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Broadway Belter's Songbook
34.20
Broadway Belter's Songbook
Voix seule
Hal Leonard
Third Edition. 42 songs for the Broadway belter. All songs have been especially ...
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Third Edition. 42 songs for the Broadway belter. All songs have been especially chosen for this voice type, with careful attention to range and key. / TV, Film, Comédie musicale / Date parution : 2018-05-04/ Recueil / Voix
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The Bridges Of Madison County (BROWN JASON ROBERT)
92.20
The Bridges Of Madison County (BROWN JASON ROBERT)
Voix seule
Hal Leonard
Par BROWN JASON ROBERT. The complete vocal score for the musical, based on the n...
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Par BROWN JASON ROBERT. The complete vocal score for the musical, based on the novel by Robert James Walker, with music and lyrics by Jason Robert Brown. The Bridges of Madison County won a Tony Award for Best Original Musical Score in 2014. / TV, Film, Comédie musicale / Recueil / Voix
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First 15 Lessons - Voice Pop Singers' Edition (SCHMIDT ELAINE)
17.40
First 15 Lessons - Voice Pop Singers' Edition (SCHMIDT ELAINE)
Voix seule
[Partition + Accès audio]
Hal Leonard
A Beginner\'s Guide, Featuring Step-By-Step Lessons with Audio, Video, and Popul...
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A Beginner\'s Guide, Featuring Step-By-Step Lessons with Audio, Video, and Popular Songs!. Par SCHMIDT ELAINE. The First 15 Lessons series provides a step-by-step lesson plan for the absolute beginner, complete with audio tracks, video lessons, and real songs! Designed for self-teaching or for use with an instructor, you\'ll build a solid foundation as you work through each lesson, learning the basics of the instrument and music reading while practicing the many exercises, concepts and song excerpts within. Must-know instruction so you can start playing right away, with a free online tuner and metronome! The acoustic guitar book features lessons on: guitar fundamentals, music reading, chords, strumming, arpeggios, time signatures, syncopation, hammer-ons and pull-offs, double stops, harmonics, fingerpicking, alternate picking, and scales and basic theory. / Pédagogie / Méthode / Voix
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Liederbuch 5/6
21.19
Liederbuch 5/6
Voix seule
Schott
Eine echte Novität: Erstmals gibt es ein Liederbuch, das ausschließlich für d...
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Eine echte Novität: Erstmals gibt es ein Liederbuch, das ausschließlich für die Klassenstufen 5 und 6 konzipiert ist. In der Repertoireauswahl, der Ansprache der Schülerinnen und Schüler und im Zuschnitt der Angebote geht dieses neuartige Liederbuch gezielt auf die Belange genau dieser Altersstufe ein. Es ist dabei weit mehr als eine reine Repertoiresammlung: Zu vielen Titeln gibt es weiterführende Optionen rund um die Themen Klassenmusizieren, Tanz, Choreografie, Stimme und vieles mehr.- 150 Titel aus allen stilistischen Bereichen, Kontinenten und Zeiten - zahlreiche Zusatzangebote zu Klassenmusizieren - Tanz und Bewegungsanleitungen, Begleitsätze und -patterns - Hintergrundwissen / Voix
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Theatre Songs - Womens Edition (LLOYD WEBBER ANDREW)
24.20
Theatre Songs - Womens Edition (LLOYD WEBBER ANDREW)
Voix seule
[Partition + Accès audio]
Hal Leonard
12 Songs In Full, Authentic Editions, Plus 16-Bar Audition Versions. Par LLOYD W...
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12 Songs In Full, Authentic Editions, Plus 16-Bar Audition Versions. Par LLOYD WEBBER ANDREW. A dozen of Andrew Lloyd Webber's most memorable musical theatre compositions for women's voices. The book includes full versions and 16-bar audition cuts for each song, and recorded accompaniments for both versions available online for download or streaming./ Recueil / Chant de Femmes
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5 Hits
18.40
5 Hits
Voix seule
Novello & Co Ltd.
A set of five classic songs by successful seventies Swedish superstars, Abba! Th...
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A set of five classic songs by successful seventies Swedish superstars, Abba! They have been wonderfully arranged here for SATB choir with Piano accompaniment. This is a terrific set, suitable for youth choirs and more experienced groups looking for light material. These perfect pop pieces, by Benny Andersson and Bjorn Ulvaeus, are as popular today as ever and will delight audiences and excite singers making them ideal for performances large and small, formal and informal! The Piano accompaniment also includes chord symbols to add Guitar. / Voix
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Vocal Exercises For Building Strength, Endurance And Facility
22.80
Vocal Exercises For Building Strength, Endurance And Facility
Voix seule
[Partition + Accès audio]
-
Intermédiaire
Hal Leonard
Vocal strength is essential to producing a good sound and singing with control a...
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Vocal strength is essential to producing a good sound and singing with control and confidence. A weak voice is one that tires easily, one that is inconsistent in sound quality and/or pitch and dynamics, and one that gives out many years before the singer is ready to stop singing.Vocal strength is not all about singing loudly, it's about singing well. The exercises and musical selections in Vocal Exercises For Building Strength, Endurance And Facility are designed to help singers hone and refine their skills to develop the kind of control and consistency professional singers need to compete and find work.But mastering these skills is not just a task for professional singers - amateur singers who work on the exercises in this book will find singing easier and more fun with each new level of control they achieve.The CD contains demos for listening, and separate backing tracks so you can sing along. In addition to vocal exercises, several songs are included for practice, including Danny Boy, The House of the Rising Sun, Look for the Silver Lining, Sometimes I Feel like a Motherless Child and more. / Voix
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Banished (MC NEFF STEPHEN)
407.20
Banished (MC NEFF STEPHEN)
Voix seule
[Partition]
Peters
Par MC NEFF STEPHEN. My research for Banished began with a small group of studen...
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Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix
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1970s + Cd - Voice
19.50
1970s + Cd - Voice
Voix seule
[Partition + CD]
Alfred Publishing
ABOUT ALFRED'S ULTIMATE VOCAL SING-ALONG SERIES Alfred's Ultimate Sing-Along boo...
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ABOUT ALFRED'S ULTIMATE VOCAL SING-ALONG SERIES Alfred's Ultimate Sing-Along books give you everything you need to sing with your favorite songs. Each songbook has the lyrics, music notation, and chords to eight great hits, with lyrics-only pages included. There are two versions of every song on the CD: a full-performance track with an amazing sound-alike recording, and a professional accompaniment track so you can sing along. When you use the CD in your Mac or Windows-based computer, the TNT (Tone 'N' Tempo) Changer lets you easily change the key and temp to individualize the playback for just your voice and style. Titles (and artists): Brandy You're a Fine Girl (Looking Glass) * Desperado (Eagles) * Maggie May (Rod Stewart) * Moondance (Van Morrison) * Hotel California (The Eagles) * Old Time Rock and Roll (Bob Seger) * Gimme Some Lovin' (Spencer Davis Group) * Go Your Own Way (Fleetwood Mac).
19.50 EUR - vendu par Woodbrass
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Hunger For Justice
Voix seule
Kevin Mayhew
/ Voix
28.30 EUR - vendu par LMI-partitions
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