Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Odysseia Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Odysseia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Metamorphosis Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1145577-030 For Brass Band. Compo...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1145577-030
For Brass Band.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2014. De Haske
Publications #DHP
1145577-030. Published by
De Haske Publications
(BT.DHP-1145577-030).
English-German-French-
Dutch.
The opening
of this three-movement
work features an initial
appearance of the
thematic material that
returns in various guises
later on in the work. The
leitmotiv centres on a
minor second. A range
of thematic variations is
heard in the lively and
energetic
Metamorphosis One.
This movement is
interrupted by an
atmospheric meno mosso,
containing melodic
passages that return to
the opening
theme. Metamorhosis
Two is characterised
by various changes in
tempo and musical
character. Seven
different soloists
transform the thematic
material each in their
own way. This eventually
culminates in a
passionate tutti
passage. The source of
inspiration for
Metamorphosis
Three is the
so-called BACH-motif, a
musical autograph
consisting of the notes B
flat, A, C and B. This
distinctive motif arises
from the leitmotiv (here
a descending minor
second), which
continuesto evolve
through various
transpositions and
transformations. For the
composer, this
spectacular last movement
is an homage to one of
the greatest and most
influential composers in
the history of music:
Johann Sebastian
Bach.
An
impressive contest piece
commissioned by Brass
Band Schoonhoven,
performed at the 2014
European Brass Band
Championships.
In de
opening van deze
driedelige compositie
wordt het thematische
materiaal gepresenteerd
dat verderop in het werk
in allerlei
transformaties voorkomt.
De ‘kleine
secunde’ dient
daarbij als leidmotief.
In het levendige en
flitsende
Metamorphosis One
wordt volop gevarieerd
met de thematiek. Het
deel wordt onderbroken
door een sfeervol meno
mosso met daarin
melodische passages die
teruggrijpen op het
beginthema. In
Metamorhosis Two
treden veel veranderingen
op in het tempo en het
muzikale karakter. Zeven
verschillende solisten
transformeren ieder op
hun eigen wijze het
thematische materiaal.
Uiteindelijk resulteert
dat in een gepassioneerd,
tuttigespeeld
gedeelte. De
inspiratiebron voor
Metamorphosis
Three is het
zogenaamde BACH-motief,
een muzikale handtekening
met de noten Bes, A, C en
B. Dit karakteristieke
motief ontstaat vanuit
het leidmotief (in dit
geval een dalende kleine
secunde) en verandert
voortdurend van gedaante
door allerlei
transposities en
omvormingen. De componist
beschouwt dit
spectaculaire laatste
deel als een eerbetoon
aan een van de grootste
en invloedrijkste
componisten uit de
geschiedenis van de
muziek: Johann
SebastianBach.
In
der Eröffnung dieses
dreisätzigen Werkes
wird zum ersten Mal das
thematische Material
präsentiert, das im
weiteren Verlauf in
diversen Gewändern
wiederkehrt. Kern des
Leitmotivs ist eine
kleine Sekunde. Eine
Reihe von thematischen
Variationen ist in der
lebhaften und
energiereichen
Metamorphosis One
zu hören. Der Satz
wird von einem
stimmungsvollen Meno
mosso aus melodischen
Passagen, die zum
Eröffnungsthema
zurückführen,
unterbrochen. Metam
orphosis Two ist von
mehreren Wechseln im
Tempo und im
musikalischen Charakter
geprägt. Sieben
verschiedene Solisten
verwandeln das
thematische Material
jedes auf seine eigene
Weise. Das Ganze steigert
sich schließlich zu
einemfulminanten
Tutti. Quelle der
Inspiration für
Metamorphosis
Three ist das so
genannte BACH-Motiv, eine
musikalische Signatur aus
den Tönen B, A, C und
H. Dieses ausgeprägte
Motiv geht aus dem
Leitmotiv hervor (hier
ist es eine absteigende
kleine Sekunde),welches
fortwährend durch
verschiedene
Transpositionen und
Transformationen
weiterentwickelt wird.
Für den Komponisten
ist dieser
spektakuläre letzte
Satz eine Hommage an
einen der größten
und einflussreichsten
Komponisten der
Musikgeschichte:
JohannSebastian
Bach.
Parnassus Ensemble de cuivres [Conducteur] - Intermédiaire De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1125341-130 Composed by Jan Van der Roos...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1125341-130
Composed by Jan Van der
Roost. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Score Only.
Composed 2012. 52 pages.
De Haske Publications
#DHP 1125341-130.
Published by De Haske
Publications
(BT.DHP-1125341-130).
9x12 inches.
English-German-French-Dut
ch.
Since most of
the bands competing in
the 4th Section of the
Dutch National
Championships have many
young players, this piece
is stylistically
youthful—
especially in the opening
and closing sections. An
arpeggio pattern appears
numerous times in all
registers and is the
basic musical element of
the main melody,
alternating with a second
theme that has a slightly
different melodic
character. The middle
section is conceived like
a chorale, introduced and
developed stepwise:
firstly with short
patterns and gradually in
increasingly long
snippets, until
it’s played in its
glorious entirety at
measure 216. No real solo
passages are included but
rather small
chambercombinations, thus
offering the opportunity
to various players to
display their technical
and performance skills.
The finale recaptures
musical material from the
first section of the
piece and provides a
majestic conclusion.
Vermits de meeste
bands die aan het
jaarlijkse NBK
(Nederlandse Brass Band
Kampioenschappen)
deelnemen veel jonge
muzikanten in hun rangen
hebben, is dit werk
overwegend jeugdig van
karakter - vooral in de
hoekdelen. Een
arpeggio-figuur vormt de
basis van het hoofdthema
en het verschijnt in alle
registers. Een tweede
muzikaal gegeven
dialogeert met die
hoofdmelodie: samen
stofferen ze de
openingssectie van het
werk. Dan volgt een
koraalmatig middendeel:
stapsgewijs worden korte
en nadien steeds langere
melodische fragmenten aan
elkaar geregen tot de
koraal in haar volle
pracht integraal
weerklinkt aan maat 205.
Echte solopassages komen
niet voor in dit werk,
maar viadiverse kleine
kamermuziek-combinaties
wordt aan diverse musici
de mogelijkheid geboden
hun muzikale kwaliteiten
te etaleren. In de
laatste beweging worden
een aantal muzikale
bouwstenen van het
begindeel hernomen en
verder uitgewerkt om dan
te besluiten in een
majestueus slot.
Albion Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1012559-030 Composed by Jan Van der Roos...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1012559-030
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2001.
De Haske Publications
#DHP 1012559-030.
Published by De Haske
Publications
(BT.DHP-1012559-030).
Albion was
commissioned by the Swiss
Brass Band Federation as
the test piece for the
National Brass Band
Championships of England,
Belgium, The Netherlands,
and Switzerland in 2001,
and for Norway in 2002.
The composition is
dedicated to Markus
Bach.Albion, along with
Excalibur and Stonehenge,
is the third major piece
for brass band in which
Jan Van der Roost took
his inspiration from the
British Middle Ages.
Although the work is not
based on an actual story
there are unmistakable
epic elements found in
this symphonic poem. The
piece paints a picture of
the conquest of Albion
(the earliest known name
of the British Island),
in which the listener is
taken back to the timeof
King Arthur and his
legendary Knights of the
Round Table.
Albion ist
neben Excalibur
und Stonehenge das
dritte große Werk
für Brass Band, bei
dem sich Jan van der
Roost durch das englische
Mittelalter inspirieren
ließ. Obgleich sie
nicht auf einer konkreten
Geschichte beruht sind
die erzählerischen
Momente in dieser
Sinfonischen Dichtung
nicht zu übersehen.
Der Anfang gibt einen
Einduck von der Eroberung
Albions (Albion ist der
erste überlieferte
Name der britischen
Insel); der Zuhörer
taucht dabei in die Zeit
von König Artus und
seinen legendären
Rittern der Tafelrunde
ein.
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Fincastle Overture Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-001033-010 Composed by Jan ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-001033-010
Composed by Jan Bosveld.
Set (Score & Parts). 56
pages. Gobelin Music
Publications #GOB
001033-010. Published by
Gobelin Music
Publications
(BT.GOB-001033-010).
Fort Fincastle
was built in the Bahamas
in 1793, constructed in
the form of a ship’s
bow so as to fool passing
ships. The opening bars
of Fincastle Overture
reflect the form of the
magnificent stronghold,
before a heroic theme is
heard in which the fort
comes under repeated
attack, and just about
survives!
Fort
Fincastle werd in 1793 in
Nassau gebouwd, de
hoofdstad van de Bahamas.
De oprichter ervan, Lord
Dunmore, gaf het fort een
bijzonder vorm: een
cirkelvormig gebouw met
een puntige uitbouw, in
de vorm van een boeg of
voorstevenvan schip. Dit
was bedoeld om vijandige
schepen te misleiden. De
klanken van de eerste
maten verwijzen naar de
contouren van een
majestueus
verdedigingsbolwerk,
waarna een heldhaftig
thema volgt. Maar na het
afslaan
Fort
Fincastle wurde 1793 in
Nassau, der Hauptstadt
der Bahamas, gebaut. Der
Erbauer, Lord Dunmore,
gab dem Gebäude eine
runde Form mit einem
spitzen Aufbau in Form
eines Bugs, der
vorbeifahrende Schiffe
täuschen sollte. Die
ersten Takte der
Fincastle Overture
spiegeln die Form der
prachtvollen
Verteidigungsanlage
wider, bevor ein
heldenhaftes Thema
erklingt. Nur scheinbar
ruhig sind die Stunden
der Wache, die immer
wieder von Angriffen
unterbrochen werden,
denen das stolze Fort
aber zuletzt zu trotzen
vermag.
Le Fort
Fincastle fut érigé en
1793, Nassau, capitale
des Bahamas. Le
constructeur, Lord
Dunmore, alors gouverneur
de Virginie, fut plus que
déçu par la structure
ronde l’arrière du b
timent alors que
l’avant se présentait
en pointe comme la proue
d’un navire. Les
premières mesures de
Fincastle Overture
reflètent la forme du
magnifique système de
défense alors que
survient un thème héro
que : le fort est
attaqué et les vaillants
soldats sont amenés se
défendre. Le Fort
résiste orgueilleusement
!
Fort Fincastle
fu costruito nel 1793 a
Nassau, la capitale delle
isole Bahamas. Il
costruttore diede
all’edificio una forma
rotonda con un tetto a
punta, quasi a ricordare
un castello. Le prime
misure di Fincastle
Overture riflettono la
straordinaria bellezza
del forte e anticipano un
tema eroico, che ricorda
la sua funzione di
difesa. La calma è solo
apparente, il forte sar
l’oggetto di un
ennesimo attacco che sar
eroicamente respinto.
Fincastle Overture Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-001033-140 Composed by Jan ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-001033-140
Composed by Jan Bosveld.
Score Only. 16 pages.
Gobelin Music
Publications #GOB
001033-140. Published by
Gobelin Music
Publications
(BT.GOB-001033-140).
Fort Fincastle
was built in the Bahamas
in 1793, constructed in
the form of a ship’s
bow so as to fool passing
ships. The opening bars
of Fincastle Overture
reflect the form of the
magnificent stronghold,
before a heroic theme is
heard in which the fort
comes under repeated
attack, and just about
survives!
Fort
Fincastle werd in 1793 in
Nassau gebouwd, de
hoofdstad van de Bahamas.
De oprichter ervan, Lord
Dunmore, gaf het fort een
bijzonder vorm: een
cirkelvormig gebouw met
een puntige uitbouw, in
de vorm van een boeg of
voorstevenvan schip. Dit
was bedoeld om vijandige
schepen te misleiden. De
klanken van de eerste
maten verwijzen naar de
contouren van een
majestueus
verdedigingsbolwerk,
waarna een heldhaftig
thema volgt. Maar na het
afslaan
Fort
Fincastle wurde 1793 in
Nassau, der Hauptstadt
der Bahamas, gebaut. Der
Erbauer, Lord Dunmore,
gab dem Gebäude eine
runde Form mit einem
spitzen Aufbau in Form
eines Bugs, der
vorbeifahrende Schiffe
täuschen sollte. Die
ersten Takte der
Fincastle Overture
spiegeln die Form der
prachtvollen
Verteidigungsanlage
wider, bevor ein
heldenhaftes Thema
erklingt. Nur scheinbar
ruhig sind die Stunden
der Wache, die immer
wieder von Angriffen
unterbrochen werden,
denen das stolze Fort
aber zuletzt zu trotzen
vermag.
Le Fort
Fincastle fut érigé en
1793, Nassau, capitale
des Bahamas. Le
constructeur, Lord
Dunmore, alors gouverneur
de Virginie, fut plus que
déçu par la structure
ronde l’arrière du b
timent alors que
l’avant se présentait
en pointe comme la proue
d’un navire. Les
premières mesures de
Fincastle Overture
reflètent la forme du
magnifique système de
défense alors que
survient un thème héro
que : le fort est
attaqué et les vaillants
soldats sont amenés se
défendre. Le Fort
résiste orgueilleusement
!
Fort Fincastle
fu costruito nel 1793 a
Nassau, la capitale delle
isole Bahamas. Il
costruttore diede
all’edificio una forma
rotonda con un tetto a
punta, quasi a ricordare
un castello. Le prime
misure di Fincastle
Overture riflettono la
straordinaria bellezza
del forte e anticipano un
tema eroico, che ricorda
la sua funzione di
difesa. La calma è solo
apparente, il forte sar
l’oggetto di un
ennesimo attacco che sar
eroicamente respinto.
Sanctuary Ensemble de cuivres [Conducteur] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-479-130 Composed by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-479-130
Composed by Philip
Sparke. Anglo Music
Midway Series. Hymns &
Chorals. Score Only.
Composed 2019. Anglo
Music Press #AMP 479-130.
Published by Anglo Music
Press (BT.AMP-479-130).
English-German-French-
Dutch.
Sanctuary
was commissioned by
Eastern Bay of Plenty
Brass from New Zealand
and was performed as an
own choice piece at the
2018 New Zealand National
Brass Band Championships.
It opens with an
expressive cornet solo,
hymn-like in mood. A
slightly faster central
section builds to a
change of key and an
expansive return of the
opening melody, this time
scored for full band.
After an emotional climax
the mood subsides,
leading to a quiet close.
Sanctuary
werd geschreven in
opdracht van Eastern Bay
of Plenty Brass uit
Nieuw-Zeeland en werd
uitgevoerd als
zelfgekozen werk tijdens
de New Zealand National
Brass Band Championships
van 2018. Het werk opent
met een expressieve
kornetsolo, die qua
atmosfeer veel weg heeft
van een hymne. Een iets
sneller middengedeelte
werkt toe naar een
verandering van toonsoort
en een grootse terugkeer
van de openingsmelodie,
deze keer getoonzet voor
de complete band. Na een
emotioneel hoogtepunt
wordt de muziek kalmer
van sfeer en mondt ze uit
in een rustig
slot.
Sanctuary
wurde von der
Eastern Bay of Plenty
Brass aus Neuseeland in
Auftrag gegeben und als
Selbstwahlstück bei
den New Zealand National
Brass Band Championships
2018 aufgeführt. Das
Stück beginnt mit
einem ausdrucksvollen
Kornett-Solo in der Art
eines Kirchenliedes. Ein
etwas schnellerer
Mittelteil führt zu
einem Tonartwechsel und
einer ausführlichen
Rückkehr der
Anfangsmelodie, die nun
von der gesamten Brass
Band gespielt wird. Nach
einem emotionalen
Höhepunkt beruhigt
sich die Stimmung und
mündet in einen
ruhigen
Schluss.
The Lonesome Knight Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000401-130 Composed by Saskia Apon. Scor...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000401-130
Composed by Saskia Apon.
Score Only. 30 pages.
Gobelin Music
Publications #GOB
000401-130. Published by
Gobelin Music
Publications
(BT.GOB-000401-130).
The composition
the Lonesome Knight was
based on a fairytale. The
piece was written by
Saskia Apon for the
National Brass Band
Championships
2001.
Once upon a
time there was a knight
who went to fight and
defeat the dragon that
had beenkilling the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far away from
his home and now is lost.
He roames around trying
to findhis way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins in the
festivities but after a
long evening is once more
leftalone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomes greatly
disillusioned when there
is none to be found.
Inhis desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thanks him for killing
the dragon, a spark
ingnites between themand
they build a life
together and.... live
happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
with credit, however it
was her love of
composition thatremained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartet and the brass
band quintet Brass
Ability. Atpresent
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic function
of the brass wind
instruments in her music.
Hercompositions and
arrangements can be found
on many diverse Cds.The
composition the Lonesome
Knight was based on a
fairytale. The piece was
written by Saskia Apon
for the National Brass
Band Championships
2001.
Once upon a
time there was aknight
who went to fight and
defeat the dragon that
had been killing the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far awayfrom
his home and now is lost.
He roames around trying
to find his way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins inthe
festivities but after a
long evening is once more
left alone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomesgreatly
disillusioned when there
is none to be found. In
his desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thankshim for killing the
dragon, a spark ingnites
between them and they
build a life together
and.... live happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
withcredit, however it
was her love of
composition that remained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartetand the brass band
quintet Brass
Ability. At present
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic functionof
the brass wind
instruments in her music.
Her compositions and
arrangements can be found
on many diverse
Cds.
The Lonesome Knight Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000401-030 Composed by Saskia Apon. Set ...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000401-030
Composed by Saskia Apon.
Set (Score & Parts). 56
pages. Gobelin Music
Publications #GOB
000401-030. Published by
Gobelin Music
Publications
(BT.GOB-000401-030).
The composition
the Lonesome Knight was
based on a fairytale. The
piece was written by
Saskia Apon for the
National Brass Band
Championships
2001.
Once upon a
time there was a knight
who went to fight and
defeat the dragon that
had beenkilling the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far away from
his home and now is lost.
He roames around trying
to findhis way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins in the
festivities but after a
long evening is once more
leftalone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomes greatly
disillusioned when there
is none to be found.
Inhis desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thanks him for killing
the dragon, a spark
ingnites between themand
they build a life
together and.... live
happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
with credit, however it
was her love of
composition thatremained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartet and the brass
band quintet Brass
Ability. Atpresent
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic function
of the brass wind
instruments in her music.
Hercompositions and
arrangements can be found
on many diverse Cds.The
composition the Lonesome
Knight was based on a
fairytale. The piece was
written by Saskia Apon
for the National Brass
Band Championships
2001.
Once upon a
time there was aknight
who went to fight and
defeat the dragon that
had been killing the
people of his town.
There is a short but
intense battle between
the two and the knight is
triumphant. However
whilst persuing the
dragon the knight has
travelled far awayfrom
his home and now is lost.
He roames around trying
to find his way home, but
exhausted and weary he
falls to the ground. He
awakens startled by a
Giant and a group of
Goblins who are
celebrating the death of
the dragon. The
knight joins inthe
festivities but after a
long evening is once more
left alone. The sun
rises the following
morning and he sees a
castle on the horizon. He
enthousiastcally ventures
towards the castle in the
hope of meeting other
people. However he
becomesgreatly
disillusioned when there
is none to be found. In
his desperation the
knight climbs the tower
ready to jump off.
Suddenly he hears a
heavenly voice. Right
before him is the most
beautiful princess he has
ever seen. She graciously
thankshim for killing the
dragon, a spark ingnites
between them and they
build a life together
and.... live happily ever
after!
Saskia
Apon studied harp at
Rotterdam School of
music. With this
instrument she rounded of
her studies by passing
withcredit, however it
was her love of
composition that remained
her focus.
Self-taught, she began
composing at the age of
nine. Since then she has
written pieces for The
Dutch Brass Quintet, The
Dutch Brass Ensemble, The
Rotterdam Trombone
Quartetand the brass band
quintet Brass
Ability. At present
she is the in-house
arranger for The
Rotterdam Philarmonic
Brass Ensemble.
Besides the customary
attention for the real
splashworks she
endeavours to add value
to the melodic functionof
the brass wind
instruments in her music.
Her compositions and
arrangements can be found
on many diverse
Cds.
Raveling, Unraveling Ensemble de cuivres [Conducteur] - Intermédiaire/avancé Anglo Music
Brass Band - Grade 6 SKU: BT.AMP-448-130 In search of 'La Valse'. ...(+)
Brass Band - Grade 6
SKU:
BT.AMP-448-130
In
search of 'La Valse'.
Composed by Philip
Sparke. Elite Series.
Score Only. Composed
2016. 85 pages. Anglo
Music Press #AMP 448-130.
Published by Anglo Music
Press (BT.AMP-448-130).
9x12 inches.
English-German-French-Dut
ch.
WINNING
PERFORMANCE EBBC LILLE
2016Raveling,
Unraveling In Search of
‘La
Valse’ was
written for the Cory Band
as their own-choice test
piece for the 2016
European Brass Band
Championships in Lille.
The piece found its
genesis in
Sparke’s The
Unknown Journey
(2014) forconcert band,
and the use of
Ravel’s La
Valse as a structural
undercurrent to the
original piece is an act
of reverence.
Sparke’s aim was
to produce a work that is
organic rather than
episodic in nature. The
composer’s view is
that little inmusic does
this better than La
Valse and for this
reason he uses various
sections of this
masterpiece, both
manipulated and quoted
verbatim (including much
of its stunningclosing
passages) to provide the
overall geography of his
new work. Asthe music
progresses, more of the
Ravel appears, surfacing
completely as the piece
reaches its climax - a
gesture of homage to the
French master.
WINNAAR EBBC
LILLE 2016Raveling,
Unraveling In Search of
‘La
Valse’ is
geschreven voor de Britse
Cory Band als keuzewerk
voor de Europese
Brassband
Kampioenschappen van 2016
in Lille. De oorsprong
ligt in Sparkes The
Unknown Journey
(2014)
voorharmonieorkest. Het
is een diepe buiging naar
Ravels La Valse,
die wordt gebruikt als
een soort structurele
onderstroom van een
origineel stuk muziek,
met als doel een werk te
maken dat organisch van
karakter is. De componist
heeftverschillende
gedeelten uit het
meesterwerk ingebracht,
zowel bewerkt als
letterlijk geciteerd met
veel van de prachtige
slotpassages om de
algehele opbouw van zijn
nieuwe werk te scheppen.
Naarmate demuziek
voortgaat, verschijnt er
meer vanRavel, waarna de
wals volledig opduikt in
de apotheose: een fraai
eerbetoon aan de Franse
meester.
SIEGER
EBBC LILLE
2016Raveling,
Unraveling In Search of
La Valse wurde für
die Cory Band als selbst
ausgewähltes
Prüfungsstück bei
den European Brass Band
Championships 2016 in
Lille komponiert. Die
Komposition hat ihren
Ursprung in Sparkes 2014
entstandenemStück
The Unknown
Journey für
Blasorchester. Es handelt
sich um eine Art Hommage,
denn Ravels La
Valse wird hier als
formale Grundlage für
ein eher in sich
geschlossenes und nicht
nur episodenhaftes
Originalwerk verwendet.
DemKomponisten zufolge
gibt es kaum eine Musik,
die dies besser vermag
als La Valse. Er
verwendet verschiedene
Abschnitte aus diesem
Meisterwerk, sowohl
bearbeitet als auch
direkt übernommen
inklusive zahlreicher
fantastischer
Schlusspassagen ,um die
Gesamtstruktur seines
neuen Werkes
darzustellen. Je mehr die
Musik voranschreitet,
umso mehr wird Ravels
Einfluss erkennbar, vor
allem beim Erreichen des
musikalischen
Höhepunktes des
gesamten Stückes eine
Hommage an den
französischenMeister.
Raveling Unraveling Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé Anglo Music
Brass Band - Grade 6 SKU: BT.AMP-448-030 In search of 'La Valse'. ...(+)
Brass Band - Grade 6
SKU:
BT.AMP-448-030
In
search of 'La Valse'.
Composed by Philip
Sparke. Elite Series.
Concert Piece. Set (Score
& Parts). Composed 2016.
Anglo Music Press #AMP
448-030. Published by
Anglo Music Press
(BT.AMP-448-030).
English-German-French-
Dutch.
WINNING
PERFORMANCE EBBC LILLE
2016Raveling,
Unraveling In Search of
‘La
Valse’ was
written for the Cory Band
as their own-choice test
piece for the 2016
European Brass Band
Championships in Lille.
The piece found its
genesis in
Sparke’s The
Unknown Journey
(2014) forconcert band,
and the use of
Ravel’s La
Valse as a structural
undercurrent to the
original piece is an act
of reverence.
Sparke’s aim was
to produce a work that is
organic rather than
episodic in nature. The
composer’s view is
that little inmusic does
this better than La
Valse and for this
reason he uses various
sections of this
masterpiece, both
manipulated and quoted
verbatim (including much
of its stunningclosing
passages) to provide the
overall geography of his
new work. Asthe music
progresses, more of the
Ravel appears, surfacing
completely as the piece
reaches its climax - a
gesture of homage to the
French master.
WINNAAR EBBC
LILLE 2016Raveling,
Unraveling In Search of
‘La
Valse’ is
geschreven voor de Britse
Cory Band als keuzewerk
voor de Europese
Brassband
Kampioenschappen van 2016
in Lille. De oorsprong
ligt in Sparkes The
Unknown Journey
(2014)
voorharmonieorkest. Het
is een diepe buiging naar
Ravels La Valse,
die wordt gebruikt als
een soort structurele
onderstroom van een
origineel stuk muziek,
met als doel een werk te
maken dat organisch van
karakter is. De componist
heeftverschillende
gedeelten uit het
meesterwerk ingebracht,
zowel bewerkt als
letterlijk geciteerd met
veel van de prachtige
slotpassages om de
algehele opbouw van zijn
nieuwe werk te scheppen.
Naarmate demuziek
voortgaat, verschijnt er
meer vanRavel, waarna de
wals volledig opduikt in
de apotheose: een fraai
eerbetoon aan de Franse
meester.
SIEGER
EBBC LILLE
2016Raveling,
Unraveling In Search of
La Valse wurde für
die Cory Band als selbst
ausgewähltes
Prüfungsstück bei
den European Brass Band
Championships 2016 in
Lille komponiert. Die
Komposition hat ihren
Ursprung in Sparkes 2014
entstandenemStück
The Unknown
Journey für
Blasorchester. Es handelt
sich um eine Art Hommage,
denn Ravels La
Valse wird hier als
formale Grundlage für
ein eher in sich
geschlossenes und nicht
nur episodenhaftes
Originalwerk verwendet.
DemKomponisten zufolge
gibt es kaum eine Musik,
die dies besser vermag
als La Valse. Er
verwendet verschiedene
Abschnitte aus diesem
Meisterwerk, sowohl
bearbeitet als auch
direkt übernommen
inklusive zahlreicher
fantastischer
Schlusspassagen ,um die
Gesamtstruktur seines
neuen Werkes
darzustellen. Je mehr die
Musik voranschreitet,
umso mehr wird Ravels
Einfluss erkennbar, vor
allem beim Erreichen des
musikalischen
Höhepunktes des
gesamten Stückes eine
Hommage an den
französischenMeister.
Concert band - Grade 3 SKU: CL.012-4468-75 Sir John Franklin and the S...(+)
Concert band - Grade 3
SKU:
CL.012-4468-75
Sir
John Franklin and the
Search for the Northwest
Passage. Composed by
López. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR389). Oversized,
spiral-bound score.
Composed 2016. Duration 3
minutes, 50 seconds. Opus
III Wind Orchestra
Publications
#012-4468-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4468-75).
This Victor
Lopez work evokes images
of excitement, bravery
and sorrow as Erebus and
Terror: The Lost Ships
retells the story of the
Sir John Franklin
expedition in search of
the Northwest Passage.
Beginning with
anticipation as the
explorers depart their
homeland, the rousing
melodic theme is written
for clarinet, horn and
alto saxophone. The
excitement of the journey
turns melancholic for a
few moments, as the
gravity of their journey
sinks in, but their
courage is again renewed
as the trumpets tell the
story. A haunting flute
and oboe duet foreshadows
the inevitable crash
portrayed with strong
chromatic dissonances,
into the ice and the loss
of both ships and their
crews. The journey has
ended for these men, but
their story lives on and
Sir John Franklin is
remembered as a hero due
to his valuable
contributions to the
development of Canada's
north. Highly
recommended!
Concert band - Grade 3 SKU: CL.012-4468-01 Sir John Franklin and the S...(+)
Concert band - Grade 3
SKU:
CL.012-4468-01
Sir
John Franklin and the
Search for the Northwest
Passage. Composed by
López. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR389). Extra full
score. Composed 2016.
Duration 3 minutes, 50
seconds. Opus III Wind
Orchestra Publications
#012-4468-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4468-01).
This Victor
López work evokes
images of excitement,
bravery and sorrow as
Erebus and Terror: The
Lost Ships retells the
story of the Sir John
Franklin expedition in
search of the Northwest
Passage. Beginning with
anticipation as the
explorers depart their
homeland, the rousing
melodic theme is written
for clarinet, horn and
alto saxophone. The
excitement of the journey
turns melancholic for a
few moments, as the
gravity of their journey
sinks in, but their
courage is again renewed
as the trumpets tell the
story. A haunting flute
and oboe duet foreshadows
the inevitable crash
portrayed with strong
chromatic dissonances,
into the ice and the loss
of both ships and their
crews. The journey has
ended for these men, but
their story lives on and
Sir John Franklin is
remembered as a hero due
to his valuable
contributions to the
development of
Canada’s north.
Highly recommended!
Erebus and Terror: The Lost Ships Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4468-00 Sir John Franklin and the S...(+)
Concert band - Grade 3
SKU:
CL.012-4468-00
Sir
John Franklin and the
Search for the Northwest
Passage. Composed by
López. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR389). Score and set
of parts. Composed 2016.
Duration 3 minutes, 50
seconds. Opus III Wind
Orchestra Publications
#012-4468-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4468-00).
This Victor
López work evokes
images of excitement,
bravery and sorrow as
Erebus and Terror: The
Lost Ships retells the
story of the Sir John
Franklin expedition in
search of the Northwest
Passage. Beginning with
anticipation as the
explorers depart their
homeland, the rousing
melodic theme is written
for clarinet, horn and
alto saxophone. The
excitement of the journey
turns melancholic for a
few moments, as the
gravity of their journey
sinks in, but their
courage is again renewed
as the trumpets tell the
story. A haunting flute
and oboe duet foreshadows
the inevitable crash
portrayed with strong
chromatic dissonances,
into the ice and the loss
of both ships and their
crews. The journey has
ended for these men, but
their story lives on and
Sir John Franklin is
remembered as a hero due
to his valuable
contributions to the
development of
Canada’s north.
Highly recommended!
Sailing with the Tall Ships Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-334-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-334-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2012.
Anglo Music Press #AMP
334-010. Published by
Anglo Music Press
(BT.AMP-334-010).
9x12
inches.
English-German-French-Dut
ch.
The title of
this work refers to the
Tall Ship Race, in which
large sailing ships
annually appear at
various European
destinations. The work
consists of a slow
introduction, which
describes the majestic
sailing ships; and a
faster section
(Vivo), which
begins in the style of a
sea shanty. Now the ship
is under full sail, and
we hear a reprise of
material from the
introduction to bring the
piece to a close.
Der Titel
des Werkes bezieht sich
auf das Tall Ship
Race, bei dem sich
jährlich große
Segelschiffe an
verschiedenen Orten in
Europa messen. Das Werk
besteht aus einer
langsamen Einleitung,
welche den
majestätischen Segler
beschreibt, und einem
schnelleren Abschnitt
(Vivo), der im
Stile eines
Seemannsliedes beginnt.
Im Mittelteil fährt
das Schiff_x001F_ schon
unter vollen Segeln,
bevor Motive aus der
Einleitung wieder
aufgenommen werden, um
das Stück zu
beenden.
Il
titolo del brano evoca la
Tall Ship Race, una gara
velistica che si tiene
ogni anno in diverse
localit in Europa. Il
brano si compone di una
lenta introduzione che
rappresenta la maestosit
delle imbarcazioni e che
precede una sezione
veloce (vivo), scritta
nello stile di una
canzone di marinai. Un
passaggio centrale vede
le imbarcazioni allineate
prima della partenza, in
seguito i temi del primo
movimento sono
ripresentati e concludono
la composizione.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-334-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-334-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2012. 40 pages.
Anglo Music Press #AMP
334-140. Published by
Anglo Music Press
(BT.AMP-334-140).
9x12
inches.
English-German-French-Dut
ch.
The title of
this work refers to the
Tall Ship Race, in which
large sailing ships
annually appear at
various European
destinations. The work
consists of a slow
introduction, which
describes the majestic
sailing ships; and a
faster section
(Vivo), which
begins in the style of a
sea shanty. Now the ship
is under full sail, and
we hear a reprise of
material from the
introduction to bring the
piece to a close.
Der Titel
des Werkes bezieht sich
auf das Tall Ship
Race, bei dem sich
jährlich große
Segelschiffe an
verschiedenen Orten in
Europa messen. Das Werk
besteht aus einer
langsamen Einleitung,
welche den
majestätischen Segler
beschreibt, und einem
schnelleren Abschnitt
(Vivo), der im
Stile eines
Seemannsliedes beginnt.
Im Mittelteil fährt
das Schiff_x001F_ schon
unter vollen Segeln,
bevor Motive aus der
Einleitung wieder
aufgenommen werden, um
das Stück zu
beenden.
Il
titolo del brano evoca la
Tall Ship Race, una gara
velistica che si tiene
ogni anno in diverse
localit in Europa. Il
brano si compone di una
lenta introduzione che
rappresenta la maestosit
delle imbarcazioni e che
precede una sezione
veloce (vivo), scritta
nello stile di una
canzone di marinai. Un
passaggio centrale vede
le imbarcazioni allineate
prima della partenza, in
seguito i temi del primo
movimento sono
ripresentati e concludono
la composizione.
Brass Band (Score & Parts) - Grade 5 SKU: HL.44012770 Composed by Philip ...(+)
Brass Band (Score &
Parts) - Grade 5
SKU:
HL.44012770
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Softcover.
Composed 2008. Anglo
Music Press #AMP236-030.
Published by Anglo Music
Press (HL.44012770).
9x12 inches.
English-German-French-Dut
ch.
Philip
Sparke's The
Saga Of Haakon The
Good for Brass Band.
Score and parts.
The Saga of
Haakon the Good werd
geschreven in opdracht
van Frei Hornmusikk uit
Noorwegen, ter
gelegenheid van het
samengaan van de twee
Kommuner (gemeenten) Frei
en Kristiansund op 1
januari 2008. Deze
brassband gebruikte het
werk bij het Noorse
Nationale
Brassbandkampioenschap in
februari. De compositie
is gebaseerd op
belangrijke
gebeurtenissen in het
leven van Haakon de Goede
(ca. 920-961), die koning
Haakon 1 van Noorwegen
werd - THE FUTURE KING.
Hij werd opgevoed door
koning Adelstein
(Athelstan van Engeland)
als onderdeel van een
vredesovereenkomst die
zijn vader had gesloten.
De Engelse koning bracht
hem de christelijke
godsdienst bij. Toen het
nieuws kwam dat zijnvader
was overleden, kreeg
Haakon een aantal schepen
met bemanning mee om ten
strijde te trekken tegen
zijn halfbroer Erik
Bloedbijl, die tot koning
was uitgeroepen. In
Noorwegen aangekomen trok
hij noordwaarts - THE
JOURNEY TO TRONDHEIM -,
waar hij de steun van
landeigenaren wist te
verkrijgen door ze te
beloven dat hij de
belastingen die zijn
vader hief, zou
afschaffen.De zoons van
Erik zochten steun bij de
Denen, maar ze werden
verslagen door Haakon,
die slaagde in alles wat
hij deed, behalve in zijn
pogingen het christendom
in het land te
introduceren - THE
MISSIONARY KING. Hij
voelde zich niet
opgewassen tegen het
verzet dat hij hierin
ondervond. Een van zijn
beroemdste overwinningen
was de slag bij
Rastarkalv (dicht bij
Frei) - THE BATTLE OF
RASTARKALV - in 955. Door
tien vaandels ver van
elkaar te plaatsen langs
een lage bergkam (om de
indruk te wekken dat zijn
leger groter was dan in
werkelijkheid) lukte het
hem om Eriks zoons het
idee te geven dat zij in
de minderheid waren. De
Denen vluchtten en het
leger van Haakon
zegevierde. De genoemde
tien vaandels worden
weergegeven door tien
luide akkoorden vanaf
maat 420.
The
Saga of Haakon the
Good reflektiert das
Leben von Konig Haakon I
von Norwegen (um
920-961). Jeder der vier
Satze dieses Werkes hat
etwas Besonderes zu
bieten - von
ausdrucksvollen
Lento-Passagen bis zu
dynamischen rhythmischen
Abschnitten und vielen
spannenden Soli. The
Saga of Haakon the
Good war bereits
Pflichtstück bei
den British National
Brass Band Championships
2008. Wahrhaft
meisterlich!
Un
superbe morceau impose,
par le roi des imposes
Philip Sparke. Base sur
la legende de Haakon le
bon (vers 920-961).
Composed
by Stacy Garrop. Large
Score. With Standard
notation. 66 pages.
Duration 19 minutes.
Theodore Presser Company
#415-41156L. Published by
Theodore Presser Company
(PR.41541156L).
UPC:
680160642953. 11 x 17
inches.
The
Mythology Suite consists
of three movements of my
Mythology Symphony, which
I arranged for large wind
ensemble. The
arrangements of The
Lovely Sirens and
Penelope Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra's 2017
Japan tour. I added
Pandora Undone to
complete the set; Stephen
Squires and the Chicago
College of Performing
Arts gave the premiere of
the entire Suite in
February 2017. Movement
1: The Lovely Sirens The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Movement 2: Penelope
Waits This quiet movement
represents Queen
Penelope, the faithful
wife of Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches. Movement 3:
Pandora Undone This
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naive
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new
burden. The Mytholo
gy Suite consists of
three movements of
my Mythology
Symphony, which I
arranged for large wind
ensemble. The
arrangements of The
Lovely
Sirens and Penelope
Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra’s
2017 Japan tour. I
added Pandora
Undone to complete the
set; Stephen Squires and
the Chicago College of
Performing Arts gave the
premiere of the entire
Suite in February
2017.Movement 1:Â The
Lovely
SirensThe Sirens were
sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.Movement
2:Â Penelope WaitsThis
quiet movement represents
Queen Penelope, the
faithful wife of
Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches.Movement
3:Â Pandora UndoneThis
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naïve
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new burden.
Accordion - very easy to easy SKU: HL.49045119 Book 1 - BK/CD. Com...(+)
Accordion - very easy to
easy
SKU:
HL.49045119
Book 1
- BK/CD. Composed by
Hans-Guenther Koelz and
Sabine Koelz. This
edition: Saddle
stitching. Sheet music
with CD. Woodwind Solo.
Zur zweibandigen Schule
Akkordeon spielen - mein
schonstes Hobby erscheint
nun das erste Spielbuch
mit vielen schonen und
beliebten Stucken fur den
Unterricht und das
gemeinsame Musizieren.
Classical. Softcover with
CD. 68 pages. Schott
Music #ED22316. Published
by Schott Music
(HL.49045119).
ISBN
9783795744472.
9.25x12.0x0.212
inches.
Akkordeon
spielen - mein schonstes
Hobby is a practical
method that aims at young
people and adults who
wish to get to know the
whole multifaceted world
of accordion music.
Suitable for beginners
and false beginners.After
Vol. 1 (ED 20951) and
Vol. 2 (ED 20952) of the
method, Schott now
publishes tune book No. 1
with many beautiful songs
and pieces for lessons,
ensemble playing at home
or auditions. The level
of difficulty of the
pieces has been adjusted
to the progression of the
volumes of the method.
Many songs come with an
accompanying part for the
teacher or other
accordion players. The
enclosed CD serves as an
acoustic learning aid and
shall motivate the
student to practise and
play.