(Trombone, Baritone B.C., Bassoon, Tuba). Arranged by Michael Story and Michael ...(+)
(Trombone, Baritone B.C.,
Bassoon, Tuba). Arranged
by Michael Story and
Michael Story. For
Trombone, Baritone B.C.,
Bassoon, Tuba. Mixed
Instruments - Flexible
Instrumentation; Quartet.
Instrumental Ensembles
for All. Movie. Book. 24
pages
Composed by Lauren
Bernofsky. Cps. Full
score. 28 pages. Duration
3 minutes, 39 seconds.
Carl Fischer Music
#CPS264F. Published by
Carl Fischer Music
(CF.CPS264F).
ISBN
9781491161746. UPC:
680160920433.
Some
of the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn't know
what each piece was, but
the melodies have stayed
with me. Tropanka is one
of those tunes. Tropanka
(pronounced tro-PAHN-kuh)
is a folk dance from
Bulgaria, and the title
means stomping dance. One
can hear two repeated
notes at the end of each
phrase - this is where
the dancers stomp. Patsh
Tantz (pronounced PAHTSH
tahnts) is a classic
example of Klezmer, which
is East European Jewish
folk music. The title is
Yiddish for clapping
dance, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end. Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the earthy character
of the music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding
anniversary. Some of
the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn’t
know what each piece was,
but the melodies have
stayed with me. Tropanka
is one of those tunes.
Tropanka (pronounced
“tro-PAHN-kuhâ€
) is a folk dance from
Bulgaria, and the title
means “stomping
danceâ€. One can
hear two repeated notes
at the end of each phrase
– this is where
the dancers
stomp. Patsh Tantz
(pronounced “PAHTSH
tahntsâ€) is a
classic example of
Klezmer, which is East
European Jewish folk
music. The title is
Yiddish for
“clapping
danceâ€, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end.Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the
“earthyâ€
character of the
music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding anniversary.
(Trombone/Baritone/Bassoo n/Tuba). Arranged by Victor LÌ_pez. For Trombone/Bari...(+)
(Trombone/Baritone/Bassoo
n/Tuba). Arranged by
Victor LÌ_pez. For
Trombone/Baritone/Bassoon
/Tuba. A & D Partbook;
Mixed Instruments -
Flexible Instrumentation.
U.Play.Plus. Solo--A,
Duet--B/C/D, Trio--C,
Quartet--D. Pop/Rock.
Grade 2.5; Grade 3. 24
pages. Published by
Alfred Music Publishing