| Habits of a Successful Beginner Band Musician - Percussion GIA Publications
SKU: GI.G-10175 A Comprehensive Method Book for Year One and Beyond(+)
SKU: GI.G-10175
A Comprehensive Method
Book for Year One and
Beyond. Composed by
Jeff Scott, Kevin Boyle,
and Scott Rush. Habits.
Music Education. 104
pages. GIA Publications
#10175. Published by GIA
Publications
(GI.G-10175). ISBN
9781622774845. NOW
AVAILABLE! Habits of a
Successful Beginner Band
Musician is a
field-tested, vital,
and—most
important—musical
collection of 225
sequenced exercises for
the beginning band
student. The
book’s
cutting-edge online
component,
Habits Universal,
features a backend
gradebook that allows
students to submit video
recordings of their
performances as a primary
source of assessment.
This gradebook is
compatible with
PowerSchool, Canvas,
Google Classroom,
Brightspace, Edmodo,
Schoology, and many other
platforms! In addition,
Habits Universal features
supplemental rhythm
vocabulary sheets,
accompaniment tracks,
video start-up clinics,
as well as a professional
video coach for each
exercise in the book.
What makes Habits of a
Successful Beginner Band
Musician unique? Features
include:Â Teacher tips
for each exercise in the
book. Diatonic
solfege that begins on
the first day of
instruction. Initial
exercises on the
mouthpiece, mouthpiece
and barrel, reed, bocal
and reed, or headjoint
prior to playing the
first notes in the book.
Sequential rhythm charts
embedded in the book.
These same rhythms are
then presented with
pitches for a seamless
transfer to the music
students are
performing. Technique
and skill-building
exercises embedded within
the method, which helps
to prepare students for
future Habits
exercises. The
introduction of the key
of Concert C, which
results in students
playing the pitches B, E,
and A more often (as
opposed to the typical
emphasis on B-flat,
E-flat, and A-flat). The
introduction of five
keys: Concert B-flat,
E-flat, A-flat, C, and F.
The Concert G scale is
also provided in the back
of the book. Left (L)
and right (R) indicators
for woodwinds along with
appropriate chromatic
alternate fingering
indicators. Shaded
boxes around first-time
challenges in the student
books. A thorough
explanation of (T:1) for
trombones and rules for
when to use it.Â
Rhythm vocabulary that
progresses through
quarters, eighths, dotted
rhythms, sixteenths, and
an eighth and two
sixteenths. The
sequential introduction
of the one-handed
breakdown of a percussion
rudiment before
introducing the rudiment
itself. The use of
the “enharmonic
ladder†and the
“call-and-response
game†to learn
enharmonic notes. A
thorough explanation of
and markings for the
“F dilemmaâ€
on oboe. An explanation
of appropriate flicking
on bassoon. Two pages
of slow “clarinets
only†work that
focuses on going over the
break and throat
tones. . $17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concertino in F Cor et Piano Theodore Presser Co.
Chamber Music English Horn, Piano SKU: PR.114417250 For English Horn a...(+)
Chamber Music English
Horn, Piano SKU:
PR.114417250 For
English Horn and
Orchestra. Composed
by Gaetano Donizetti.
Edited by Mark Biggam
Pedro Diaz. Sws each. See
the Historical Notes by
Michael Finkelman on the
second and third pages.
Romantic. Set of Score
and Parts. With Standard
notation. 16+8 pages.
Duration 12:30. Theodore
Presser Company
#114-41725. Published by
Theodore Presser Company
(PR.114417250). ISBN
9781491110928. UPC:
680160631469. 9x12
inches. Key:
F. Concertino in
FÂ for English Horn and
OrchestraPreviously known
only through a spurious
edition in G Major, the
authentic Concertino in F
was recently discovered
in Italy by Pedro Diaz,
English Hornist of the
Metropolitan Opera
Orchestra. Diaz prepared
this ground-breaking
authentic edition through
comparison of the
multiple historical
sources and an intimate
knowledge of Donizetti's
works. The new edition in
F Major is embellished
with footnotes regarding
sources and
ornamentation. The piano
reduction and orchestral
score and parts
(available on rental)
were prepared by
composer/oboist Mark
Biggam in tandem with
Diaz's work, and the
publication includes
extensive historical
notes by scholar Michael
Finkelman. PEDRO DIAZ
joined The Metropolitan
Opera Orchestra in 2005
and has performed as solo
English Hornist in
hundreds of productions.
As a sought after
teacher, Mr. DÃaz has
lectured extensively at
top music conservatories
including The Juilliard
School, The Manhattan
School of Music, The
Eastman School of
Music,The Hartt Music
School, and Duquesne
University. His
international appearances
include masterclasses in
Panama, Italy, Mexico,
Canada, Puerto Rico,
Leipzig, Berlin, and
Italy.A native of Puerto
Rico, he received his
early musical training in
the “Escuela Libre
de Musica,†an
esteemed public school
for the performing arts.
He has performed as a
guest artist with the
Chicago Symphony, New
York Philharmonic, and
many other leading
ensembles. His playing
has been hailed by
critics as evocative,
eloquent and expressive
and is considered one of
the pre-eminent players
of his generation. Mr.
DÃaz has performed
Wagner’s Tristan
und Isolde 24 times under
the batons of James
Levine, Daniel Barenboim,
and Sir Simon
Rattle.Pedro
DÃaz’s
recording of the
Donizetti Concertino in F
and other concerti is
available from Fox
Products and online
sources, performed with
members of the
Metropolitan Opera
Orchestra. MARK
BIGGAM’s
compositions have been
recognized in various
venues throughout the
United States, Central
America, Asia, and
Europe. He has received
awards from ASCAP and the
Cleveland Foundation. An
oboist himself, many of
Biggam’s
compositions have been
performed by notable
oboists and English Horn
players including John
Mack, Joseph Robinson,
Pedro DÃaz, Carolyn
Hove, and Dwight Parry.
Premieres of his works
have been featured at
events including the
International Double Reed
Society and John Mack
Legacy
Camp.Biggam’s
choral works have gained
recognition, awards, and
commissions from
organizations including
the Moravian Music
Foundation, Ohio
BoyChoir, and Triad Pride
Men’s Chorus. He
also has published
arrangements and piano
reductions of J.S.
Bach’s music for
Bärenreiter-Verlag.
His collaborations with
Pedro DÃaz include the
Donizetti Concertino in F
as well as works of the
lesser-known composers
Pilotti and Mares,
recorded by Mr. Diaz and
members of the
Metropolitan Opera
Orchestra. Biggam has
alsoprepared arrangements
and settings of works for
symphonic band, which
have been performed by
the Piedmont Wind
Symphony. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |