLAKE Georgia
Bound â?¢ Back Biting
Bee Blues â?¢ Cold
Hearted Mama Blues â?¢
Ice Man Blues â?¢
Righteous Blues â?¢
Tootie Blues Rope
Stretchinâ?? Blues â?¢
Sea Board Stomp â?¢
Walkinâ?? Across the
Country â?¢ What a
Lowdown Place the
Jailhouse Is
BLIND BOY
FULLER Baby, I
Donâ??t Have to Worry
â?¢ Careless Love â?¢
Georgia Ham Mama â?¢
Keep Away From My Woman
Somebodyâ??s Been
Playing With That Thing
â?¢ Why Donâ??t My
Baby Write To Me (I Got A
Woman Crazy For Me)
Sheâ??s Funny That Way
â?¢ Jivinâ?? Woman
Blues
HOW
TO USE THIS BOOK
1) Listen over and over
to the original
recordings available via
the download link for
this collection. 2) Get a
program that can control
digital audio files. Use
this with the
transcriptions and the
recordings. 3) Be
patient!! Practice,
practice and practice
some more!!
Choral (SATB Choir) SKU: HL.148034 Composed by Nick Strimple. Nick Strimp...(+)
Choral (SATB Choir)
SKU: HL.148034
Composed by Nick
Strimple. Nick Strimple
Secular Choral. Concert,
Poetry. Octavo. 12 pages.
Pavane Publishing
#NS0018. Published by
Pavane Publishing
(HL.148034).
UPC:
888680076276. 6.75x10.5
inches. William
Blake/Nick
Strimple.
Two
Flowers, presents two
contrasting, yet related,
poems by William Blake,
“The Sick
Rose,” and
“Ah,
Sunflower,” in a
single piece. Composed in
a diatonic style with
traditional, though
slightly edgy harmonies,
it is suitable for high
school, college or
community choirs. Much of
the writing calls for
soprano/tenor and
alto/bass unison.
Pentecost Chorale SATB SATB, Orgue GIA Publications
SATB choir, organ accompaniment, C instrument - Early intermediate SKU: GI.G-...(+)
SATB choir, organ
accompaniment, C
instrument - Early
intermediate
SKU:
GI.G-11027
Composed
by Eurydice V. Osterman.
Pentecost. African
American Church Music
Series. Sacred. Octavo.
16 pages. GIA
Publications #11027.
Published by GIA
Publications
(GI.G-11027).
English.
Text Source: William
Blake, 1757-1827, alt.
Text by William
Blake.
The Lamb Chorale SATB SATB, Piano [Octavo] GIA Publications
Composed by Philip Orem. Christmastide, Christmas Vigil, Christmas Night, Christ...(+)
Composed by Philip Orem.
Christmastide, Christmas
Vigil, Christmas Night,
Christmas Dawn, Christmas
Day. Sacred. Octavo. 8
pages. Published by GIA
Publications (GI.G-8536).
The Lamb Chorale SATB SATB, Piano - Facile GIA Publications
SATB choir, soprano voice solo, alto voice solo, piano accompaniment - Early int...(+)
SATB choir, soprano voice
solo, alto voice solo,
piano accompaniment -
Early intermediate
SKU: GI.G-10283
From Songs of
Innocence. Composed
by Patrick Hawes. Evoking
Sound. Music Education.
Octavo. 12 pages. GIA
Publications #10283.
Published by GIA
Publications
(GI.G-10283).
English.
Text Source: From
Songs of
Innocence,
William Blake, 1757-1827,
alt. Text by William
Blake.
Composed by Thomas Ades (1971-). Arranged by Jim Clements. Single Titles. Fabe...(+)
Composed by Thomas Ades
(1971-). Arranged by Jim
Clements. Single Titles.
Faber
Edition: Choral Signature
Series. Secular. Choral
Octavo. Faber Music #12-
0571540937. Published by
Faber
Music
Composed by Katie
O'Connor-Ballantyne.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48836. Published by
Alfred Music (AP.48836).
UPC: 038081561608.
English. William
Blake.
Captivating.
Adventurous. With just a
hint of danger. This
feisty minor key setting
of William Blake's
gripping poem immediately
garners attention with a
ferocious fanfare. Then a
jaunty, detached piano
motive (which later
becomes a choral
counterline), leads to
contemporary choral
writing firmly rooted in
traditional techniques.
Angular intervals and
syncopated agitation
provide energy, vim, and
vigor. Guaranteed to be a
highlight of rehearsals,
concerts, contests, and
festivals. Visit to
download a free choral
rehearsal guide:
www.alfred.com/tigerrehea
rsalguide This title is
available in MakeMusic
Cloud.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Introduction / The
Shepherd / The Echoing
Green / The Lamb / The
Little Boy Lost and Found
/ A Cradle Song / The
Divine Image / A Dream /
On Anothers Sorrow.
Composed by Patrick
Hawes. Evoking Sound.
Music Education. Octavo.
96 pages. GIA
Publications #10282.
Published by GIA
Publications
(GI.G-10282).
English.
Text Source: From
Songs of
Innocence,
William Blake, 1757-1827,
alt. Text by William
Blake.
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. 20th Century.
Studyscore. Composed
2000. 212 pages. Chester
Music #CH61601. Published
by Chester Music
(HL.14021022).
ISBN
9780711982888.
This
work was commissioned by
the University of British
Columbia through the gift
of David Lemon. It was
first performed on 11th
May 1997 at the Chan
Center, University of
British Columbia,
Vancouver, Canada, by
Valdine Anderson
(soprano), Linda Maguire
(mezzo soprano), Paul
Moore (tenor) and Kevin
McMillan (baritone), with
the Vancouver Bach Choir
and the CBC Vancouver
Orchestra, conducted by
the composer. Like
Vaughan Williams in his
Job: A Masque for
Dancing, Davies was
inspired in part by
William Blake's 21
engravings for the Book
of Job. His oratorio,
however, is less
dependent on finding
parallels for Blake's
visual details, given the
direct poetry in David
Lemon's adaptation of the
Stephen Mitchell
translation from the
biblical original, it is
hardly surprising that
the spotlight should be
so much on Job's
suffering litany. The
baritone has the lion's
share of the setting,
though the other soloists
occasionally reinforce
his plea and chorale-like
episodes universalize his
predicament. Davies
frames with work with two
seminal plainsong-like
passages; there is also
plenty of dramatic
contrast both within
Job's monologues and in
the vivid orchestral
writing for the smarmy
Comforters, the initially
shrill God who finally
appears out of a dazzling
orchestral whirlwind and
the animal life he uses
to illustrate the wonders
of creation to a humbled
Job.