(Piano Solo And Chamber Ensemble). By Jason Eckardt (1971-). For piano solo, flute (doubling piccolo), clarinet in Bb, violin, violoncello. Full score. 40 pages. Published by Carl Fischer

Full Score. Composed by Poul Ruders. Music Sales America. Classical. Score Only. Composed 2017. 80 pages. Edition Wilhelm Hansen #WH32201. Published by Edition Wilhelm Hansen (HL.232526).

String Orchestra and Piano

SKU: BT.EMBZ14253

By Lajos Vigh. By Arpad Pejtsik. EMB Music for Beginners. Educational Tool. Book Only. Composed 2000. 92 pages. Editio Musica Budapest #EMBZ14253. Published by Editio Musica Budapest (BT.EMBZ14253).

Hungarian-English-Germ an-French.

The volume comprises works by classical and romantic masters for beginners. The chamber ensemble includes violin, viola, violoncello and piano, but if the viola is missing, its part can be played by a second violin from the version enclosed in the appendix. The string parts do not go beyond the first position. As opposed to the basso continuo part that children are less fond of, the piano assumes a soloistic role alternating with the strings. A certain part of the pieces can already be played after two years of serious studies. The colourful music containing dance movements and larger forms alike offers possibilities of common music making for string players andpianists.

Piano, orchestra (Piano,2Fl,2Ob,2Clar,2bas soon,2Hn,2Trp,Timp,2V,Va, Vc,Db) - Level 4

SKU: BA.BA10420

Composed by Antonin Dvorak. Edited by Robbert van Steijn. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 33. Duration 00:40:00. Baerenreiter Verlag #BA10420_00. Published by Baerenreiter Verlag (BA.BA10420).

ISBN 9790260108387. 31 x 24.3 cm inches. Key: G minor. Preface: David R. Beveridge.

Composed in 1876, Dvorákâ??s only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form.

The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Å olc.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

For Piano and Orchestra. By Lowell Liebermann. For Piccolo, Flute, Oboe, Clarinet (in Bb), Bass Clarinet, Bassoon, Contra Bassoon, English Horn, Horn, Trumpet, Tenor, Tuba, Timpani, Percussion, Piano, Violin, Viola, Cello, Contrabass. Classical. Solo Part with Piano Reduction. Composed 1983. Opus 12. 61 pages. Duration 22:00. Published by Theodore Presser Company.

Opera in One Act. By Hugo Weisgall. Arranged by Richard Hart. For Alto Saxophone, Clarinet, Tenor Saxophone, Trumpet, Violin, Viola, Cello, Contrabass, Piano. Classical. Full Score - Study. 54 pages. Duration 25:00. Published by Theodore Presser Company.

String Orchestra and Piano

SKU: BT.EMBZ6338

Composed by Bela Bartok. Set (Score & Parts). Composed 1970. 304 pages. Editio Musica Budapest #EMBZ6338. Published by Editio Musica Budapest (BT.EMBZ6338).

Béla Bartók composed his Piano Quintet while at grammar school in Pozsony (Pressburg, now Bratislava), and it still shows the influence of Brahms in its melody and harmony. The work was always resoundingly successful at his youthful concerts. When on 7 January 1921 the Waldbauer Quartet wanted to repeat the programme of a concert given ten years previously, Bartók was displeased that this early work of his should be performed once again. Finally he consented to the performance, and played the piano part himself. The quintet was greeted with tumults of applause, unlike the other pieces on the programme, which were written later. According to a communication by Márta Ziegler,Bartók threw away the score in anger, and for many years it was believed to have been destroyed. In 1963, the editor Denijs Dille received a package inside which were the score and parts, which had been thought lost. Denijs Dille wrote: 'In preparing the text of this edition for practical purposes, I used the autograph score, and Bartók's own handwritten parts for the first and second violins, viola, and cello. [...] Bartók made so many deletions and significant changes in the score that the resulting version was somewhat different from the original. In this edition we give the last version, supplemented with the minor changes and signs that can be found in the string parts.'.

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For piano/orchestra (piano/2 flutes/2 oboes/2 clarinets/2 bassoons/2 horns/2 clarin trumpets/timpani/2 violins/viola/cello/contr abass). This edition: Urtext edition. Paperback. Score. Opus 73, no. 5. Duration 38 minutes. Published by Baerenreiter Verlag

By Samuel Applebaum. For Piano Acc. String Orchestra Method/Supplement. Book. 68 pages. Published by Alfred Publishing.