Composed by Franklin D. Ashdown, Neil Harmon, Clay Christiansen, Richard Elliott...(+)
Composed by Franklin D.
Ashdown, Neil Harmon,
Clay Christiansen,
Richard Elliott, Andrew
Unsworth, Bonnie , Linda
Margetts, James C. Kasen,
Rulon Christiansen. Hymn
Setting. Memorial, 21st
Century, Children,
Community/Fellowship,
Hope/Assurance, Prayer.
Published by MorningStar
Music Publishers
(MN.10-217).
SATB Choir (Organ) SKU: HL.14021606 By Andrew Parker. By Tomas Luis de Vi...(+)
SATB Choir (Organ)
SKU: HL.14021606
By Andrew Parker. By
Tomas Luis de Victoria.
Edited by Andrew Parker.
Music Sales America.
Motet. Book [Softcover].
72 pages. Music Sales
#NOV020691. Published by
Music Sales
(HL.14021606).
ISBN
9781846091841. UPC:
884088434793.
6.75x10.0x0.222
inches.
This
beautifully presented
edition from Novello
offers a full Mass
setting alongside a
Motet, both for large
mixed chorus, by Tomas
Luis De Victoria.
Regarded by many as one
of the greatest composers
of Spanish renaissance
polyphony, this Mass
setting is rich in his
characteristic tonalities
and the textures of the
sacred choral tradition.
Alongside this is the
original Motet upon which
the Mass setting is
based. Both are
transcribed and edited by
Andrew Parker. The
pairing of the two works
offers an exciting and
fascinating performance
opportunity, with the
devout grandeur of the
Mass set against the
modesty of the original
Motet. Missa Dum
Complerentur for SAATTB
voices. Motet: Dum
Complerentur Dies
Pentecostes for SSATB
voices.
Composed by Andrew D. Gordon. Saddle stitch. Funk Music/Organ Instruction. Book ...(+)
Composed by Andrew D.
Gordon. Saddle stitch.
Funk Music/Organ
Instruction. Book and
Downloadable audio.
Duration 70 minutes.
Published by ADG
Productions
Sacred. Sacred Music
Press #70/2219S.
Published by Sacred Music
Press (LO.70-2219S).
ISBN
9780787767686.
This
useful anthology of hymn
partitas and variations
is the work of six
composers: David Lasky,
Douglas E. Wagner, David
P. Dahl, Edward Landin,
Robert F. Swift, and
Andrew Senn. Each
composer writes in a
distinct style and has
chosen a familiar hymn
tune as the basis for
their work. In their
entirety, each partita is
suitable for use in
recital or as an extended
service prelude. For
shorter service
voluntaries, individual
variations may be
excerpted or
combined.
Organ SKU: SU.28010060 For Organ. Composed by Mark Andrew Cook. Ke...(+)
Organ
SKU:
SU.28010060
For
Organ. Composed by
Mark Andrew Cook.
Keyboard, Organ. Score.
Subito Music Corporation
#28010060. Published by
Subito Music Corporation
(SU.28010060).
Organ Duration:
20' Composed: 2016
Published by: Distributed
Composer.
Organ - Late Intermediate SKU: MN.10-568 Composed by Andrew Clarke. Prelu...(+)
Organ - Late Intermediate
SKU: MN.10-568
Composed by Andrew
Clarke. Preludes.
MorningStar Music
Publishers #10-568.
Published by MorningStar
Music Publishers
(MN.10-568).
UPC:
688670105685.
A
quiet, six-minute
composition of four
variations on the German
chorale tune MUNICH,
adapted by Mendelssohn,
that is commonly
associated with the text
O Word of God Incarnate.
Written in D Major, the
melody is first presented
on a soft solo reed in
meter. A chromatic
variation without pedal
in B minor is next,
followed by one in which
each phrase is repeated
an octave higher, and
finally by a return to
the solo stop that
augments and embellishes
the melody. The harmonies
are pleasing and the tune
easy to follow.
Piano/Keyboards - Beginner/Advanced SKU: AD.ADG244 Composed by Andrew D. ...(+)
Piano/Keyboards -
Beginner/Advanced
SKU:
AD.ADG244
Composed by
Andrew D. Gordon. The
Blues Scale. Blues. Book
and digital audio. ADG
Productions #ADG244.
Published by ADG
Productions (AD.ADG244).
ISBN 9781958017333.
UPC: 663389124424. 9 x 12
inches.
The Blues
Scale for Organ is one of
a series by Andrew D.
Gordon is a comprehensive
collection of educational
books that explores the
intricacies, techniques,
and applications of the
blues scale in
contemporary music.
Designed for musicians of
all levels, this series
serves as an
indispensable resource
for guitarists, pianists,
saxophonists, and other
instrumentalists looking
to delve into the
expressive and soulful
world of blues music.
Andrew D. Gordon, an
accomplished musician and
renowned educator,
combines his vast
knowledge and experience
to provide a step-by-step
guide for mastering the
blues scale. Each book in
the series offers a
well-structured
curriculum, progressing
from fundamental concepts
to advanced improvisation
techniques, ensuring a
thorough understanding of
the blues scale's
potential. Through
detailed explanations,
musical examples,
exercises, and play-along
tracks, readers will
embark on a
transformative journey,
gaining fluency and
confidence in playing the
blues. The books cover
various styles showing
how the blues scale can
be used, including ,
jazz, funk , new age,
Latin, pop, gospel, acid
jazz and rock enabling
musicians to expand their
repertoire and adapt
their skills to different
musical contexts. The
Blues Scale series not
only equips musicians
with the technical
aspects of playing the
blues but also emphasizes
the importance of
creativity and personal
expression. Gordon
encourages readers to
develop their
improvisational skills,
providing tools and
strategies to create
unique solos and express
their musical personality
within the framework of
the blues scale. Whether
you are a beginner
seeking to explore the
foundations of the blues
scale or an advanced
player looking to refine
your improvisational
abilities, The Blues
Scale series by Andrew D.
Gordon offers a
comprehensive and
accessible approach to
learning and mastering
the blues. With its clear
instruction, engaging
exercises, and practical
examples, this series is
an invaluable resource
for musicians passionate
about incorporating the
soulful and timeless
sounds of the blues into
their playing.
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
Organ - Late Intermediate SKU: AD.ADG203 Composed by Andrew D. Gordon. Ar...(+)
Organ - Late Intermediate
SKU: AD.ADG203
Composed by Andrew D.
Gordon. Arranged by
Andrew D. Gordon. Gospel
Riffs God Would Love To
Hear. Gospel. Book &
digital audio. ADG
Productions #ADG203.
Published by ADG
Productions (AD.ADG203).
ISBN 9781934163986.
UPC: 663389120327. 9 x 12
inches.
Gospel
Riffs God Would Love To
Hear for Organ by Andrew
Gordon is a compendium of
33 Contemporary Gospel
riffs for organists to
learn the art of Gospel
stylings. There are also
arrangements of some
traditional Gospel songs
including Amazing Grace
and When The Saints Go
Marching In showing how
to incorporate the riffs
in the book into these
well known Gospel songs.
Play in the styles of Ray
Charles, Dr. John, Billy
Preston, Leon Russell,
and Andre Crouch and see
how Blues, Jazz and other
contemporary styles are
associated with the
Gospel
sound.
Customer
Comment About This
Book:
Gospel Riffs
God Would Love To Hear I
love Gospel music, and so
far with Andrew Gordon's
books I haven't been
disappointed. This book
was no exception. And
even though I
thought.