(Recercari, et Canzoni franzese (Rom, Zannetti, 1615, 21618)). By Girolamo Fresc...(+)
(Recercari, et Canzoni
franzese (Rom, Zannetti,
1615, 21618)). By
Girolamo Frescobaldi
(1583-1643). Edited by
Christopher Stembridge;
Kenneth Gilbert. For
Organ/Piano/Harpsichord.
Orgel- und Clavierwerke,
Band I.1 (Neuausgabe).
Playing Score; Urtext
Edition (paperbound).
Published by Baerenreiter
Verlag
By Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridge / Kenneth ...(+)
By Girolamo Frescobaldi
(1583-1643). Edited by
Christopher Stembridge /
Kenneth Gilbert. For
organ/keyboard.
Paperback. Score. Text:
German, English.
Published by Baerenreiter
Verlag
Organ SKU: PL.2013M Composed by Christopher Maxim. Score. Paraclete Press...(+)
Organ
SKU:
PL.2013M
Composed by
Christopher Maxim. Score.
Paraclete Press #2013M.
Published by Paraclete
Press (PL.2013M).
This ingenious
concert work is based on
the letters of Durufle's
name. The perpetual
motion prelude is mainly
in 7/8 while the fugue is
full of verve and
excitement leading to a
grand conclusion.
Organ SKU: PL.PPMO2063M Composed by Christopher Maxim. Score. Paraclete P...(+)
Organ
SKU:
PL.PPMO2063M
Composed
by Christopher Maxim.
Score. Paraclete Press
#PPMO2063M. Published by
Paraclete Press
(PL.PPMO2063M).
An exuberant
large-scale work with
jaunty syncopated themes
and a reflective central
section on the chant,
Victimae Paschali.
Conceived for a large
instrument, but the
composer has included
alternative registrations
for a smaller organ.
Organ SKU: PL.PPM02154M Composed by Christopher Maxim. Score. Paraclete P...(+)
Organ
SKU:
PL.PPM02154M
Composed
by Christopher Maxim.
Score. Paraclete Press
#PPM02154M. Published by
Paraclete Press
(PL.PPM02154M).
Discover a
major new piece for organ
by Christopher Maxim.
Multi-metered with an
emphasis on dance
rhythms, Maxim has given
plenty of opportunities
for color.
Organ SKU: PL.2001M Composed by Christopher Maxim. Score. Paraclete Press...(+)
Organ
SKU:
PL.2001M
Composed by
Christopher Maxim. Score.
Paraclete Press #2001M.
Published by Paraclete
Press (PL.2001M).
Written in
various styles (i.e.
chaconne, cantus firmus
in different voices,
intensely chromatic),
this set features
preludes on both familiar
and unfamiliar Lutheran
chorales. While
influenced by the past,
these are written in a
fresh manner, attractive
and useful for both
listener and
organist.
Organ SKU: FZ.508 Edited by Jean Christophe Tosi. Instruments Historiques...(+)
Organ
SKU: FZ.508
Edited by Jean Christophe
Tosi. Instruments
Historiques: Monographies
d'Instruments, Facteurs
et Luthiers. Book and CD.
Published by Anne Fuzeau
Productions - France
(FZ.508).
ISBN
9782841690183. 21.00 x
21.00 cm
inches.
Old
instruments collection is
a new series of
monographs featuring
single instruments or
instrument markers. Each
booklet contains
chronological charts,
historical and technical
details, together with
photographs, as well as
considering the
instrument from ans
aesthetic point of view.
We have tried to make
this collection
thoroughly pratical one,
deliberately limiting the
format, and providing
texts in four language (
French, English, German
and Japenese ) aiming for
maximum clarity. These
individual studies should
be helpful to musicians,
musicologists,
historians, instrument
makers and enthusiasts.
The history. Description.
Tuning and temperament.
Aesthetic consideration.
The builders.
Bibliography. Archives.
Delve into the memory of
music with the Old
instruments monographies
collection from Anne
Fuzeau Classique.
Organ SKU: PL.PPMO2035M Composed by Christopher Maxim. Score. Paraclete P...(+)
Organ
SKU:
PL.PPMO2035M
Composed
by Christopher Maxim.
Score. Paraclete Press
#PPMO2035M. Published by
Paraclete Press
(PL.PPMO2035M).
A major organ
work, reminiscent of
French models, in five
movements: Intrada, Aria,
a gigue-like Fugue, Scena
(a recitative) and a
fiery Toccata-Sortie. A
challenging and exciting
concert work in an early
20th century harmonic
style.
Piano solo SKU: HH.HH170-SOL Composed by August Muller. Edited by Christo...(+)
Piano solo
SKU:
HH.HH170-SOL
Composed
by August Muller. Edited
by Christopher Hogwood.
Piano Solo. Playing
score. Edition HH Music
Publishers #HH170-SOL.
Published by Edition HH
Music Publishers
(HH.HH170-SOL).
ISBN
9790708059004.
The
Anhang of
Köchel’s
catalogue is full of
pieces that for more than
a century after his death
were thought to be his
work; the Müller
sonata, a very effective
piece on both fortepiano
and clavichord, is still
suspected of containing
some elements of original
Mozart in it, and
deserves to be rescued
from oblivion in this
Mozart anniversary
year.
Organ SKU: PL.PPMO-1903M Composed by Christopher Maxim. Paraclete Press #...(+)
Organ
SKU:
PL.PPMO-1903M
Composed by Christopher
Maxim. Paraclete Press
#PPMO 1903M. Published by
Paraclete Press
(PL.PPMO-1903M).
Maxim has set
these three works as hymn
fantasies with much color
and textural variety. The
tunes are Aberystwyth,
Blaenwern, and Trefaenan
and they have an
imaginative flair and are
attractive for both
organist and
listener.
Organ SKU: PL.PPMO-1905M Composed by Christopher Maxim. Paraclete Press #...(+)
Organ
SKU:
PL.PPMO-1905M
Composed by Christopher
Maxim. Paraclete Press
#PPMO 1905M. Published by
Paraclete Press
(PL.PPMO-1905M).
This is a
genuine, large-scale
scherzo movement that
will delight both
organist and listener.
The multi-meter style is
complemented by endless
variations of color.
Great fun!
Organ solo SKU: CA.5280700 Composed by Max Reger. Edited by Alexander Bec...(+)
Organ solo
SKU:
CA.5280700
Composed
by Max Reger. Edited by
Alexander Becker,
Christopher Grafschmidt,
Stefan Konig, and
Stefanie Steiner-Grage.
This edition: clothbound.
Max Reger - Hybrid
Edition of works. With
DVD. Free organ music.
Full score (complete
edition / selected
edition). 240 pages.
Carus Verlag #CV
52.807/00. Published by
Carus Verlag
(CA.5280700).
ISBN
9790007164164.
Sinc
e January 2008, the first
scholarly, critical
edition of the works of
Max Reger (RWA) is being
produced at the
Max-Reger-Institute,
Karlsruhe. Its design as
a hybrid edition breaks
new ground in the methods
of editorial practice. It
comprises three areas of
Reger's compositional
output: Organ works,
Lieder and choruses and,
for the first time, Max
Reger's arrangements of
works by other composers.
To begin the series, the
first seven volumes have
been published and
contain the organ works,
which have been eagerly
awaited by many. The
Max-Reger-Institut (MRI),
located in Karlsruhe,
Germany, has initiated
the first ever
scholarly-critical
edition of works by Max
Reger. The
Reger-Werkausgabe (RWA)
is sponsored by the
Mainzer Akademie der
Wissenschaften und der
Literatur and with its
design as a hybrid
edition breaks new ground
in the editorial
techniques. The seventh
and final volume in the
series of organ works
includes, in
chronological order, the
organ pieces Max Reger
composed in 1904 and 1906
in Munich, in 1912 in
Berchtesgaden, in 1913 in
Kolberg, and in 1915 to
1916 in Jena.
Organ SKU: CA.5280400 Composed by Max Reger. Edited by Alexander Becker, ...(+)
Organ
SKU:
CA.5280400
Composed
by Max Reger. Edited by
Alexander Becker,
Christopher Grafschmidt,
Stefan Konig, and
Stefanie Steiner-Grage.
This edition: Complete
edition. Hymns by Martin
Luther: Ausgaben mit
mehreren Luther-Liedern;
Complete editions /
Selected works: Max
Reger. Hybrid Edition of
works. With DVD. Organ
music based on hymns.
Full score (complete
edition / selected
edition). 224 pages.
Carus Verlag #CV
52.804/00. Published by
Carus Verlag
(CA.5280400).
ISBN
9790007139384.
The
fourth volume of the
section of the Reger
Edition devoted to his
organ works comprises, in
chronological order, the
chorale preludes composed
between October 1893 and
November 1914 in
Wiesbaden, Weiden,
Munich, Leipzig, and
Meiningen. The
composition of chorale
preludes accompanied
Reger throughout his
entire career, even
though they were composed
primarily in the years
from 1900 to 1902 and
1914 (Opus 135a). As
almost no other composer
at the turn of the
century, he dedicated
himself to the chorale
prelude, composing around
100 works in this genre.
Since January 2008, the
first scholarly, critical
edition of the works of
Max Reger (RWA) is being
produced at the
Max-Reger-Institute,
Karlsruhe. Its design as
a hybrid edition breaks
new ground in the methods
of editorial practice. It
comprises three areas of
Reger's compositional
output: Organ works,
Lieder and choruses and,
for the first time, Max
Reger's arrangements of
works by other composers.
To begin the series, the
first seven volumes have
been published and
contain the organ works,
which have been eagerly
awaited by many.
Clavichord; harpsichord; keyboard; piano SKU: HH.HH300-SOL Composed by Ca...(+)
Clavichord; harpsichord;
keyboard; piano
SKU:
HH.HH300-SOL
Composed
by Carl Friedrich
Christian Fasch. Edited
by Christopher Hogwood.
Clavichord; Harpsichord;
Keyboard; Piano. Playing
score. Edition HH Music
Publishers #HH300-SOL.
Published by Edition HH
Music Publishers
(HH.HH300-SOL).
ISBN
9790708092490.
Carl
Fasch was notoriously
reluctant to have his
music made public and
even asked that much of
it should be destroyed.
What remains, however,
supports the view of the
contemporary writer on
music Johann Reichardt
that Fasch was the true
successor to C. P. E.
Bach, with whom he shared
keyboard duties for
Frederick the Great. In
this first volume of his
complete keyboard works,
the six sonatas, which
appeared in print and
were well regarded during
the composer's lifetime,
show him to be a minor
master and an eloquent
advocate for the eclectic
expressive style then
current in Berlin.
Clavichord; harpsichord; keyboard; piano SKU: HH.HH241-SOL Composed by H....(+)
Clavichord; harpsichord;
keyboard; piano
SKU:
HH.HH241-SOL
Composed
by H.O.C. Zinck. Edited
by Christopher Hogwood.
Clavichord; Harpsichord;
Keyboard; Piano. Playing
score. Edition HH Music
Publishers #HH241-SOL.
Published by Edition HH
Music Publishers
(HH.HH241-SOL).
ISBN
9790708059837.
The
second instalment of the
three volume collection
of Zinck’s
complete keyboard music
contains the printed
sonatas which followed
his enormously successful
1783 set together with
the first appearance in
print of two sonatas from
a manuscript source in
the Royal Library,
Copenhagen. The published
sonatas show
Zinck’s mastery of
the styles of both C.P.E.
Bach (his teacher) and
Haydn, while the
manuscript works are
simpler in their
technical demands, but
include original
fingering from the
composer. All the sonatas
in this volume would be
effective on either
clavichord or
fortepiano.