Guitar - very easy SKU: HL.49005329 Guitar. Edited by Ludwig Ander...(+)
Guitar - very easy
SKU: HL.49005329
Guitar. Edited by
Ludwig Andersen. Arranged
by Walter Lutz and Willi
Draths. This edition:
Plastic cover. Paperback.
Edition Schott.
Classical. Melody Line
(with Chords). 168 pages.
Schott Music #ED5000.
Published by Schott Music
(HL.49005329).
ISBN
9783795740009. UPC:
073999172874.
4.75x7.25x0.46 inches.
German.
Diese
Standard-Sammlung von 203
der schonsten und
bekanntesten Volks-,
Wander-, Trink- und
Scherzlieder gehort in
jeden Wander-Rucksack und
die Hand eines jeden, der
Freude am Singen hat. Zu
dieser Sammlung ist auch
ein Textbuchlein
erhaltlich (ISBN
3-7957-3000-7).
Guitar - Intermediate SKU: MB.30667M With Guitar Transcriptions of Bac...(+)
Guitar - Intermediate
SKU: MB.30667M
With Guitar
Transcriptions of Bach's
Figured Bass
Accompaniment.
Composed by Matthias
Stegmann. Gospel/Sacred,
Squareback saddle stitch,
Christian. Gospel. Book
and online PDF. 238
pages. Mel Bay
Publications, Inc
#30667M. Published by Mel
Bay Publications, Inc
(MB.30667M).
ISBN
9781513463971. 8.75 x
11.75
inches.
Johann
Sebastian Bachâ??s
arrangements of the
â??69 Sacred Songsâ?
from the Musical
Hymnal by Georg
Christian Schemelli
(Leipzig, 1736) have long
been part of the German
language vocal concert
repertoire and a mainstay
in vocal pedagogy.
Originally, only these 69
of the 954 hymns in the
collection were published
with a single bass line
as the accompaniment.
Bachâ??s contribution
was to specify harmonies
to be played over those
same bass lines by adding
figured bass
numbers and symbols
beneath each
note.
A figured
bass line can easily be
turned into a relatively
simple guitar
accompaniment or a more
elaborate setting,
offering a range of
possibilities that make
working with this music
both interesting and
rewarding for the
guitarist. While other
period and modern
editions of the â??69
Sacred Songsâ? offer
accompaniments for
keyboard instruments,
this Mel Bay publication
features intermediate to
advanced transcriptions
exclusively for the
guitar.
Best
suited to college-level
players or advanced
aficionados, this special
Mel Bay Publications
edition includes the
vocal line with German
lyrics and the guitar
accompaniment transcribed
from Bachâ??s figured
bass lines. Written in
guitar-friendly keys, 29
of the transcriptions
employ a capo to achieve
the original key designed
for high voices. Without
the capo, these same
arrangements would be
suitable to be sung by
lower voices. The
remaining 40 hymns are in
their original
guitar-friendly keys and
so do not require a
capo.
This volume
contains accompaniment
settings of all 69 of the
sacred songs and arias
for which Bach wrote
figured bass annotation.
For performance variety
and convenience, this
book includes â??Scores
in their Original
Keys,â? and
stand-alone â??Guitar
Accompaniment,â? and
â??Bass Parts.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar SKU: BT.MUSAM996996 Arranged by Russ Shipton. The Complete Guitar ...(+)
Guitar
SKU:
BT.MUSAM996996
Arranged by Russ Shipton.
The Complete Guitar
Player. Pop & Rock. Book
with CD. Wise
Publications
#MUSAM996996. Published
by Wise Publications
(BT.MUSAM996996).
ISBN
9781849380140.
English.
Th
e Complete Guitar
Player series
has taught hundreds of
thousands how to play and
the accompanying
songbooks have featured
hits by Paul Simon, Elvis
Presley, The Beatles,
John Denver and many
othertopartists.
N
ow these songbooks are
available in super value
omnibus editions like
this one. The songs are
still graded by ease of
playing and everything is
there... standard
notation, Guitar chord
boxes, full lyrics
andevenstrumming
patterns!
Over 180
great songs! Perfect for
all players and
singers!
The bonus
CD contains backing
tracks to 16 of the songs
in the book.
Irish Reel Book Guitare [Partition + CD] - Facile AMA Verlag
By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish....(+)
By Patrick Steinbach. For
Acoustic Instruments.
Solos. AMA Verlag.
Celtic/Irish. Level:
Beginning-Intermediate.
Book/CD Set. Size
9.x11.75. 180 pages.
Published by AMA Verlag.
ISBN 3899220234.
Voice and guitar SKU: HL.49015258 Das Liederbuch der jungen Szene....(+)
Voice and guitar
SKU:
HL.49015258
Das
Liederbuch der jungen
Szene. Edited by
Bertold Marohl. This
edition: Plastic cover.
Paperback. Edition
Schott. Classical. Melody
Line (with Chords). 274
pages. Schott Music #ED
7120. Published by Schott
Music (HL.49015258).
ISBN 9783795720629.
4.75x7.25x0.59 inches.
German.
Der neue
Zupfgeigenhansl erscheint
als Folgeband des seit
der Jugendbewegung
allgemein bekannten
Zupfgeigenhansl und
enthalt 121 Lieder, die
auf die Anliegen der
jungen Generation des
ausgehenden 20.
Jahrhunderts eingehen:
Fahrt uber Lander und
Meere - internationale
Folklore und Spirituals -
kritische alte und neue
Lieder zu unseren
Zeitproblemen - das Thema
Liebe - Balladeskes und
Heiteres. Das Buch bietet
Melodien, vollstandige
Texte, Akkorde fur
Gitarrebegleitung, Bilder
und Infos zu den Textern,
Komponisten und
Interpreten.
Compiled by Russ Shipton. Fake book for voice and guitar. With vocal melody, lyr...(+)
Compiled by Russ Shipton.
Fake book for voice and
guitar. With vocal
melody, lyrics, chord
names and guitar chord
diagrams. 167 pages.
Published by Music Sales.
By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guita...(+)
By William Bay and Mike
Christiansen. For Guitar
(All). Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 9x11.75. 144 pages.
Published by Mel Bay
Publications, Inc.
Book with Online Audio & Video Guitar SKU: HL.346730 The Best Step-by-...(+)
Book with Online Audio &
Video Guitar
SKU:
HL.346730
The Best
Step-by-Step Guide to
Start Playing. Do It
Yourself. Method.
Softcover Media Online.
136 pages. Published by
Hal Leonard (HL.346730).
ISBN 9781540094797.
UPC: 840126925111.
9.0x12.0x0.329
inches.
Do-It-Yours
elf Guitar is a fun way
to get started playing on
your own. Using over 90
well-known pop and rock
tunes, you will be given
step-by-step instructions
on what you need to know
to get started and
sounding like a pro in no
time. Includes over 150
audio tracks for
demonstration and
play-along, plus video
instruction that covers
all concepts within!
Covers: Guitar
fundamentals; reading
guitar tablature;
fret-hand and pick-hand
techniques; chords &
chord progressions;
scales; techniques for
acoustic and electric
guitar; lead guitar;
fingerstyle guitar;
playing styles of famous
guitarists; demonstraton
and play-along audio
tracks; video instruction
and demonstration; and
more! The price of this
book includes access to
audio and video online,
for download or
streaming, using the
unique code found inside.
Includes PLAYBACK+, a
multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or
right–available
exclusively from Hal
Leonard.
9th Grade and Higher Edition. By William Bay and Mike Christiansen. For Guitar (...(+)
9th Grade and Higher
Edition. By William Bay
and Mike Christiansen.
For Guitar (All).
Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 8.75x11.75. 136
pages. Published by Mel
Bay Publications, Inc.
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all
guitars. Modern Guitar
Method. All styles, solos
& duets. Level: Multiple
Levels. Book. Method.
Size 8.75x11.75. 320
pages. Published by Mel
Bay Pub., Inc.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Ãœber 50 Klassiker &
aktuelle Hits für
Akustikgitarre.
Composed by Wieland
Harms. This edition:
Klebebindung. Sheet
music. 168 pages. Edition
Melodia #GRG 106102100.
Published by Edition
Melodia
(M7.GRG-106102100).
ISBN 9783872523532.
German.
Ãœber 50
Rock- & Popsongs fu?r
Akustikgitarre - vom
kultigen Klassiker bis
zum aktuellen Hit Das
breite Spektrum des
Repertoires vom
3-Akkorde-Stu?ck bis zum
anspruchsvollen
Chord-Melody-Arrangement
ist Motivation fu?r den
Anfänger und stellt
dem Fortgeschrittenen
Songmaterial zur
Verfu?gung, mit dem er
sich stilistisch und
spieltechnisch
weiterentwickeln kann.
Viele Fotos und
Informationen zu den
Bands, Teilweise mit
Noten & Texten, teilweise
nur mit Chord Charts.
A Complete Course for the Beginner Guitarist!. Performed by Keith Wyatt. Dvd. DV...(+)
A Complete Course for the
Beginner Guitarist!.
Performed by Keith Wyatt.
Dvd. DVD (Digital Video
Disc). Size 5.25x7.5
inches. Published by
Hudson Music And Hal
Leonard.
By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guita...(+)
By William Bay and Mike
Christiansen. For Guitar
(All). Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 8.75x11.75. 136
pages. Published by Mel
Bay Publications, Inc.
Guitar SKU: M7.VOGG-347 Composed by Sash J. Sheet music with CD. 120 page...(+)
Guitar
SKU:
M7.VOGG-347
Composed
by Sash J. Sheet music
with CD. 120 pages.
Voggenreiter #VOGG 347.
Published by Voggenreiter
(M7.VOGG-347).
ISBN
9783802403477.
German.
Für alle
Gitarristen, die
ausgetretene Solo-Pfade
verlassen und neue
kreative Möglichkeiten
entdecken wollen: neue
Methoden zur Entwicklung
eines eigenständigen
Solostils für
Anfänger und Profis.
Dieses Buch ermöglicht
jedem Gitarristen die
konsequente Entwicklung
einer eigenen 'Stimme'.
Dabei spielen
theoretische Grundlagen
wie die Kenntnis der
wichtigsten Skalen und
Modi eine ebenso große
Rolle wie kreative Ideen
für die musikalische
Praxis. Mit Tipps zu
Motivbildung,
Stimmführung,
Phrasierung,
Spezial-Effekten,
Akkordstrukturen und
Arpeggien, traditionellen
und exotischen Skalen
kann sich jeder Gitarrist
individuell
weiterentwickeln. Mit
einem eigenen Abschnitt
über das oft
vernachlässigte Thema
'Musikbusiness' und
zahlreichen
Praxis-Tipps.
By Ron Manus, Link Harnsberger, and Nathaniel Gunod. For Guitar. Book; CD; Guita...(+)
By Ron Manus, Link
Harnsberger, and
Nathaniel Gunod. For
Guitar. Book; CD; Guitar
Method or Supplement;
Method/Instruction.
Children. 96 pages.
Published by Alfred Music
Publishing
100 Classic Songs Specially Arranged for Beginner Guitarists with Performance...(+)
100 Classic Songs
Specially Arranged for
Beginner Guitarists with
Performance Tips.
Music Sales America.
Softcover. 224 pages.
Music Sales #AM1011538.
Published by Music Sales
(HL.14043892).
Guitar SKU: HL.146362 Book Only. Guitar Tab Method. Instruction. S...(+)
Guitar
SKU:
HL.146362
Book
Only. Guitar Tab
Method. Instruction.
Softcover. Published by
Hal Leonard (HL.146362).
ISBN 9781495023354.
UPC: 888680070212.
9.0x12.0x0.11
inches.
“The
ultimate learning tool to
go from zero to guitar
hero in no time!â€
–Guitar World
magazine Designed for
electric or acoustic
guitar. Get started
quickly and easily
– with songs you
want to play! This method
introduces notes with
riffs like “Crazy
Train†and
“Smoke on the
Water,†power
chords with classics by
AC/DC and the Who,
chord-strumming with
songs from Neil Young and
Nirvana, and much more.
The method's unique,
well-paced, and logical
teaching sequence will
get students playing more
easily than ever before,
and music from popular
artists like the Beatles,
Jimi Hendrix, and Led
Zeppelin will keep them
playing and having fun.
Book 1 includes: parts of
the guitar,
easy-to-follow guitar
tablature, notes &
riffs starting on the low
E string, tempo &
time signatures,
understanding notes and
rests, palm muting,
vibrato, power chords,
open chords, strumming,
slides and slurs,
hammer-ons and pull-offs,
many music styles, nearly
100 riffs and songs, and
more!
Voice (melody instrument) and guitar - very easy SKU: HL.49004827 43 W...(+)
Voice (melody instrument)
and guitar - very easy
SKU: HL.49004827
43 Weihnachtslieder
leicht gesetzt.
Edited by Walter Wilhelm
Goetze. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 32 pages.
Schott Music #ED 4361.
Published by Schott Music
(HL.49004827).
Guitars solo SKU: BR.EB-9108 Composed by Klaus Ospald. Solo instruments; ...(+)
Guitars solo
SKU:
BR.EB-9108
Composed
by Klaus Ospald. Solo
instruments; Softbound.
Edition Breitkopf.
World premiere:
Darmstadt, August 9,
1996
Music post-1945.
Performance score.
Composed 1996. 82 pages.
Duration 15'. Breitkopf
and Haertel #EB 9108.
Published by Breitkopf
and Haertel (BR.EB-9108).
ISBN 9790004181393. 16
x 12 inches.
Schon
vor uber einem Jahr bat
mich Jurgen Ruck, doch
ein Gitarrenduo zu
komponieren. Ja, so
dachte ich, warum nicht,
warum nicht. Je langer
ich jedoch daruber
nachdachte, desto
unangenehmer wurde diese
Vorstellung: 2 Gitarren -
was wollen sie mir denn
sagen? Mein
Ausdrucksbedurfnis und
diese 2 Gitarren ...?!
Und so komponierte ich
andere Stucke, aber
seltsamerweise ging mir
das Gitarrenduo nicht aus
dem Kopf, verpasste keine
Gelegenheit, bei anderen
zu nolen und knupfte
dennoch standig neue und
dichtere Faden zu diesem
Instrument, das in seiner
klanglichen
Beschaffenheit, seinem
historischen und vor
allem soziologischen
Bezug (wer hatte nicht
schon alles dieses
Instrument in der Hand?
Ob Pfadfinder oder
Genossen, ob Flamenco
oder Bossa Nova,
scheinbar ein Instrument
fur Alle ...) eine grosse
Spannung birgt. Zugrunde
liegt ein Text von Miguel
Hernandez, jenem Dichter,
der in der Zeit des
spanischen Burgerkriegs
so wunderbare Gedichte
schrieb und so tragisch
starb. Der Inhalt des
Gedichts: Das Kind als
Zugtier (El nino
yuntero); ein Gedicht fur
all die Kinder, die
,,geboren als Werkzeug -
verdammt zu Schlagen
jeden Tag ,,mehr Wurzel,
weniger ,,Mensch langsam
,,ins Erdreich versinken.
(Klaus Ospald, 1996)
Bibliography : Wiener ,
Oliver: Gesten und
simulierte Form. Zu Klaus
Ospalds ,,Klavierquintett
(1994) und ,,El sol no
nos recuerde (1996) fur
zwei Gitarren,
Saarbrucken: Pfau 1998 (=
Fragmen, Heft
24)
79
Stucke leicht
gesetzt. Edited by
Walter Wilhelm Goetze.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 64 pages.
Schott Music #ED 4468.
Published by Schott Music
(HL.49004905).
ISBN
9790001052238.
5.5x7.5x0.175 inches.
German.
Die
Sammlung erfullt den
Wunsch vieler
Gitarristen, bekannte
Volkslieder nicht nur zum
Gesang zu begleiten,
sondern auf seinem
Instrument allein spielen
zu konnen.Sie ist
besonders als
Vorbereitung auf das
solistische Gitarrespiel
gedacht und kann im
Unterricht neben jeder
Schule verwendet werden.
Zugunsten einer leichten
Spielbarkeit wurden
Barregriffe, Griffwechsel
u.a. vermieden.Mit
einigen gitarremassigen
Doppelgriffen, den
gebrauchlichen Akkorden -
alles durch Fingersatze
unterstutzt - wird sich
der Spieler sehr bald
abfinden.