Composed
by Michael Boo. Sws. Bps.
Full score. 16 pages.
Duration 2:20. Carl
Fischer Music #BPS137F.
Published by Carl Fischer
Music (CF.BPS137F).
ISBN 9781491158494.
UPC: 680160917099. 9 x 12
inches.
Fanfare and
Jubilation is a Grade 1
work that is playable by
any beginning band with
any instrumentation due
to extensive doubling.
The mood is regal and
optimistic and is
non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldnat be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you donat have
access to Timpani or a
timpanist. Bells cover a
wide rangea|the lower
octave sections should
not be played louder just
because theyare low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
donat get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isnat plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldn't be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you don't have
access to Timpani or a
timpanist. Bells cover a
wide range...the lower
octave sections should
not be played louder just
because they're low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don't get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isn't plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion.Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue.Percussion accents
are to played with more
emphasis than
non-accented notes, but
shouldn’t be
perceived as being much
louder. Timpani is only
two pitches and is
optional. The piece will
not suffer at all if you
don’t have access
to Timpani or a
timpanist. Bells cover a
wide range…the
lower octave sections
should not be played
louder just because
they’re low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate.Think of
the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don’t get carried
away and give them more
emphasis than is
musically desired.At m.
21, be careful that the
bass line isn’t
plodding or
over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section.There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future.
A Cantata for Holy Week (Preview Pack). Composed by John Purifoy. This ed...(+)
A Cantata for Holy
Week (Preview Pack).
Composed by John Purifoy.
This edition: Preview
Pack (SATB Choral Score
and Listening CD). Choral
(Sacred); Choral Worship
Cantata; Larger Works;
Performance Music
Ensemble; Worship
Resources. Jubilate
Music. Easter; Holy Week;
Lent; Sacred; Spring. CD;
Score. Jubilate Music
Group #00-46244.
Published by Jubilate
Music Group (AP.46244).
SATB Choir and Organ SKU: HL.14032959 Composed by Herbert Howells. Music ...(+)
SATB Choir and Organ
SKU: HL.14032959
Composed by Herbert
Howells. Music Sales
America. Classical. Book
[Softcover]. 40 pages.
Music Sales #NOV291654.
Published by Music Sales
(HL.14032959).
ISBN
9780711994850.
6.5x9.75x0.11
inches.
Howells 'Te
Deum, Benedictus And
Jubilate' for mixed voice
choir SATB with Organ
accompaniment. Edited by
James Eggleston.
Alleluia! Jubilate! (Discovery Level 2). Edited by Patrick M. Liebergen. Arrange...(+)
Alleluia! Jubilate!
(Discovery Level 2).
Edited by Patrick M.
Liebergen. Arranged by
Patrick M. Liebergen.
2-Part. Discovery Choral.
8 pages. Published by Hal
Leonard
Composed by Ruth Morris
Gray. Choral (Sacred);
Choral Octavo; Worship
Resources. Alfred Choral
Designs. Sacred. 12
pages. Published by
Jubilate Music Group
(AP.45649).
Discovery Level 1.
Arranged by Cristi Cary
Miller. Discovery Choral.
Concert, Festival, Latin.
Octavo. 8 pages. Duration
90 seconds. Published by
Hal Leonard (HL.372778).
ISBN 9781705148679.
UPC: 196288015154.
6.75x10.5x0.019
inches.
Using
Michael Praetorius'
well-known canon,
“Jubilate
Deo,†this new
accompanied arrangement
will be easy for singers
to learn yet sound
sophisticated and
exciting. With an added B
section melody, the
simple Latin text will
allow singers the
opportunity to practice
unified vowel shapes
creating a mature
developing sound. This
piece would make a
glorious opening for any
concert or festival!
With Sweet Jubilation Fanfare [Conducteur et Parties séparées] - Facile Curnow Music
Fanfare Band - Grade 2 SKU: BT.CMP-0429-00-020 Composed by James Curnow. ...(+)
Fanfare Band - Grade 2
SKU:
BT.CMP-0429-00-020
Composed by James Curnow.
The Splendor of
Christmas. Set (Score &
Parts). Composed 2000.
Curnow Music #CMP
0429-00-020. Published by
Curnow Music
(BT.CMP-0429-00-020).
In diesem Werk
verarbeitete der
amerikanische Komponist
James Curnow das
mittelalterliche
Weihnachtslied In dulci
jubilo auf ganz
unterschiedliche Weisen.
Dabei dienten ihm
verschiedene Komponisten
und Stile als Vorbild.
Mit With Sweet
Jubilation schuf er
ein originelles Werk, das
sich sowohl für die
Kirche als auch für
Advents- oder
Weihnachtskonzerte
eignet.
Score and Parts Concert Band (Score & Parts) SKU: HL.44013148 Concert ...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.44013148
Concert Band Score and
Parts. Composed by
Satoshi Yagisawa. De
Haske Concert Band.
Classical, Fanfare.
Softcover. Duration 140
seconds. De Haske
Publications #1175792140.
Published by De Haske
Publications
(HL.44013148).
This work was
composed as a commission
by the Aikodai Meiden
High School Symphonic
Band, for the 50th
anniversary of their
annual concert; the title
A Golden Jubilation is a
reference to this. The
close friendship between
Hiroki Ito, the conductor
of the band, and Satoshi
Yagisawa resulted in this
brilliant and
exhilarating fanfare of
approximately two minutes
in length; the piece is
ideal to use as a concert
opener. The original
composition was arranged
for an extremely wide
range of instruments and
a band of 200 musicians,
including a separate
'banda', harp and a
variety of special
instruments. This new
version has been rescored
for standard band
instrumentation by the
composer himself.
Jubilation Quatuor de Clarinettes: 4 clarinettes Eighth Note Publications
By Richard Byrd. For Soprano Clarinet, 4 Clarinets, Bass Clarinet. Part(s); Scor...(+)
By Richard Byrd. For
Soprano Clarinet, 4
Clarinets, Bass Clarinet.
Part(s); Score; Woodwind
- Large Clarinet
Ensemble. Eighth Note
Publications. 28 pages.
Published by Eighth Note
Publications
Fanfare Band - Grade 2 SKU: BT.CMP-0429-00-120 Composed by James Curnow. ...(+)
Fanfare Band - Grade 2
SKU:
BT.CMP-0429-00-120
Composed by James Curnow.
The Splendor of
Christmas. Score Only.
Composed 2000. Curnow
Music #CMP 0429-00-120.
Published by Curnow Music
(BT.CMP-0429-00-120).
In diesem Werk
verarbeitete der
amerikanische Komponist
James Curnow das
mittelalterliche
Weihnachtslied In dulci
jubilo auf ganz
unterschiedliche Weisen.
Dabei dienten ihm
verschiedene Komponisten
und Stile als Vorbild.
Mit With Sweet
Jubilation schuf er
ein originelles Werk, das
sich sowohl für die
Kirche als auch für
Advents- oder
Weihnachtskonzerte
eignet.
Jubilation Piano Trio: piano, violon, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.11441732S For violin, Cello...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.11441732S
For
violin, Cello, and
Piano. Composed by
Stacy Garrop. Premiered
by the Lincoln Trio, WFMT
60th Anniversary Concert,
Chicago Cultural Center.
Contemporary. Score. With
Standard notation.
Composed 2011. 20 pages.
Duration 6:30. Theodore
Presser Company
#114-41732S. Published by
Theodore Presser Company
(PR.11441732S).
UPC:
680160631834. 9 x 12
inches.
Commissione
d by WFMT Chicago to
commemorate its 60th
birthday. Jubilation is
comprised of three
themes: a serene,
beautiful melody, an
energetic theme built on
a 9/8-8/8-7/8 meter, and
a sultry tango. A joyful,
high-energy romp that
pays tribute to WFMT's
spirited past, present,
and future.
A Golden Jubilation Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175792-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175792-010
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Opening Pieces. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175792-010. Published by
De Haske Publications
(BT.DHP-1175792-010).
English-German-French-
Dutch.
This work
was composed as a
commission by the Aikodai
Meiden High School
Symphonic Band, for the
50th anniversary of their
annual concert; the title
A Golden
Jubilation is a
reference to this. The
close friendship between
Hiroki Ito, theconductor
of the band, and Satoshi
Yagisawa resulted in this
brilliant and
exhilarating fanfare of
approximately two minutes
in length; the piece is
ideal to use as a concert
opener. The original
composition was arranged
for an extremely wide
rangeof instruments and a
band of 200 musicians,
including a separate
‘banda’,
harp and a variety of
special instruments. This
new version has been
rescored for standard
band instrumentation by
the composer
himself.
Dit werk
is geschreven in opdracht
van de Aikodai Meiden
High School Symphonic
Band, ter gelegenheid van
het vijftigste
jaarconcert dat door het
orkest werd uitgevoerd
een feit waar de titel
naar verwijst. De hechte
vriendschap tussen Hiroki
Ito(de dirigent van het
orkest) en Satoshi
Yagisawa leidde ertoe dat
Yagisawa op uitnodiging
deze schitterende,
boeiende fanfare van
circa twee minuten lang
schreef: een werk dat
ideaal is als opening van
een concert. De
oorspronkelijke
compositie
werdgearrangeerd voor een
extreem omvangrijke
instrumentatie, waaronder
een afzonderlijke
banda, harp en
diverse speciale
instrumenten, maar deze
nieuwe versie is door de
componist zelf opnieuw
georkestreerd voor een
standaard
harmonieorkest.
Di
eses Werk wurde von der
Aikodai Meiden High
School Symphonic Band
anlässlich ihres
50-jährigen
Konzertjubiläums, auf
das sich der Titel des
Werkes bezieht, in
Auftrag gegeben. Die enge
Freundschaft zwischen
Hiroki Ito, dem Leiter
des Orchesters,und
Satoshi Yagisawa
führte zur Komposition
dieser brillanten und
hinreißenden Fanfare
von etwa zwei Minuten
Dauer, die sich bestens
als Eröffnungsstück
eignet. Die
Originalkomposition wurde
für eine extrem
große Besetzung
inklusive einer
separatenBanda“,
Harfe und einigen
Spezialinstrumenten
komponiert. Diese neue
Version hat der Komponist
für eine
Standardbesetzung neu
instrumentiert.
Quest
a fanfara brillante della
durata di circa 2 minuti,
ispirata
dall’amicizia tra
Hiroki Ito il direttore
della banda e Satoshi
Yagisawa, è ideale
come apertura di un
concerto. L’opera
originale venne
arrangiata per una
strumentazione molto
ampia e una banda di 200
musicisti, inclusa una
sezione separata, con
un’arpa e una
variet di strumenti
speciali. Questa nuova
versione è stata
riarrangiata per banda
con strumentazione
standard dallo stesso
compositore.
Composed by Traditional Shaker Melody. Arranged by Jon Paige. For Choral, Finger...(+)
Composed by Traditional
Shaker Melody. Arranged
by Jon Paige. For Choral,
Finger Cymbals
(SATB/FINGER CYMBALS).
Harold Flammer. 12 pages.
Published by Shawnee
Press
Concert Band (Score) SKU: HL.44013149 Concert Band Score. Composed...(+)
Concert Band (Score)
SKU: HL.44013149
Concert Band
Score. Composed by
Satoshi Yagisawa. De
Haske Concert Band.
Classical, Fanfare.
Softcover. Duration 140
seconds. De Haske
Publications #1175792140.
Published by De Haske
Publications
(HL.44013149).
UPC:
888680786816.
This
work was composed as a
commission by the Aikodai
Meiden High School
Symphonic Band, for the
50th anniversary of their
annual concert; the title
A Golden Jubilation is a
reference to this. The
close friendship between
Hiroki Ito, the conductor
of the band, and Satoshi
Yagisawa resulted in this
brilliant and
exhilarating fanfare of
approximately two minutes
in length; the piece is
ideal to use as a concert
opener. The original
composition was arranged
for an extremely wide
range of instruments and
a band of 200 musicians,
including a separate
'banda', harp and a
variety of special
instruments. This new
version has been rescored
for standard band
instrumentation by the
composer himself.
Jubilation! Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-0920369-020 Composed by James Curnow. ...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0920369-020
Composed by James Curnow.
Inspiration Series. Set
(Score & Parts). Composed
1992. De Haske
Publications #DHP
0920369-020. Published by
De Haske Publications
(BT.DHP-0920369-020).
In 1868 William
Francis Allen published a
collection of spirituals,
songs sung by slaves
whilst they worked. This
book started a flood of
enthusiasm for the
spiritual which continues
to this day. Jubilation
(a time for celebration)
uses the spiritual 'My
Lord, What A Morning' as
the main melody for
transitions and
modulations throughout
and to introduce three
further spirituals: I'm
Gonna Sing, Steal Away
and Ev'ry Time I Feel the
Spirit.
Composed by Deborah Baker
Monday. String Tracks
XVIII. Score. Neil A.
Kjos Music Company
#SO385F. Published by
Neil A. Kjos Music
Company (KJ.SO385F).
UPC:
8402704811.
The
music in Deborah Baker
Monday's
Jubilation flows from being
noble, nostalgic,
reflective, energetic to
explosive, with
dance-like qualities at
the end! Includes a cello
solo. Some meter and key
changes. A superb concert
and festival selection
for advanced middle
school orchestras.
Composed by Jason D. Payne. For organ: 3-staff. Sacred. Moderately advanced. Lor...(+)
Composed by Jason D.
Payne. For organ:
3-staff. Sacred.
Moderately advanced.
Lorenz Publishing Company
#70/1928L. Published by
Lorenz Publishing Company
A Golden Jubilation Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175792-140 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175792-140
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Opening Pieces. Score
Only. Composed 2017. 13
pages. De Haske
Publications #DHP
1175792-140. Published by
De Haske Publications
(BT.DHP-1175792-140).
English-German-French-
Dutch.
This work
was composed as a
commission by the Aikodai
Meiden High School
Symphonic Band, for the
50th anniversary of their
annual concert; the title
A Golden
Jubilation is a
reference to this. The
close friendship between
Hiroki Ito, theconductor
of the band, and Satoshi
Yagisawa resulted in this
brilliant and
exhilarating fanfare of
approximately two minutes
in length; the piece is
ideal to use as a concert
opener. The original
composition was arranged
for an extremely wide
rangeof instruments and a
band of 200 musicians,
including a separate
‘banda’,
harp and a variety of
special instruments. This
new version has been
rescored for standard
band instrumentation by
the composer
himself.
Dit werk
is geschreven in opdracht
van de Aikodai Meiden
High School Symphonic
Band, ter gelegenheid van
het vijftigste
jaarconcert dat door het
orkest werd uitgevoerd
een feit waar de titel
naar verwijst. De hechte
vriendschap tussen Hiroki
Ito(de dirigent van het
orkest) en Satoshi
Yagisawa leidde ertoe dat
Yagisawa op uitnodiging
deze schitterende,
boeiende fanfare van
circa twee minuten lang
schreef: een werk dat
ideaal is als opening van
een concert. De
oorspronkelijke
compositie
werdgearrangeerd voor een
extreem omvangrijke
instrumentatie, waaronder
een afzonderlijke
banda, harp en
diverse speciale
instrumenten, maar deze
nieuwe versie is door de
componist zelf opnieuw
georkestreerd voor een
standaard
harmonieorkest.
Di
eses Werk wurde von der
Aikodai Meiden High
School Symphonic Band
anlässlich ihres
50-jährigen
Konzertjubiläums, auf
das sich der Titel des
Werkes bezieht, in
Auftrag gegeben. Die enge
Freundschaft zwischen
Hiroki Ito, dem Leiter
des Orchesters,und
Satoshi Yagisawa
führte zur Komposition
dieser brillanten und
hinreißenden Fanfare
von etwa zwei Minuten
Dauer, die sich bestens
als Eröffnungsstück
eignet. Die
Originalkomposition wurde
für eine extrem
große Besetzung
inklusive einer
separatenBanda“,
Harfe und einigen
Spezialinstrumenten
komponiert. Diese neue
Version hat der Komponist
für eine
Standardbesetzung neu
instrumentiert.
Quest
a fanfara brillante della
durata di circa 2 minuti,
ispirata
dall’amicizia tra
Hiroki Ito il direttore
della banda e Satoshi
Yagisawa, è ideale
come apertura di un
concerto. L’opera
originale venne
arrangiata per una
strumentazione molto
ampia e una banda di 200
musicisti, inclusa una
sezione separata, con
un’arpa e una
variet di strumenti
speciali. Questa nuova
versione è stata
riarrangiata per banda
con strumentazione
standard dallo stesso
compositore.
Jubilation! Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0920369-030 Composed by James Curnow. In...(+)
Brass Band - Grade 3
SKU:
BT.DHP-0920369-030
Composed by James Curnow.
Inspiration Series. Hymns
& Chorals. Set (Score &
Parts). Composed 1992. De
Haske Publications #DHP
0920369-030. Published by
De Haske Publications
(BT.DHP-0920369-030).
In 1868 William
Francis Allen published a
collection of spirituals,
songs sung by slaves
whilst they worked. This
book started a flood of
enthusiasm for the
spiritual which continues
to this day. Jubilation
(a time for celebration)
uses the spiritual 'My
Lord, What A Morning' as
the main melody for
transitions and
modulations throughout
and to introduce three
further spirituals: I'm
Gonna Sing, Steal Away
and Ev'ry Time I Feel the
Spirit.