Gloria Estefan -- The Standards (Piano/Vocal/Guitar). By The music of various co...(+)
Gloria Estefan -- The
Standards
(Piano/Vocal/Guitar). By
The music of various
composers as Gloria
Estefan. For Guitar;
Keyboard; Piano; Voice.
This edition:
Piano/Vocal/Guitar.
Artist/Personality; Book;
Personality Book;
Piano/Vocal/Chords.
Standard. 108 pages.
Published by Alfred Music
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...(+)
Edited by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jazz Play-A-Long For All
Musicians. Book with CD.
Published by Jamey
Aebersold Jazz.
Ukulele,
Baritone Ukulele, Guitar,
Mandolin, Banjo. By
Various. Arranged by Mark
Phillips. Strum Together.
Pop, Standards.
Softcover. 144 pages.
Published by Hal Leonard
(HL.294400).
ISBN
9781540053374. UPC:
888680941772.
9.0x12.0x0.355
inches.
The Strum
Together series enables
players of five different
instruments – or
any combination of them
– to “strum
together†on 70
great songs. This
easy-to-use format
features melody, lyrics,
and chord diagrams for
five popular folk
instruments: standard
ukulele, baritone
ukulele, guitar,
mandolin, and banjo. This
collection includes: All
My Loving • The
Boys of Summer •
Can You Feel the Love
Tonight • Don't You
(Forget About Me) •
Everybody Wants to Rule
the World • Free
Bird • Hello
• I Will Always
Love You • My Girl
• Open Arms •
Sweet Child O' Mine
• Unchained Melody
• What a Wonderful
World • You're the
One That I Want •
and more. Note: each
player will need their
own book.
Barry Galbraith Guitar Solos Guitare notes et tablatures [Partition + Accès audio] - Intermédiaire/avancé Mel Bay
(Thirteen Standards). Edited by Jim Lichens. Arranged by Barry Galbraith. For gu...(+)
(Thirteen Standards).
Edited by Jim Lichens.
Arranged by Barry
Galbraith. For guitar.
Saddle-stitched. Guitar
Masters.
Intermediate-Advanced.
Book and online audio.
Published by Mel Bay
Publications, Inc
Cello SKU: AP.20171UK 2. Composed by Helen Butterworth. Book and C...(+)
Cello
SKU:
AP.20171UK
2.
Composed by Helen
Butterworth. Book and CD.
Alfred Music #00-20171UK.
Published by Alfred Music
(AP.20171UK).
ISBN
9781470612115.
English.
A second
anthology of tried and
tested fun enrichment
repertoire for group
classes, concerts,
institutes and workshops.
Players of different
standards can combine for
performances as many
pieces contain graded
parts so they work well
in differing
combinations. CD
included.
Titles:
Rumpty Rumba * Cheeky
Czardas * Rumpty Rumba *
Fiddlers&rsquo * Folly *
Laura&rsquo *s Lullaby *
Pocorn Pizza * Gaelic
Gold * Sh! Sh! * Five Fun
* Settlers&rsquo * Song *
Hungarian Hop * Slurring
Skirmish.
Bb Standards Instruments en Sib [Partition] Professional Music Institute
(Trumpet, Clarinet and Tenor Saxophone). Arranged by Scott McDonald. Lead Sheets...(+)
(Trumpet, Clarinet and
Tenor Saxophone).
Arranged by Scott
McDonald. Lead Sheets:
Melody line, lyrics and
chord symbols. Softcover.
46 pages. Professional
Music Institute #44039.
Published by Professional
Music Institute
Composed by Robert Hinchliffe. Duet or Duo; Solo Small Ensembles; Woodwind - Sax...(+)
Composed by Robert
Hinchliffe. Duet or Duo;
Solo Small Ensembles;
Woodwind - Saxophone
Duet. Faber Edition: Two
by Two. Book. Faber Music
#12-0571512631. Published
by Faber Music
(AP.12-0571512631).
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231).
ISBN
9781491153314. UPC:
680160910816.
Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley.
Piano Solo (Piano) SKU: HL.14016954 Music Sales America. Jazz. Book with ...(+)
Piano Solo (Piano)
SKU: HL.14016954
Music Sales America.
Jazz. Book with CD. 48
pages. Editions Musicales
Francaises #EMF100065.
Published by Editions
Musicales Francaises
(HL.14016954).
9.0x12.0x0.161
inches.
Les titres
de ce recueil sont issus
du grand repertoire des
Standards de Jazz. Chaque
titre est presente sous
deux formes. La premiere
version est un
arrangement pour piano
entierment doigte et
chiffre de l'oeuvre. La
seconde version
represente le theme
simple accompagne de son
chiffrage harmonique
d'origine, en quelque
sorte la matiere premiere
a partir de laquelle
toute forme d'arrangement
peut etre elabore. An vu
de ces deux versions, les
pianistes pourront
analyser les
ameliorations melodiques
et harmoniques apportees
a l'arrangement pour
piano et s'exercer a
l'improvisation sur ces
themes. Les professeurs
trouveront aussi dans ce
volume un bon repertoire
de base pour initier
leurs eleves a l'etude du
jazz. Afin d'apporter un
cote ludique a ce
recueil, les midi-files
contenus dans leCD mixte
(CD audio and CD rom)
offrent la possibilite
d'ecouter les titres en
MIDI au moyen de la carte
son d'un ordinateur. De
plus, avec un material
approprie (sequenceur,
editeur de partitions et
autres), il est possible
de changer les sons et
les tempi, de jouer
facilement des passages
en boucles ainsi que
toute autre possibilite
offerte par les
differents logiciels
actuels. Nous vous
souhaitons donc un
excellent voyage au pays
du jazz et esperons vous
apporter un reel plaisir
pianistique The titles in
this collection are
abstracts from the great
repertory of the
Standards of Jazz. Each
title is presented in two
ways. The first version
of the work arrangement
for piano with all
fingering and figuring
included. The second
version present the
elementary theme along
with the origianl
harmonic figuring which
is the 'raw material'
used for composing all
arrangements. By using
these two versions,
pianists will be able to
analyze the melodic and
harmonic improvements
added to the piano
arrangement, as well as
practice their own
improvisations on the
themes. Piano teachers
will also find in this
volume a good basic
repertory to introduce
Jazz to their students.
The playful aspect is
added to this anthology
by way of the midi-files
which accompany the mixed
CD (CD audio and CD rom)
offering the possibility
to listen to the pieces
in midi by using the
sound card of a computer.
In addition, it is
possible to change the
sounds and teh tempo with
appropriate
equipement.
SKU: HL.1117970 Lewitt Audio. Microphone. Hal Leonard #LCT441FLEX. Publis...(+)
SKU: HL.1117970
Lewitt Audio. Microphone.
Hal Leonard #LCT441FLEX.
Published by Hal Leonard
(HL.1117970).
UPC:
847986001931.
4.75x10.0x4.75
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Your mic
with pure studio sound
and eight polar patterns.
The LCT 441 FLEX is a
compact multi-pattern
studio microphone. It
features high-spec
technology and eight
different polar patterns.
You'll have full
flexibility when it comes
to recording different
instruments or vocals. It
also allows switching
between high directivity
or more room impression
and provides freedom to
experiment. The LCT 441
FLEX stands for
class-defining sound
LEWITT's 1″ true
condenser capsule
captures your signal with
an impressive amount of
depth and clarity. Every
single capsule is
measured and tested
according to the highest
quality standards.
There's no limit to your
performance. You can
record anything with the
LCT 441 FLEX. It features
very low self-noise of
only 7 dB (A) and handles
ear-shattering sound
pressure levels of up to
144 dBSPL, resulting in a
high dynamic range of 137
dB (A). Nothing will
limit your performance on
the technical side. Eight
polar patterns incl.
three reversed patterns
Having all the patterns
available gives you
complete recording
flexibility. Changing the
pattern also gives you a
different sound. Don't
hesitate to experiment.
What's in the box? The
LCT 441 FLEX comes with a
shock mount that
minimizes structure-borne
noise, a transport bag, a
windscreen, and a
magnetic pop filter that
perfectly integrates with
the design of the
microphone.
101 Popular "Three Chord" Easy Favorites for Piano arranged by Jonathon Robbins....(+)
101 Popular "Three Chord"
Easy Favorites for Piano
arranged by Jonathon
Robbins. For easy piano.
This edition: Paperback.
Collection. Easy Favorite
series. Popular.
Collection. Text
Language: English. 176
pages. Published by
Santorella Publications
(Everything You Need to Create and Use Chords in Every Key). By Dan Fox and Dick...(+)
(Everything You Need to
Create and Use Chords in
Every Key). By Dan Fox
and Dick Weissman. Book;
Reference Textbooks;
Textbook - General;
Theory. 96 pages.
Published by Alfred Music
Concert band SKU: GI.G-M523 Full Score with MP3s. Composed by Jame...(+)
Concert band
SKU:
GI.G-M523
Full
Score with MP3s.
Composed by James
Froseth. This edition:
Teacher's Resource
edition for Book 2. Band
Method. Do It! Music
Education. Book. GIA
Publications #M523.
Published by GIA
Publications (GI.G-M523).
ISBN 9781579992378.
English.
This major
band method by James O.
Froseth has it all:
Artist performers set
musical standards in
sound with more than 80
great performances on CD
for every instrument, and
one CD lasts for the
entire book! Performers
include: Michael Henoch
(Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert Blaser
(Cleveland State
University), Brian Bowman
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton
(LA percussion recording
artist and clinician),
Donald Sinta, Richard
Beene, Bryan Kennedy,
Debra Chodacki, Fritz
Kaenzig (University of
Michigan), Kristin Beene
(Toledo Symphony
Orchestra), and Jean
Moorehead Libs (Plymouth
Symphony Orchestra).
Professional studio
backgrounds capture the
rich diversity of
American music culture
with a repertoire of
American, Latin American,
African, European, and
Far Eastern styles. Music
of other times includes
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. A 550+
page Teacher's Resource
edition and musical score
provides options galore,
including a double CD
with listen and play
exercises for group
instruction,
supplementary exercises
for technical
development, and resource
material for
improvisation and
composition. All the
resources needed for
teaching to the National
Standards for Music are
provided (coordinates
with rhythm flashcards).
Book 2 features
innovative, but optional
use of world percussion
instruments, as developed
by percussion educator
Steve Houghton. Click
here to download the
audio recordings for the
Book 2 Teacher's
Edition.
Recorder SKU: GI.G-M585 Composed by James Froseth. Band Method. Do It! Mu...(+)
Recorder
SKU:
GI.G-M585
Composed by
James Froseth. Band
Method. Do It! Music
Education. CD only. GIA
Publications #M585.
Published by GIA
Publications (GI.G-M585).
English.
This
major band method by
James O. Frosethhas it
all:* Artist performers
set musical standards in
sound with more than 80
great performanceson CD
for every instrument, and
one CD lasts for the
entire book! Performers
include Michael Henoch
(Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert Blaser
(Cleveland State
University), Brian Bowman
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton
(LA percussion recording
artist and clinician),
Donald Sinta, Richard
Beene, Bryan Kennedy,
Debra Chodacki, Fritz
Kaenzig (University of
Michigan), Kristin Beene
(Toledo Symphony
Orchestra), and Jean
Moorehead Libs (Plymouth
Symphony Orchestra).*
Professional studio
backgrounds capture the
rich diversity of
American music culture
with a repertoire of
American, Latin American,
African, European, and
Far Eastern styles.*
Music of other times
includes 12th-century
conductus, 15th-century
Dance of the Bouffons,
16th-century French
branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll.* The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical.* Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture.* A unique
Rhythmic Pattern
Dictionary allows
students to “look
it up†and
“listen up.â€*
An individualized format
allows students to
progress at different
rates with a
“themeand-variation
†format.* Ear
training and
improvisation are
integral parts of the
lesson format.* A 550+
page teacher's resource
edition and musical score
provides options galore,
including a double CD
with “listen and
play†exercises for
group instruction,
supplementary exercises
for technical
development, and resource
material for
improvisation and
composition. All the
resources needed for
teaching to the National
Standards for Music are
provided. (Coordinates
with rhythm flashcards)*
Book 2 features
innovative but optional
use of world percussion
instruments, as developed
by percussion educator
Steve Houghton.
Etudes for Jazz Piano: Conversations of the Hands by Emiko Hayashi. Learn to get...(+)
Etudes for Jazz Piano:
Conversations of the
Hands by Emiko Hayashi.
Learn to get the left and
right hand working
together and
independently. Book.
Published by Jamey
Aebersold Jazz
By James Froseth. For alto clarinet. Music Education - Band Method. Book and CD....(+)
By James Froseth. For
alto clarinet. Music
Education - Band Method.
Book and CD. Text
language: English.
Published by GIA
Publications . Sheet
music CD. Music
Education - Band Method.
Musical Activities to Expand Rhythmic Vocabulary. Composed by Lynn Brinck...(+)
Musical Activities to
Expand Rhythmic
Vocabulary. Composed
by Lynn Brinckmeyer.
Shawnee Press. Softcover.
56 pages. Published by
Shawnee Press
(HL.35031313).