SATB choir SKU: WD.080689862120 The Promise Of Easter. Composed by...(+)
SATB choir
SKU:
WD.080689862120
The Promise Of
Easter. Composed by
Allan Douglas, Deborah
Craig-Claar, and Phillip
Keveren. Arranged by
Phillip Keveren. Choral,
cantatas. Christmas.
Accompaniment CD (split).
Word Music #080689862120.
Published by Word Music
(WD.080689862120).
UPC:
080689862120.
The
life-changing story of
Jesus' death and
resurrection is told from
the unique perspective of
the Samaritan woman at
the well as she is
transformed by the
sacrificial love of
Christ in this passionate
new work from Deborah
Craig-Claar, Allan
Douglas and Phillip
Keveren. Two actresses
portray the woman called
Anna - an older woman who
looks back at the Passion
events from a
post-resurrection
perspective, and her
younger counterpart who
encounters Jesus at the
well and joins His
followers in Jerusalem
during Passion Week. The
extraordinary score
includes songs written or
made popular by today's
most accomplished
artists, including
Michael W. Smith, Keith
Getty, Stuart Townend,
Matt Maher, and Natalie
Grant. Phillip Keveren's
breathtaking chamber
ensemble instrumentation
creates an intimate and
compelling experience. At
only 40 minutes in length
and with only two female
characters, one male
character, and purely
optional
sets/lights/costumes,
Never Thirst Again can be
offered by churches of
any size or production
capability.
Includ
es songs written or made
popular by Michael W.
Smith, Keith Getty,
Stuart Townend, Matt
Maher, Natalie Grant,
Tony Wood, Michael
Farren, Audrey Assad, and
Shelley Johnson. Chamber
ensemble instrumentation
creates an intimate and
compelling experience.
Accessible cast
requirements: two female
characters, one male
character - costumes,
props, and sets are
purely optional. Reader's
Theatre script available
at www.wordmusic.com.
Features early American
classics There Is a
Fountain and My Song in
the Night. Thoughtful
benediction, Peace Be
with You, or an exuberant
and congregational
Finale.
SATB choir SKU: WD.080689752728 The Promise Of Easter. Composed by...(+)
SATB choir
SKU:
WD.080689752728
The Promise Of
Easter. Composed by
Allan Douglas, Deborah
Craig-Claar, and Phillip
Keveren. Arranged by
Phillip Keveren. Choral,
cantatas. Easter,
Musical. Bulk CD
(10-pak). Word Music
#080689752728. Published
by Word Music
(WD.080689752728).
UPC:
080689752728.
The
life-changing story of
Jesus' death and
resurrection is told from
the unique perspective of
the Samaritan woman at
the well as she is
transformed by the
sacrificial love of
Christ in this passionate
new work from Deborah
Craig-Claar, Allan
Douglas and Phillip
Keveren. Two actresses
portray the woman called
Anna - an older woman who
looks back at the Passion
events from a
post-resurrection
perspective, and her
younger counterpart who
encounters Jesus at the
well and joins His
followers in Jerusalem
during Passion Week. The
extraordinary score
includes songs written or
made popular by today's
most accomplished
artists, including
Michael W. Smith, Keith
Getty, Stuart Townend,
Matt Maher, and Natalie
Grant. Phillip Keveren's
breathtaking chamber
ensemble instrumentation
creates an intimate and
compelling experience. At
only 40 minutes in length
and with only two female
characters, one male
character, and purely
optional
sets/lights/costumes,
Never Thirst Again can be
offered by churches of
any size or production
capability.
Includ
es songs written or made
popular by Michael W.
Smith, Keith Getty,
Stuart Townend, Matt
Maher, Natalie Grant,
Tony Wood, Michael
Farren, Audrey Assad, and
Shelley Johnson. Chamber
ensemble instrumentation
creates an intimate and
compelling experience.
Accessible cast
requirements: two female
characters, one male
character - costumes,
props, and sets are
purely optional. Reader's
Theatre script available
at www.wordmusic.com.
Features early American
classics There Is a
Fountain and My Song in
the Night. Thoughtful
benediction, Peace Be
with You, or an exuberant
and congregational
Finale.
First violin (1. Violin) SKU: BA.BA07896-74 Composed by Camille Saint-Sae...(+)
First violin (1. Violin)
SKU: BA.BA07896-74
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 23 pages.
Baerenreiter Verlag
#BA07896_74. Published by
Baerenreiter Verlag
(BA.BA07896-74).
ISBN
9790006563357. 32.5 x
25.5 cm inches. Key: C
minor.
In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello (Violoncello) SKU: BA.BA07896-82 Composed by Camille Saint-Saens. E...(+)
Cello (Violoncello)
SKU: BA.BA07896-82
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 19 pages.
Baerenreiter Verlag
#BA07896_82. Published by
Baerenreiter Verlag
(BA.BA07896-82).
ISBN
9790006563388. 32.5 x
25.5 cm inches. Key: C
minor.
In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07896-75 Composed by Camille Saint-Sa...(+)
Second violin (2. Violin)
SKU: BA.BA07896-75
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 27 pages.
Baerenreiter Verlag
#BA07896_75. Published by
Baerenreiter Verlag
(BA.BA07896-75).
ISBN
9790006563364. 32.5 x
25.5 cm inches. Key: C
minor.
In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Performed by Dionne Warwick. By Hal David, Burt Bacharach. Arranged by E Lojeski...(+)
Performed by Dionne
Warwick. By Hal David,
Burt Bacharach. Arranged
by E Lojeski. (SSA). Pop
Choral Series. Size
6.75x10.5 inches. 12
pages. Published by Hal
Leonard.
I'll Never Smile Again Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Sierra Music
Composed by Ruth Lowe. Arranged by Billy Byers. For jazz ensemble. The Jazz Mast...(+)
Composed by Ruth Lowe.
Arranged by Billy Byers.
For jazz ensemble. The
Jazz Masters Series. Slow
Swing. Medium. Score and
set of parts. Published
by Sierra Music
(The Promise Of Easter). By Deborah Craig-Claar, Allan Douglas, & Phillip Kevere...(+)
(The Promise Of Easter).
By Deborah Craig-Claar,
Allan Douglas, & Phillip
Keveren. Arranged by
Phillip Keveren. For
instrumental
accompaniment. Easter,
Musical. Set of
instrumental parts.
Published by Word Music
Weekday Songbook Chorale Unison Unison/2-parties, Piano [Partition] Hinshaw Music Inc.
By Natalie Sleeth. Arranged by Natalie Sleeth. Text: Natalie Sleeth. For Keyboar...(+)
By Natalie Sleeth.
Arranged by Natalie
Sleeth. Text: Natalie
Sleeth. For Keyboard
accompaniment. (Unison
or 2 Part). Secular. 62
pages. Published by
Hinshaw Music Inc.
Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This e...(+)
Composed by Camille
Saint-Saens (1835-1921).
Edited by Michael
Stegemann. This edition:
urtext. Stapled. Organ
part. 16 pages. Published
by Baerenreiter Verlag
(BA.BA7896-67).
Composed by Elton John and Bernie Taupin. Arranged by Ed Lojeski. Pop Choral ...(+)
Composed by Elton John
and
Bernie Taupin. Arranged
by
Ed Lojeski. Pop Choral
Series. Movies, Pop, Show
Choir. Octavo. 16 pages.
Published by Hal Leonard
Composed by Elton John and Bernie Taupin. Arranged by Ed Lojeski. Pop Choral ...(+)
Composed by Elton John
and
Bernie Taupin. Arranged
by
Ed Lojeski. Pop Choral
Series. Movies, Pop, Show
Choir. Octavo. 16 pages.
Published by Hal Leonard
Composed by Keith Forsey and Giorgio Moroder. Arranged by Alan Billingsley. Pe...(+)
Composed by Keith Forsey
and
Giorgio Moroder. Arranged
by
Alan Billingsley.
Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Classic Pop;
Movie;
Pop. Choral Octavo. 12
pages.
Alfred Music #00-48400.
Published by Alfred Music
Composed by Keith Forsey and Giorgio Moroder. Arranged by Alan Billingsley. Pe...(+)
Composed by Keith Forsey
and
Giorgio Moroder. Arranged
by
Alan Billingsley.
Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Classic Pop;
Movie;
Pop. Choral Octavo. 12
pages.
Alfred Music #00-48399.
Published by Alfred Music
As Performed by Lady Gaga. Composed by Lady Gaga, Natalie Hemby, Hillary Lind...(+)
As Performed by Lady
Gaga.
Composed by Lady Gaga,
Natalie Hemby, Hillary
Lindsey, and Aaron
Raitiere.
Arranged by Michael
Kamuf.
Concert Band; Performance
Music Ensemble. Pop Young
Band. Movie. Score and
Parts.
262 pages. Duration 4:00.
Alfred Music #00-47413.
Published by Alfred Music
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl...(+)
String quartet
SKU:
HL.49045639
Chaconne. Composed
by Fred Lerdahl. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Softcover. Composed 2016.
108 pages. Duration 990
seconds. Schott Music #ED
30174. Published by
Schott Music
(HL.49045639).
ISBN
9781540004796. UPC:
888680710774.
9.5x12.0x0.37
inches.
Chaconne
(2016), for string
quartet, was commissioned
by the Daedalus Quartet
to celebrate its 15th
anniversary. The
commission was supported
by New Music USA, made
possible by annual
program support and/or
endowment gifts from
Pennsylvania Council on
the Arts, Helen F.
Whitaker Fund, and Aaron
Copland Fund for Music.My
music has a substantial
history with Daedalus. I
composed the Third String
Quartet (2008) for them,
and subsequently they
performed my three string
quartets on several
occasions and recorded
them brilliantly on
Bridge Records (Bridge
9352: Music of Fred
Lerdahl, vol. 3).
Chaconne is in one
movement lasting 19
minutes. It is
effectively my fourth
string quartet. Quartets
1-3 form a unified cycle
lasting 70 minutes. When
I finished the cycle, I
thought I would never
write again for the
medium; yet I could not
resist the opportunity of
working again with
Daedalus. The issue was
how to compose another
string quartet unrelated
to the earlier cycle. The
solution came from my
solo cello piece There
and Back Again (2010),
which was based on a
four-bar variation
pattern from a
17th-century chaconne.
Unlike the asymmetrical
phrases and expanding
variations of much of my
music, the chaconne form
requires symmetrical
phrases and strictly
periodic variations. I
wished to work again with
these symmetries but on a
larger scale. Chaconne
also differs in character
and expression from the
three-quartet cycle. The
cycle is inward and
intense, a kind of
psychological excavation.
Chaconne is, for the most
part, transparent and
playful. Many of its
textures emerge from
little canons, not
completely unlike the
rounds that children
sing. Any composer who
writes in chaconne form
(one thinks above all of
the last movement of
Bach's D minor violin
partita and the finale of
Brahms's Fourth Symphony)
is confronted with the
challenge of how to
create a larger form out
of a constantly repeating
pattern.My Chaconne grows
from paired
antecedent-consequent
phrases, each variation
lasting eight bars. The
50 variations group into
three large rotations,
forming three arcs of
tension and relaxation,
with subtle parallel
connections across the
rotations.
Notwithstanding my
attraction to chaconne
form, I purposefully
disguised its symmetries
and periodicities in
order to build an overall
dramatic shape. Fred
Lerdahl.
A Lament Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9718 Composed by Meredith Tompkins. ...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9718
Composed by
Meredith Tompkins. 8
pages. Duration 2
minutes, 23 seconds. Carl
Fischer Music #CM9718.
Published by Carl Fischer
Music (CF.CM9718).
ISBN 9781491160978.
UPC: 680160919574. Key: D
major. English. Manmohan
Ghose.
Manmohan
Ghose was a professor,
poet, and brilliant
scholar from Eastern
India in the late 19th
century. He was educated
in London, and was one of
the first poets
originally from India to
publish poetry in
English. A Lament is one
of his earliest published
poems; it progresses with
vivid, scenic language
from lullaby to permanent
goodbye. Much later in
life, Manmohan
experienced a series of
family tragedies that
gave him a unique
perspective on grief.
After returning to India
to mourn his father's
death and eventually the
passing of his wife, he
never again made it back
to England as he had
wished to before his own
death. The text of this
piece has been paired
with a mixolydian modal
structure and a blend of
musical elements designed
to invoke a nostalgic,
dream-like atmosphere. In
the words of the
composer: I like to think
of this piece as a
metaphorical hall of
mirrors. The original
'image' of the melody
becomes the source for
multiple echoes and
imitations that blossom
into layers of polyphonic
movement. As a nod to the
poet's birth place, notes
reminiscent of the
kan-swar grace note
technique of Hindustani
classical music add
ornamental interest to
the piano and voices.
This piece functions as
an excellent educational
introduction or further
study into the concept of
modes. When presenting
this piece to a choir,
directors may find it
helpful to identify G as
the tonal center and
follow up with an
explanation that G
mixolydian has the same
key signature as the key
of C, because it
naturally has no sharps
or flats. Manmohan
Ghose was a professor,
poet, and brilliant
scholar from Eastern
India in the late 19th
century. He was educated
in London, and was one of
the first poets
originally from India to
publish poetry in
English. “A
Lament†is one of
his earliest published
poems; it progresses with
vivid, scenic language
from lullaby to permanent
goodbye. Much later in
life, Manmohan
experienced a series of
family tragedies that
gave him a unique
perspective on grief.
After returning to India
to mourn his
father’s death and
eventually the passing of
his wife, he never again
made it back to England
as he had wished to
before his own
death. The text of
this piece has been
paired with a mixolydian
modal structure and a
blend of musical elements
designed to invoke a
nostalgic, dream-like
atmosphere. In the words
of the composer: “I
like to think of this
piece as a metaphorical
hall of mirrors. The
original
‘image’ of
the melody becomes the
source for multiple
echoes and imitations
that blossom into layers
of polyphonic
movement.†As a nod
to the poet’s
birth place, notes
reminiscent of the
kan-swar grace note
technique of Hindustani
classical music add
ornamental interest to
the piano and
voices. This piece
functions as an excellent
educational introduction
or further study into the
concept of modes. When
presenting this piece to
a choir, directors may
find it helpful to
identify G as the tonal
center and follow up with
an explanation that G
mixolydian has the same
key signature as the key
of C, because it
naturally has no sharps
or flats.