By Sydney H. Nicholson. Arranged by Paul Leddington Wright. For SATB choir and organ with optional brass, percussion and congregation (2 B-flat trumpets, trombone, horn (opt. trombone), tuba, timpani). Hymn Concertato Series. Conductor's score and brass parts. Published by Hope Publishing Company

By Ellen Woods Bryce. SATB, unison/2-part. Sacred. Octavo. Published by Chorister's Guild.

(An Easter Introit). By Jay L. Althouse. For SATB choir with optional brass quintet and timpani (2 Bb trumpets, french horn, trombone, tuba and timpani). Introit. Easter. Score and instrumental parts. Published by Hope Publishing Company

SATB choir, cantor, assembly, keyboard accompaniment, flute, oboe, trumpet in B-flat, trumpet in C, violin 1, violin 2, viola, cello, bass, timpani - Early intermediate

SKU: GI.G-10429

Composed by Jeremiah Clarke. Arranged by Chaz Bowers. Eastertide, Easter Sunday, Easter 2 A, Easter 2 B, Easter 2 C. Choral. Tune Name: Puer Nobis. Sacred. Octavo. 12 pages. GIA Publications #10429. Published by GIA Publications (GI.G-10429).

English. Text Source: Ps. 118, ref., Lectionary for Mass, vss., The Abbey Psalms and Canticles Scripture: Psalm 118.

This setting of Psalm 118 is centered around two themes, the hymn tune PUER NOBIS as the refrain and A Trumpett Minnuett by Jeremiah Clarke, which serves for a ritornello, the returning musical theme that acts as an interlude between the refrain and the verses. It can be performed with the full complement of instruments, or with solo trumpet, with strings, or with organ alone.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, timpani - Early intermediate

SKU: GI.G-10867

Christ Is Made the Sure Foundation / Lo, He Comes, with Clouds Descending. Composed by Henry Purcell. Arranged by Larry Visser. Eastertide, Advent, OT 9 A, OT 21 A, Dedication of Lateran Basilica, Christ the King, Easter 2 A, Easter 2 B, Easter 2 C. Calvin Institute. Tune Name: WESTMINSTER ABBEY. Sacred. Octavo. 16 pages. GIA Publications #10867. Published by GIA Publications (GI.G-10867).

English. Text Source:

",Christ Is Made the Sure Foundation,", Angularis fundamentum, Latin, 7th c., ,tr. John M. Neale, 1818&ndash,1866, alt. ",Lo, He Comes, with Clouds Descending,", ,st s. 1, 3 &, 4, Charles Wesley, 1. Text by Charles Wesley.

By Robert A. Hobby (1962-). For SATB choir and organ, with optional children's choir, handbells, 2 trumpets and congregation. Palm Sunday. Moderately easy. Octavo. Published by MorningStar Music Publishers

(Orchestration). By Stuart K. Hine (1899-1989). Arranged by Mark Hayes. For SATB choir and orchestra (instrumental pack). Shawnee Press. For use with MS.A8762. Shawnee Press #LB5955. Published by Shawnee Press

By Jeff Funk. For SATB Voices with Keyboard & Optional Rhythm Section: Trumpets 1&2 in Bb, Tenor Saxophone in Bb, Trombone, Piano, Guitar, Bass, Drums. Standard notation

Composed by Conrad Susa (1935-). Christmas. Full score. Published by E.C. Schirmer Publishing (EC.4365A).

Orchestra Soli SATBB, SATB Choir, 2 Fl, 2 Ob (auch 1 Obda), Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Vc, Bc

SKU: CA.3914209

Composed by Georg Philipp Telemann. Edited by Silja Reidemeister. Arranged by Sven Hiemke. 1x 39.142/21 flute 1, 1x 39.142/22 flute 2, 1x 39.142/23 Oboe/ Oboe da caccia, 1x 39.142/24 oboe 2, 1x 39.142/25 bassoon, 1x 39.142/31 horn, 4x 39.142/32 3 trumpets and timpani. Stuttgart Urtext Edition: Telemann-Archiv. Harmony parts. Sacred vocal music. Set of Orchestra Parts. Composed 1756/1760. TVWV 6:3. Duration 40 minutes. Carus Verlag #CV 39.142/09. Published by Carus Verlag (CA.3914209).

ISBN 9790007216269. Language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part. Score and parts available separately - see item CA.3914200.

Orchestra Soli SATBB, SATB choir, 2 flutes, 2 oboes (also 1 oboe d'amore), bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, cello, basso continuo

SKU: CA.3914205

Composed by Georg Philipp Telemann. Edited by Silja Reidemeister. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Telemann-Archiv. Sacred vocal music. Choral Score. Composed 1756/1760. TVWV 6:3. 8 pages. Duration 40 minutes. Carus Verlag #CV 39.142/05. Published by Carus Verlag (CA.3914205).

ISBN 9790007166687. Text language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part. Score available separately - see item CA.3914200.

Orchestra Soli SATBB, SATB choir, 2 flutes, 2 oboes (also 1 oboe d'amore), bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, cello, basso continuo

SKU: CA.3914200

Composed by Georg Philipp Telemann. Edited by Silja Reidemeister. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Telemann-Archiv. Sacred vocal music. Full score. Composed 1756/1760. TVWV 6:3. 104 pages. Duration 40 minutes. Carus Verlag #CV 39.142/00. Published by Carus Verlag (CA.3914200).

ISBN 9790007166663. Text language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part.

Composed by Cyril Taylor. Arranged by Lloyd Larson. For SATB choir with optional brass instruments. Abbot's leigh, Hymntune, General, Sacred. Octavo. 12 pages. Published by Hope Publishing Company

By Sydney H. Nicholson. Arranged by Paul Leddington Wright. For SATB choir and organ with optional brass, percussion and congregation. Hymn Concertato Series. Octavo. 12 pages. Published by Hope Publishing Company

Orchestra Soli SATBB, SATB Choir, 2 Fl, 2 Ob (auch 1 Obda), Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Vc, Bc

SKU: CA.3914203

Composed by Georg Philipp Telemann. Edited by Silja Reidemeister. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Telemann-Archiv. Sacred vocal music. Vocal score. Composed 1756/1760. TVWV 6:3. 56 pages. Duration 40 minutes. Carus Verlag #CV 39.142/03. Published by Carus Verlag (CA.3914203).

ISBN 9790007166670. Language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part. Score available separately - see item CA.3914200.

SATB Chorus, 3 Bb Trumpets, 2 Trombones, Timpani & 3-5 oct. Handbells

SKU: HP.C6271B

Composed by Wes Cameron. Piano with optional Brass (available separately). Easter Sunday, Introit. Choral Parts. Hope Publishing Company #C6271B. Published by Hope Publishing Company (HP.C6271B).

UPC: 763628262716.

Origi nal anthem This Easter Sunday introit is a perfect way to begin your resurrection celebration with a powerful opening for choir, organ, brass, and handbells. The text is a verse of Crown Him with Many Crowns placed between the proclamation Christ is risen! Alleluia!.

SATB Chorus, 3 Bb Trumpets, 2 Trombones, Timpani & 3-5 oct. Handbells

SKU: HP.C6271C

Composed by Wes Cameron. Piano with optional Brass (available separately). Easter Sunday, Introit. Choral Performance/Accompaniment CDs. Hope Publishing Company #C6271C. Published by Hope Publishing Company (HP.C6271C).

UPC: 763628962715.

Origi nal anthem This Easter Sunday introit is a perfect way to begin your resurrection celebration with a powerful opening for choir, organ, brass, and handbells. The text is a verse of Crown Him with Many Crowns placed between the proclamation Christ is risen! Alleluia!.

By Robert A. Hobby (1962-). For Two-Part Mixed Voices or SATB, Soprano Solo, opt. Congregation, opt. Children's Choir or Treble Solo with Organ, Piano, Brass Quintet, Percussion, Handbells or Full Orchestra. Choral. Christmas, Advent. Medium to Moderately Difficult. Published by MorningStar Music Publishers

By Bob Chilcott. For SATB choir and soloists (soprano, tenor, 2 baritones), with organ/small ensemble (organ or 2 trumpets (Bb), horn (F), trombone, tuba, timpani, strings). Mixed Voices. Contemporary, Choral Works. Vocal score. 96 pages. Duration 60'. Publ

SATBB vocal soli, SATB choir, orchestra

SKU: CA.3914212

Composed by Georg Philipp Telemann. Edited by Silja Reidemeister. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Telemann-Archiv. Violin 2. Sacred vocal music. Single Part, Violin 2. Composed 1756/1760. TVWV 6:3. 20 pages. Duration 40 minutes. Carus Verlag #CV 39.142/12. Published by Carus Verlag (CA.3914212).

ISBN 9790007216283. Language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part. Score and part available separately - see item CA.3914200.

Composed by Roy Belfield, Jr.. For SATB choir, organ accompaniment, 2 trumpets in Bb or C. OT 12 A. African American Church Music Series. Sacred. Text language: English. 8 pages. Published by GIA Publications

Composed by Kunc/Latona. Festive setting of a Latin text with Vatican melody. General. Score. Published by CanticaNOVA Publications (C5.5292-S).

SATB choir, assembly, keyboard accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet in C, horn in f, trombone, tuba, timpani - Early intermediate

SKU: GI.G-10063

Composed by Carlos Zapién. Tu Pueblo Canta. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #10063. Published by GIA Publications (GI.G-10063).

English, Spanish, Latin. Text Source: Estrofas: Salmo 144:2-3, 4-5, 6-7, 10-11, 17-18, La Biblia: Libro del Pueblo de Dios, Verses: Psalm 145:2-3, 4-5, 6-7, 10-11, 17-18, The Abbey Psalms and Canticles, Estribillo por/Refrain by Carlos Zapién. Scripture: Psalm 145:2–3, 4–5, 6–7, 10–11, 17–18.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105209

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. 1x 31.052/21 oboe 1, 1x 31.052/22 oboe 2, 1x 31.052/23 oboe 3, 1x 31.052/24 bassoon, 1x 31.052/31 horns 1 and 2, 1x 31.052/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Cantatas, End of the church year, Trinity. Set of Orchestra Parts. Composed 1726. BWV 52. Duration 18 minutes. Carus Verlag #CV 31.052/09. Published by Carus Verlag (CA.3105209).

ISBN 9790007206307. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and parts available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105231

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Horns 1 and 2. Cantatas, End of the church year, Trinity. Single Part, Horn 1 and 2. Composed 1726. BWV 52. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.052/31. Published by Carus Verlag (CA.3105231).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105212

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 2. Cantatas, End of the church year, Trinity. Single Part, Violin 2. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/12. Published by Carus Verlag (CA.3105212).

ISBN 9790007206321. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105222

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Oboe 2. Cantatas, End of the church year, Trinity. Single Part, Oboe 2. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/22. Published by Carus Verlag (CA.3105222).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

SATB choir, assembly, keyboard accompaniment, C instrument, trumpet in B-flat, trumpet in C - Beginning

SKU: GI.G-5261

Composed by Paul Lisicky. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #5261. Published by GIA Publications (GI.G-5261).

English. Text Source: Psalm 141:1–2, 4, 7–8, 9–10. Text by Paul Lisicky. Scripture: Psalm 141:1–2, 4, 7–8, 9–10.

An appealing paraphrase of Psalm 141, the incense psalm, nicely scored for SAB refrain, with varied verses for solo, unison, SA and TB. Includes a Bb or C instrument descant over the refrain. .

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105205

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Cantatas, End of the church year, Trinity. Choral Score. Composed 1726. BWV 52. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.052/05. Published by Carus Verlag (CA.3105205).

ISBN 9790007187385. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score available separately - see item CA.3105200.