Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. 1x 27.197/21
flute 1, 1x 27.197/22
flute 2, 1x 27.197/23
oboe 1, 1x 27.197/24 oboe
2, 5x 27.197/31 trumpet
1-4 and timpani.
Stuttgart Urtext Edition.
Harmony parts. Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. ZWV 146. Duration
28 minutes. Carus Verlag
#CV 27.197/09. Published
by Carus Verlag
(CA.2719709).
ISBN
9790007200930. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and parts available
separately - see item
CA.2719700.
SATB choir, flute, piano SKU: GH.GE-11664 Ur Stjarna over haven. C...(+)
SATB choir, flute, piano
SKU: GH.GE-11664
Ur Stjarna over
haven. Composed by
Stefan Petzen. Arranged
by Lars Wallenas. Octavo.
With Language: Swedish.
Gehrmans Musikforlag #GE
11664. Published by
Gehrmans Musikforlag
(GH.GE-11664).
ISBN
979-0-070-11664-0. 185 x
262 mm inches. Text: Erna
Persson.
For flojt,
blandad kor och piano. Ur
Stjarna over haven -
musik till Maria samt
till advents- och
jultid.
Nessun Dorma Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] SonArt Edition
Pan pipe and string quartet SKU: M7.SAE-32-04 Turandot. Composed b...(+)
Pan pipe and string
quartet
SKU:
M7.SAE-32-04
Turandot. Composed
by Giacomo Antonio
Domenico Michele Secondo
Maria Puccini. Arranged
by Laurentiu Gondiu.
Sheet music. Score and
parts. SonArt Edition
#SAE 32-04. Published by
SonArt Edition
(M7.SAE-32-04).
ISBN
9790707651612.
This
is an overflowing
arrangement for Pan Flute
and String Quintet, that
preserve the beauty of
the original work,
worldwide well known as a
high virtuosity
masterpiece, carefully
written to suit the
technical needs of the
instruments. At the same
time, differ in the
essence, due to the
creative and inovative
flavour who was
introduced in the
arrangement of this work.
A pleasure for the
performers who have an
appetite for unique and
interesting arrangements,
with which they will
surely delight the
audience.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Violin 2. Sacred
vocal music, Praise and
thanks. Single Part,
Violin 2. ZWV 146. 16
pages. Duration 28
minutes. Carus Verlag #CV
27.197/12. Published by
Carus Verlag
(CA.2719712).
ISBN
9790007200954. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Organ. Sacred
vocal music, Praise and
thanks. Single Part,
Organ. ZWV 146. 20 pages.
Duration 28 minutes.
Carus Verlag #CV
27.197/49. Published by
Carus Verlag
(CA.2719749).
ISBN
9790007164874. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Basso continuo.
Sacred vocal music,
Praise and thanks. Single
Part, basso continuo. ZWV
146. 12 pages. Duration
28 minutes. Carus Verlag
#CV 27.197/14. Published
by Carus Verlag
(CA.2719714).
ISBN
9790007200978. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Violin 1. Sacred
vocal music, Praise and
thanks. Single Part,
Violin 1. ZWV 146. 16
pages. Duration 28
minutes. Carus Verlag #CV
27.197/11. Published by
Carus Verlag
(CA.2719711).
ISBN
9790007200947. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Sacred vocal
music, Praise and thanks.
Full score. ZWV 146.
Duration 28 minutes.
Carus Verlag #CV
27.197/00. Published by
Carus Verlag
(CA.2719700).
ISBN
9790007164133. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of
Saxony.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Sacred vocal
music, Praise and thanks.
Choral Score. ZWV 146. 28
pages. Duration 28
minutes. Carus Verlag #CV
27.197/05. Published by
Carus Verlag
(CA.2719705).
ISBN
9790007164867. Text
language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score available
separately - see item
CA.2719700.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Viola. Sacred
vocal music, Praise and
thanks. Single Part,
Viola. ZWV 146. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.197/13. Published by
Carus Verlag
(CA.2719713).
ISBN
9790007200961. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Complete
orchestral parts. Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. ZWV 146. Duration
28 minutes. Carus Verlag
#CV 27.197/19. Published
by Carus Verlag
(CA.2719719).
ISBN
9790007164478. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and parts available
separately - see item
CA.2719700.
Piano Accompaniment; Vocal (VOCAL SCORE) SKU: HL.50603346 Vocal Score ...(+)
Piano Accompaniment;
Vocal (VOCAL SCORE)
SKU: HL.50603346
Vocal Score based on
the Critical Edition.
Composed by Antonio
Vivaldi. Edited by
Michael Talbot. Vocal
Score. Classical.
Softcover. 42 pages.
Ricordi #CP141990.
Published by Ricordi
(HL.50603346).
ISBN
9788881920600. UPC:
840126921472.
8.0x10.5x0.268
inches.