SKU: LO.99-4131L

Composed by Lloyd Larson. Arranged by Ed Hogan. Choral, cantatas. Eastertide, Lent. Split-track accompaniment CD. Lorenz Publishing Company #99/4131L. Published by Lorenz Publishing Company (LO.99-4131L).

UPC: 000308155730.

Worth y Is the Lamb! is the compelling story of God's plan to deliver all people from the clutches of sin and death. Lloyd Larson presents this powerful reminder that Isaiah's prophetic words were fulfilled in Jesus: Surely He has borne our griefs and carried our sorrows. He was pierced for our transgressions; crushed for our iniquities; upon Him was the chastisement that brought us peace, and by His wounds we are healed (Isaiah 53:4-5). Flexibly conceived for Lent, Holy Week, or Eastertide programming, each of the three sections may be presented during the weeks or days leading up to Easter, or the entire musical may be presented a single worship experience. Small and large choirs alike will find the choral writing appealing and versatile. Accompaniment options ranging from piano only to full orchestra with CD accompaniment or live instruments ensures maximum flexibility for your unique programming needs.

Orchestra Oboe

SKU: PE.0300745982

(1961). Composed by John Cage. 5 or More; Mixed Instruments - Flexible Instrumentation; Solo Small Ensembles. Edition Peters. 20th Century. 12 pages. Edition Peters #98-0300745982. Published by Edition Peters (PE.0300745982).

ISBN 9790300745985.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Concert Band; Orchestra - Grade 0.5

SKU: AP.49160

Composed by Patrick Roszell. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Belwin Very Beginning Band. Score and Part(s). 76 pages. Duration 1:45. Belwin Music #00-49160. Published by Belwin Music (AP.49160).

UPC: 038081563572. English.

This version of Vulcan's Forge by Patrick Roszell is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Patrick Roszell's original composition is musically designed to portray the Ancient Roman god of fire of metalworking, Vulcan. This piece is accessible to students in the second half of their first year of instruction. The piece also has the option to introduce young woodwind players to trill technique. (1:45)

Percussion Accompaniment Track Downloads:
with click
without click.

This title is available in MakeMusic Cloud.

Piano Accompaniment; Soprano; String Quartet (String Parts)

SKU: HL.48025278

Text from “Des Knaben Wunderhorn” for Soprano, Piano, String Quar. Composed by Erich Schmid. Edited by Iris Eggenschwiler and Lukas Naef. Boosey & Hawkes Chamber Music. Classical. Softcover. 28 pages. Bote & Bock #M202537053. Published by Bote & Bock (HL.48025278).

UPC: 196288158561.

Erich Schmid (1907 - 2000) was an orchestra conductor, choir director and university lecturer who promoted world premieres and radiobroadcasts of contemporary music in Switzerland. He himself studied with Bernhard Sekles, among others, then with Arnold Schönberg and followed the aesthetics of the New Viennese School in his compositions. The historical-critical Erich Schmid Edition publishes for the first time all sixteen opus-numbered works as well as three additional piano works. The playfully inventive cycle for voice, piano and string quartet, dedicated to his “dear wife” Martha, brings together short compositions written in 1937-40. “These are,” says Schmid, “12 small pieces in a wide variety of instrumentation and different forms - some of them twelve-tone pieces, some of them in a technique that comes close. An attempt to write music that is technically easier to perform.” The arch-like overall form combines folksong-like vocal numbers on text from “Des Knaben Wunderhorn” with solo pieces, quartet movements and counterpoint art on the name of “BACH” and expresses Schmid's view of music in a subtly personal way.

Concert Band; Orchestra - Grade 0.5

SKU: AP.49160S

Composed by Patrick Roszell. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Belwin Very Beginning Band. Score. 16 pages. Duration 1:45. Belwin Music #00-49160S. Published by Belwin Music (AP.49160S).

UPC: 038081563589. English.

This version of Vulcan's Forge by Patrick Roszell is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Patrick Roszell's original composition is musically designed to portray the Ancient Roman god of fire of metalworking, Vulcan. This piece is accessible to students in the second half of their first year of instruction. The piece also has the option to introduce young woodwind players to trill technique. (1:45)

Percussion Accompaniment Track Downloads:
with click
without click.

This title is available in MakeMusic Cloud.

Orchestra 4 companions, 4 robbers, ladder, 1-2 part children's choir, speaker, alto xylophone, bass xylophone (guitar), soprano metallophone, soprano glockenspiel, recorder c2 (melody instrument), [cello], 3 percussion with 2 drums (bass and small tomtom), 2 cymbal - Level 2

SKU: CA.1245021

Es muss nicht immer Bremen sein. Composed by Eberhard Werdin. Children's music and musicals. Recorder. Cantatas and Singspiele for children, Secular choral music. Single Part, Recorder. 4 pages. Duration 30 minutes. Carus Verlag #CV 12.450/21. Published by Carus Verlag (CA.1245021).

Language: German.

A play in three acts for children. Score and part available separately - see item CA.1245000.

Viola (0.2(or 2fl).0.0 - 2.0.0.0 - str - bc(hps))

SKU: BR.EOS-522-19

Composed by Johann Christian Bach. Edited by Fritz Stein. Orchestra; stapled. Eulenburg Orchestral Series. Symphony; Early classical. Part. 4 pages. Duration 15'. Breitkopf and Haertel #EOS 522-19. Published by Breitkopf and Haertel (BR.EOS-522-19).

ISBN 9790004785386. 8.5 x 11.5 inches.

The Sinfonia in E-flat major was probably written by Johann Christian Bach in his first decade in London, around 1765-70. Because of its small instrumentation and ease of performance, this E-flat major symphony enjoyed great popularity even during Bach's lifetime.

Composed by Lloyd Larson. Choral, cantatas. Advent, Christmas. Choral score. Lorenz Publishing Company #65/2090L. Published by Lorenz Publishing Company

Bass Clarinet and Orchestra

SKU: HL.14001122

Composed by Asbjorn Schaathun. Music Sales America. Classical. Score. Music Sales #KP00663. Published by Music Sales (HL.14001122).

ISBN 9788759855669. Danish.

ACTIONS, INTERPOLATIONS AND ANALYSES, symphonies for bass-clarinet and large ensemble (1987-90), is what is commonly termed a work in progress. So far Schaathun has completed three of five parts. The is the composer's first large-scale attempt to investigate possible connections between ostensibly unrelated material. Explained in simple terms, it involves taking two of Schaathun's own type of texture (composed by means of different techniques) and letting them rotate around a familiar musical object (in this case a short excerpt from Stravinskij's Symphonies of Wind instruments in which he employs the famous frozen chords). In the course of the piece the elements takes over various characteristics from one another and the form progresses from fairly clear-cut textures to a situation where the various textures are superimposed, creating a dramatic flow. On a more advanced level, the piece is about trying to mediate between different musical textures as metaphors for the different levels of the sound itself. One of the main questions in this context is; What is size in music? Is it possible to take a small chord(i.e. narrow register, few instruments, simple tone colours) and then blow it up (wide register, many instruments, advanced mixtures) in such a way that the listener still perceives it as the same chord? You have simply moved closer to the sound. At any rate, when Schaathun composed the piece, he himself travellig into the sound, as if were viewing a texture from a distance. He then recomposed the same situation and drew closer, and then recompose it a third time and simply get close enough to discover the world of sounds that thus emerged. A world of sounds capable of travelling at a tremendous speed... However, like all concertos, the piece is of course about the individual and his relationship to his surroundings (society). Schaathun has often pondered on the reason for this preoccupation wih solo concertos. The answer derives from his firm conviction that nothing would ever happen if it weren't for the initiative, the Action, of the individual.

Basso continuo (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-5383-12

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Arranged by Walter Heinz Bernstein. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 8 pages. Duration 12'. Breitkopf and Haertel #OB 5383-12. Published by Breitkopf and Haertel (BR.OB-5383-12).

ISBN 9790004335345. 12 x 9 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

SSB Choir, 2 Violin, Basso Continuo

SKU: CA.2101919

Composed by Marc-Antoine Charpentier. Edited by Inge Forst. French Sacred Music. Complete orchestral parts. Sacred vocal music, Cantatas, New year, Christmas. Set of Orchestra Parts. H 316. Duration 5 minutes. Carus Verlag #CV 21.019/19. Published by Carus Verlag (CA.2101919).

ISBN 9790007198008. Language: Latin.

Marc-Antoine Charpentier not only originated the Eurovision Melody, rather he also made an important contribution to French sacred music from the baroque with his oratorios, motets and cantatas. The four cantatas for the season of Christmas (CV 21.019-21.022) are now published in first editions. The Latin texts of these works for Christmas, the New Year, Epiphany, and the Purification are based on the accounts of the Gospels, which are paraphrased in the form of poetic texts. As in Charpentier's extensive Histoires sacrees, the musical structure is oratorical, with a part for the evangelist and texts spoken directly by biblical personages and groups of people (angels, Herodes, shepherds, wise men). In each work the vocal scoring includes two sopranos and a bass (those passages where a number of voices sing together can be performed either by soloists or by a choir). With this uniform scoring it would be meaningful to perform these works as a cycle, in the manner of a small Christmas oratorio. Score and parts available separately - see item CA.2101900.

Duet for Flute and Clarinet. Composed by Victor Herbert (1859-1924). Arranged by Douglas McLain. Baton Music instrumental series. Score and Parts. Duration 3:00. Published by Baton Music (BF.BM782-SET).

Concert Band; Orchestra - Grade 2

SKU: AP.49170S

Composed by Michael Story. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Belwin Young Band. Score. 16 pages. Duration 2:30. Belwin Music #00-49170S. Published by Belwin Music (AP.49170S).

UPC: 038081563749. English.

This version of Astronomica by Michael Story is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Musically depicting the earliest recorded writings on astrology, Story's original composition begins with a hauntingly beautiful introduction transitioning to a forceful exploration with a dynamic conclusion. Enjoy this astrological journey that reinforces fermatas, caesuras, and contrasting articulations. (2:30)

Percussion Accompaniment Track Downloads:
with click.
without click. This title available in MakeMusic Cloud.

Piano; Methods and Music for Children

SKU: UT.DM-20

Composed by Francesco De Santis. Saddle stitching. Classical. Ut Orpheus #DM 20. Published by Ut Orpheus (UT.DM-20).

ISBN 9790215302488. 9 x 12 inches.

This set of easy pieces for piano and MIDI file proposes to get young students used to ensemble music, by playing with the accompaniment of a small midi orchestra, for both didactic and recreational purposes.
Naturally, a piano solo performance of the same pieces will also be enjoyable for young players, to whom this volume is dedicated.

Orchestra Violin

SKU: PE.0300746407

(1961). Composed by John Cage. 5 or More; Mixed Instruments - Flexible Instrumentation; Solo Small Ensembles. Edition Peters. 20th Century. 12 pages. Edition Peters #98-0300746407. Published by Edition Peters (PE.0300746407).

ISBN 9790300746401.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Part 1 in Eb (Alto Saxophone, Eb Trumpet/Cornet, Eb Clarinet). Arranged by James Curnow. This edition: CMP123908. Curnow Concert Band Full Set. 16 pages. Published by Curnow Music.

Orchestra Orchestral Percussion

SKU: PE.0300746016

(1961). Composed by John Cage. 5 or More; Mixed Instruments - Flexible Instrumentation; Solo Small Ensembles. Edition Peters. 20th Century. 12 pages. Edition Peters #98-0300746016. Published by Edition Peters (PE.0300746016).

ISBN 9790300746012.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Part 2 in Bb (Clarinet, Trumpet). Arranged by James Curnow. This edition: CMP124108. Curnow Concert Band Full Set. 16 pages. Published by Curnow Music.

Wind orchestra

SKU: FG.55011-556-9

Composed by Jean Sibelius. Large score. Fennica Gehrman #55011-556-9. Published by Fennica Gehrman (FG.55011-556-9).

ISBN 9790550115569.

Jean Sibelius (1865-1957) made his first sketches for material that would later find its way into Cassazione at the end of the 1890s; there are already hints of it among the sketches for the First Symphony, completed in 1899. He conducted the first performance of Cassazione as the opening number in a concert of his music held at the Helsinki University Hall on February 8, 1904. Described as ballad for orchestra, the work is structured in five episodes. Robert J. Ambrose's transcription for wind band is based on the original full symphony orchestra version (the full score published by Fennica Gehrman, ISMN 9790550112353). This transcription gives an opportunity to perform the work with smaller ensembles (down to 28 musicians) as well as full wind band. See the sample pages for instrumentation and performance notes.

Wind orchestra

SKU: FG.55011-557-6

Composed by Jean Sibelius. Score & parts. Fennica Gehrman #55011-557-6. Published by Fennica Gehrman (FG.55011-557-6).

ISBN 9790550115576.

Jean Sibelius (1865-1957) made his first sketches for material that would later find its way into Cassazione at the end of the 1890s; there are already hints of it among the sketches for the First Symphony, completed in 1899. He conducted the first performance of Cassazione as the opening number in a concert of his music held at the Helsinki University Hall on February 8, 1904. Described as ballad for orchestra, the work is structured in five episodes. Robert J. Ambrose's transcription for wind band is based on the original full symphony orchestra version (the full score published by Fennica Gehrman, ISMN 9790550112353). This transcription gives an opportunity to perform the work with smaller ensembles (down to 28 musicians) as well as full wind band. See the sample pages for instrumentation and performance notes.