Score and Parts. Composed by Johan De Meij. The Music of Johan de Meij. Solo and Concerto. Set (Score and Parts). Composed 2000. Amstel Music #AM 57-010. Published by Amstel Music

By Johan De Meij. Full score (separate set of parts needed for performance) for cello, piccolo flute, 4 flutes (one), 4 flutes (two), flute (three), 2 oboes (one and two), english horn (in F), 2 bassoons (one and two), double bassoon, Eb clarinet, 6 Bb clarinets (one), 6 Bb clarinets (two), 6 Bb clarinets (three), Eb alto clarinet, Bb bass clarinet, 2 Eb alto saxophones (one), 2 Eb alto saxophones (two), 2 Bb tenor saxophones, Eb baritone saxophone, 3 horns (one and three), 3 horns (two and four), 2 Bb trumpets (one), 2 Bb trumpets (two), 2 Bb trumpets (three), 2 Bb trump

Eulenburg Audio Score Series. By Edward Elgar. This edition: EAS121. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 112 pages. Published by Eulenburg.

Cello and Orchestra

SKU: BT.EMBZ14893

Composed by László Dubrovay. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2016. 68 pages. Editio Musica Budapest #EMBZ14893. Published by Editio Musica Budapest (BT.EMBZ14893).

The concerto was inspired by István Várdai's play and is dedicated to him. The triple movement structure and the character of the movements follow the patterns of classical concertos, while the thematic connections spanning the movements rather reflect the structural principles of Romantic symphonies. In the first movement, which resembles the form of a sonata, the characters of the themes are spectacularly separated. The motif of the main theme, constructed with glissandos, is supplemented by a theme the composer refers to as a motif of fate, and the two together form a significant contrast with the minor theme with its lyrical tone and the playful, ending themeresembling a children's song. The contrasts between depth and height, as well as darkness and light, have a significant role in all three movements. The music of the first movement gradually rises to increasingly bright and higher regions, the gloomy atmosphere of the marginal parts in the second movement is offset by the tune's transcendental light in its central part, while the rondo theme of the third movement with its 6/8 metre dance-like character is supplemented with motifs of a contrasting nature from the earlier movements.

(Concerto for Cello and Orchestra). Composed by Michael Torke (1961-). For cello and orchestra. This edition: saddle stitch. Score. 76 pages. Duration ca. 23 minutes. Published by Bill Holab Music

Cello and orchestra (3 (3. auch Picc.) * 0 * 2 * Bassklar. * 2 - 3 * 0 * 0 * 0 - P. S. (Crot. * Marimba * kl. Trgl. * m. u. gr. Hangebeck. * Tamt. * Tomt. * gr. Tr. * Chimes * Clav. * Woodbl.) (2 Spieler) - Str. (gross besetzt)) - advanced

SKU: HL.49019901

For Violoncello and Orchestra. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. String. Softcover. Composed 2011. 68 pages. Duration 25'. Schott Music #ED21667. Published by Schott Music (HL.49019901).

ISBN 9790001196611. 9.25x12.0x0.186 inches.

Enjott Schneider's Concerto for violoncello takes up the Sumerian legend of the bird deity 'Dugud' in archaic scenes. Legend has it that Princess Emeshe was impregnated by the hermaphrodite - half eagle, half falcon - in a dream and founded with her son Almos, who had thus been conceived, the royal Hungarian dynasty.In expressive musical pictures, Schneider describes the dark-erotic struggle of impregnation as well as the chant of the unborn. Hovering above everything is the vision of life in complete freedom like a bird.The work was premiered by the Hungarian cellist Laszlo Fenyo in 2011. Thanks to the piano score written by the composer, the work can now also be studied and performed by a duo.

Cello and Orchestra

SKU: HL.14011619

Composed by Pelle Gudmundsen-holmgreen. Music Sales America. Classical. Score. 112 pages. Music Sales #KP00617. Published by Music Sales (HL.14011619).

ISBN 9788759866283. English.

For Cello And Orchestra was composed by Pelle Gudmundsen-Holmgreen in 1996 (rev. 2000).

Cello and orchestra

SKU: M7.JO-45-01

For violoncello and orchestra. Composed by Hans Pfitzner. This edition: Saddle-wire stitching. Sheet music. Piano reduction with solo part. Composed 1944. Op. 52. 44 pages. Duration 25'. MDS (Music Distribution Services) #JO 45-01. Published by MDS (Music Distribution Services) (M7.JO-45-01).

ISBN 9790001216678. UPC: 842819117810.

In diesem als Alterswerk geschriebenen Cellokonzert greift der Komponist auf ein Hautthema zurück, das er während seines Studiums geschrieben, aber nie veröffentlicht hatte. Er selbst nannte es einen Gruß an die eigene Jugend.

Cello. Arranged by Bruce Healey. Music for String Orchestra. Size 9x12 inches. 20 pages. Published by Hal Leonard.

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-5354

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

Bach's manuscript leaves several questions unanswered.

Solo concerto; Baroque. Full score. 24 pages. Duration 16'. Breitkopf and Haertel #PB 5354. Published by Breitkopf and Haertel (BR.PB-5354).

ISBN 9790004211533. 9 x 12 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

Bac h's manuscript leaves several questions unanswered.

Cello and Orchestra

SKU: HL.14004538

Composed by David Blake. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV890187. Published by Music Sales (HL.14004538).

ISBN 9780853608318. 0.228 inches.

Commissione d by the BBC for Moray Welsh and the BBC Symphony Orchestra and first performed in Cheltenham in 1993. Facsimile Study Score. Duration c. 25 minutes.

WALT DISNEY CLASSICS (for String Orchestra) [arr. Philip Gordon]. By Alonso de Alba. ORCHESTRA. Published by Bourne Music Co.

Violin and Orchestra (Score)

SKU: HL.14008406

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Book [Softcover]. Composed 1999. 94 pages. Chester Music #CH60978. Published by Chester Music (HL.14008406).

ISBN 9780711948716.

A work for solo violin and orchestra, commissioned by Donald McDonald for the 21st birthday of the Scottish Chamber Orchestra and the 60th birthday of the composer. It was first performed in November 1993 in Glasgow, by James Clark and the Scottish Chamber Orchestra conducted by Maxwell Davies. The spell is one quoted by George Mackay Brown in his book An Orkney Tapestry: 'Let not plough be put to acre except a fiddle cross first the furrow.' Davies's dancing concerto imagines the fiddler following a route from field to field, from dance to dance, accompanied by a bunch of companions in the form of an orchestra. As the music goes on, so it gets brighter and livelier, moving from the dark colouring of clarinets, bassoons and strings to full ensemble with prominent brass and (solo) tuned percussion, as if the dancers as much as the fields were beginning to glow with new life. Score (miniature). Duration c. 20mins.

Violin and Orchestra (Score)

SKU: HL.14008396

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 112 pages. Chester Music #CH55780. Published by Chester Music (HL.14008396).

ISBN 9780711921337. 8.5x12.0x0.533 inches.

This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday. The first performance took place in June 1986 at St. Magnus' Cathedral, Kirkwall, as part of the tenth St. Magnus Festival. Written for and first performed by Isaac Stern, Davies's Violin Concerto brings together two streams in his music: symphonism and folk-fiddling. In its strongly developed substance, it asks to be measured in the company of Beethoven, Brahms and Sibelius, while there is also, particularly in the middle movement, a strong element of the Scots lament. The orchestra is generally muted in colour, though there is a dramatic role for the timpanist. There are three movements, played without a break - this is only one of many connections with the Mendelssohn Violin Concerto. Duration c. 30mins.

Cello and Orchestra

SKU: HL.14020990

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Score. Composed 1999. 80 pages. Chester Music #CH58933. Published by Chester Music (HL.14020990).

ISBN 9780711923904. 5.5x7.5x0.283 inches.

If Davies's Cello Concerto has already evoked comparisons with Elgar's, that is perhaps an indication not only of its wealth of solo melody (there is hardly a page where the cello is not singing, or if not that, then dancing), and of its predominantly slow tempos, but also of its musical stature. This second Strathclyde concerto is a virtuoso piece for the entire ensemble, which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue, especially in the opening Moderato and the slow movement; and though the finale is more extrovert, the work ends back in quietness and rumination.

Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.PB-15155

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 40 pages. Duration 9'. Breitkopf and Haertel #PB 15155. Published by Breitkopf and Haertel (BR.PB-15155).

ISBN 9790004215609. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.