Godzilla Orchestre [Conducteur] - Facile Alfred Publishing
(Featuring: Godzilla! (Main Title Theme) / The Power Plant / Golden Gate Chaos /...(+)
(Featuring: Godzilla!
(Main Title Theme) / The
Power Plant / Golden Gate
Chaos / Back to the
Ocean). Composed by
Alexandre Desplat
(1961-). Arranged by
Michael Story. Orchestra.
Full Orchestra; Score.
Pop Intermediate Full
Orchestra. Form: Medley.
Movie. Grade 2.5. 20
pages. Published by
Alfred Music
Godzilla Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
(Featuring: Godzilla! (Main Title Theme) / The Power Plant / Golden Gate Chaos /...(+)
(Featuring: Godzilla!
(Main Title Theme) / The
Power Plant / Golden Gate
Chaos / Back to the
Ocean). Composed by
Alexandre Desplat
(1961-). Arranged by
Michael Story. Orchestra.
Full Orchestra; Part(s);
Score. Pop Intermediate
Full Orchestra. Form:
Medley. Movie. Grade 2.5.
208 pages. Published by
Alfred Music
Full orchestra SKU: LO.30-3765MD Composed by Aaron Shust. Arranged by Jay...(+)
Full orchestra
SKU:
LO.30-3765MD
Composed
by Aaron Shust. Arranged
by Jay Rouse. Choral.
Sacred Anthem. Orchestral
score and CD with
printable parts.
Medallion Music
#30/3765MD. Published by
Medallion Music
(LO.30-3765MD).
UPC:
000308156331.
Orche
stral Score and Parts for
My Savior, My God
(10/5420MD) - This
popular worship song by
Aaron Shust rejoices in
the knowledge that God is
the same yesterday,
today, and forever.
Though full of mystery
beyond human
comprehension, His love
is sure and constant.
Arranged by Jay Rouse for
choir, this setting is a
wonderful opportunity for
choir and congregation to
worship together.
Full orchestra SKU: LO.30-3075L Composed by Mary McDonald. Choral. Sacred...(+)
Full orchestra
SKU:
LO.30-3075L
Composed
by Mary McDonald. Choral.
Sacred Anthem,
Evangelism, General,
Missions. Orchestral
score and parts. Lorenz
Publishing Company
#30/3075L. Published by
Lorenz Publishing Company
(LO.30-3075L).
UPC:
000308136753.
Belie
ving God will lead us
forward, we will put our
faith in God Alone. This
stirring original anthem
from Mary McDonald urges
believers to put their
faith in God and step
forward confidently in
His service. (2 Fl, Ob, 2
Cl, Bsn (sub B Cl), 3
Tpt, 2 Hn (sub 2 A Sax),
2 Tbn (sub 2 T Sax/Btn
TC), Tuba (sub Tbn 3),
Perc, Harp, 2 Vln, Vla,
Cello, Bass, Digital
String Reduction).
Orchestra SKU: LO.30-2855L Composed by Larry Shackley. Choral. Sacred Ant...(+)
Orchestra
SKU:
LO.30-2855L
Composed
by Larry Shackley.
Choral. Sacred Anthem,
Discipleship, General,
Reformation. Orchestral
score and parts. Lorenz
Publishing Company
#30/2855L. Published by
Lorenz Publishing Company
(LO.30-2855L).
UPC:
000308132274.
Larry
Shackley incorporates a
text based on Romans 15
in this inspiring and
dramatic anthem. This
piece is filled with hope
and the eternal promise
that one day we shall
stand united for
eternity, one God, one
people, one voice. The
spectacular optional full
orchestra accompaniment
enhances delightful
choral writing in this
selection that is perfect
for use throughout the
year. Instrumentation: 2
Fl, Ob, 2 Cl, Bsn, 2 Hn,
3 Tpt, 2 Tbn, Tuba, Timp,
2 Perc (Chimes, Orch
Bells, Mark Tree, Sus
Cym, Crash Cym), Harp,
Pno, Vln 1, Vln 2, Vla,
Cello, Bass.
Composed by Mary McDonald. Arranged by Michael Lawrence. Choral. Sacred Anthem. ...(+)
Composed by Mary
McDonald. Arranged by
Michael Lawrence. Choral.
Sacred Anthem. Orchestral
score and CD with
printable parts. Lorenz
Publishing Company
#30/3215L. Published by
Lorenz Publishing Company
(LO.30-3215L).
Full orchestra SKU: LO.30-3008L Composed by Cindy Berry. Arranged by Rich...(+)
Full orchestra
SKU:
LO.30-3008L
Composed
by Cindy Berry. Arranged
by Richard A. Nichols.
Choral. Sacred Anthem.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/3008L. Published by
Lorenz Publishing Company
(LO.30-3008L).
UPC:
000308136258.
Cindy
Berry captures the wonder
of the Creator God and
the majesty of His
presence and
strength--yesterday,
today, and tomorrow--in
God Spoke! Brilliant
original music combines
with the beloved AUSTRIAN
HYMN in this beautiful
setting. Ochestration by
Richard Nichols for 2 Hn,
3 Tpt, 2 Tbn, Tuba, 2
Perc, Pno, 2 Vln, Vla,
Cello, Bass.
Orchestra SKU: LO.30-3448MD Composed by Jay Rouse. Choral. Sacred Anthem....(+)
Orchestra
SKU:
LO.30-3448MD
Composed
by Jay Rouse. Choral.
Sacred Anthem. Orchestral
score and parts.
Medallion Music
#30/3448MD. Published by
Medallion Music
(LO.30-3448MD).
UPC:
000308146547.
This
warm and intimate setting
features Jay Rouse's
signature ability to
craft melody and harmony
that marries perfectly
with a poignant Rose
Aspinall lyric. This
gorgeous ballad is a
message of the power of
God's presence and the
comfort it provides.
(Featuring: God Preserve Thy People / Marseillaise / God Save the Czar). Compose...(+)
(Featuring: God Preserve
Thy People / Marseillaise
/ God Save the Czar).
Composed by Piotr Ilyich
Tchaikovsky [Peter Ilyich
Tchaikovsky]. Arranged by
Bob Cerulli. Orchestra.
Masterworks; Part(s);
Score; String Orchestra.
Belwin Concert String
Orchestra. Form:
Overture. Masterwork
Arrangement; Romantic.
Grade 4. 156 pages.
Published by Belwin Music
Composed by
Chuck Elledge. Sacred.
Score and parts. Neil A.
Kjos Music Company
#SO60C. Published by Neil
A. Kjos Music Company
(KJ.SO60C).
Over the years,
God Rest Ye Merry,
Gentlemen with its
simple, plaintive melody
and joyous words, has
become a holiday favorite
in the world over.
Although this traditional
English carol is often
said to be in a minor
key, it is actually in
the Aeolian mode, (also
known as natural minor),
which is different from
the more common harmonic
form of minor in that the
Aeolian mode's leading
tone is a whole step from
the tonic.The encouraging
words of this carol are
an inspiration to people
everywhere.
A Cantata for
Christmas. Composed
by Heather Sorenson.
Daybreak Christmas
Choral. Advent, Cantata,
Carol, Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3000
seconds. Published by
Daybreak Music
(HL.226377).
ISBN
9781495091506. UPC:
888680674618.
8.5x11.0x2.3
inches.
Composed in
both traditional and
blended choral stylings,
this cantata weaves the
historic symbolism of
both the Lion of Judah
and the Lamb of God into
the Christmas story.
Through original songs
and traditional carols,
singers and listeners are
reminded that this story
is not just an event in
history, but a living
story that still impacts
the world today.
Narration, solos,
congregational
participation and
optional children's
voices, along with
gorgeous orchestrations
by Keith Christopher, all
work together to make
this service a time of
both celebration and
worship. Songs include:
Overture/Sing Christmas!;
And So We Wait; It Came
upon a Midnight Clear;
Who's the Little Baby?;
Sleep Little Lion, Sleep
Little Lamb; Where Is
Peace Tonight?; In This
Moment; Angels from the
Realms of Glory; Carol of
the King. Score and Parts
(fl 1-2/pic, ob, cl 1-2,
bn, tpt 1-3, hn 1-2, tbn
1-2, tbn 3/tba, perc 1-2,
timp, hp, pno, rhy, vn
1-2, va, vc, db)
available as a Printed
Edition and as a digital
download.
SKU: CL.016-0174-00 Composed by Ludwig van Beethoven. Arranged by Allen. ...(+)
SKU:
CL.016-0174-00
Composed by Ludwig van
Beethoven. Arranged by
Allen. Orchestra. Score
and set of parts.
Composed 1911. C.L.
Barnhouse #016-0174-00.
Published by C.L.
Barnhouse
(CL.016-0174-00).
This product
contains two titles on
one sheet of music: The
Glory of God in Nature O
Hills, O Vales.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Vocal
score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140203. Published by
Carus Verlag
(CA.3140203).
ISBN
9790007295080.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140212. Published by
Carus Verlag
(CA.3140212).
ISBN
9790007301590.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140211. Published by
Carus Verlag
(CA.3140211).
ISBN
9790007301583.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140249. Published by
Carus Verlag
(CA.3140249).
ISBN
9790007301620.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, viola. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140213. Published by
Carus Verlag
(CA.3140213).
ISBN
9790007301606.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Choral
Score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140205. Published by
Carus Verlag
(CA.3140205).
ISBN
9790007295097.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Carus
digital: Extra digital
products. Full Score.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140200. Published by
Carus Verlag
(CA.3140200).
ISBN
9790007295066.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140209. Published by
Carus Verlag
(CA.3140209).
ISBN
9790007301576.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140219. Published by
Carus Verlag
(CA.3140219).
ISBN
9790007300258.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, basso continuo.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140214. Published by
Carus Verlag
(CA.3140214).
ISBN
9790007301613.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
(Based on God Rest Ye Merry, Gentlemen ). Arranged by Michael Story. Orchestra....(+)
(Based on God Rest Ye
Merry, Gentlemen ).
Arranged by Michael
Story. Orchestra. Full
Orchestra; Part(s);
Score; SmartMusic. Belwin
Intermediate Full
Orchestra. Christmas;
Sacred; Winter. Grade
2.5. 120 pages. Published
by Belwin Music
Full orchestra SKU: LO.30-3697L Composed by Mary McDonald. Arranged by Ti...(+)
Full orchestra
SKU:
LO.30-3697L
Composed
by Mary McDonald.
Arranged by Tim Fisher.
Choral. Sacred Anthem,
All Saints' Day, General.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/3697L. Published by
Lorenz Publishing Company
(LO.30-3697L).
UPC:
000308153538.
Orche
stral Score and CD with
Printable Parts for
10/5305L This celebration
of Christian unity
combines the words of the
nineteenth-century
hymnwriter Daniel W.
Whittle with a bold,
uplifting tune by Mary
McDonald. Ideal for
special church services,
the anthem offers a full
orchestration, a smaller
version for brass and
percussion, and an
opportunity for
congregational singing.
The
performance/accompaniment
CD includes both the
brass and percussion
accompaniment and the
full orchestra
accompaniment.
Orchestra SKU: WD.080689394577 Composed by Geoff Grant. Arranged by Geoff...(+)
Orchestra
SKU:
WD.080689394577
Composed by Geoff Grant.
Arranged by Geoff Grant.
Eastertide, General.
Orchestration. Word Music
#080689394577. Published
by Word Music
(WD.080689394577).
UPC:
080689394577.
Perfe
ctly fitting for Easter
or any time of the year,
this arrangement for
orchestra by Geoff Grant
is a gorgeous feature
that will prepare the
congregation’s
hearts for worship!
Our God Orchestre - Intermédiaire Lillenas Publishing Co.
Orchestra - Intermediate SKU: LO.765762213203 Composed by Billy Payne. Al...(+)
Orchestra - Intermediate
SKU:
LO.765762213203
Composed by Billy Payne.
Allegis. Orchestration,
enhanced CD. Lillenas
Publishing Company
#765762213203. Published
by Lillenas Publishing
Company
(LO.765762213203).
UPC:
765762213203.
The
fresh and creative
Allegis Orchestral Series
is designed to give small
to mid-sized churches an
instrumental resource
that can be played with a
mix of players, but
includes everything the
large church orchestra
needs, as well. These
moderately difficult hymn
arrangements have been
created in popular styles
that your
instrumentalists and
congregation alike with
love. With three
accompaniment options
(piano, live rhythm
section, or recorded
rhythm tracks) this
series fits the needs of
any size group, from
eight players to a full
orchestra. Everything you
need for practice and
performance is included
on the Enhanced CD:
printable instrumental
parts, optional
instrumental parts, capo
guitar parts, and
rhythm/piano
accompaniment, plus the
rhythm accompaniment
track and demonstration
track. Minimum
Instrumentation: Part 1
– Fl; Part 2
– Ob (Cl, S Sax);
Part 3 – Cl (A
Sax); Part 4 –
Tpt; Part 5 – Tpt
(A Sax); Part 6 –
Hn (A Sax, Cl); Part 7
– Tbn (Bari TC, T
Sax).
(Celebrating God's Hope, Peace, Joy, and Love). Composed by Joel Raney. Arranged...(+)
(Celebrating God's Hope,
Peace, Joy, and Love).
Composed by Joel Raney.
Arranged by Brant Adams.
Cantatas. Advent,
Christmas. Full Score and
Parts plus CD with
Printable Parts. Lorenz
Publishing Company
#30/3143L. Published by
Lorenz Publishing Company
A Swinging
Christmas. Arranged
by Randy Sabien.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Alternatives. Christmas;
Jazz; Sacred; Winter.
Score. 132 pages.
Highland/Etling
#00-33751S. Published by
Highland/Etling
(AP.33751S).
UPC:
038081394664.
English.
A seasonal
classic becomes a
swinging jazz piece in an
arrangement that combines
blues and be-bop riffs
with solos for each
instrument. A short
section of straight
Baroque style pays
respect to tradition and
the strong connection
between bop and Bach.
Performing this piece
will bring you comfort
and joy.
Composed by Edward Elgar.
Edited by Barbara Mohn.
Carus digital: Extra
digital products. Full
Score. Composed 1900. Op.
38. Duration 100 minutes.
Carus Verlag #2300400.
Published by Carus Verlag
(CA.2300400).
ISBN
9790007240783.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
