Teilband 1: Ausgabe nach dem Originaldruck - Teilband 2: Ausgabe nach den autogr...(+)
Teilband 1: Ausgabe nach
dem Originaldruck -
Teilband 2: Ausgabe nach
den autographen Quellen.
Urtext der Neuen
Bach-Ausgabe. By Johann
Sebastian Bach. Edited by
Klaus Hofmann. For
Instrument/Piano/Harpsich
ord/Organ. Neue
Bach-Ausgabe. Serie VIII,
Band 2. Score; Urtext
Edition; Complete Edition
(cloth bound). BWV 1080.
Published by
Baerenreiter-Ausgaben
(German import). (BA5082
01)
Chamber Orchestra
(Recorder f1, Flute,
Oboe, English Horn,
Bassoon, 4 Strings),
Harpsichord, Organ
SKU: CA.4033190
Composed by Johann
Sebastian Bach. Arranged
by Helmut Bornefeld.
Hymns by Martin Luther:
War Gott nicht mit uns
diese Zeit. German title:
Faksimile Kunst Der Fuge.
Post card. BWV 1080. 100
pages. Duration 90
minutes. Carus Verlag #CV
40.331/90. Published by
Carus Verlag
(CA.4033190).
Orchestra (3ST(VA)) SKU: HL.49006068 Leichte Satze alter Meister. ...(+)
Orchestra (3ST(VA))
SKU: HL.49006068
Leichte Satze alter
Meister. Edited by
Helmut W. May. This
edition: Folder. Sheet
music. Edition Schott.
Classical. Individual
part. 16 pages. Schott
Music #ED 6161-16.
Published by Schott Music
(HL.49006068).
Chamber Orchestra
(Recorder f1, Flute,
Oboe, English Horn,
Bassoon, 4 Strings),
Harpsichord, Organ
SKU: CA.2918409
Composed by Johann
Sebastian Bach. Arranged
by Helmut Bornefeld. This
edition: Complete
edition. 1x 29.184/21
recorder, 1x 29.184/22
flute, 1x 29.184/23 oboe,
1x 29.184/24 English
horn, 1x 29.184/25
bassoon. German title:
Die Kunst Der Fuge / Arr.
Bornefeld. Instrumental
arrangements of works by
bach. Set of Orchestra
Parts. BWV 1080. 96
pages. Duration 90
minutes. Carus Verlag #CV
29.184/09. Published by
Carus Verlag
(CA.2918409).
Chamber Orchestra
(Recorder f1, Flute,
Oboe, English Horn,
Bassoon, 4 Strings),
Harpsichord, Organ
SKU: CA.2918415
Composed by Johann
Sebastian Bach. Arranged
by Helmut Bornefeld. This
edition: Complete
edition. German title:
Die Kunst Der Fuge / Arr.
Bornefeld. Instrumental
arrangements of works by
bach. Single Part, Double
Bass. BWV 1080. 20 pages.
Duration 90 minutes.
Carus Verlag #CV
29.184/15. Published by
Carus Verlag
(CA.2918415).
Orchestra Chamber
Orchestra (Recorder f1,
Flute, Oboe, English
Horn, Bassoon, 4
Strings), Harpsichord,
Organ
SKU:
CA.2918407
Composed
by Johann Sebastian Bach.
Arranged by Helmut
Bornefeld. This edition:
Complete editions,
Paper-bound. German
title: Die Kunst Der Fuge
/ Arr. Bornefeld.
Instrumental arrangements
of works by bach. Study
score. BWV 1080. 128
pages. Duration 90
minutes. Carus Verlag #CV
29.184/07. Published by
Carus Verlag
(CA.2918407).
Chamber Orchestra
(Recorder f1, Flute,
Oboe, English Horn,
Bassoon, 4 Strings),
Harpsichord, Organ
SKU: CA.2918449
Composed by Johann
Sebastian Bach. Arranged
by Helmut Bornefeld. This
edition: Complete
editions, Paper-bound.
German title: Die Kunst
Der Fuge / Arr.
Bornefeld. Instrumental
arrangements of works by
bach. Single Part, Organ.
BWV 1080. 66 pages.
Duration 90 minutes.
Carus Verlag #CV
29.184/49. Published by
Carus Verlag
(CA.2918449).
Chamber Orchestra
(Recorder f1, Flute,
Oboe, English Horn,
Bassoon, 4 Strings),
Harpsichord, Organ
SKU: CA.2918419
Composed by Johann
Sebastian Bach. Arranged
by Helmut Bornefeld. Die
Kunst Der Fuge / Arr.
Bornefeld. Instrumental
arrangements of works by
bach. Set of Orchestra
Parts. BWV 1080. Duration
90 minutes. Carus Verlag
#CV 29.184/19. Published
by Carus Verlag
(CA.2918419).
ISBN
9790007203696. Language:
all
languages.
Score
and parts available
separately - see item
CA.2918400.
Teil 2. 4 zweistimmige Kanons, 2 Spiegelfugen, unvollendete Fuge mit 3 Themen, O...(+)
Teil 2. 4 zweistimmige
Kanons, 2 Spiegelfugen,
unvollendete Fuge mit 3
Themen, Orgelchoral
"Wenn wir in
hochsten Noten (Vor
deinen Thron)". By
Johann Sebastian Bach.
Edited by Schurich, Hans.
For Organ. Playing Score
(paperbound). BWV 1080.
Published by
Soeddeutscher Musikverlag
(German import).
Sopranstimme. Streichquartettfassung: V I / Originallage: V/S-Vagb1; mit Besetzu...(+)
Sopranstimme.
Streichquartettfassung: V
I / Originallage:
V/S-Vagb1; mit
Besetzungs- und
Spielordnungshinweisen -
Soprano. String Quartet
Version: V I / Original
Version: Violin/ Soprano
viola da gamba1; with
instrumentations and
performance suggestions.
By Johann Sebastian Bach.
Edited by Diener,
Hermann; Hampe,
Charlotte. For Violin 1;
Soprano-Vagb. Single
Part. BWV 1080. Published
by Baerenreiter-Ausgaben
(German import). (BA2600
91)
By Johann Sebastian Bach. Edited by Forbes. For Violin, Violoncello. Canon alla ...(+)
By Johann Sebastian Bach.
Edited by Forbes. For
Violin, Violoncello.
Canon alla duodecima (in
contrapunto alla quinta)
and 2 Canons per
augmentationem (in
contrario motu); BWV
1080. Published by C.F.
Peters.
(nach der Neuordnung von Wolfgang Graeser fur zwei Klaviere bearbeitet). By Joha...(+)
(nach der Neuordnung von
Wolfgang Graeser fur zwei
Klaviere bearbeitet). By
Johann Sebastian Bach
(1685-1750). For piano (4
hands) (2 pianos). 132
pages
String Quartet (2vl,va,vc) SKU: BR.EB-9260 Composed by Manuela Kerer. Cha...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9260
Composed
by Manuela Kerer. Chamber
music; Folder. Edition
Breitkopf.
World
premiere: Stockholm
(Festival O/MODERNT),
June 19, 2017
Music
post-1945; New music
(post-2000). Set of
parts. Composed 2016/17.
32 pages. Duration 15' -
18'. Breitkopf and
Haertel #EB 9260.
Published by Breitkopf
and Haertel (BR.EB-9260).
ISBN 9790004185605. 9
x 12 inches.
When
Hugo Ticciati asked me to
write a new piece for his
quartet, I was
immediately enthusiastic
about this project. I
love how Hugo and his
O/MODERNT String Quartet
unite old and new music
in a completely natural
way. So, I was absolutely
excited about Hugo`s idea
of having my piece based
on two of my idols, Bach
and Beethoven,
deconstructing the one
and constructing the
other. With all my
respect for these great
composers I gave to the
piece a very personal
inner part consisting of
my own music that
influenced and inspired
the other parts. For the
whole piece I felt very
close to Beethoven, who
said: To make a fugue is
not art, which [is
something] I have made
dozens of times in my
study. But the
imagination will assert
its rights and must come
today, in light of the
old traditional form, to
another truly poetic
element. De/Con is a
travel into different
centuries with different
sound-languages. For me,
it was like having a
wonderful constructive
discussion with Johann
Sebastian Bach and Ludwig
van Beethoven, each of us
trying to speak our own
language, approaching the
others step by step. The
piece could be defined as
a Love Letter to two of
the greatest composers
ever. De/Con could be
preceded by (parts of)
Johann Sebastian Bach's
Die Kunst der Fuge (The
Art of the Fugue) and
succeeded by Ludwig van
Beethoven's Grosse Fuge
(Great Fugue). Ideally,
then, all parts should be
played attacca. It could,
but it hasn't to be
played with these two
pieces. (Manuela
Kerer)
World
premiere: Stockholm
(Festival O/MODERNT),
June 19, 2017.
String Quartet (2vl,va,vc) SKU: BR.EB-9259 Composed by Manuela Kerer. Cha...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9259
Composed
by Manuela Kerer. Chamber
music; stapled. Edition
Breitkopf.
World
premiere: Stockholm
(Festival O/MODERNT),
June 19, 2017
Music
post-1945; New music
(post-2000). Full score.
Composed 2016/17. 32
pages. Duration 15' -
18'. Breitkopf and
Haertel #EB 9259.
Published by Breitkopf
and Haertel (BR.EB-9259).
ISBN 9790004185599. 9
x 12 inches.
When
Hugo Ticciati asked me to
write a new piece for his
quartet, I was
immediately enthusiastic
about this project. I
love how Hugo and his
O/MODERNT String Quartet
unite old and new music
in a completely natural
way. So, I was absolutely
excited about Hugo`s idea
of having my piece based
on two of my idols, Bach
and Beethoven,
deconstructing the one
and constructing the
other. With all my
respect for these great
composers I gave to the
piece a very personal
inner part consisting of
my own music that
influenced and inspired
the other parts. For the
whole piece I felt very
close to Beethoven, who
said: To make a fugue is
not art, which [is
something] I have made
dozens of times in my
study. But the
imagination will assert
its rights and must come
today, in light of the
old traditional form, to
another truly poetic
element. De/Con is a
travel into different
centuries with different
sound-languages. For me,
it was like having a
wonderful constructive
discussion with Johann
Sebastian Bach and Ludwig
van Beethoven, each of us
trying to speak our own
language, approaching the
others step by step. The
piece could be defined as
a Love Letter to two of
the greatest composers
ever. De/Con could be
preceded by (parts of)
Johann Sebastian Bach's
Die Kunst der Fuge (The
Art of the Fugue) and
succeeded by Ludwig van
Beethoven's Grosse Fuge
(Great Fugue). Ideally,
then, all parts should be
played attacca. It could,
but it hasn't to be
played with these two
pieces. (Manuela
Kerer)
World
premiere: Stockholm
(Festival O/MODERNT),
June 19, 2017.