Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 4

SKU: FL.FX072523

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072523. Published by FLEX Editions (FL.FX072523).

I wanted to build a Medley of this brilliant composer that was Vivaldi, on a version a bit more Rock'n Roll! The player will find a particular interest in studying this piece to assert her/his instrumental technique. - Jerome NAULAIS ;

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 4; Duration: 6 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS;.

Composed by Adrienne Albert. Set of Score and Parts. 12 4 pages. Duration 6 minutes. Theodore Presser Company #114- 42266. Published by Theodore Presser Company

Flute, Piano - Grade 3

SKU: FL.FX072357

Composed by Alain Lopez. Flute'Again. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072357. Published by FLEX Editions (FL.FX072357).

This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... A series of pieces for exams or auditions - for students playing Flute for 4 years onwards.

Flute, Piano - Grade 3

SKU: FL.FX071525

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071525. Published by FLEX Editions (FL.FX071525).

As a fan of bossa-novas from Antonio Carlos Jobim (with complex and moving harmonies), I have created my samba jazz in order to motivate students to work on typical rhythms of this musical style - Alain LOPEZ.

Flute, Piano - Grade 2

SKU: FL.FX071922

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071922. Published by FLEX Editions (FL.FX071922).

The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...

Flute, Piano - Grade 2

SKU: FL.FX071193

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071193. Published by FLEX Editions (FL.FX071193).

I had fun to mix three musical styles remotely related. My idea was to take a classical musical phrase then to reharmonize it to give it jazz or pop colors. Here is for the 'short story'.

Flute, Piano - Grade 2

SKU: FL.FX071533

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071533. Published by FLEX Editions (FL.FX071533).

A rhythmically simple composition that I wanted to be very melodic to encourage students to become familiar with repeated notes. - Alain LOPEZ.

Flute & Piano

SKU: SU.97023310

For Flute & Piano. Composed by William Thomas McKinley. Woodwinds, Flute/Piccolo. Accompanied by piano. Score & Parts. Notevole Music Publishing #97023310. Published by Notevole Music Publishing (SU.97023310).

Inspired by the French Romantic and Impressionist traditions, my romances for fute and piano, composed during late July and early August 1984, was carefully conceived for the marvelous lyrical and technical gifts of Robert Stallman and Richard Goode, to whom the work is warmly dedicated. All three Romances, although brief in duration, unfold with a sense of large gesture and design. The first Romance is in 3/4 time and flows generally in the manner of a lyrical waltz with occasional turbulent interruptions. The second Romance is in 4/4 time, unfolding in a stately Baroque-like manner, and the third Romance is in 2/4 time, melodically expansive and often tempestuous. All three Romances strive to honor the goals of traditional performance practice while, at the same time, they create an energy and drama of modernity and contemporary richness. And for these goals I am indebted to so many of the most outstanding performers and conductors of our time with whom I have worked and from whom I have learned much– those who have demonstrated the importance of preserving in addition to further developing those significant natural attributes of musical expression and traditional performance practice which are so often ignored in contemporary compositional values. — William Thomas McKinleyFlute & Piano Duration: 14' Composed: 1984 Published by: Notevole Music Publishing.

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Flute and Piano

SKU: IS.FP7396EM

Composed by Nico Schoeters. Woodwinds - Flute. Metropolis Music Publishers #FP7396EM. Published by Metropolis Music Publishers (IS.FP7396EM).

ISBN 9790365073962.

Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day. The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.

Arranged by Lloyd Larson. For C Instrument, Flute, Piano. Sacred. Print Music Collection (Instrumental Parts). Published by Hope Publishing Company.

Flute and Piano - very easy, easy

SKU: BT.DHP-1196124-404

Flauto. Arranged by Markus Schenk. Ascolta, Leggi e Suona. Opera or Operetta. Book with Part and Audio-Online. Composed 2019. 80 pages. De Haske Publications #DHP 1196124-404. Published by De Haske Publications (BT.DHP-1196124-404).

ISBN 9789043157346. Italian.

Ascolta , leggi & suona rappresenta oggi il testo di riferimento dedicato all’insegnamento della musica per ottoni e legni. Questo fantastico metodo, costituito da libro e CD, include canzoni, indovinelli musicali e giochiche permetteranno all'allievo principiante di progredire nella conoscenza della musica, fornendogli al contempo utilissime informazioni sul suo strumento e numerosi brani da suonare divertendosi. I tre volumi che compongonol’opera sono i primi della collana e sono affiancati da testi contenenti materiale supplementare per i differenti livelli del corso.

Incontra l’opera offre utile materiale complementare a tutti e tre i volumi della serieAscolta, leggi & suona e include arie famose, cori e ouvertures, proposti secondo un ordine di difficolt crescente. Una selezione delle più belle melodie mai scritte per l’opera, corredate da un quadro storico esplicativo.L’alli evo potr esercitarsi da solo, utilizzando le tracce registrate disponibili online, scaricabili o ascoltabili in streaming. Questa edizione contiene l’accompagnamento pianistico, arrangiato sapientemente a un moderatolivello di difficolt .

(for Flute and Piano). By Camille Saint SaÌÇns. Arranged by Denis Bouriakov. Solo instrument with piano. For Flute, Piano. Premiere: British Flute Society Convention, Denis Bouriakov and Clifford Benson. Romantic. Advanced/Professional. Solo part with piano reduction. Standard notation. Op. 28. Duration 8 minutes. Published by Theodore Presser Company

For Flute and Piano. Composed by Jules Mouquet (1867-1946). Arranged by James Galway. Southern Music. Softcover. 24 pages. Lauren Keiser Music Publishing #SU804. Published by Lauren Keiser Music Publishing

With online audio of piano accompaniments. By Various. By Various. Misc. Softcover Audio Online. 48 pages. Published by Hal Leonard

With online audio of piano accompaniments. Composed by Richard Rodgers and Oscar Hammerstein. Broadway, Movies, Musicals. Softcover Audio Online. 60 pages. Published by Hal Leonard

Arranged by Jack Schrader. For Flute, Piano. Sacred. Print Music Collection (Instrumental Book). Published by Hope Publishing Company.

Flute and piano - Level 3

SKU: LM.27958

Composed by Jean Marc Allerme and Vincent Charrier. Pop, jazz. Score and CD. Editions Henry Lemoine #27958. Published by Editions Henry Lemoine (LM.27958).

ISBN 9790230979580.

Josh ua Fit the Battle of Jericho (trad.) - TCHAIKOVSKI P.I. : Fantasia, Valse des Fleurs extr. de Casse-noisette - CARMEN E. : All by Myself - BETTI H. / HORNEZ A. : C'est si bon - MENDELSSOHN F. : Les Visiteurs, Concerto pour violon - Nobody Knows The Trouble l've Seen (Trad.) - MANCINI H. : The Pink Panther - SCHIFFRIN L. : Mission impossible - WILLIAMS J. : Les Aventuriers de l'Arche perdue, Raider's March - ALBINONI T. : Quatre mariages et un enterrement, Adagio.

For Flute and Piano. Composed by Nancy Andrew. Arranged by James Galway. Southern Music. Classical. Softcover. Southern Music Company #B579. Published by Southern Music Company

(For Flute and Orchestra (Piano Reduction and Flute Part)). By Dan Welcher. For Solo Flute and Piano. Solo part with piano reduction. Standard notation. Composed 1973. 38 pages. Duration 25:00

(transcribed for flute and piano by James Galway Flute and Piano Reduction). By James Galway. By Antonio Vivaldi (1678-1741). Arranged by James Galway. Score and Parts. Woodwind Solo. Softcover. 88 pages. Published by G. Schirmer

With online audio of piano accompaniments. Composed by Andrew Lloyd Webber. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

Flute and Piano Book/Online Audio. Composed by George Gershwin (1898-1937). For Classical Players. Softcover Audio Online. 56 pages. Published by Hal Leonard

For flute and piano. Format: set of performance parts (includes separate pull-out flute part). With solo part and piano accompaniment. Baroque, classical period and romantic period. Series: Everybody's Favorite Series #38. 190 pages. 9x12 inches. Published by Music Sales.

With online audio of piano accompaniments. Composed by Various. For Classical Players. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard