Composed by Richard L. Saucedo. MusicWorks Grade 5. Concert. Score (softcover). 28 pages. Published by Hal Leonard

By Richard L. Saucedo. For concert band (Score and Parts). MusicWorks Grade 1. Grade 1.5. Softcover

Walking into History (The Clinton 12) by Richard L. Saucedo. For concert band (Score and Parts). MusicWorks Grade 5. Grade 5. Softcover. Published by Hal Leonard

By Richard Meyer. Concert Band. Queenwood Concert Band. Score and set of parts. Published by Queenwood Publications.

Selections from The King and I by Oscar Hammerstein and Richard Rodgers. Arranged by Calvin Custer. For Concert Band (Score and Parts). Score and full set of parts.. Young Concert Band. Grade 3. Published by Hal Leonard

Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Stephen Bulla. Hal Leonard Concert Band Series. Published by Hal Leonard

(Featuring: Paint It, Black / Ruby Tuesday / (I Can't Get No) Satisfaction). By Mick Jagger and Keith Richards [The Rolling Stones]. Arranged by Patrick Roszell. Concert Band. Concert Band; Part(s); Score; SmartMusic. Pop Concert Band. Form: Medley. Pop/R

(Featuring: Paint It, Black / Ruby Tuesday / (I Can't Get No) Satisfaction). By Mick Jagger and Keith Richards [Rolling Stones]. Arranged by Patrick Roszell. Concert Band. Concert Band; Score. Pop Concert Band. Form: Medley. Pop/Rock. Grade 3. 40 pages. Published by Alfred Music Publishing

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-142-140

Arranged by Philip Sparke. Anglo Music Midway Series. Pop & Rock. Score Only. Composed 2005. 28 pages. Anglo Music Press #AMP 142-140. Published by Anglo Music Press (BT.AMP-142-140).

9x12 inches.

Over a period of four decades Jimmy Webb (b. 1946) has written hits for a number of singers including Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash and Linda Ronstadt. His songs are often epic in character and include By the Time I Get to Phoenix; Up, Up and Away; Didn’t We; Wichita Lineman and Galveston. MacArthur Park (1968) was unlike anything that had gone before it. Running at over 7 minutes, it is 2 or 3 times the length of most pop songs and has an extended orchestral interlude. Richard Harris’ seminal recording topped the music charts in Europe, while peaking at number two on the U.S. charts. Philip Sparke has made this excellentarrangement for concert band, which is sure to become a regular feature on your concert programme.

MacArthur Park van Jimmy Webb, een nummer dat uitkwam in 1968, was niet te vergelijken met alles wat daarvoor was gemaakt. Met een duur van meer dan zeven minuten is deze song twee of drie keer zo lang als de meeste popsongs,ook het orkestraal tussenspel is bijzonder. Richard Harris’ originele opname stond bovenaan in de hitparades van Europa en op nummer 2 in de Verenigde Staten. Philip Sparke schreef een fantastisch arrangement dat zowel uw muzikantenals uw publiek zal aanspreken.

Jimmy Webbs Musik kennt jeder: sei es als Musik zur Fernsehserie Emergency Room oder als einen der Hits von großen Stars wie Frank Sinatra, Johnny Cash, Linda Ronstadt und vielen anderen. Mit dem Popsong MacArthur Park gelang Webb ein Riesenhit im Jahr 1968. Das Lied über eine verlorene Liebe ist ungewöhnlich lang für einen Popsong und enthält ein ausgearbeitetes Orchester-Zwischenspiel. Grund genug für Philip Sparke, diesen Hit für Blasorchester zu bearbeiten.

Pendan t plus de quarante ans, Jimmy Webb (1946) a composé des chansons succès pour divers artistes tels que Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash et Linda Ronstadt. En 1968, il écrit MacArthur Park, une chanson complètement novatrice. D’une durée de plus de sept minutes, elle est deux trois fois plus longue que la plupart des succès pop et contient un grand interlude orchestral. La version d’anthologie de MacArthur Park, interprétée et enregistrée par Richard Harris, s’est classée en tête des hit-parades européens et numéro 2 aux États-Unis.

Pe r oltre quarant’ anni, Jimmy Webb (1946) ha composto canzoni di successo per artisti come Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash e Linda Ronstadt. Nel 1968, scrive MacArthur Park, una canzone totalmente innovativa. Di una durata di oltre sette minuti, è da due a tre volte più lunga della maggior parte dei successi pop e contiene un interludio orchestrale. La versione d’antologia di MacArthur Park, interpretata ed incisa da Richard Harris, è stata in testa alle hit-parade europee e seconda negli Stati Uniti.

Concert Band/Harmonie

SKU: BT.DHP-1043529-140

The Great Classics. Transcription. Score Only. Composed 2004. 16 pages. De Haske Publications #DHP 1043529-140. Published by De Haske Publications (BT.DHP-1043529-140).

English-German-French- Dutch.

The French composer Daniel François Esprit Auber (1782-1871) witnessed many important developments in the history of music ? from Luigi Cherubini to Richard Wagner. His extensive output consisted mainly of operas, but unfortunately today only two of these are still well known, including the comic opera Fra Diavolo. The story concerns Fra Diavolo, a famous Italian bandit and soldier from the late 18th and early 19th centuries, and is one of crime, lust and treachery. The overture has a classical structure and is filled with striking themes and motifs and has a particularly unusual introduction (for the time) with the snare drum taking the leading role!

De Franse componist Daniel François Esprit Auber (1782-1871) heeft belangrijke ontwikkelingen in de muziekgeschiedenis meegemaakt: van Luigi Cherubini tot Richard Wagner. Zijn uitgebreide oeuvre bestaat voornamelijk uit opera’s, waarvaner nu nog maar twee bekend zijn, waaronder het komische werk Fra Diavolo. Het verhaal over Fra Diavolo, een beroemde Italiaanse roverhoofdman en soldaat, is er een van misdaad, begeerte en verraad. De ouverture heeft een klassiekeopbouw met opvallende thema’s en motieven en heeft een (voor die tijd) wel heel ongebruikelijke inleiding: de kleine trom speelt een solistische rol!

Die Ouvertüre zu Aubers komischer Oper Fra Diavolo hat eine klassische Form mit leicht wieder erkennbaren Themen, klaren Bildern und deutlichen Motiven - sehr passend zu einer ebenfalls einprägsamen, turbulenten Handlung voll von Gerichtsvollziehern und Dieben! Unsentimentale, reizvolle Musik, die auch in der Transkription von Wil van der Beek das Publikum in ihren Bann ziehen wird!

Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout un cycle de l’histoire de la musique, de Luigi Cherubini Richard Wagner. Son répertoire comporte essentiellement des opéras. Des quarante opéras qu’il a composés, seuls deux ont su résister aux vicissitudes du temps : La Muette de Portici (parfois nommée Masaniello) et Fra Diavolo. La Muette de Portici est un opéra révolutionnaire de nombreux égards ; la légende veut même que la représentation du 29 juin 1830, au Thé tre de la Monnaie de Bruxelles ait déclenché l’insurrection qui fut l’origine du mouvement révolutionnaire entraînant la séparation de la Belgique et de laHollande. L’opéra-comique Fra Diavolo se révèle par son intérêt musical, qui lui vaut d’être interprété de nos jours encore. Les nombreuses aventures du capitaine Fra Diavolo sont restées captivantes gr ce un langage musical attrayant, dénué de sentimentalité.L� ��ouverture Fra Diavolo est de structure classique. Les thèmes simples et débonnaires évoquent des images claires, et de nombreux appels et échos militaires nous rappellent que l’intrigue se développe au rythme des péripéties des brigands et des carabiniers ! L’introduction de l’ouverture est orchestrée de façon inhabituelle pour l’époque. La caisse claire tient le rôle principal.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1043529-010

The Great Classics. Transcription. Set (Score & Parts). Composed 2004. 16 pages. De Haske Publications #DHP 1043529-010. Published by De Haske Publications (BT.DHP-1043529-010).

English-German-French- Dutch.

The French composer Daniel François Esprit Auber (1782-1871) witnessed many important developments in the history of music ? from Luigi Cherubini to Richard Wagner. His extensive output consisted mainly of operas, but unfortunately today only two of these are still well known, including the comic opera Fra Diavolo. The story concerns Fra Diavolo, a famous Italian bandit and soldier from the late 18th and early 19th centuries, and is one of crime, lust and treachery. The overture has a classical structure and is filled with striking themes and motifs and has a particularly unusual introduction (for the time) with the snare drum taking the leading role!

De Franse componist Daniel François Esprit Auber (1782-1871) heeft belangrijke ontwikkelingen in de muziekgeschiedenis meegemaakt: van Luigi Cherubini tot Richard Wagner. Zijn uitgebreide oeuvre bestaat voornamelijk uit opera’s, waarvaner nu nog maar twee bekend zijn, waaronder het komische werk Fra Diavolo. Het verhaal over Fra Diavolo, een beroemde Italiaanse roverhoofdman en soldaat, is er een van misdaad, begeerte en verraad. De ouverture heeft een klassiekeopbouw met opvallende thema’s en motieven en heeft een (voor die tijd) wel heel ongebruikelijke inleiding: de kleine trom speelt een solistische rol!

Die Ouvertüre zu Aubers komischer Oper Fra Diavolo hat eine klassische Form mit leicht wieder erkennbaren Themen, klaren Bildern und deutlichen Motiven - sehr passend zu einer ebenfalls einprägsamen, turbulenten Handlung voll von Gerichtsvollziehern und Dieben! Unsentimentale, reizvolle Musik, die auch in der Transkription von Wil van der Beek das Publikum in ihren Bann ziehen wird!

Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout un cycle de l’histoire de la musique, de Luigi Cherubini Richard Wagner. Son répertoire comporte essentiellement des opéras. Des quarante opéras qu’il a composés, seuls deux ont su résister aux vicissitudes du temps : La Muette de Portici (parfois nommée Masaniello) et Fra Diavolo. La Muette de Portici est un opéra révolutionnaire de nombreux égards ; la légende veut même que la représentation du 29 juin 1830, au Thé tre de la Monnaie de Bruxelles ait déclenché l’insurrection qui fut l’origine du mouvement révolutionnaire entraînant la séparation de la Belgique et de laHollande. L’opéra-comique Fra Diavolo se révèle par son intérêt musical, qui lui vaut d’être interprété de nos jours encore. Les nombreuses aventures du capitaine Fra Diavolo sont restées captivantes gr ce un langage musical attrayant, dénué de sentimentalité.L� ��ouverture Fra Diavolo est de structure classique. Les thèmes simples et débonnaires évoquent des images claires, et de nombreux appels et échos militaires nous rappellent que l’intrigue se développe au rythme des péripéties des brigands et des carabiniers ! L’introduction de l’ouverture est orchestrée de façon inhabituelle pour l’époque. La caisse claire tient le rôle principal.

Concert Band

SKU: BT.DHP-1043529-040

The Great Classics. Transcription. Set (Score & Parts). Composed 2004. 16 pages. De Haske Publications #DHP 1043529-040. Published by De Haske Publications (BT.DHP-1043529-040).

English-German-French- Dutch.

French composer Daniel François Esprit Aubers extensive outputconsisted mainly of operas, but unfortunately today only two of theseare still well known, including the comic opera Fra Diavolo. The storyconcerns Fra Diavolo, a famous Italian bandit and soldier from the late 18th and early 19th centuries, and is one of crime, lust and treachery. The overture has a classical structure filled with striking themes and motifs with a particularly unusual introduction (for the time) with the snare drum taking the leading role!

De ouverture van Fra Diavolo, een komische opera van de Franse componist Daniel François Esprit Auber (1782-1871), heeft een klassieke opbouw. De gebruikte thema’s zijn zeer herkenbaar en roepen duidelijke beelden op. Signaalmotievenzijn rijkelijk aanwezig - en deze mogen natuurlijk ook niet ontbreken als het in de handeling gaat over rovers en gendarmes. De inleiding is voor Aubers tijd bijzonder ge nstrumenteerd: de kleine trom speelt een solistischerol!

Di e Ouvertüre zu Aubers komischer Oper Fra Diavolo hat eine klassische Form mit leicht wieder erkennbaren Themen, klaren Bildern und deutlichen Motiven - sehr passend zu einer ebenfalls einprägsamen, turbulenten Handlung voll von Gerichtsvollziehern und Dieben! Unsentimentale, reizvolle Musik, die auch in der Transkription von Wil van der Beek das Publikum in ihren Bann ziehen wird!

Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout un cycle de l’histoire de la musique, de Luigi Cherubini Richard Wagner. Son répertoire comporte essentiellement des opéras. Des quarante opéras qu’il a composés, seuls deux ont su résister aux vicissitudes du temps : La Muette de Portici (parfois nommée Masaniello) et Fra Diavolo. La Muette de Portici est un opéra révolutionnaire de nombreux égards ; la légende veut même que la représentation du 29 juin 1830, au Thé tre de la Monnaie de Bruxelles ait déclenché l’insurrection qui fut l’origine du mouvement révolutionnaire entraînant la séparation de la Belgique et de laHollande. L’opéra-comique Fra Diavolo se révèle par son intérêt musical, qui lui vaut d’être interprété de nos jours encore. Les nombreuses aventures du capitaine Fra Diavolo sont restées captivantes gr ce un langage musical attrayant, dénué de sentimentalité.L� ��ouverture Fra Diavolo est de structure classique. Les thèmes simples et débonnaires évoquent des images claires, et de nombreux appels et échos militaires nous rappellent que l’intrigue se développe au rythme des péripéties des brigands et des carabiniers ! L’introduction de l’ouverture est orchestrée de façon inhabituelle pour l’époque. La caisse claire tient le rôle principal.

Concert band - Grade 4

SKU: CL.012-4470-75

Prelude to Act III. Composed by Richard Wagner. Arranged by Patterson. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR388). Oversized, spiral-bound score. Composed 2016. Duration 3 minutes, 55 seconds. Opus III Wind Orchestra Publications #012-4470-75. Published by Opus III Wind Orchestra Publications (CL.012-4470-75).

This stunning transcription of one of Wagner's finest orchestral excerpts is a vibrant showpiece for concert band! The Prelude to Act III of Lohengrin is one of the most famous works from operatic repertoires, and Donald Patterson's magnificent arrangement captures all of the brilliance and power of the original score. Includes a choice of two endings. Mature bands will astonish audiences with this marvelous work. A tour-de-force for experienced bands!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Concert band - Grade 4

SKU: CL.012-4470-01

Prelude to Act III. Composed by Richard Wagner. Arranged by Patterson. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR388). Extra full score. Composed 2016. Duration 3 minutes, 55 seconds. Opus III Wind Orchestra Publications #012-4470-01. Published by Opus III Wind Orchestra Publications (CL.012-4470-01).

This stunning transcription of one of Wagner's finest orchestral excerpts is a vibrant showpiece for concert band! The Prelude to Act III of Lohengrin is one of the most famous works from operatic repertoires, and Donald Patterson's magnificent arrangement captures all of the brilliance and power of the original score. Includes a choice of two endings. Mature bands will astonish audiences with this marvelous work. A tour-de-force for experienced bands!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Concert band - Grade 4

SKU: CL.012-4470-00

Prelude to Act III. Composed by Richard Wagner. Arranged by Patterson. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR388). Score and set of parts. Composed 2016. Duration 3 minutes, 55 seconds. Opus III Wind Orchestra Publications #012-4470-00. Published by Opus III Wind Orchestra Publications (CL.012-4470-00).

This stunning transcription of one of Wagner's finest orchestral excerpts is a vibrant showpiece for concert band! The Prelude to Act III of Lohengrin is one of the most famous works from operatic repertoires, and Donald Patterson's magnificent arrangement captures all of the brilliance and power of the original score. Includes a choice of two endings. Mature bands will astonish audiences with this marvelous work. A tour-de-force for experienced bands!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Concert Band/Harmonie - Grade 2.5

SKU: BT.CMP-0792-04-010

Composed by Wolfgang Amadeus Mozart. Arranged by James Curnow. Sinfonia Series. Concert Piece. Set (Score & Parts). Composed 2004. Curnow Music #CMP 0792-04-010. Published by Curnow Music (BT.CMP-0792-04-010).

Melodic contour and lightness of touch infuse Mozart's music with a divine character unmatched by any other composer. According to Dvorak Mozart is sunshine. Richard Strauss proclaimed Listen to the remarkable expansion of a Mozart melody. You think it's coming to an end, but it goes farther, ever farther. Alleluja from Exultate, Jubilate is perhaps the best-loved of all Mozart's motet melodies. Give your band the opportunity to experience Mozart's divine gift of melody with James Curnow's sensitive and accessible arrangement today! Charming!

Z ijn schitterende motet Exultate, Jubilate componeerde Mozart te Milaan in Italië, in het jaar 1773. Het was georkestreerd voor sopraan en gemengd koor, twee hobo’s, twee hoorns, strijkers en orgel. Het Alleluia hieruitis een zeer levendige en vreugdevolle lofzang. In deze bewerking voor harmonieorkest spelen de trompetten en trombones de koorpartijen, terwijl het hout en de overige koperinstrumenten de originele orkest- en orgelpartijen voorhun rekening nemen. Het werk wordt geleverd met optionele slagwerkpartijen.

Dieses Alleluja stammt aus der Motette Exultate, Jubilate von Wolfgang Amadeus Mozart. Die Instrumentation der Motette aus dem Jahr 1773 sah ursprünglich einen Sopran-Solisten, Chor, zwei Oboen, zwei Hörner, Streicher und Orgel vor. Dank der vorliegenden Bearbeitung des amerikanischen Komponisten James Curnow wird der Energie sprühende, freudige Jubelruf auch in der Interpretation Ihres Blasorchesters absolut überzeugen.

Le motet a revêtu différentes formes au cours de son évolution et a joué un rôle important dans le développement de la musique polyphonique vocale entre les XIIIe et XVIIIe siècles. En janvier 1773, Mozart séjourne Milan en compagnie de son père et y écrit une œuvre originale pour le castrat Venanzio Rauzzini : le motet Exultate, Jubilate KV 165. Cette œuvre sacrée en trois parties rappelle une véritable sinfonia italienne : la pièce suit l’ordonnancement logique Allegro - Andante - Allegro final qui se termine par l’Alleluia, somptueux témoignage de virtuosité vocale.

Band concert band - Grade 4

SKU: KJ.WB457F

Composed by Richard Hansen. Arranged by Richard K. Hansen. Kjos Concert Band Legacy. Score. Neil A. Kjos Music Company #WB457F. Published by Neil A. Kjos Music Company (KJ.WB457F).

UPC: 084027044261.

About Kjos Concert Band Legacy

The Neil A. Kjos Music Company's legacy of producing superb literature for concert band spans its entire 80 year history. We're proud to honor that legacy by continuing to publish compositions of the utmost quality at all grade levels in the Kjos Concert Band Legacy series. Each composition is carefully selected and edited to provide the best in wind band literature by both celebrated and rising composers of today. Skillful engraving with logical page turns, measure numbers, rehearsal marks, essential cueing, and other useful indications ensure that the rehearsal process runs smoothly, so bands can focus on making great music.

Score Only Concert Band (Score) - Grade 4

SKU: HL.44013219

Composed by Jo Hermans and Wietse Meys. Arranged by Richard Johnsen. De Haske Concert Band. Concert, Festival. Softcover. Duration 460 seconds. De Haske Publications #1175798140. Published by De Haske Publications (HL.44013219).

UPC: 888680793685.

If you are looking for a musical introduction with overwhelming energetic character, lots of rhythms and a pumping bass and drum part, this is the piece you are looking for. Sparks of Fire originated from a piece of music for pop band and strings for the Belgian entertainment concept Christiano and his Magical Orchestra. Not many people sit still when listening to this energetic piece of music! It is perfect for opening or closing your concert. (Grade 4) Dur: 3:35 (De Haske).

Score and Parts Concert Band (Score & Parts) - Grade 4

SKU: HL.44013218

Composed by Jo Hermans and Wietse Meys. Arranged by Richard Johnsen. De Haske Concert Band. Concert, Festival. Softcover. Duration 460 seconds. De Haske Publications #1175798010. Published by De Haske Publications (HL.44013218).

UPC: 888680793678.

If you are looking for a musical introduction with overwhelming energetic character, lots of rhythms and a pumping bass and drum part, this is the piece you are looking for. Sparks of Fire originated from a piece of music for pop band and strings for the Belgian entertainment concept Christiano and his Magical Orchestra. Not many people sit still when listening to this energetic piece of music! It is perfect for opening or closing your concert. (Grade 4) Dur: 3:35 (De Haske).

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, Vibraphone, alto Saxophone and more. - Grade 0.5

SKU: CF.PPS49F

Composed by Richard Summers. Primer Band (PPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #PPS49F. Published by Carl Fischer Music (CF.PPS49F).

ISBN 9781491152614. UPC: 680160910113.

Exemp lary is a mature musical� �piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship.
Exemplar y is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  .