Piano SKU: BT.EMBZ15000N Facsimile numbered edition with CD. Compo...(+)
Piano
SKU:
BT.EMBZ15000N
Facsimile numbered
edition with CD.
Composed by Gyorgy
Kurtag. Book with CD.
Composed 2016. 122 pages.
Editio Musica Budapest
#EMBZ15000N. Published by
Editio Musica Budapest
(BT.EMBZ15000N).
English-Hungarian.
In the autumn of 1974
György Kurtág began
to copy selected pieces
from the series Games
into a music notebook for
Zoltán Kocsis who was
his student in earlier
years and who, throughout
his entire life, was one
of its most authentic
performers. Kocsis played
from this notebook in the
first public performance
of Games in 1974. The
gradually expanding
series of piano pieces
also appeared in print in
the course of later
decades however, he
always used this
collection - expanded
over 32 years since by
Kurtág - whenever he
played pieces from Games
in concert. Since the
time of this 1974
concert, as Kocsis wrote
later: ''I didn't know
that the spiral notebook
I received at thepremiere
would later become, as it
were, my permanent
companion. That I would
take it with me from
Japan to Canada, from
Australia to Iceland,
travelling to the world's
most prominent concert
halls, surviving fire
damage, flood, transport
catastrophes, theft
attempts, forced landings
and so on, and that -
well beyond the intention
of its being 'copied with
love' - it would include
works and sketches for
which this notebook would
become the principal
source.''The manuscript
gives a glimpse into
Kurtág's workshop from
the viewpoint of both
performers and
musicologists. The former
can understand more from
Kurtág's handwriting
about the composer's
intentions than from the
printed score. The
musicologists, however,
can study the historical
origins of the works:
some works can be found
here in more than one
version, others appear in
a version different from
the printed score.The
publication is
accompanied by a booklet
and a CD supplement. The
booklet contains Kocsis's
own personal preface, as
well as András
Wilheim's essay providing
information about the
collection and the pieces
contained therein. On the
CD we hear 11 works
performed by Kocsis, from
a recording made in 1982
which has not previously
been commercially
issued.
Four Old Dances Ensemble d'Accordéons [Conducteur et Parties séparées] - Facile De Haske Publications
Accordion Orchestra - Grade 2 SKU: BT.DHP-0991548-060 Composed by Jan Van...(+)
Accordion Orchestra -
Grade 2
SKU:
BT.DHP-0991548-060
Composed by Jan Van der
Roost. Arranged by Myriam
Mees. Accordion. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991548-060. Published by
De Haske Publications
(BT.DHP-0991548-060).
English-German-French-
Dutch.
These four
dances are written in a
kind of neo renaissance
style. Because of the
fact that little
technical demands are
required from its
performing artists, these
dances are mainly meant
for beginning groups,
youth ensembles and also
for orchestras in all
kinds of small strengths.
Jan Van der Roost
originally had
pedagogical intentions
with this piece. Myriam
Mees arranged Four Old
Dances with the same
intention for accordion
orchestra with
electronium and
percussion ad
libitum.
Deze vier
dansen zijn geschreven in
een soort
neorenaissancestijl.
Gezien de geringe
technische eisen die aan
de uitvoerders gesteld
worden, richten deze
dansjes zich vooral op
beginnende groepen,
jeugdensembles en ook op
allerhandekleine
bezettingen. Jan Van der
Roost had in eerste
instantie pedagogische
bedoelingen. Myriam Mees
arrangeerde Four Old
Dances met dezelfde
intentie voor
accordeonorkest met
electronium en percussie
ad libitum.
Diese
vier Tänze sind in
einer Art
Neorenaissance-Stil
geschrieben. Da sie in
technischer Hinsicht
keine großen
Anforderungen an die
Ausführenden stellen,
sind sie für
Anfängerensembles,
Jugendorchester und alle
zahlenmäßig kleinen
Orchester besonders gut
geeignet.
Piano - easy SKU: HL.50600649 Facsimile with CD. Composed by Gyorg...(+)
Piano - easy
SKU:
HL.50600649
Facsimile with CD.
Composed by Gyorgy
Kurtag. Contemporary
Music. EMB. Classical,
Facsimile, Hungarian.
Softcover with CD.
Composed 2016. 122 pages.
Editio Musica Budapest
#Z15000. Published by
Editio Musica Budapest
(HL.50600649).
ISBN
9790080150009. UPC:
888680895518.
10.25x13.5x0.622 inches.
Hungarian, English.
Gyorgy Kurtag.
In
the autumn of 1974
György Kurtág began
to copy selected pieces
from the series Games
into a music notebook for
Zoltán Kocsis who had
been his student in
earlier years and who,
even today, is one of its
most authentic
performers. Kocsis played
from this notebook in the
first public performance
of Games in 1974. The
gradually expanding
series of piano pieces
also appeared in print in
the course of later
decades; however, since
then he has used this
collection - expanded
over 32 years since by
Kurtág - whenever he
plays pieces from Games
in concert. Since the
time of this 1974
concert, as he writes: 'I
didn't know that the
spiral notebook I
received at the premiere
would later become, as it
were, my permanent
companion. That I would
take it with me from
Japan to Canada, from
Australia to Iceland,
travelling to the world's
most prominent concert
halls, surviving fire
damage, flood, transport
catastrophes, theft
attempts, forced landings
and so on, and that -
well beyond the intention
of its being 'copied with
love' - it would include
works and sketches for
which this notebook would
become the principal
source.' The manuscript
gives a glimpse into
Kurtág's workshop from
the viewpoint of both
performers and
musicologists. The former
can understand more from
Kurtág's handwriting
about the composer's
intentions than from the
printed score. The
musicologists, however,
can study the historical
origins of the works:
some works can be found
here in more than one
version, others appear in
a version different from
the printed score. The
publication is
accompanied by a booklet
and a CD supplement. The
booklet contains Kocsis's
own personal preface, as
well as András
Wilheim's essay providing
information about the
collection and the pieces
contained therein. On the
CD we hear 11 works
performed by Kocsis, from
a recording made in 1982
which has not previously
been commercially
issued.
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano,
Trumpet
SKU:
CF.W2682
For
Trumpet in E and Piano,
S.49. Composed by
Johann Hummel. Edited by
Elisa Koehler. Set of
Score and Parts. With
Standard notation. 36+8
pages. Carl Fischer Music
#W2682. Published by Carl
Fischer Music (CF.W2682).
ISBN 9781491144954.
UPC: 680160902453. 9 x 12
inches. Key: E
major.
Piano Trio SKU: BR.KM-2504 Composed by Nicolaus A. Huber. Chamber music; ...(+)
Piano Trio
SKU:
BR.KM-2504
Composed
by Nicolaus A. Huber.
Chamber music; stapled.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Leuven
(TRANSIT Festival),
October 29, 2006
Music post-1945; New
music (post-2000).
Performance score.
Composed 2006. 20 pages.
Duration 15'. Breitkopf
and Haertel #KM 2504.
Published by Breitkopf
and Haertel (BR.KM-2504).
ISBN 9790004502846.
10.5 x 14
inches.
Silver
Silence wurde im Auftrag
des TRANSIT Festivals
Leuven (Belgien)
komponiert. Silence bei
Altmeister Cage
signalisiert das Aufgeben
jeglicher Absicht. Da
kann die Musik schweigen
und alles andere Horbare
in diese ,,veranstaltete
Zeit hinein lassen. Da
kann aber auch unendliche
Vervielfaltigung von
Musik und damit von
Intentionen die
gewunschte
Intentionslosigkeit
erreichen. Das notige
Anfang- und Ende-Setzen
hat dabei immer noch
werkartige Reste. Nono
uberwolbt Schweigen mit
riesigen Fermatenturmen,
um Zeit ins Werk
konzeptionell als
Freiheit zu setzen, in
der man auf das Ungehorte
oder auf das Unerhorte
horchen soll, um seine
eigenen Beschrankungen
zerbrechen zu konnen -
soziale, menschliche
Impulse,
Naturentdeckungen,
Farben, Wege ... In
,,Covered with music und
in ,,Solo mit Koonstuck
habe ich versucht, nicht
das Schweigen, sondern
das Lautlose in die Musik
zu integrieren. In
,,Silver Silence ist
Schweigen nicht nur
silbrig, sondern wie
Silber oft ist - dunkel,
braunschwarz. Ich hatte
in diesem Stuck von
Anfang an ein
insistierendes Tempo von
Viertel = 138. Diese Zahl
untersuchend kam ich auf
69 und 23 (6 x 23 = 138),
die Zahl Alban Bergs, des
Komponisten grandioser
Stillen im ,,Wozzeck. 77
x 23 (plus 1 Viertel) ist
denn auch die
Zeitstruktur, die dem
Stuck zugrunde liegt. Die
Ereignisse schwimmen in
diesen Zeitklammern und
halten sich am Ende fast
ganz aus ihnen heraus.
Silence wurde fur mich
zum interessanteren
Wahrnehmen von
Zeitverknupfungen. Es
gibt eine einzige Stelle
exakter
TRIO-Synchronitat,
daneben eine einzige
Stelle genauer
Streichersynchronitat und
die ins silbrige
Schweigen
hinubergleitenden
Teilsynchronitaten,
Verwacklungen,
blockartigen Solos der
einzelnen Instrumente,
Verlassen der
instrumentalen
Tonpositionen usw.
,,Silver Silence ist also
eine Hor- und
Auffassungseinstellung
fur die zeitlichen und
musikalischen Neins im
Makrobereich. Und beim
Komponieren hatte ich oft
den Eindruck, sie wurden
verwundert mit den
Achseln zucken uber die
Arten der Jas und ihnen
das Silberdunkel dringend
empfehlen. Wie schreibt
der Brockhaus: Silber ist
weicher als Kupfer und
harter als Gold. Von
allen Metallen leitet es
Elektrizitat und Warme am
besten, ist in der Luft
bestandig, bester
Reflektor fur sichtbares
und infrarotes Licht ...
Da kommt auch Silence
manchmal ins Schwitzen!!!
Nicolaus A. Huber (Mai
2006)
World
premiere: Leuven (TRANSIT
Festival), October 29,
2006.
Composed by Wolfgang
Amadeus Mozart. Edited by
Gerhard Allroggen. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
96(111b). 5 pages.
Duration 12 minutes.
Baerenreiter Verlag
#BA05365_82. Published by
Baerenreiter Verlag
(BA.BA05365-82).
ISBN
9790006469536. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Viola SKU: BA.BA09071-79 Composed by Felix Bartholdy Mendelssohn. Edited ...(+)
Viola
SKU:
BA.BA09071-79
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Oratorium (Oratorios).
Single part. Opus 36. 70
pages. Baerenreiter
Verlag #BA09071_79.
Published by Baerenreiter
Verlag (BA.BA09071-79).
ISBN 9790006527632.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Viola SKU: BA.BA09054-79 Overture. Composed by Felix Bartholdy Men...(+)
Viola
SKU:
BA.BA09054-79
Overture. Composed
by Felix Bartholdy
Mendelssohn. Edited by
Christopher Hogwood. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Versions 1 and 2.
Single part. 11 pages.
Duration 7 minutes.
Baerenreiter Verlag
#BA09054_79. Published by
Baerenreiter Verlag
(BA.BA09054-79).
ISBN
9790006522941. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin, horn and piano SKU: HL.49019896 Trio for violin, horn and pian...(+)
Violin, horn and piano
SKU: HL.49019896
Trio for violin, horn
and piano. Composed
by Alexander Goehr. This
edition: Saddle
stitching. Sheet music.
Ensemble. Softcover.
Composed 2012. Op. 91. 60
pages. Duration 20'.
Schott Music #ED13509.
Published by Schott Music
(HL.49019896).
ISBN
9790220133824. UPC:
888680633110.
9.0x12.0x0.166
inches.
Largo
Siciliano is a slow dance
movement in a simple
metre comprising a
sequence of variations,
separated by a refrain; a
single idea is
continually reworked and
recast. This idea, or
little siciliano, is a
reference to Mode de
Valeurs et d'intensites,
written in 1948 by
Messiaen with whom the
composer studied. He
writes: 'From this piece
sprang the whole
development of 'total
serialism'. But
Messiaen's piece was not
serial, and nor is mine.
What was originally
considered as a study or
experiment is, for me, a
point of departure for
quite different
expressive
intentions'.
Second violin (2. Violin) SKU: BA.BA10068-75 Cantata for Whit Monday(+)
Second violin (2. Violin)
SKU: BA.BA10068-75
Cantata for Whit
Monday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. BWV 68. 5
pages. Baerenreiter
Verlag #BA10068_75.
Published by Baerenreiter
Verlag (BA.BA10068-75).
ISBN 9790006490462.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Wolfgang
Amadeus Mozart. Edited by
Gerhard Allroggen. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
45, No. 7. 5 pages.
Duration 14 minutes.
Baerenreiter Verlag
#BA05355_82. Published by
Baerenreiter Verlag
(BA.BA05355-82).
ISBN
9790006468980. 32.5 x
25.5 cm inches. Key: D
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second oboe (2. Oboe) SKU: BA.BA08341-30 Composed by George Frideric Hand...(+)
Second oboe (2. Oboe)
SKU: BA.BA08341-30
Composed by George
Frideric Handel. Edited
by Terence Best and
William D. Gudger. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
4/1, HWV 289. 4 pages.
Baerenreiter Verlag
#BA08341_30. Published by
Baerenreiter Verlag
(BA.BA08341-30).
ISBN
9790006522057. 32.5 x
25.5 cm inches. Key: G
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Viola SKU: BA.BA06999-79 Composed by Edouard Lalo. Edited by Hugh MacDona...(+)
Viola
SKU:
BA.BA06999-79
Composed by Edouard Lalo.
Edited by Hugh MacDonald.
This edition: Urtext
edition. Stapled.
Barenreiter Urtext.
Orchestral part. 9 pages.
Baerenreiter Verlag
#BA06999_79. Published by
Baerenreiter Verlag
(BA.BA06999-79).
ISBN
9790006531875. 32.5 x
25.5 cm inches. Key: D
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA05624-75 Composed by Franz Schubert. ...(+)
Second violin (2. Violin)
SKU: BA.BA05624-75
Composed by Franz
Schubert. Edited by Talia
Pecker Berio. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. D
105. Baerenreiter Verlag
#BA05624_75. Published by
Baerenreiter Verlag
(BA.BA05624-75).
ISBN
9790006472352. 32.5 x
25.5 cm inches. Key: F
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09079-85 Composed by Felix Bartholdy Mendelssohn. E...(+)
Double bass
SKU:
BA.BA09079-85
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 31, MWV
A 9. 7 pages.
Baerenreiter Verlag
#BA09079_85. Published by
Baerenreiter Verlag
(BA.BA09079-85).
ISBN
9790006531431. 32.5 x
25.5 cm inches. Text:
Felix Mendelssohn
Bartholdy.
Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
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Parts
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Bärenreiter Urtext
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Parts
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editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Franz
Schubert. Edited by
Rudolf Faber. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. D
175. 3 pages.
Baerenreiter Verlag
#BA05656_82. Published by
Baerenreiter Verlag
(BA.BA05656-82).
ISBN
9790006566488. 32.5 x
25.5 cm inches. Key: G
minor.
Praktische
Ausgabe zum Band Kleinere
kirchenmusikalische Werke
II (Neue Ausgabe
samtlicher Werke I/9) BA
5569-01.
About
Barenreiter Urtext
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Parts
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Bärenreiter Urtext
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Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Piano, Orchestra (2. Violin) SKU: BA.BA05382-75 Composed by Wolfgang Amad...(+)
Piano, Orchestra (2.
Violin)
SKU:
BA.BA05382-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Marius Flothuis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
450, No. 15. 7 pages.
Baerenreiter Verlag
#BA05382_75. Published by
Baerenreiter Verlag
(BA.BA05382-75).
ISBN
9790006469956. 32.5 x
25.5 cm inches. Key:
B-flat major.
About
Barenreiter Urtext
Orchestral
Parts
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Bärenreiter Urtext
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Parts
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editions as close as
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composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Viola SKU: BA.BA10078-79 Cantata for the 14th Sunday after Trinity...(+)
Viola
SKU:
BA.BA10078-79
Cantata for the 14th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. BWV
78. 6 pages. Baerenreiter
Verlag #BA10078_79.
Published by Baerenreiter
Verlag (BA.BA10078-79).
ISBN 9790006490578.
32.5 x 25.5 cm
inches.
Study score
= TP 1078.
About
Barenreiter Urtext
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Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Viola SKU: BA.BA10039-79 Cantata for the First Sunday after Trinity(+)
Viola
SKU:
BA.BA10039-79
Cantata for the First
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
James Webster, Robert
Freeman, and Walther
Durr. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. BWV 39. 5
pages. Baerenreiter
Verlag #BA10039_79.
Published by Baerenreiter
Verlag (BA.BA10039-79).
ISBN 9790006541423.
32.5 x 25.5 cm
inches.
Partitur
siehe TP 1039.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ SKU: BA.BA10158-67 Cantata for Easter Tuesday. Composed by J...(+)
Organ
SKU:
BA.BA10158-67
Cantata for Easter
Tuesday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. BWV 158.
Baerenreiter Verlag
#BA10158_67. Published by
Baerenreiter Verlag
(BA.BA10158-67).
ISBN
9790006491285. 24 x 32 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Piano SKU: HU.HN1 Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttric...(+)
Piano
SKU: HU.HN1
Composed by Wolfgang
Amadeus Mozart. Edited by
Ernst Herttrich. Piano
Solo, Piano and Keyboard,
Repertoire, Collections.
Piano Sonatas, Volume 1.
Classical. Softcover
Book. 156 pages. G. Henle
#HN1. Published by G.
Henle
First violin (1. Violin) SKU: BA.BA10134-74 Cantata for Easter Tuesday...(+)
First violin (1. Violin)
SKU: BA.BA10134-74
Cantata for Easter
Tuesday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Third
version. Single part. BWV
134. Baerenreiter Verlag
#BA10134_74. Published by
Baerenreiter Verlag
(BA.BA10134-74).
ISBN
9790006491117. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by George
Frideric Handel. Edited
by Frederik Hudson. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. Opus
3/1, HWV 312. 3 pages.
Duration 12 minutes.
Baerenreiter Verlag
#BA04201_86. Published by
Baerenreiter Verlag
(BA.BA04201-86).
ISBN
9790006444878. 32.5 x
25.5 cm inches. Key:
B-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through