(for Saxophone Quartet). By Lee Hyla. For SATB saxophone quartet. Score and parts. Duration 12 minutes. Published by Carl Fischer

By Peter Ilyich Tchaikovsky. Arranged by Dorff. Clarinet Quartet. Level: 4. Published by Kendor Music Inc.

By Marks. Arranged by Christensen. For 4 flutes. Flute Quartet. Level: Grade 4. Published by Kendor Music Inc.

4 Clarinets SATBar

SKU: AP.1-ADV8426

For SATBar Clarinet Quartet. Composed by Mike Curtis. Quartet; Solo Small Ensembles; Woodwind - Clarinet Quartet. Advance Music. Latin. Score and Part(s). Advance Music #01-ADV8426. Published by Advance Music (AP.1-ADV8426).

UPC: 805095084269. English.

The four parts of this fresh work, Mexican Fantasies by Mike Curtis, are delicately interwoven. Alternating between melancholy-solemn and lively, the movements tell of festivities under the starry sky, of wonderful friendships, or even a tale of the queen of the tropics.

Saxophone Quartet

SKU: HL.48180918

For Saxophone Quartet. Composed by Gabriel Pierne. Leduc. Classical. Alphonse Leduc #AL19728. Published by Alphonse Leduc (HL.48180918).

UPC: 888680858148. 9.0x12.0x0.177 inches.

This quartet for saxophones, entitled Introduction and Variations on a Popular Rondo by Gabriel Pierné, is a standard in the saxophone quartet repertoire. Composed in 1934 and dedicated to the Marcel Mule Quartet, this piece for advanced players is as bright and cheerful as a round dance should be, and yet, quite delicate and light in terms of writing. With many ornaments and variations, Introduction and Variations begins slowly but is interrupted twice by the rondo. Gabriel Pierné (1863-1937) won the Prix de Rome in 1882. The composer wrote many chamber compositions, piano pieces, symphonic music and some oratorios.

Full set - Grade 4

SKU: CL.CTS-8050-00

For Saxophone Quartet. Composed by Franz Schubert. Arranged by Kohut. Ensemble. Composed 2022. Claude T. Smith Publications #CTS-8050-00. Published by Claude T. Smith Publications (CL.CTS-8050-00).

This saxophone quartet of Franz Schubertâ??s Ave Maria is a delicate and delightful way to showcase the musical maturity of your students. Arranged with great care to preserve the original intent of the composer, the interwoven rhythmic intricacies of the parts provide a wonderful accompaniment to this timeless melody.

Extra score - Grade 4

SKU: CL.CTS-8050-01

For Saxophone Quartet. Composed by Franz Schubert. Arranged by Kohut. Ensemble. Composed 2022. Claude T. Smith Publications #CTS-8050-01. Published by Claude T. Smith Publications (CL.CTS-8050-01).

This saxophone quartet of Franz Schubertâ??s Ave Maria is a delicate and delightful way to showcase the musical maturity of your students. Arranged with great care to preserve the original intent of the composer, the interwoven rhythmic intricacies of the parts provide a wonderful accompaniment to this timeless melody.

SATB chorus w/optional string quartet

SKU: HH.HH457-FSP

Composed by Timothy Raymond. Satb W/Optional String Quartet. Full score and parts. Edition HH Music Publishers #HH457-FSP. Published by Edition HH Music Publishers (HH.HH457-FSP).

ISBN 9790708146667.

This atmospheric, sensitive piece for solo SATB (or small vocal ensemble) with optional string quartet was written by Timothy Raymond for the 2017 Lower Machen Festival. The contemporary harmonic language, with distant echoes of Britten, Holst and Howells, and the delicate, often sensuous textures combine to make a work of considerable expressive power that perfectly captures the essence of W. B. Yeats’s poem. Around six minutes long, it is a welcome addition to the rich repertoire of British vocal music.

Chamber Music Clarinet, Piano, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.11440558S

Composed by Shulamit Ran. Score. With Standard notation. 45 pages. Duration 17 minutes. Theodore Presser Company #114-40558S. Published by Theodore Presser Company (PR.11440558S).

UPC: 680160008971.

Conce rto da Camera II is a work for six instruments which may be further grouped into three separate entities - clarinet, string quartet, piano. In this combination, chosen by the work's commissioning organizations (the Chamber Music Society of Lincoln Center in conjunction with Mount Holyoke College), lies the work's first challenge. While pairings of any two of these three sound types abound in the concert literature, the three together form a far less common soundscape. The main difficulty appears in the necessity to reconcile the potential of both the clarinet and the piano of acting in a soloistic capacity when pitted against the string quartet. Indeed, the three movements of the Concerto deal with this problem in various ways, with the balance of power between the six instruments' potential for unity and contrast, solo and ensemble playing, continually shifting and changing.   Yet another, more delicate, balance of power is at play here, namely, the relationship between the external, foreground level of the piece and a subtler background level. What, at first, appear like small, gentle melodic strands, mere echoes or residues of the main events, gradually assume an inner life of their own. Never actually taking over yet always there, a salient, if quiet, factor within the work's compositional fabric and evolving organism.   Though each movement includes numerous tempo fluctuations, the overall thrust of the work clearly suggests a fast-slow-fast framework, with the last movement being a loosely structured, occasionally tempestuous Rondo.

Quartet 4 Flutes opt. Alto Flute substitute for 4th Flute - Grade 4

SKU: KN.14558

(The Dove). Composed by Sebastian Yradier. Arranged by Thomas Bourgault. Ensemble. Kendor Ensemble Series. Performance Score. Kendor Music Inc #14558. Published by Kendor Music Inc (KN.14558).

UPC: 822795145588.

This setting of La Paloma by Sebastian Yradier features your flute ensemble in a warm and delicate register, emulating the sweet Spanish countryside which inspired the original piece. This grade 4 edition is playable by 4 flutes, with an optional Alto Flute substitute part for 4th flute included. Duration 2:40.

(for Piano and String Orchestra). Composed by Various. Arranged by Bud Caputo. For piano and string orchestra. Concert Work. Grade 3. Score and set of parts. Duration 8:46. Published by Wingert-Jones Publications

Woodwind Quintet

SKU: SU.32040050

For Woodwind Quintet. Composed by Amy Riebs Mills. Woodwinds, Woodwind Ensemble, Chamber Music, Woodwind Quartet/Quintet. Score & Parts. Subito Music Corporation #32040050. Published by Subito Music Corporation (SU.32040050).

Woodwind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) Duration: 6' Composed: 2012 Published by: Amy Mills Music, LLC 3 movements I. Seven Toes Down II. En Pointe III. Muddy Boots This charming suite has three short movements, each with its own character. The suite bursts open with breathless energy. Seven Toes Down is modal, in 7/8 time, with people dancing in bare feet on bare ground, so vigorously that it kicks up the dust. En Pointe opens with a lovely waltz, then it focuses in on the tiny, delicate movements of a ballerina high up on her toes. Muddy Boots is big strong guys, covered with dirt from a hard day of work, practicing one-upmanship. Different players have the chance to show what they can do, surrounded by their friends. Then we catch another glimpse of the ballerina before closing playfully with Seven Toes Down. Difficulty Level: 4 (Advanced) See composer website for audio sample.

(for Piano and String Orchestra). Composed by Various. Arranged by Bud Caputo. For piano and string orchestra. Concert Work. Grade 3. Conductor score. Duration 8:46. Published by Wingert- Jones Publications

SATB chorus a capella

SKU: HH.HH457-VOC

Composed by Timothy Raymond. Satb A Capella. Rehearsal score. Edition HH Music Publishers #HH457-VOC. Published by Edition HH Music Publishers (HH.HH457-VOC).

ISBN 9790708146643.

This atmospheric, sensitive piece for solo SATB (or small vocal ensemble) with optional string quartet was written by Timothy Raymond for the 2017 Lower Machen Festival. The contemporary harmonic language, with distant echoes of Britten, Holst and Howells, and the delicate, often sensuous textures combine to make a work of considerable expressive power that perfectly captures the essence of W. B. Yeats’s poem. Around six minutes long, it is a welcome addition to the rich repertoire of British vocal music.