(2.2.2.2/2.2.3.0,timp,per c,hp,str) SKU: TM.12307SET Composed by Franz Le...(+)
(2.2.2.2/2.2.3.0,timp,per
c,hp,str)
SKU:
TM.12307SET
Composed
by Franz Lehar. Set Type:
D. Set of parts. Lucks
Music Library #A8025.
Published by Lucks Music
Library (TM.12307SET).
Sandra Dackow
Little Known Gem - Grade
V. Prelude, In Minuet
Style, Sarabande,
Caprice, Pastoral, Air,
Frolic. Containing seven
fun to play sections,
each movement in An
English Suite has
approachable technical
demands while not being
too lengthy. The Prelude
is neo-Baroque, where
Baroque rhythms are
combined with Victorian
harmonies. Sounding more
difficult than it
actually is to play, this
movement is busy with
violin passages that
reach high G's. In Minuet
Style has lovely lines
for viola and charmingly
couples an older form
with more advanced
harmonic language. The
Saraband offers drama and
resembles the style and
writing of Elgar. There
are high G's for both
cello and bass, but the
passages are logical and
fall under the hand
easily. Most technically
difficult, the Caprice is
a diversion requiring
precision, speed, and
technique to maneuver
through changing
harmonies and tonalities.
The retro Pastoral was
written in a manner
similar to the Gavotte
from Grieg's Holberg
Suite, while the Air
contains effective
alternation of solo notes
with tutti textures. The
final Frolic movement is
a fun fiddle tune that is
great for featuring the
first and second violin
sections. It has also
served as a theme song
for one of New York's
classical music stations.
Keep arco accompaniments
at the frog and off the
string during repetitive
rhythmic passages and in
pizzicato sections, as
they can easily be
rushed.
St. John Passion 1745 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Barenreiter
(Ein Lammlein geht und tragt die Schuld). By Georg Philipp Telemann (1681-1767)....(+)
(Ein Lammlein geht und
tragt die Schuld). By
Georg Philipp Telemann
(1681-1767). Edited by
Wolfgang Hirschmann.
Arranged by Olga
Kroupova. For Soprano
Solo (2), Alto Solo,
Tenor Solo (3), Bass Solo
(3), Mixed Choir-SATB,
Piano Str, Basso
Continuo. Passionen
(Passion Music, Easter).
Piano Reduction/Vocal
Score; Urtext Edition
(paperbound). TWV 5:30
B minor Mass Soli, choeur mixte et accompagnement Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. For
SSATB vocal soli,
SSAATTBB choir, 2 flutes,
3 oboes/2 oboes d'amore,
2 bassoons, corno da
caccia, 3 trumpets,
timpani, 2 violins,
viola, basso continuo.
This edition: Linen
cover. Latin Masses. Full
score and DVD. Text
language: Latin. BWV 232.
304 pages. Duration 100
minutes. Published by
Carus Verlag
B minor Mass Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. For
SSATB vocal soli,
SSAATTBB choir, 2 flutes,
3 oboes/2 oboes d'amore,
2 bassoons, corno da
caccia, 3 trumpets,
timpani, 2 violins,
viola, basso continuo.
This edition: paperback.
Latin Masses. Full score.
Text language: Latin. BWV
232. 304 pages. Duration
100 minutes. Published by
Carus Verlag
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext. 2x
55.075/21 2 flutes, 1x
55.075/22 oboe 1, 1x
55.075/23 oboe 2, 3x
55.075/24 3 bassoons, 2x
55.075/31 2 horns, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets.
Stuttgart Urtext Edition:
Handel. Harmony parts.
Innovative practice aids,
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Composed
1736/1751. HWV 75.
Duration 85 minutes.
Carus Verlag #CV
55.075/09. Published by
Carus Verlag
(CA.5507509).
ISBN
9790007226794. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and
parts available
separately - see item
CA.5507500.
My Boy Jack Soli, choeur mixte et accompagnement Galaxy Music Corporation
Composed by David Ashley White (1944-). 21st Century. Duration 3 minutes, 30 ...(+)
Composed by David Ashley
White (1944-). 21st
Century.
Duration 3 minutes, 30
seconds. Galaxy Music
Corporation #1.3429.
Published by Galaxy Music
Corporation
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Organ. Innovative
practice aids, Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1736/1751. HWV
75. 60 pages. Duration 85
minutes. Carus Verlag #CV
55.075/49. Published by
Carus Verlag
(CA.5507549).
ISBN
9790007171315. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Choral Score. Composed
1736/1751. HWV 75. 40
pages. Duration 85
minutes. Carus Verlag #CV
55.075/05. Published by
Carus Verlag
(CA.5507505).
ISBN
9790007171230. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score
available separately -
see item CA.5507500.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Complete
orchestral parts.
Innovative practice aids,
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Composed
1736/1751. HWV 75.
Duration 85 minutes.
Carus Verlag #CV
55.075/19. Published by
Carus Verlag
(CA.5507519).
ISBN
9790007171438. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and
parts available
separately - see item
CA.5507500.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Full score. Composed
1736/1751. HWV 75. 184
pages. Duration 85
minutes. Carus Verlag #CV
55.075/00. Published by
Carus Verlag
(CA.5507500).
ISBN
9790007167769. Language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements.
Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Holy Wee...(+)
Composed by Howard
Goodall
(1958-).
Multi-Movement/Large
Choral Work. Holy Week,
Lent,
Triduum/Three Days,
Tenebrae,
21st Century.
Vocal/choral
score. Published by
MorningStar Music
Publishers
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel
; Donald Burrows
(Editor). For Soprano,
Tenor, Bass, SATB Choir,
Piano Accompaniment.
Baroque. Sheet Music. 168
pages. Published by
Novello and Co Ltd.
Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy ...(+)
Arrangement for chamber
orchestra (Linckelmann).
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Arranged by Joachim
Linckelmann. Gattungen
vokal:
Sacred vocal music. Full
Score. MWV A 25, Op. 70.
Duration 130 minutes.
Published by Carus Verlag
Composed by Franz
Schubert. Edited by
Manuela Jahrmarker. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Messe In B Rev.2001.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
Composed 1815. D 324. 8
pages. Duration 30
minutes. Carus Verlag #CV
40.657/14. Published by
Carus Verlag
(CA.4065714).
ISBN
9790007085315. Key: B
flat major. Language:
Latin.
With a total
duration of about 30
minutes, Schubert's Mass
in B flat major (D 324),
written in 1815, is
considerably longer than
Mozart's and Haydn's
classical Brevis masses,
and its large
instrumental ensemble
with strings, woodwinds,
brass and timpani even
gives it a clearly solemn
character. Overall,
Schubert was inspired by
the late Haydn style of
the symphonic mass (e.g.,
the division into six
large movements, the
omission of arias for the
vocal soloists who are
instead juxtaposed with
the choir, singing short
passages either singly or
as a group) without, of
course, achieving its
temporal expansion. This
is a representative,
musically appealing work
that excels with its
multi-layered, detailed
text treatment. It is,
therefore, suitable for
special occasions and the
high feasts of the church
year and can be mastered
well by experienced
church choirs. Score and
part available separately
- see item
CA.4065700.
Mass in C minor Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Completed and edited by Robert D. Levin). By Wolfgang Amadeus Mozart / Robert D...(+)
(Completed and edited by
Robert D. Levin). By
Wolfgang Amadeus Mozart /
Robert D. Levin. Edited
by Robert D. Levin. For
Soli SSTB, SATB/SATB
Choir Flute, 2 Oboes, 2
Bassoons, 2 Horns, 2
Clarinos/Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Basso
continuo. This edition:
Paperbound. C-Moll (C
minor). Stuttgart Urtext
Edition. German title:
Missa in c (arr. Levin).
Masses, Latin. Full
score. Language: Latin.
KV 427. 304 pages.
Duration 80 minutes.
Published by Carus Verlag
Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] - Facile Carus Verlag
(Bohmische Hirtenmesse). By Jakub Jan Ryba (1765-1815). Edited by Milan Kuna. Fo...(+)
(Bohmische Hirtenmesse).
By Jakub Jan Ryba
(1765-1815). Edited by
Milan Kuna. For Soli
SATB, SATB Choir, Flute,
2 Clarinets, 2 Horns,
Trumpet, Timpani, 2
Violins, Viola,
Cello/Contrabass, Organ.
This edition: Paperbound.
Score available
separately - see item
CA.4067800. Masses,
German, Masses, Latin,
Christmas. Level 2. Vocal
score. Language:
Czech/German. 64 pages.
Duration 37 min.
Published by Carus Verlag
Composed by Franz
Schubert. Edited by
Manuela Jahrmarker. This
edition: urtext. 1x
40.657/21 oboe 1, 1x
40.657/22 oboe 2, 1x
40.657/23 bassoon 1, 1x
40.657/24 bassoon 2, 1x
40.657/31 trumpet 1, 1x
40.657/32 trumpet 2, 1x
40.657/41 timpani.
Stuttgart Urtext Edition:
Schubert. German title:
Messe In B Rev.2001.
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Composed
1815. D 324. 60 pages.
Duration 30 minutes.
Carus Verlag #CV
40.657/09. Published by
Carus Verlag
(CA.4065709).
ISBN
9790007085278. Key: B
flat major. Language:
Latin.
With a total
duration of about 30
minutes, Schubert's Mass
in B flat major (D 324),
written in 1815, is
considerably longer than
Mozart's and Haydn's
classical Brevis masses,
and its large
instrumental ensemble
with strings, woodwinds,
brass and timpani even
gives it a clearly solemn
character. Overall,
Schubert was inspired by
the late Haydn style of
the symphonic mass (e.g.,
the division into six
large movements, the
omission of arias for the
vocal soloists who are
instead juxtaposed with
the choir, singing short
passages either singly or
as a group) without, of
course, achieving its
temporal expansion. This
is a representative,
musically appealing work
that excels with its
multi-layered, detailed
text treatment. It is,
therefore, suitable for
special occasions and the
high feasts of the church
year and can be mastered
well by experienced
church choirs. Score and
parts available
separately - see item
CA.4065700.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214).
ISBN
9790007213459. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Single Part,
Organ. Composed circa
1747. 64 pages. Duration
90 minutes. Carus Verlag
#CV 35.502/49. Published
by Carus Verlag
(CA.3550249).
ISBN
9790007141202. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.