By Nicolo Paganini. Arranged by Gunter Van Rompaey. De Haske Play-Along Book. Bo...(+)
By Nicolo Paganini.
Arranged by Gunter Van
Rompaey. De Haske
Play-Along Book. Book and
CD Package. Size 9x12
inches. 64 pages.
Published by De Haske
Publications.
Violin - easy SKU: HL.44005955 For Violin & Piano. Composed by Col...(+)
Violin - easy
SKU:
HL.44005955
For
Violin & Piano.
Composed by Colin Cowles.
Fentone Instrumental
Books. Educational Tool.
Book with CD. Composed
2003. 32 pages. Fentone
Music #F834. Published by
Fentone Music
(HL.44005955).
UPC:
884088044251. 9x12
inches. International
(more than one
language).
The nine
easy, fun-to-play
fragments in this book
can be played in the
first position with
occasional fourth finger
use. These lovely pieces
enable the beginner
musician to perform
comfortably at an early
stage in their
development - and
performing experience is
vital for any musician!
Violin and Piano. Book
and CD.
The nine
easy, fun-to-play
fragments in this book
can be played in the
first position with
occasional fourth finger
use. These lovely pieces
enable the beginner
musician to perform
comfortably at an early
stage in their
development - and
performing experience is
vital for any musician!
Die einfachen,
melodischen Stucke in
Easy Melodic
Fragments sind fur
Violinschuler mit
geringen technischen
Fertigkeiten geeignet.
Sie sind in der ersten
Lage zu spielen mit
gelegentlicher Verwendung
des vierten Fingers. Mit
diesen Stucken will der
Komponist Colin Cowles
die Spieler zum
Vorspielen motivieren -
ein wichtiger Aspekt des
Musizierens in jedem
Lernstadium! Auf der
beiliegenden CD werden
die Stucke abwechselnd
von Violine und Viola
vorgespielt, dann folgt
die Begleitung zum
Mitspielen. Die
Klavierbegleitungen sind
ebenfalls im Buch
notiert.
The
Easy Sound of Pop, Rock &
Blues e una raccolta
di pezzi divertenti
pensati per tutti i
musicisti che desiderano
diventare delle vere star
in tutti i generi
musicali.
L'accompagnamento sul CD
e tonico e movimentato.
Nei brani potrete dare
spazio alla vostra
creativita inventando i
vostri soli.
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Contemporary. Large
Score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366L.
Published by Theodore
Presser Company
(PR.41641366L).
UPC:
680160585755.
From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violins open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movements primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violinas open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movementas primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violin's open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement's primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell.
String Ensemble (Parts) SKU: HL.50483555 For Violino Concertato, Trump...(+)
String Ensemble (Parts)
SKU: HL.50483555
For Violino
Concertato, Trumpet (in
D), 3 Violins, 2 Violas,
Cell. Composed by
Georg Philipp Telemann.
Special Import. Baroque,
Classical. Softcover.
Sikorski #SIK244.
Published by Sikorski
(HL.50483555).
6.75x10.5
inches.
Concerto
for Violino concertato,
Trumpet (in D), 3
Violins, 2 Violas,
Violoncello obligato and
basso continuo. Set of
Parts.
Chamber Music Violin SKU: CF.BF142 22 Holiday Arrangements for Any Com...(+)
Chamber Music Violin
SKU: CF.BF142
22 Holiday
Arrangements for Any
Combination of String
Instruments. Composed
by Basque Carol, Bernard
de la Monnoye, Catalonian
Carol, English Carol,
Felix Bartholdy
Mendelssohn, Franz Xaver
Gruber, French carol,
James Pierpont, John
Henry Hopkins, John Wade,
Lewis Redner, Mykola
Leontovich, Richard
Storrs Willis, and Welsh
Carol. Arranged by Todd
Parrish. Collection -
Score. 48 pages. Carl
Fischer Music #BF142.
Published by Carl Fischer
Music (CF.BF142).
ISBN
9781491160145. UPC:
680160918744.
The
22 holiday classics
contained in this
collection have been
carefully arranged for
any combination of string
trio. The melodies,
both sacred and secular,
cover many centuries and
originate in Western
Europe and the United
States. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting. All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed in
a variety of venues from
church services to
holiday gatherings. This
Compatible String
Ensembles collection of
Christmas Trios will set
the mood in any
environment.This Series
is Available for:Violin
BF142Viola BF143Cello
BF144Bass BF145. The
22 Christmas tunes
contained in this
collection have been
carefully arranged for
any combination of string
trio. The most standard
instrumentation for
voicing is violin, viola,
and cello. However, three
of the same instruments
work well as do other
groupings, given that the
higher-pitched instrument
plays the higher part.
This three-part format
follows a standard order:
part 1 is melody, part 2
is harmony, and part 3 is
a traditional bass line.
Optional 8va markings are
sometimes given to help
the voicings sound
better.The selections
have been arranged in
alphabetic order. The
melodies, both sacred and
secular, cover many
centuries and originate
in Western Europe and the
United States. Each work
is in the public domain
and was selected for both
its quality and musical
interest.Arranged
specifically for a
chamber setting, the
trios may be performed in
a variety of venues from
church services to
holiday gatherings. Some
repeats are marked in the
music, but any selection
may be repeated for the
appropriate amount of
music needed. Bowings
have been added as
suggestions, and some
fingerings have been
added to show the
direction of shifts
beyond first
position.—Todd
ParrishOrchestra Editor,
Carl Fischer MusicJune
2021.
Violin SKU: HL.50601534 Violin Concertato Solo Part. Composed by G...(+)
Violin
SKU:
HL.50601534
Violin
Concertato Solo Part.
Composed by Georg Philipp
Telemann. String.
Baroque, Classical.
Softcover. 8 pages.
Sikorski #SIK244VLN CO.
Published by Sikorski
(HL.50601534).
9.0x12.0x0.038
inches.
Concerto
for Violino concertato,
Trumpet (in D), 3
Violins, 2 Violas,
Violoncello obligato and
basso continuo. Violin
concertato solo part
only. Set of Parts HL
#50483555.
Sonaatti sooloviululle
- Allerheiligentag V.
Composed by Jyrki
Linjama. Classical,
contemporary. Book.
Fennica Gehrman
#55011-770-9. Published
by Fennica Gehrman
(FG.55011-770-9).
ISBN
9790550117709.
The
material for Jyrki
Linjama's
Allerheiligentag cycle is
a Finnish folk chorale
for All Saints' Day (no.
146 in the Finnish Hymn
Book). The first work in
the cycle is a string
trio (2007), the second a
piece for orchestra
(2009), and the fourth
and fifth are solo works
for viola da gamba (2018)
and Sonata for violin
solo (2019). The composer
tells: The choice of
topic and material was
originally influenced by
the place where the
string trio would be
premiered – the
old church on the island
of Seili (Själö) in
the Turku archipelago.
The bleak history of the
mental hospital on the
island invited images of
suffering and death. I
got so attached to the
fine, bleak melody that
this series of works
began to emerge.
Songs and Themes from the Latest Movies and Television Shows (Violin). Arran...(+)
Songs and Themes from the
Latest Movies and
Television
Shows (Violin). Arranged
by
Various. Book; CD; Play-
Along; SmartMusic; String
Series. Alfred's
Instrumental Play-Along.
Movie; Pop; TV. 28 pages.
Published by Alfred Music
Violin - beginning SKU: SP.TS556 Composed by Tony Santorella. Reference; ...(+)
Violin - beginning
SKU: SP.TS556
Composed by Tony
Santorella. Reference;
Educational. Reference,
Educational. Chart. 4
pages. Santorella
Publications #TS556.
Published by Santorella
Publications (SP.TS556).
ISBN
9781585609161.
Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
have the best educational
products available for
fingering in the
industry. Our Basic
Fingering Charts are
perfect for private
students, classroom
study, or simply for a
quick and easy reference
guide while practicing at
home. These graphic
reference guides for
assorted brass, reeds,
woodwinds, and orchestral
strings are specifically
available for Clarinet,
Bass Clarinet, Trumpet,
Flute, Piccolo, Recorder,
Baritone Horn, Trombone,
Bass Trombone, Alto Sax,
Soprano Sax, Tenor Sax,
Baritone Sax, French
Horn, Euphonium, Tuba,
Oboe, Bassoon, Violin,
Viola, Cello, and Bass.
Every chart displays the
entire range of each
instrument by clearly
depicting the fingering
for each note including
all their enharmonic
substitutions. Each chart
includes a diagram
identifying the levers,
valves, keys, slides,
frets and more of each
and every instrument.
Learn where, when, and
why to place your
fingers. Now is the time
to truly start playing
with assured
confidence.
2 Violins, Viola, Cello and Piano - Grade 4 SKU: HL.14042730 For Violi...(+)
2 Violins, Viola, Cello
and Piano - Grade 4
SKU: HL.14042730
For Violin I, Violin
II, Viola, Violoncel og
Klaver. Composed by
Niels Viggo Bentzon.
Music Sales America.
Classical. Softcover.
Composed 2014. Edition
Wilhelm Hansen #WH31867.
Published by Edition
Wilhelm Hansen
(HL.14042730).
ISBN
9788759828472.
Niel
s Viggo Bentzon's Quintet
for 2 Violins, Viola,
Violoncello and Piano
Op.196 was composed in
1966.
Composed by Max Reger (1873-1916). Edited by Jurgen Schaarwachter. Carus digital...(+)
Composed by Max Reger
(1873-1916). Edited by
Jurgen Schaarwachter.
Carus digital: Extra
digital products. Full
Score. Op. 131a.
Published by Carus Verlag
Duo Violon [Conducteur et Parties séparées] Subito Music
Violin & Viola SKU: SU.29120130 For Violin & Viola. Composed by To...(+)
Violin & Viola
SKU:
SU.29120130
For
Violin & Viola.
Composed by Todd Mason.
Strings, Violin, Strings,
Viola. Score & Parts.
Subito Music Corporation
#29120130. Published by
Subito Music Corporation
(SU.29120130).
Premiered at
Brigham Young University
and comissioned by Duo
Novae, Los Angeles
composer Todd Mason wrote
his Duo for Violin &
Viola in 2023. Mason
says: The Duo was a
chance to explore the
wide range of textures,
harmonic worlds and
emotions of just one
violin & one viola. This
piece spans many energy
states with a kind of
Bartókian chromaticism
mixed with a bit of an
East Indian feel in some
sections. The work is in
one-movement and keeps
driving forward from the
first notes to the end!
This piece was recently
admitted into the
prestigious William
Primrose International
Archive at Brigham Young
University.Violin & Viola
Duration: 8' Composed:
2023 Published by: Todd
Mason.
Chamber Music Violin SKU: CF.BF132 17 Medium-Level Arrangements for An...(+)
Chamber Music Violin
SKU: CF.BF132
17 Medium-Level
Arrangements for Any
Combination of String
Instruments. Composed
by Alexander Borodin,
Cecile Chaminade,
Chevalier de
Saint-Georges, Edvard
Grieg, Fanny Cecile
Mendelssohn, Franz Joseph
Haydn, Gabriel Faure,
George Frideric Handel,
Isabella Leonarda, Johann
Sebastian Bach, Ludwig
van Beethoven, Luigi
Boccherini, and etc.
Arranged by Todd Parrish.
Collection - Part. 42
pages. Carl Fischer Music
#BF132. Published by Carl
Fischer Music (CF.BF132).
ISBN 9781491158678.
UPC:
680160917310.
The
17 masterworks contained
in this collection have
been carefully arranged
for any combination of
string trio. The
selections span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting. All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. The 17
masterworks contained in
this collection have been
carefully arranged for
any combination of string
trio. The most standard
instrumentation for
voicing is violin, viola,
and cello. However, three
of the same instruments
work well as do other
groupings, given that the
higher-pitched instrument
plays the higher part.The
selections have been
arranged in chronological
order. They span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting.All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. Some repeats are
marked in the music, but
any selection may be
repeated for the
appropriate amount of
music needed. Bowings
have been added as
suggestions, while
fingerings have been left
to the individual
performers to decide.
Contemporary Violin
Studies. Composed by
Garth Knox. This edition:
Saddle stitching. Sheet
music. String Method. 20
praxiserprobte
Unterrichtsstunden.
Classical, Etude.
Softcover. Composed 2017.
52 pages. Schott Music
#ED22971. Published by
Schott Music
(HL.49046112).
ISBN
9790001188685. UPC:
842819100164.
9.0x12.0x0.198 inches.
German - English -
French.
Garth Knox
is one of the most
prolific violists of his
generation, and as a
former member of the
Arditti Quartet for
years, he has developed
his love of contemporary
music. He now gives
concerts and organizes
workshops all over the
world. Following his
highly successful Viola
Spaces, he has now
released the Violin
Spaces, concert etudes
for violin, which bring
advanced playing
techniques to advanced
players. The pieces - or
â??spacesâ? - give
each of them a space for
specific techniques, such
as the flageolette,
pizzicato technique (with
10 fingers!) Or glissando
variants. The Violin
Spaces are dedicated to
the violinist Diamanda
Dramm, who worked closely
with the composer during
the development of the
pieces.
Chamber Orchestra; Viola; Violin (Study Score) SKU: HL.14023605 For Vi...(+)
Chamber Orchestra; Viola;
Violin (Study Score)
SKU: HL.14023605
For Violin, Viola and
Chamber Orchestra.
Composed by Michael
Nyman. Music Sales
America. Classical.
Studyscore. Composed
2002. 118 pages. Chester
Music #CH61649. Published
by Chester Music
(HL.14023605).
ISBN
9780711992412.
9.25x12.0x0.38
inches.
Drowning By
Numbers, arranged by the
composer from his
sound-track for the film
by Peter Greenaway for
Violin, Viola, and
Chamber Orchestra. This
work was commissioned by
the London Mozart
Players, and first
performed December 1998
at the Warwick Arts
Centre. Duration 20
minutes. Full Score and
parts are available on
hire from the publishers.
Instrumentation: Solo
Violin, Solo Viola, 2
Flutes, Oboe, Cor
Anglais, 2 B Flat
Clarinets, 2 Bassoons, 2
Horns in F, 2 Trumpets in
C, Bass Trombone, Piano,
Strings (8.6.4.4.2).
Violin & Viola SKU: SU.50000240 For Violin & Viola. Composed by Ge...(+)
Violin & Viola
SKU:
SU.50000240
For
Violin & Viola.
Composed by George
Andrix. Strings, Violin,
Strings, Viola.
Performance Score. Seesaw
Music Corp #50000240.
Published by Seesaw Music
Corp (SU.50000240).
Violin, Viola, Cello and Piano - Grade 4 SKU: HL.14042729 For Violin I...(+)
Violin, Viola, Cello and
Piano - Grade 4
SKU:
HL.14042729
For
Violin I, Violin II,
Viola, Violoncel og
Klaver. Composed by
Niels Viggo Bentzon.
Music Sales America.
Classical. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31867A.
Published by Edition
Wilhelm Hansen
(HL.14042729).
ISBN
9788759881996.
Part
s for Niels Viggo
Bentzon's Kvintet For
Violin I, Violin II,
Viola, Violoncel og
Klaver Opus 196 .
Set of Parts Cello; String Trio; Viola; Violin (Set) SKU: HL.48013897 ...(+)
Set of Parts Cello;
String Trio; Viola;
Violin (Set)
SKU:
HL.48013897
For
Violin, Viola and
Violoncello. Composed
by Max Reger. Boosey &
Hawkes Chamber Music.
Classical, Contemporary,
Trio. Bote & Bock
#M202502051. Published by
Bote & Bock
(HL.48013897).
Orchestra; Viola; Violin (Study Score) SKU: HL.48011428 For Violin, Vi...(+)
Orchestra; Viola; Violin
(Study Score)
SKU:
HL.48011428
For
Violin, Viola and String
Orchestra. Composed
by Sir Peter Maxwell
Davies. Boosey & Hawkes
Scores/Books. Classical,
Contemporary. 65 pages.
Boosey & Hawkes
#M060092732. Published by
Boosey & Hawkes
(HL.48011428).
Violin SKU: PE.0300575432 Composed by Dietrich Buxtehude and Edited by Ev...(+)
Violin
SKU:
PE.0300575432
Composed by Dietrich
Buxtehude and Edited by
Eva Linfield. This
edition: Performing
extract, parts & score.
Broude Trust. Score and
Part(s). 169 pages.
Edition Peters
#98-0300575432. Published
by Edition Peters
(PE.0300575432).
(Violin). For Violin.
Book; CD; Play-Along;
String Series.
Instrumental Solos
Series. Pop; Pop/Rock.
Grade 2; Grade 3. 52
pages. Published by
Alfred Music
Violin - Initial-Grade 8 SKU: TL.TCL014597 Trinity College London #TCL 01...(+)
Violin - Initial-Grade 8
SKU: TL.TCL014597
Trinity College London
#TCL 014597. Published by
Trinity College London
(TL.TCL014597).
ISBN
9780857364326.
This
item contains all the
scales, arpeggios and
studies required for
Trinity College London's
viola exams for Initial
to Grade 8, valid from
2016. Newly commissioned
studies are also included
for Grades
1–5
which may be used as an
alternative to scales and
arpeggios.
For
violin and Orchestra.
Composed by Dan Welcher.
Premiere: Paul Kantor,
Violin, Aspen Festival
Orchestra, conducted by
the composer.
Contemporary. Large
Score. With Standard
notation. Composed
December 26 1992. 186
pages. Duration 25
minutes. Theodore Presser
Company #466-00040L.
Published by Theodore
Presser Company
(PR.46600040L).