Urtext. Composed
by George Gershwin.
Orchestra; Softbound.
Edition Breitkopf. Solo
concerto; Early modern;
Music post-1945. Piano
reduction. 88 pages.
Duration 36'. Breitkopf
and Haertel #EB 10859.
Published by Breitkopf
and Haertel
(BR.EB-10859).
ISBN
9790201808598. 9.5 x 12
inches.
After
achieving sensational
success with the musical
Lady, be good! , with
evergreens such as
Fascinating Rhythm and
The Man I love, as well
as with his Rhapsody in
Blue , Gershwin premiered
his Concerto in F for
piano and orchestra as a
soloist at Carnegie Hall
in 1925. Now, the new
superstar of Broadway had
also arrived at the
center of New York's
classical music scene. In
its eventful history, the
work went through
numerous changes,
cuttings, arrangements,
many of which doubtful
and unauthorized. Even
the first and so far only
printed orchestral score,
edited by Frank
Campbell-Watson,
published in 1942 five
years after Gershwin's
death, contains many
unauthorized
interventions. Through
years of research, editor
Norbert Gertsch has
succeeded in ridding the
work of all unauthorized
additions and alterations
and thus reconstructing
an Urtext in its original
literal sense from the
complex source material -
from autograph sketches
to early recordings. The
first text-critical
edition of the work is a
joint production of
Breitkopf
(score/orchestral parts)
and G. Henle Verlag
(piano reduction).
Urtext. Composed
by George Gershwin.
Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Early modern;
Music post-1945. Full
score. 136 pages.
Duration 36'. Breitkopf
and Haertel #PB 15140.
Published by Breitkopf
and Haertel
(BR.PB-15140).
ISBN
9790004214763. 10 x 12.5
inches.
After
achieving sensational
success with the musical
Lady, be good!, with
evergreens such as
Fascinating Rhythm and
The Man I love, as well
as with his Rhapsody in
Blue, Gershwin premiered
his Concerto in F for
piano and orchestra as a
soloist at Carnegie Hall
in 1925. Now, the new
superstar of Broadway had
also arrived at the
center of New York's
classical music scene. In
its eventful history, the
work went through
numerous changes,
cuttings, arrangements,
many of which doubtful
and unauthorized. Even
the first and so far only
printed orchestral score,
edited by Frank
Campbell-Watson,
published in 1942 five
years after Gershwin's
death, contains many
unauthorized
interventions. Through
years of research, editor
Norbert Gertsch has
succeeded in ridding the
work of all unauthorized
additions and alterations
and thus reconstructing
an Urtext in its original
literal sense from the
complex source material -
from autograph sketches
to early recordings. The
first text-critical
edition of the work is a
joint production of
Breitkopf
(score/orchestral parts)
and G. Henle Verlag
(piano reduction).
Piano/harpsichord and orchestra SKU: BR.DV-4252-14 Complete Works....(+)
Piano/harpsichord and
orchestra
SKU:
BR.DV-4252-14
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Orchestra; Linen.
Deutscher Verlag.
Editorial Board:
Christian Martin Schmidt
(chairman), Peter Ward
Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller
Romantic period. Complete
Works. 232 pages.
Deutscher Verlag fur
Musik #DV 4252-14.
Published by Deutscher
Verlag fur Musik
(BR.DV-4252-14).
ISBN
9790200440034. 9 x 12
inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller Price
reduction for a
subscription.
Piano, orchestra SKU: BR.SON-409 Complete Works. Composed by Felix...(+)
Piano, orchestra
SKU:
BR.SON-409
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christoph
Hellmundt. Linen.
Complete Works. Romantic
period. Complete Works.
336 pages. Breitkopf and
Haertel #SON 409.
Published by Breitkopf
and Haertel (BR.SON-409).
ISBN 9790004802366. 10
x 12.5 inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller.
(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edite...(+)
(Urtext der Neuen
Mozart-Ausgabe). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Wolfgang Rehm. For Piano
Solo, Orchestra. Neue
Mozart-Ausgabe. Serie V,
Werkgruppe 15/8. Klassik
(Classical). Score;
Urtext Edition; Complete
Edition (cloth bound).
Published by Baerenreiter
Verlag
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str) ...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15106
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10766 is printed in score
form; two copies are
needed for
performance.Our edition
EB
8578 contains
Ferrucci Busoni's
cadenzas for the Piano
Concerto in C m. Solo
concerto; Classical. Full
score. 72 pages. Duration
30'. Breitkopf and
Haertel #PB 15106.
Published by Breitkopf
and Haertel
(BR.PB-15106).
ISBN
9790004211892. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Piano and orchestra SKU: BO.B.3175 Composed by Manuel Oltra. Instrumental...(+)
Piano and orchestra
SKU: BO.B.3175
Composed by Manuel Oltra.
Instrumental Sets.
Published by Editorial de
Musica Boileau
(BO.B.3175).
Comentarios del
Espanol: La Obra
Rapsodia para Piano y
Cobla (1953) destaca
dentro de la produccion
de Manuel Oltra por ser
su primera obra compuesta
para esta formacion
instrumental. La
produccion para cobla de
Manuel Oltra contempla,
ademas de la armonizacion
de un centenar de ballets
tradicionales catalanes,
una docena larga de obras
de concierto de forma,
extension e
instrumentacion variada,
asi como un extenso
catalogo de sardanas. La
constante inquietud del
compositor le ha llevado
a realizar muy valiosas y
logradas investigaciones
timbricas. Fue el primero
en combinar la cobla con
instrumentos ajenos a los
de la formacion
tradicional consiguiendo
exitosas especulaciones
ritmico-melodicas.
Rapsodia para piano y
cobla se puede encontrar
tambien en su version
reducida para dos pianos.
Obra compuesta por el
mismo autor con el
objetivo de facilitar el
estudio de la obra al
pianista para su
posterior interpretacion
con la cobla. Dado el
exito de la Rapsodia para
piano y cobla y gracias a
su gran diversidad de
timbres, en el ano 2004
Manuel Oltra creo una
nueva version de la obra
para orquesta sinfonica y
que se publico el mismo
ano en Editorial de
Musica Boileau.
Solo
concerto; Romantic. Full
score. 120 pages.
Duration 30'. Breitkopf
and Haertel #PB 32026.
Published by Breitkopf
and Haertel
(BR.PB-32026).
ISBN
9790004215142. 10 x 12.5
inches.
Finally
performable again Eduard
Franck's Piano Concerto
in D minor Op. 13 is the
first major orchestral
work by this Mendelssohn
pupil. The pianist,
already celebrated at a
young age, had early
plans for the piano
concerto that he
completed at the latest
in 1846. Contemporary
critics emphasized the
catchy motives and the
balanced relationship of
solo instrument to the
orchestra. Ignaz
Moscheles was impressed
by the noble manner, the
poetic ideas, and the
orchestration. Thanks to
the kind support of the
Accademia di Santa
Cecilia, in whose library
the orchestral parts,
once thought to be lost,
are preserved, the work
can be introduced for the
first time in the present
edition.
(KV 488, 491, 503. Anhang 1: Skizzen zu KV 488. Anhang 2: Skizzen zu KV 503). By...(+)
(KV 488, 491, 503. Anhang
1: Skizzen zu KV 488.
Anhang 2: Skizzen zu KV
503). By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Hermann Beck.
For Piano Solo,
Orchestra. Neue
Mozart-Ausgabe. Serie V,
Werkgruppe 15/7. Urtext
Language: German.
Musikwissenschaft,
Klassik (Music Theory,
Classical). Critical
Commentary; Complete
Edition (paperbound).
Published by Baerenreiter
Verlag
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15164-07
Urtext. Composed
by Edvard Grieg. Edited
by E.-G. Heinemann.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Study
Score. 108 pages.
Duration 30'. Breitkopf
and Haertel #PB 15164-07.
Published by Breitkopf
and Haertel
(BR.PB-15164-07).
ISBN
9790004215906. 6.5 x 9
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15152
Urtext. Composed
by Edvard Grieg. Edited
by Ernst-Gunter
Heinemann. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Full score. 108
pages. Duration 30'.
Breitkopf and Haertel #PB
15152. Published by
Breitkopf and Haertel
(BR.PB-15152).
ISBN
9790004215579. 10 x 12.5
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
Rapsodia Negra Piano et Orchestre [Conducteur] Edward B. Marks Music Company
Piano & Orchestra SKU: SU.80603940 For Piano & Orchestra. Composed...(+)
Piano & Orchestra
SKU:
SU.80603940
For
Piano & Orchestra.
Composed by Ernesto
Lecuona. Keyboard,
Piano/Harpsichord,
Orchestra. Full Score.
Edward B. Marks Music
#80603940. Published by
Edward B. Marks Music
(SU.80603940).
Arranged by
Thomas Tirino; this is
the full size orchestral
score to the concert
piece for piano and
orchestraPiano and
Orchestra Composed: 2016
Published by: E.B.
Marks.