Composed by Thomas Ades (1971-). Mixed Instruments - Miscellaneous Ensemble; ...(+)
Composed by Thomas Ades
(1971-). Mixed
Instruments -
Miscellaneous Ensemble;
Performance Music
Ensemble.
20th Century; Adult
Contemporary. Book. Faber
Music #12-0571536565.
Published by Faber Music
Out of the Depths Chorale SATB SATB, Clavier [Octavo] - Intermédiaire MorningStar Music Publishers
Composed by Ronald Nelson. For SATB choir, keyboard. Year C: Maundy/Holy Thursda...(+)
Composed by Ronald
Nelson. For SATB choir,
keyboard. Year C:
Maundy/Holy Thursday,
Lent4. Maundy/Holy
Thursday, Lent, Holy
Week/Three Days,
Confession/Forgiveness,
Lament/Grief/Sorrow.
Moderately Easy. Octavo.
Scripture: Psalms 130.
Published by MorningStar
Music Publishers
Flute (Flute) - advanced SKU: HL.44011110 For Flute and Basso Continuo...(+)
Flute (Flute) - advanced
SKU: HL.44011110
For Flute and Basso
Continuo or Piano.
Arranged by Emily Beynon.
De Haske Play-Along Book.
Book with CD. Composed
2011. De Haske
Publications #1115103400.
Published by De Haske
Publications
(HL.44011110).
UPC:
884088654764. 9x12
inches.
In The
Art of Baroque
flutists can get
acquainted with the music
from the Baroque period
and also learn about
composers, the era and
the technique of playing
baroque music. The basso
continuo part means that
the pieces can be
performed with live
accompaniment or with the
play-along CD. Includes
pieces by J. S. Bach, G.
F. Handel, G. Ph.
Telemann. G. Platti, P.
Locatelli, M. Blavet and
J. Stanley.
In
The Art of Baroque
kunnen gevorderde
fluitisten zich verder
verdiepen in de muziek
uit de barokperiode. De
geselecteerde werken
worden aangevuld met
speeltips en informatie
over het tijdperk en de
componisten.
Vertegenwoordigdzijn
Johann Sebastian Bach,
Georg Friedrich Handel,
Georg Philipp Telemann,
Giovanni Platti, Pietro
Locatelli, Michel Blavet
en John Stanley. Dankzij
het basso continuo kunnen
de stukken ook met
begeleiding worden
gespeeld
In The
Art of Baroque (die
Kunst des Barocks) konnen
Flotisten die Musik der
Barockzeit und mehr
kennen lernen: Die
ausgewahlten Werke werden
von kurzen Texten u?ber
die Komponisten, die
Epoche und
Spielanweisungen sinnvoll
erganzt. Dank des Basso
continuo konnen die
Stu?cke auch mit
Begleitung gespielt
werden. Vertreten sind
die Komponisten J.
S.Bach, G. F. Handel, G.
Ph. Telemann, Giovanni
Platti, Pietro Locatelli,
Michel Blavet und John
Stanley.
Ce
recueil permettra a tout
flutiste d'un niveau
avance, d'aborder l'art
de la musique baroque.
Les oeuvres selectionnees
sont agrementees de
textes courts sur les
compositeur et leur
epoque et des annotations
d'interpretations
viennent completer cet
excellent ouvrage. La
version d'accompagnement
a la basse continue de
chaque piece est
enregistree sur le CD.
Retrouvez sans attendre
Bach, Haendel, Telemann,
Platti, Locatelli,
Stanley et Blavet.
Ne L'arte del
barocco viene data ai
flautisti la possibilita
di esplorare e conoscere
questo periodo storico. I
brani sono infatti
corredati di brevi testi
con informazioni sui
compositori e sull'epoca
del barocco, come anche
istruzioni su come
eseguire i brani. Grazie
al basso continuo i brani
possono essere suonati
anche con
l'accompagnamento. Nella
pubblicazione sono
proposte opere di J.S.
Bach, G.F. Haendel, G.
Ph. Telemann, Giovanni
Platti, Pietro Locatelli,
Michel Blavet e John
Stanley.
The Art of Baroque Flûte traversière [Partition + CD] - Avancé De Haske Publications
Flute - advanced SKU: BT.DHP-1115103-400 For Flute and Basso Continuo ...(+)
Flute - advanced
SKU:
BT.DHP-1115103-400
For Flute and Basso
Continuo or Piano.
Arranged by Emily Beynon.
Emily Beynon Presents.
Book with CD. Composed
2011. 52 pages. De Haske
Publications #DHP
1115103-400. Published by
De Haske Publications
(BT.DHP-1115103-400).
9x12 inches.
In
The Art of Baroque
flutists can get
acquainted with the music
from the Baroque period
and also learn about
composers, the era and
the technique of playing
baroque music. The basso
continuo part means that
the pieces can be
performed with live
accompaniment or with the
play-along CD. Includes
pieces by J. S. Bach, G.
F. Handel, G. Ph.
Telemann. G. Platti, P.
Locatelli, M. Blavet and
J. Stanley.
In
The Art of Baroque
kunnen gevorderde
fluitisten zich verder
verdiepen in de muziek
uit de barokperiode. De
geselecteerde werken
worden aangevuld met
speeltips en informatie
over het tijdperk en de
componisten.
Vertegenwoordigdzijn
Johann Sebastian Bach,
Georg Friedrich
Händel, Georg Philipp
Telemann, Giovanni
Platti, Pietro Locatelli,
Michel Blavet en John
Stanley. Dankzij het
basso continuo kunnen de
stukken ook met
begeleiding worden
gespeeld
In The
Art of Baroque (die
Kunst des Barocks)
können Flötisten
die Musik der Barockzeit
und mehr kennen lernen:
Die ausgewählten Werke
werden von kurzen Texten
über die
Komponisten, die Epoche
und Spielanweisungen
sinnvoll ergänzt. Dank
des Basso continuo
können die
Stücke auch mit
Begleitung gespielt
werden. Vertreten sind
die Komponisten J.
S.Bach, G. F. Händel,
G. Ph. Telemann, Giovanni
Platti, Pietro Locatelli,
Michel Blavet und John
Stanley.
Ne L‘arte
del barocco“ viene
data ai flautisti la
possibilit di esplorare e
conoscere questo periodo
storico. I brani sono
infatti corredati di
brevi testi con
informazioni sui
compositori e
sull‘epoca del
barocco, come anche
istruzioni su come
eseguire i brani. Grazie
al basso continuo i brani
possono essere suonati
anche con
l‘accompagnamento.
Nella pubblicazione sono
proposte opere di J.S.
Bach, G.F. Haendel, G.
Ph. Telemann, Giovanni
Platti, Pietro Locatelli,
Michel Blavet e John
Stanley.
With Variants, Examples and Advice for Playing and Improvising on any instrument...(+)
With Variants, Examples
and Advice for Playing
and Improvising on any
instrument. Edited by
Pascale Boquet, Gerard
Rebours. Music Books/CDs.
Teaching Works. Level:
Grade 0. 144 pages.
Published by Editions
Fuzeau Classique - France
(French import).
Composition SKU: FP.FTJ06 Composed by John Turner. Sheet Music and Books....(+)
Composition
SKU:
FP.FTJ06
Composed by
John Turner. Sheet Music
and Books. Recorder
virtuosi and composer
John Turner's
indispensible new guide
for composers writing for
the solo recorder. This
hugely useful book
features chapters on the
history of recorder
composition, as well as
the instrument's range,
player technique, dynami.
Classical, Instructional.
Reference Book. Forsyths
Publications #FTJ06.
Published by Forsyths
Publications (FP.FTJ06).
ISBN
9780951479537.
Comp
osing for the recorder
can be intimidating for
those with limited or no
experience playing the
instrument. John Turner's
new book is the ideal
primer, taking the would
be recorder composer on a
journey through the
history of recorder
composition, and onwards
to explore player
techniques and the
musicality offered by
this versatile
instrument. Each section
is extensively referenced
to exisiting
compositions, providing a
fantastic platform for
further research by the
reader.
About the
Author:
JOHN
TURNER is one of the
leading recorder players
of today. Born in
Stockport, he was Senior
Scholar in Law at
Fitzwilliam College
Cambridge before pursuing
a legal career, acting
for many distinguished
musicians and musical
organisations alongside
his many musical
activities. These
included numerous
appearances and
recordings with David
Munrow's Early Music
Consort of London, the
Academy of Ancient Music,
the English Chamber
Orchestra, the Academy of
St. Martin-in-the-Fields
and the English Baroque
Soloists. He now devotes
his time to playing,
writing, reviewing,
publishing, composing and
generally
energising.
He has
played as recorder
soloist with the Halle
Orchestra, the Royal
Liverpool Philharmonic
Orchestra, the Manchester
Camerata, the English
Baroque Soloists, the
English Chamber
Orchestra, and many other
leading orchestras and
ensembles. Concertos and
works with orchestra have
been written for him by
Gordon Crosse, Anthony
Gilbert, Peter Hope,
Kenneth Leighton, Elis
Pehkonen, Alan Bullard,
John Casken, and many
other distinguished
composers. His recordings
include no less than five
sets of the Brandenburg
Concertos, as well as the
F Major version of
Brandenburg Concerto No.
4 with Menuhin and George
Malcolm, but lately he
has madenumerous
acclaimed recordings of
the recorder’s
contemporary concerto and
chamber music repertoire,
including several
concerto discs, all of
which have received
critical acclaim. In all,
he has given the first
performances of over 600
works for the recorder,
with works by many
non-British composers,
including Leonard
Bernstein, Ned Rorem,
Peter Sculthorpe, Douglas
Lilburn and Petr
Eben.
Many of the
works he has premiered
have now entered the
instrument’s
standard repertoire, and
these and his own
recorder compositions are
regularly set for
festivals and
examinations. He edits
series of recorder
publications for both
Forsyths and Peacock
Press, and founded the
periodical Manchester
Sounds, in response to
the perceived threat to
music libraries in Great
Britain. In addition he
was responsible for the
rediscovery of several
works for his instrument,
including the Rawsthorne
Recorder Suite, Antony
Hopkins' Pastiche Suite,
Herbert Murrill’s
Sarabande, the Handel F
Major Trio Sonata and
John Parry's Nightingale
Rondo (the only
substantial known British
nineteenth century work
for a fipple flute). He
was awarded an Honorary
Fellowship by the Royal
Northern College of Music
in 2002 for his services
to British music, and is
a Visiting Distinguished
Scholar of Manchester
University.
Edited by Helen Marlais, Kristen Avila. For Piano. Succeeding with the Masters. ...(+)
Edited by Helen Marlais,
Kristen Avila. For Piano.
Succeeding with the
Masters. Instructional,
Method. Level: Late
Elementary through
Intermediate. 40 pages.
Published by The FJH
Music Company Inc.
Edited by Helen Marlais, Kristen Avila. For Piano. Succeeding with the Masters. ...(+)
Edited by Helen Marlais,
Kristen Avila. For Piano.
Succeeding with the
Masters. Instructional,
Method. Level: Late
Elementary through
Intermediate. 48 pages.
Published by The FJH
Music Company Inc.
Tribute to a Maestro Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-010 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-010
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1195884-010.
Published by De Haske
Publications
(BT.DHP-1195884-010).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
Tribute to a Maestro Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-140 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-140
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 40
pages. De Haske
Publications #DHP
1195884-140. Published by
De Haske Publications
(BT.DHP-1195884-140).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
Piano 4 hands SKU: YM.GTP01101010 Easy-Intermediate & Easy-Intermediat...(+)
Piano 4 hands
SKU:
YM.GTP01101010
Easy-Intermediate &
Easy-Intermediate Piano
Duet Book. Composed
by Joe Hisaishi. Studio
Ghibli In Classical Music
Style. Studio Ghibli,
Anime Song. Book. Yamaha
Music Media #GTP01101010.
Published by Yamaha Music
Media (YM.GTP01101010).
ISBN 9784636107128. 9
x 12 inches.
What
if the iconic melodies of
Studio Ghibli were
arranged as piano duets
by classical composers?
Introducing the highly
anticipated second volume
of the popular Duet
series! Experience the
luxurious duet sound
enriched with the
distinctive styles of
classical composers and
interwoven fragments of
beloved melodies.
Designed with advanced
players in mind, the
arrangements range from
baroque to modern styles,
making them suitable for
a variety of skill
levels. This collection
includes a total of six
pieces that are perfect
for recitals, concerts,
or street piano
performances. *The book
comes with online demo
audio of all parts and
each part for you to
practice. Scan the QR
code next to the song
title on the sheet music
with smartphone devices
to go to the YouTube
playlist for each
song.
(Horn/Piano) SKU: HL.48184241 Composed by Richard Stelton. Leduc. Baroque...(+)
(Horn/Piano)
SKU:
HL.48184241
Composed
by Richard Stelton.
Leduc. Baroque.
Softcover. 22 pages.
Alphonse Leduc #AL27197.
Published by Alphonse
Leduc (HL.48184241).
UPC: 888680862893.
9.0x12.0x0.164
inches.
This
fabulous volume contains
two suites of dance music
from the Baroque period
in Germany. Featuring
some of the most popular
and revered composers
such as Bach, Bohm,
Reusner and Telemann,
there are some familiar
pieces here along with
some rarer example of
this genre. Arranged and
adapted for Horn and
Piano by Richard Stelten,
these short pieces serve
as fine examples of this
exciting and productive
time in German
music..
Piano SKU: BR.EB-8029 Piano Lessons by Francois Couperin. Composed...(+)
Piano
SKU:
BR.EB-8029
Piano
Lessons by Francois
Couperin. Composed by
Francois Couperin. Edited
by Heinz Walter. Solo
instruments; Softcover.
Edition Breitkopf.
Baroque period. Score. 20
pages. Breitkopf and
Haertel #EB 8029.
Published by Breitkopf
and Haertel (BR.EB-8029).
ISBN 9790004174326. 9
x 12 inches.
This
series of easy piano
music for teaching
purposes presents pupils
in the lower and lower
middle grades with a
carefully chosen
selection of well-known
and lesser-known
compositions by important
masters. The volumes are
deliberately kept small
in extent, since it is
more stimulating for
children to change the
teaching material
frequently. There are
four existing harpsichord
books with a total of 226
compositions by Francois
Couperin le Grand (1668
-1733). His works are as
unknown to pianists as
they are famous among
harpsichord players. The
grace and imaginativeness
of his works lend
themselves especially
well to the sound of the
harpsichord, which is why
the piano interpretation
of works by Couperin,
Rameau, Scarlatti and
other composers of that
time has been
categorically rejected.
But, after all, the works
of Bach and Handel were
written for the
haipsichord and
clavichord, and no one
would dare question their
intetpretation on the
pianoforte. In order to
introduce these
lmpressionists of the
Baroque Era to piano
instruction, the editor
has added to this series
a folio of both
Couperin's and Rameau's
(EB 8033) music. The
selection of the pieces
is based on two criteria:
1. relatively modest
demands made on
technique, 2. various
musical forms of
expression. The
Butterflies and the
Windmills are both
especially typical of
masterful character
pieces. The demands made
on technique certainly
correspond to a level of
moderate difficulty. The
simplifications made are
restricted to the
artistically realized
twopart accompaniment
(eg. p. 4 f. and p. 8 f.)
with regard to finger
stretch and to the
profuse ornamentation of
the original. The
indications for phrasing
and articulation are
those of the editor. The
first two pieces have
been precisely elaborated
on in this respect to
serve as a model, whereas
the remaining pieces
contain only suggestions.
As in other folios of
this series; what is here
to be stressed, is the
importance of working out
independently the
phrasing and the
dynamics. Directions for
this are given by the
respective footnotes;
these directions,
however, are not
obligatory. lndications
pertaining to dynamics
and tempo have been
omitted completely; the
clearly recognizable
character of the
individual pieces should
be direction enough. The
tonal possibilities of
the piano should in any
case be used subtly. The
very precise fingerings
have been adapted to the
suggested phrasings and
to the corresponding
realization of trills
(according to the table).
Heinz Walter, Salzburg,
Spring 1980.
( A guide to practicing and performing the works of the maters of the Baroque, C...(+)
( A guide to practicing
and performing the works
of the maters of the
Baroque, Classical, and
Romantic Eras ). Edited
by Helen Marlais. For
Piano. Succeeding with
the Masters. Late
Elementary through Early
Intermediate. Book and CD
