(O give thanks unto the Lord). Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: paperback. Praise and thanks. Vocal score. Text language: German. Composed 1785. Gs 9. Duration 50 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.1021212

Composed by George Frideric Handel. German title: Trauer-Hymne Der Du Vom Tod Erstanden. Sacred vocal music, Hymns, Lent and Passiontide, Mourning, death. Single Part, Violin 2. HWV. 20 pages. Carus Verlag #CV 10.212/12. Published by Carus Verlag (CA.1021212).

ISBN 9790007022327. Language: German/English.

Sco re available separately - see item CA.1021200.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.1021219

Composed by George Frideric Handel. German title: Trauer-Hymne Der Du Vom Tod Erstanden. Sacred vocal music, Hymns, Lent and Passiontide, Mourning, death. Set of Orchestra Parts. HWV. Carus Verlag #CV 10.212/19. Published by Carus Verlag (CA.1021219).

ISBN 9790007139896. Language: German/English.

Sco re and parts available separately - see item CA.1021200.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.1021249

Composed by George Frideric Handel. German title: Trauer-Hymne Der Du Vom Tod Erstanden. Sacred vocal music, Hymns, Lent and Passiontide, Mourning, death. Single Part, Organ. HWV. 36 pages. Carus Verlag #CV 10.212/49. Published by Carus Verlag (CA.1021249).

ISBN 9790007022358. Language: German/English.

Sco re available separately - see item CA.1021200.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.1021208

Composed by George Frideric Handel. German title: Trauer-Hymne Der Du Vom Tod Erstanden. Sacred vocal music, Hymns, Lent and Passiontide, Mourning, death. Lyrics. HWV. 2 pages. Carus Verlag #CV 10.212/08. Published by Carus Verlag (CA.1021208).

ISBN 9790007189846. Language: German/English.

Sco re available separately - see item CA.1021200.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.1021214

Composed by George Frideric Handel. German title: Trauer-Hymne Der Du Vom Tod Erstanden. Sacred vocal music, Hymns, Lent and Passiontide, Mourning, death. Single Part, Cello/Double Bass. HWV. 16 pages. Carus Verlag #CV 10.212/14. Published by Carus Verlag (CA.1021214).

ISBN 9790007022341. Language: German/English.

Sco re available separately - see item CA.1021200.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.1021211

Composed by George Frideric Handel. German title: Trauer-Hymne Der Du Vom Tod Erstanden. Sacred vocal music, Hymns, Lent and Passiontide, Mourning, death. Single Part, Violin 1. HWV. 20 pages. Carus Verlag #CV 10.212/11. Published by Carus Verlag (CA.1021211).

ISBN 9790007022310. Language: German/English.

Sco re available separately - see item CA.1021200.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.1021201

Composed by George Frideric Handel. This edition: Linen cover. German title: Trauer-Hymne Der Du Vom Tod Erstanden. Sacred vocal music, Hymns, Lent and Passiontide, Mourning, death. Full score. HWV. 108 pages. Carus Verlag #CV 10.212/01. Published by Carus Verlag (CA.1021201).

ISBN 9790007189839. Language: German/English.

Sco re available separately - see item CA.1021200.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.1021209

Composed by George Frideric Handel. 1x 10.212/21 oboe 1, 1x 10.212/22 oboe 2. German title: Trauer-Hymne Der Du Vom Tod Erstanden. Sacred vocal music, Hymns, Lent and Passiontide, Mourning, death. Set of Orchestra Parts. HWV. 32 pages. Carus Verlag #CV 10.212/09. Published by Carus Verlag (CA.1021209).

ISBN 9790007022303. Language: German/English.

Sco re available separately - see item CA.1021200.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.1021213

Composed by George Frideric Handel. German title: Trauer-Hymne Der Du Vom Tod Erstanden. Sacred vocal music, Hymns, Lent and Passiontide, Mourning, death. Single Part, Viola. HWV. 20 pages. Carus Verlag #CV 10.212/13. Published by Carus Verlag (CA.1021213).

ISBN 9790007022334. Language: German/English.

Sco re available separately - see item CA.1021200.

By George Frideric Handel (1685-1759). For Soli SATB, SATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. Full score available separately - see item CA.1021200. Hymns; Occasions: Mourning, Death; Use during chuch year: Lent and Passiontide. Choral score. Language: German/English. 40 pages

By George Frideric Handel (1685-1759). For Soli SATB, SATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. This edition: paperbound. Hymns; Occasions: Mourning, Death; Use during chuch year: Lent and Passiontide. Score. Language: German/English. 108 pages

Version for choir and orchestra. Composed by Gabriel Faure (1845-1924). Edited by Jean-Michel Nectoux. This edition: paperback. Sacred vocal music, Hymns. Full score. Composed 1865. 24 pages. Duration 7 minutes. Carus Verlag #CV 70.303/00. Published by Carus Verlag (CA.7030300).

By Felix Mendelssohn. For 2 Soprano and 1 Tenor Soli, SATB Choir, Piano. Romantic, Choral, Sacred. Sheet Music. 84 pages. Published by Novello and Co Ltd.

By Wolfgang Amadeus Mozart (1756-1791). Edited by Schulze, Willi. Arranged by Paul Horn. For Soli STB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 193. Full score available separately - see item CA.4005200. Magnificat, Psalms, Latin; Stuttgart Urtext editions; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Daily hours; Use during church year: Epiphany. Level 2. Piano/Vocal score. Language: Latin. Composed 1774. 24 pages. Duration 10 min

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 109 (74e). Litanies; Stuttgart Urtext Editions; Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Score. Language: Latin. Composed 1771. 24 pages. Duration 11 min. Published by Carus Verlag

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 109 (74e). Score available separately - see item CA.4005400. Litanies; Stuttgart Urtext Editions; Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Piano/Vocal score. Language: Latin. Composed 1771. 20 pages. Duration 11 min. Published by Carus Verlag

By Josef Gabriel Rheinberger. Edited by Theill, Han. For Soli STB, SATB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Trombone, 2 Violins, Viola, Cello, Contrabass. This edition: paperbound. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during chuch year: Lent and Passiontide. Level 2. Score. Language: Latin/German. Composed 1864. 16. 64 pages. Duration 16 min

(Pfingstsequenz). By Wolfgang Amadeus Mozart (1756-1791). Edited by Christine Martin. For SATB Soli, SATB Choir, 2 Oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 Violin, viola, basso continuo. This edition: Paperbound. C-Dur (C major). Stuttgart Urtext Edition. German title: Veni Sancte Spiritus rev.2002. Hymns, Whitsun. Level 3. Full score. Language: Latin. Composed 1768. KV 47. 16 pages. Duration 4 minutes. Published by Carus Verlag

By Antonin Dvorak (1841-1904). Edited by Otakar Sourek. Arranged by Josef Zubay. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Choral, Transcriptions, Original Works, Liturgical. Romantic Period; Sacred/Hymns, Czech. Vocal Score. 166 pages. Published by Serenissima

(Pfingstsequenz). By Wolfgang Amadeus Mozart (1756-1791). Edited by Christine Martin. For SATB Soli, SATB Choir, 2 Oboes, 2 Horn, 2 Clarino/Trumpet, Timpani, 2 Violin, Viola, Basso Continuo. This edition: paperbound. KV 47. Score available separately - see item CA.4004300. Hymns; Use during the church year: Pentecost; Stuttgart Urtext Editions. Level 3. Piano/Vocal score. Language: Latin. Composed 1768. 12 pages. Duration 4 min. Published by Carus Verlag

By Josef Gabriel Rheinberger. Edited by Theill, Han. For Soli STB, SATB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Trombone, 2 Violins, Viola, Cello, Contrabass. Full score available separately - see item CA.5001600. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during chuch year: Lent and Passiontide. Level 2. Piano/Vocal score. Language: Latin/German. Composed 1864. 16. 32 pages. Duration 16 min

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboes d'amore, oboe da caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108089

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Harmony parts. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Set of Orchestra Parts. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/89. Published by Carus Verlag (CA.3108089).

ISBN 9790007206840. Key: D major. Text language: German/English. Text: Luther, Martin.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and parts available separately - see item CA.3108000.

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, oboe d'caccia, [3 trumpets, timpani], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108013

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. German title: Ein feste Burg. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Single Part, Viola. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/13. Published by Carus Verlag (CA.3108013).

ISBN 9790007045371. Key: D major. Language: German/English. Text: Luther, Martin. Text: Martin Luther, Salomo Franck.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and part available separately - see item CA.3108000.

STB vocal soli, SATB choir, [bassoon], 2 violins, 2 violas, basso continuo - Level 3

SKU: CA.3106119

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm, Der Heiden Heiland I Rev. Sacred vocal music, Cantatas, Advent. Set of Orchestra Parts. Composed 1714. BWV 61. Duration 23 minutes. Carus Verlag #CV 31.061/19. Published by Carus Verlag (CA.3106119).

ISBN 9790007136222. Key: A minor / g major. Language: German/English. Text: Neumeister, Erdmann. Text: Erdmann Neumeister.

The opening chorus uses the first verse of the old plainsong hymn Veni redemptor gentium, which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an unusual and splendid opening piece for the beginning of the church year. Score and parts available separately - see item CA.3106100.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103203

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Sacred vocal music, Motets, Praise and thanks. Vocal score. H 146. 48 pages. Duration 25 minutes. Carus Verlag #CV 21.032/03. Published by Carus Verlag (CA.2103203).

ISBN 9790007186142. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200.

By Alice Parker. Choral. For SATB, solo SATB, Piano and/or Organ or Brass and Harp. Published by E.C. Schirmer Publishing.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106212

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 2. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/12. Published by Carus Verlag (CA.3106212).

ISBN 9790007043629. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.