Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 4 pages.
Duration 20'. Breitkopf
and Haertel #OB 15143-19.
Published by Breitkopf
and Haertel
(BR.OB-15143-19).
ISBN
9790004342022. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Set of parts.
16 pages. Duration 20'.
Breitkopf and Haertel #OB
15143-30. Published by
Breitkopf and Haertel
(BR.OB-15143-30).
ISBN
9790004342046. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 15143-26.
Published by Breitkopf
and Haertel
(BR.OB-15143-26).
ISBN
9790004342039. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str) ...(+)
Double bass and orchestra
(solo: db - 0.2.0.1(ad
lib.) - 2.0.0.0 - harps -
str)
SKU:
BR.PB-15144-07
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Early classical;
Classical. Study Score.
28 pages. Duration 20'.
Breitkopf and Haertel #PB
15144-07. Published by
Breitkopf and Haertel
(BR.PB-15144-07).
ISBN
9790004215968. 6.5 x 9
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str) ...(+)
Double bass and orchestra
(solo: db - 0.2.0.1(ad
lib.) - 2.0.0.0 - harps -
str)
SKU:
BR.PB-15144
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Early
classical; Classical.
Study Score. Duration
20'. Breitkopf and
Haertel #PB 15144.
Published by Breitkopf
and Haertel
(BR.PB-15144).
ISBN
9790004215968. 6.5 x 9
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
15143-12. Published by
Breitkopf and Haertel
(BR.OB-15143-12).
ISBN
9790004342169. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Ballad. Composed
by Richard Rodgers and
Stanley Newcomb Kenton.
Arranged by Bill Holman.
Sheet music. Score and
parts. Handelsware #SMP
1042. Published by
Handelsware
(M7.SMP-1042).
English.
As
originally recorded by
the great Charlie Mariano
with the Stan Kenton
Orchestra, this is a
must-have solo feature
for alto saxophone. Let
your alto player (or
trumpet ...... parts
provided for either)
shine on this popular
standard, arranged by
none other than Bill
Holman.