Frankfurt festive music for the birth of an imperial prince in 1716, Part 1, ...(+)
Frankfurt festive music
for
the birth of an imperial
prince in 1716, Part 1,
Church Music. Composed by
Georg Philipp Telemann
(1681-
1767). Edited by Wolfgang
Hirschmann. This edition:
Edition of selected
works,
Urtext edition. Linen.
Telemann Musical Works.
Volume 16. Score. TWV
12:a,
b. Baerenreiter Verlag
#BA05305-01. Published by
Baerenreiter Verla
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Seven
sacred compositions.
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series III,
Volume 9. Complete
edition, Score. Duration
3 hours. Baerenreiter
Verlag #BA04051_00.
Published by Baerenreiter
Verlag (BA.BA04051).
ISBN 9790006443611. 33
x 26 cm inches. Text
Language: English,
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Feel the Spirit Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Oxford University Press
(A cycle of spirituals). Composed by John Rutter (1945-). For mezzo-soprano voic...(+)
(A cycle of spirituals).
Composed by John Rutter
(1945-). For
mezzo-soprano voice solo,
SATB choir, large
orchestra/chamber
orchestra. Mixed Voices.
Vocal score. Duration 30
minutes. Published by
Oxford University Press
A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper.
Arranged by Felix
Bartholdy Mendelssohn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Vocal
Score. Opus 52, MWV A 18.
Baerenreiter Verlag
#BA09092_90. Published by
Baerenreiter Verlag
(BA.BA09092-90).
ISBN
9790006565801. 27 x 19 cm
inches. Text Language:
German, English. Preface:
John Michael Cooper.
Text: Mendelssohn
Bartholdy, Felix (nach
der Luther-Bibel und
Martin Rinckart) /
Monicke, Charles
Henry.
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst walten.
Cantatas. Level 3. Choral
score. Language:
German/English. Composed
1829. A 7. Duration 12
minutes. Published by
Carus Verlag
Messe
in A. Composed by
Franz Xaver Richter.
Edited by Michael Diorio.
Messe In A 1788
(Hyemalis). Sacred vocal
music, Masses, Latin.
Single Part, Violin 1. 24
pages. Duration 35
minutes. Carus Verlag #CV
27.071/11. Published by
Carus Verlag
(CA.2707111).
ISBN
9790007199951. Key: A
major. Language:
Latin.
Franz Xaver
Richter probably wrote
his Missa in A, with the
nickname Hyemalis
(winter), between 1781
and 1783, during his
tenure as Kapellmeister
at the Strasbourg
Cathedral. This peculiar
epithet leads us to
presume that the Mass was
meant to be performed
during a sacred service
in a time period between
Epiphany and the Sunday
before Ash Wednesday
(Quinquagesima). The
present work, a first
edition, is a Messe
sollenne senza Trombe, in
which Richter achieved a
festive character with
musical variety by means
of a comparably modest
ensemble. Score and part
available separately -
see item CA.2707100.
Messe
in A. Composed by
Franz Xaver Richter.
Edited by Michael Diorio.
Messe In A 1788
(Hyemalis). Sacred vocal
music, Masses, Latin.
Single Part, Viola. 20
pages. Duration 35
minutes. Carus Verlag #CV
27.071/13. Published by
Carus Verlag
(CA.2707113).
ISBN
9790007199975. Key: A
major. Language:
Latin.
Franz Xaver
Richter probably wrote
his Missa in A, with the
nickname Hyemalis
(winter), between 1781
and 1783, during his
tenure as Kapellmeister
at the Strasbourg
Cathedral. This peculiar
epithet leads us to
presume that the Mass was
meant to be performed
during a sacred service
in a time period between
Epiphany and the Sunday
before Ash Wednesday
(Quinquagesima). The
present work, a first
edition, is a Messe
sollenne senza Trombe, in
which Richter achieved a
festive character with
musical variety by means
of a comparably modest
ensemble. Score and part
available separately -
see item CA.2707100.
Messe
in A. Composed by
Franz Xaver Richter.
Edited by Michael Diorio.
Messe In A 1788
(Hyemalis). Sacred vocal
music, Masses, Latin.
Single Part, Violin 2. 24
pages. Duration 35
minutes. Carus Verlag #CV
27.071/12. Published by
Carus Verlag
(CA.2707112).
ISBN
9790007199968. Key: A
major. Language:
Latin.
Franz Xaver
Richter probably wrote
his Missa in A, with the
nickname Hyemalis
(winter), between 1781
and 1783, during his
tenure as Kapellmeister
at the Strasbourg
Cathedral. This peculiar
epithet leads us to
presume that the Mass was
meant to be performed
during a sacred service
in a time period between
Epiphany and the Sunday
before Ash Wednesday
(Quinquagesima). The
present work, a first
edition, is a Messe
sollenne senza Trombe, in
which Richter achieved a
festive character with
musical variety by means
of a comparably modest
ensemble. Score and part
available separately -
see item CA.2707100.
Messe
in A. Composed by
Franz Xaver Richter.
Edited by Michael Diorio.
This edition: Paperbound.
Messe In A 1788
(Hyemalis). Sacred vocal
music, Masses, Latin.
Vocal score. 80 pages.
Duration 35 minutes.
Carus Verlag #CV
27.071/03. Published by
Carus Verlag
(CA.2707103).
ISBN
9790007059804. Key: A
major. Language:
Latin.
Franz Xaver
Richter probably wrote
his Missa in A, with the
nickname Hyemalis
(winter), between 1781
and 1783, during his
tenure as Kapellmeister
at the Strasbourg
Cathedral. This peculiar
epithet leads us to
presume that the Mass was
meant to be performed
during a sacred service
in a time period between
Epiphany and the Sunday
before Ash Wednesday
(Quinquagesima). The
present work, a first
edition, is a Messe
sollenne senza Trombe, in
which Richter achieved a
festive character with
musical variety by means
of a comparably modest
ensemble. Score available
separately - see item
CA.2707100.
Messe
in A. Composed by
Franz Xaver Richter.
Edited by Michael Diorio.
Messe In A 1788
(Hyemalis). Sacred vocal
music, Masses, Latin.
Single Part, Organ.
Composed 1823. 32 pages.
Duration 35 minutes.
Carus Verlag #CV
27.071/49. Published by
Carus Verlag
(CA.2707149).
ISBN
9790007200008. Key: A
major. Language:
Latin.
Franz Xaver
Richter probably wrote
his Missa in A, with the
nickname Hyemalis
(winter), between 1781
and 1783, during his
tenure as Kapellmeister
at the Strasbourg
Cathedral. This peculiar
epithet leads us to
presume that the Mass was
meant to be performed
during a sacred service
in a time period between
Epiphany and the Sunday
before Ash Wednesday
(Quinquagesima). The
present work, a first
edition, is a Messe
sollenne senza Trombe, in
which Richter achieved a
festive character with
musical variety by means
of a comparably modest
ensemble. Score and part
available separately -
see item CA.2707100.
Messe
in A. Composed by
Franz Xaver Richter.
Edited by Michael Diorio.
Messe In A 1788
(Hyemalis). Sacred vocal
music, Masses, Latin.
Choral Score. 24 pages.
Duration 35 minutes.
Carus Verlag #CV
27.071/05. Published by
Carus Verlag
(CA.2707105).
ISBN
9790007128715. Key: A
major. Language:
Latin.
Franz Xaver
Richter probably wrote
his Missa in A, with the
nickname Hyemalis
(winter), between 1781
and 1783, during his
tenure as Kapellmeister
at the Strasbourg
Cathedral. This peculiar
epithet leads us to
presume that the Mass was
meant to be performed
during a sacred service
in a time period between
Epiphany and the Sunday
before Ash Wednesday
(Quinquagesima). The
present work, a first
edition, is a Messe
sollenne senza Trombe, in
which Richter achieved a
festive character with
musical variety by means
of a comparably modest
ensemble. Score available
separately - see item
CA.2707100.
Messe
in A. Composed by
Franz Xaver Richter.
Edited by Michael Diorio.
Messe In A 1788
(Hyemalis). Sacred vocal
music, Masses, Latin.
Single Part, Cello/Double
Bass. 20 pages. Duration
35 minutes. Carus Verlag
#CV 27.071/14. Published
by Carus Verlag
(CA.2707114).
ISBN
9790007199982. Key: A
major. Language:
Latin.
Franz Xaver
Richter probably wrote
his Missa in A, with the
nickname Hyemalis
(winter), between 1781
and 1783, during his
tenure as Kapellmeister
at the Strasbourg
Cathedral. This peculiar
epithet leads us to
presume that the Mass was
meant to be performed
during a sacred service
in a time period between
Epiphany and the Sunday
before Ash Wednesday
(Quinquagesima). The
present work, a first
edition, is a Messe
sollenne senza Trombe, in
which Richter achieved a
festive character with
musical variety by means
of a comparably modest
ensemble. Score and part
available separately -
see item CA.2707100.
Messe
in A. Composed by
Franz Xaver Richter.
Edited by Michael Diorio.
1x 27.071/21 flute 1, 1x
27.071/22 flute 2, 1x
27.071/31 horn 1, 1x
27.071/32 horn 2. Messe
In A 1788 (Hyemalis).
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. 60
pages. Duration 35
minutes. Carus Verlag #CV
27.071/09. Published by
Carus Verlag
(CA.2707109).
ISBN
9790007199944. Key: A
major. Language:
Latin.
Franz Xaver
Richter probably wrote
his Missa in A, with the
nickname Hyemalis
(winter), between 1781
and 1783, during his
tenure as Kapellmeister
at the Strasbourg
Cathedral. This peculiar
epithet leads us to
presume that the Mass was
meant to be performed
during a sacred service
in a time period between
Epiphany and the Sunday
before Ash Wednesday
(Quinquagesima). The
present work, a first
edition, is a Messe
sollenne senza Trombe, in
which Richter achieved a
festive character with
musical variety by means
of a comparably modest
ensemble. Score and parts
available separately -
see item CA.2707100.
Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. D 678. 24
pages. Duration 50
minutes. Carus Verlag #CV
40.659/11. Published by
Carus Verlag
(CA.4065911).
ISBN
9790007085452. Key: A
flat major. Language:
Latin.
Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900.
Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. D 678. 24
pages. Duration 50
minutes. Carus Verlag #CV
40.659/12. Published by
Carus Verlag
(CA.4065912).
ISBN
9790007085469. Key: A
flat major. Language:
Latin.
Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900.
Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1828. D
678. 36 pages. Duration
50 minutes. Carus Verlag
#CV 40.659/49. Published
by Carus Verlag
(CA.4065949).
ISBN
9790007085506. Key: A
flat major. Language:
Latin.
Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900.
Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Viola. D 678. 16 pages.
Duration 50 minutes.
Carus Verlag #CV
40.659/13. Published by
Carus Verlag
(CA.4065913).
ISBN
9790007085476. Key: A
flat major. Language:
Latin.
Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900.
Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Double Bass. D 678. 16
pages. Duration 50
minutes. Carus Verlag #CV
40.659/15. Published by
Carus Verlag
(CA.4065915).
ISBN
9790007085490. Key: A
flat major. Language:
Latin.
Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900.
Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Cello. D 678. 20 pages.
Duration 50 minutes.
Carus Verlag #CV
40.659/14. Published by
Carus Verlag
(CA.4065914).
ISBN
9790007085483. Key: A
flat major. Language:
Latin.
Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900.
Mass in A flat major (Messe in As) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext. 1x
40.659/21 flute, 1x
40.659/22 oboe 1, 1x
40.659/23 oboe 2, 1x
40.659/24 clarinet 1, 1x
40.659/25 clarinet 2, 1x
40.659/26 bassoon 1, 1x
40.659/27 bassoon 2, 1x
40.659/31 horn 1, 1x
40.659/32 horn 2, 1x
40.659/33 trumpet 1, 1x
40.659/34 trumpet 2, 1x
40. Stuttgart Urtext
Edition: Schubert. Messe
In As Rev.2000.
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. D 678.
144 pages. Duration 50
minutes. Carus Verlag #CV
40.659/09. Published by
Carus Verlag
(CA.4065909).
ISBN
9790007085445. Key: A
flat major. Language:
Latin.
Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and parts available
separately - see item
CA.4065900.
Mass in A major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Carus Verlag
Orchestra version.
Composed by Cesar Auguste
Franck. Edited by
Wolfgang Hochstein. Set
of Orchestra Parts.
Composed 1860. FWV 12.
Duration 46 minutes.
Carus Verlag #4064600.
Published by Carus Verlag
(CA.4064669).
ISBN
9790007293598. Key: A
major. Latin.
The
Mass in A major published
here is one of the
compositions which Franck
wrote for liturgical use
at Ste. Clotilde. It
received ist first
performance there, under
the composer's direction,
on the 2nd April 1861.
Regarding the vocal
scoring of the Mass it is
noticeable that only a
few bars in the
Ordinarium movements are
expressly given to the
solo vooices. Several
other passages can,
however, by sung by the
soloists rather than the
choir, and in this
edition these are
indicated. Score and
parts available
separately - see item
CA.4064600.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Cantatas,
Reformation day. Set of
Orchestra Parts. BWV 80.
12 pages. Duration 30
minutes. Carus Verlag #CV
31.080/89. Published by
Carus Verlag
(CA.3108089).
ISBN
9790007206840. Key: D
major. Text language:
German/English. Text:
Luther,
Martin.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and parts
available separately -
see item CA.3108000.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
German title: Ein feste
Burg. Innovative practice
aids, Sacred vocal music,
Cantatas, Reformation
day. Single Part, Viola.
BWV 80. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.080/13. Published by
Carus Verlag
(CA.3108013).
ISBN
9790007045371. Key: D
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther, Salomo
Franck.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and part
available separately -
see item CA.3108000.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Sacred
vocal music, Masses,
Latin. Choral Score.
Duration 35 minutes.
Carus Verlag #CV
27.053/05. Published by
Carus Verlag
(CA.2705305).
ISBN
9790007113520. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score available
separately - see item
CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola 2.
Sacred vocal music,
Masses, Latin. Single
Part, Viola 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/14. Published by
Carus Verlag
(CA.2705314).
ISBN
9790007199593. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.