For the Fallen Chorale SATB SATB, Piano [Octavo] Faber Music Limited
(An Anthem for Remembrance). By Brendan Ashe. Choir Secular. For with Piano or O...(+)
(An Anthem for
Remembrance). By Brendan
Ashe. Choir Secular. For
with Piano or Organ (SATB
choir). Choral Octavo.
Faber Edition: Choral
Signature Series. Funeral
(From the motion picture Angelas Ashes) By John Williams. Full score (spiral bou...(+)
(From the motion picture
Angelas Ashes) By John
Williams. Full score
(spiral bound) for
orchestra. Series: John
Williams Signature
Edition. 32 pages.
Published by Hal Leonard.
Composed by Peter Terry.
Concert String Orchestra
(CAS). Set of Score and
Parts. With Standard
notation.
16+4+16+10+10+10+4+12
pages. Duration 2
minutes, 57 seconds. Carl
Fischer Music #CAS112.
Published by Carl Fischer
Music (CF.CAS112).
ISBN 9781491151310.
UPC: 680160908813. 9 x 12
inches. Key: E
minor.
Peter
Terry's Unleashed?makes
for an impressive concert
opener that is the
musical equivalent of
unleashing a caged
animal. The piece is
exciting from start to
finish, with energetic
and bold material that
students will love to
play. Everyone wants
to be unleashed, to be
set free of restraints.
This piece captures the
exhilaration of being set
into motion with
unlimited optimism and
energy. The piece is a
rhythmic and
propulsive gallop that spins
off lyrical material as
it drives to a climactic
finish that is both
exciting and
fun.The piece opens
with a robust
first theme, then
transitions on a rhythmic
figure spun off from the
opening
material. The opening
sectionrepeats in
variation with different
orchestration. The more
lyrical material that
emerges should be brought
out to balance the first
theme and rhythmic
figures from the first
section. A development of
the material from the
opening follows,
driving to a
brief
pause. This
pause
feels like it
will lead to a
contrasting lyrical
theme, but the energy
is
just suspended for a
second before the piece
takes off again.
The
work finishes with a
repeated-note transition
back to variations on the
opening material and a
propulsive rush to the
end.I enjoyed
writing this piece and
hope your students will
enjoy playing these
contrasting styles and
that you will find the
piece beneficial in
teaching important
musical concepts.
?????????Peter Terry,
2018. Everyone
wants to be unleashed, to
be set free of
restraints. This piece
captures the exhilaration
of being set into motion
with unlimited optimism
and energy.A The piece is a
rhythmic and
propulsive gallop that spins
off lyrical material as
it drives to a climactic
finish that is both
exciting and
fun.The piece opens
with a robust
first theme, then
transitions on a rhythmic
figure spun off from the
opening
material. The opening
sectionrepeats in
variation with different
orchestration. The more
lyrical material that
emerges should be brought
out to balance the first
theme and rhythmic
figures from the first
section. A development of
the material from the
opening follows,
driving to a
brief
pause. This
pause
feels like it
will lead to a
contrasting lyrical
theme, but the energy
is
just suspended for a
second before the piece
takes off again.
The
work finishes with a
repeated-note transition
back to variations on the
opening material and a
propulsive rush to the
end.I enjoyed
writing this piece and
hope your students will
enjoy playing these
contrasting styles and
that you will find the
piece beneficial in
teaching important
musical concepts.
?????????Peter Terry,
2018. Everyone
wants to be unleashed, to
be set free of
restraints. This piece
captures the exhilaration
of being set into motion
with unlimited optimism
and energy.A The piece is a
rhythmic and
propulsive gallop that spins
off lyrical material as
it drives to a climactic
finish that is both
exciting and
fun.The piece opens
with a robust
first theme, then
transitions on a rhythmic
figure spun off from the
opening
material. The opening
sectionrepeats in
variation with different
orchestration. The more
lyrical material that
emerges should be brought
out to balance the first
theme and rhythmic
figures from the first
section. A development of
the material from the
opening follows,
driving to a
brief
pause. This
pause
feels like it
will lead to a
contrasting lyrical
theme, but the energy
is
just suspended for a
second before the piece
takes off again.
The
work finishes with a
repeated-note transition
back to variations on the
opening material and a
propulsive rush to the
end.I enjoyed
writing this piece and
hope your students will
enjoy playing these
contrasting styles and
that you will find the
piece beneficial in
teaching important
musical concepts.
?????????Peter Terry,
2018. Everyone
wants to be unleashed, to
be set free of
restraints. This piece
captures the exhilaration
of being set into motion
with unlimited optimism
and energy. The piece is a
rhythmic and
propulsive gallop that spins
off lyrical material as
it drives to a climactic
finish that is both
exciting and
fun.The piece opens
with a robust
first theme, then
transitions on a rhythmic
figure spun off from the
opening
material. The opening
sectionrepeats in
variation with different
orchestration. The more
lyrical material that
emerges should be brought
out to balance the first
theme and rhythmic
figures from the first
section. A development of
the material from the
opening follows,
driving to a
brief
pause. This
pause
feels like it
will lead to a
contrasting lyrical
theme, but the energy
is
just suspended for a
second before the piece
takes off again.
The
work finishes with a
repeated-note transition
back to variations on the
opening material and a
propulsive rush to the
end.I enjoyed
writing this piece and
hope your students will
enjoy playing these
contrasting styles and
that you will find the
piece beneficial in
teaching important
musical concepts.
?????????Peter Terry,
2018. Eve
ryone wants to be
unleashed, to be set free
of restraints. This piece
captures the exhilaration
of being set into motion
with unlimited optimism
and energy. The piece is
a rhythmic and propulsive
gallop that spins off
lyrical material as it
drives to a climactic
finish that is both
exciting and fun. The
piece opens with a robust
first theme, then
transitions on a rhythmic
figure spun off from the
opening material. The
opening section repeats
in variation with
different orchestration.
The more lyrical material
that emerges should be
brought out to balance
the first theme and
rhythmic figures from the
first section. A
development of the
material from the opening
follows, driving to a
brief pause. This pause
feels like it will lead
to a contrasting lyrical
theme, but the energy is
just suspended for a
second before the piece
takes off again. The work
finishes with a
repeated-note transition
back to variations on the
opening material and a
propulsive rush to the
end. I enjoyed writing
this piece and hope your
students will enjoy
playing these contrasting
styles and that you will
find the piece beneficial
in teaching important
musical concepts. Peter
Terry, 2018. Everyone
wants to be unleashed, to
be set free of
restraints. This piece
captures the exhilaration
of being set into motion
with unlimited optimism
and energy. The piece
is a rhythmic and
propulsive gallop that
spins off lyrical
material as it drives to
a climactic finish that
is both exciting and
fun.The piece opens with
a robust first theme,
then transitions on a
rhythmic figure spun off
from the opening
material. The opening
section repeats in
variation with different
orchestration. The more
lyrical material that
emerges should be brought
out to balance the first
theme and rhythmic
figures from the first
section. A development of
the material from the
opening follows, driving
to a brief pause. This
pause feels like it will
lead to a contrasting
lyrical theme, but the
energy is just suspended
for a second before the
piece takes off again.
The work finishes with a
repeated-note transition
back to variations on the
opening material and a
propulsive rush to the
end.I enjoyed writing
this piece and hope your
students will enjoy
playing these contrasting
styles and that you will
find the piece beneficial
in teaching important
musical
concepts.​​
​​​Ã
¢â‚¬â€¹Ã¢â‚¬â€¹Ã¢â‚¬â€¹Ã¢
€‹Peter Terry,
2018.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Orchestra String Orchestra SKU: PE.EP14581 For String Orchestra. C...(+)
Orchestra String
Orchestra
SKU:
PE.EP14581
For
String Orchestra.
Composed by Clara
Iannotta. String
Orchestra. Peters
Contemporary Library.
Classical; Contemporary.
Book. 36 pages. Edition
Peters #98-EP14581.
Published by Edition
Peters (PE.EP14581).
ISBN
9790014137175.
<
em>Memory jolts. Flashes
of pink in the
brain. by Clara
Iannotta is a 17-minute
work for string
orchestra. Written for
the non bthvn project of
the Cologne Philharmonic,
the work reflects
Beethoven's hearing loss
and the unbearable
condition when his ears
began to buzz and roar.
The title describes the
memory jolts that take
place in the inner
ear.
Memory
jolts. Flashes of pink in
the brain. was
premiered by Ensemble
Resonanz on 31 October
2021 at the Philharmonic
Hall Cologne.
The
full score (EP 14581) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
SATB choir, piano - Moderately Easy SKU: WD.080689524233 Composed by J. D...(+)
SATB choir, piano -
Moderately Easy
SKU:
WD.080689524233
Composed by J. Daniel
Smith. Arranged by J.
Daniel Smith. Choral.
Sacred Anthem,
Eastertide. Octavo. Word
Music #080689524233.
Published by Word Music
(WD.080689524233).
UPC:
080689524233.
J.
Daniel Smith brings
dramatic strength to this
cinematic portrayal of
Integrity Music’s
new anthem,
Ashes, from
worship artist Dara
Maclean. Perfect for
churches with dynamic,
big-sounding choir and
orchestra, this
compelling arrangement
rises to a soaring
musicality while bursting
forth a mighty lyric of
Jesus’ mighty act;
conquering the grave, He
rose from the ashes, His
victory now our
destiny.
For Guitar (Fingerpicking). Solos Performance Video. Vestapol. Celtic/Irish. Lev...(+)
For Guitar
(Fingerpicking). Solos
Performance Video.
Vestapol. Celtic/Irish.
Level: Intermediate. DVD.
Size 5.25x7.5. Duration
62 minutes. Published by
Grossman's Guitar
Workshop. (13029DVD) DVD
format: Region 1 for use
in the USA and Canada.
Featuring: Forth Eorlingas / Evenstar / Rohan / The March of the Ents / Isengard...(+)
Featuring: Forth
Eorlingas / Evenstar /
Rohan / The March of the
Ents / Isengard Unleashed
/ Breath of Life /
Gollum's Song. Composed
by Howard Shore. Edited
by George Megaw. Arranged
by Jerry Brubaker. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Pop Concert Full
Orchestra. Movies.
Conductor's score. 34
pages. Duration 7:13.
Belwin Music
#00-FOM03007C. Published
by Belwin Music
(Hymns and Worship Songs for Ash Wednesday through Pentecost). By Lloyd Larson. ...(+)
(Hymns and Worship Songs
for Ash Wednesday through
Pentecost). By Lloyd
Larson. For piano.
Eastertide, Lent,
Pentecost. Medium.
Published by Lillenas
Publishing Company
Piano solo - Grade 5 SKU: IG.PMS122 Composed by Vladimir Nikolov. Score. ...(+)
Piano solo - Grade 5
SKU: IG.PMS122
Composed by Vladimir
Nikolov. Score. Imagine
Music Publishing #PMS122.
Published by Imagine
Music Publishing
(IG.PMS122).
9 x 12 in
inches.
For
Piano. By Vladimir
Nikolov
Flashes is
a collection of twelve
miniature pieces for solo
piano, composed in
several stages over a
long period of
time.
Each one of
these pieces illustrates
an independent story and
mood and is written with
a different approach to
the piano. All of the
stories are products of
instant moments of
creativity that gradually
became depictions of
everyday life events,
places and revelations
that occurred during the
process of writing. Many
times this process became
the story itself, thus
the source of light
evolved into its own
reflection.
Styles
vary from classical,
post-impressionist to
jazz and minimal through
organic compositional
structure.
Titles
Include: First Etude
for Piano Sun - trine
- Moon Last Etude for
Piano Distance Bit
Bang Wednesday
Afternoon Game Skop
je Reflection...(on
Caress) Prelude to
Still Life The Third
Day 'Round Midday.
Performed by George Harrison. Piano/Vocal/Chords Songbook (Arrangements for pian...(+)
Performed by George
Harrison.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 80 pages.
Published by Hal Leonard.
By Various.
Really Easy Guitar.
Alternative, Rock.
Softcover. 64 pages.
Published by Hal Leonard
(HL.465668).
ISBN
9781705165577. UPC:
196288070252.
9.0x12.0x0.165
inches.
This song
collection features
easy-to-follow charts
with chords, lyrics, and
basic tab to get you
playing right away. For
all guitarists! Songs
include: Alive •
Black Hole Sun •
Drive • How You
Remind Me • Hurt
• I Will Follow You
into the Dark •
Learn to Fly •
Lightning Crashes •
Lonely Boy • Losing
My Religion • Mr.
Brightside • No
Rain • One Week
• Plush •
Santeria • Say It
Ain't So • Seven
Nation Army •
Smells like Teen Spirit
• Under the Bridge
• Use Somebody
• When I Come
Around •
Wonderwall.
Performed by Lamb of God. Guitar Recorded Versions (Authentic note-for-note tran...(+)
Performed by Lamb of God.
Guitar Recorded Versions
(Authentic note-for-note
transcriptions). With
notes and tablature. Size
9x12 inches. 128 pages.
Published by Hal Leonard.
Concert Band - Grade 1 SKU: AP.50932S Composed by Michael Kamuf. Concert ...(+)
Concert Band - Grade 1
SKU: AP.50932S
Composed by Michael
Kamuf. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band -
PerformancePlus+. Score.
Duration 1:45. Belwin
Music #00-50932S.
Published by Belwin Music
(AP.50932S).
ISBN
9781470668877. UPC:
038081587752.
English.
Unleashed
is a powerful new work by
Michael Kamuf featuring
bold melodies and driving
rhythms. The first five
notes of the D Phrygian
mode are employed
throughout the piece,
creating an opportunity
to introduce modes to
your beginning band. It
is sure to be a favorite
of your students and
audience! (1:45)
The
PerformancePlus+ series
is an innovative addition
to the ever-expanding
MakeMusic Cloud
interactive library.
These engaging selections
are presented with
educational resources
designed to enrich the
rehearsal process and
create outstanding
performances.
Including:
Assignm
ent, recording, and
assessment tools within
MakeMusic
Cloud
Piece-speci
fic exercises focused on
skills and
techniques
Printa
ble sheet music (with a
standard MakeMusic Cloud
subscription)
Edu
cational tips and
suggestions to support
learning