Guitar - late intermediate SKU: BT.RSK200048 Exam Material. Book with Onl...(+)
Guitar - late
intermediate
SKU:
BT.RSK200048
Exam
Material. Book with
Online Audio. Composed
2018. Rockschool
#RSK200048. Published by
Rockschool
(BT.RSK200048).
ISBN
9781912352579.
English.
Learn
to play rock and pop with
Rockschool. These
specially written
arrangements develop the
skills and techniques you
need to help you achieve
your musical
goals.
For
Rockschool's 2018-2024
Guitar series, Rockschool
have commissioned
arrangements of titles
reflecting popular
music's rich heritage in
all its forms and have
tailored each piece to
make it exactly right for
the grade. You can also
use titles from
Rockschool's Classics
series as part of the
syllabus.
The
arrangements have been
written and performed by
top session musicians who
have worked with some of
the biggest names in
rock, metal and pop. The
tracks were recorded at
Real World's acclaimed
recordingstudios and
feature live instruments
and first rate
performances for an
unrivalled level of feel,
authenticity and
musicianship.
Featu
ring:
Prince -
I Wanna Be Your
Lover
Cream -
Crossroads
Jill
Scott - The Real
Thing/The
Way
Breakestra -
Cramp Your
Style
Soundgarden
- Fell On Black
Days
Alicia Keys
- If I Ain't Got
You
6 Rockschool
Originals
Plu
s:
Band and
artist fact files with
recommended
listening
Songs of the 2010s Piano, Voix et Guitare [Partition + Accès audio] Hal Leonard
(The New Decade Series with Online Play-Along Backing Tracks). By Various. For P...(+)
(The New Decade Series
with Online Play-Along
Backing Tracks). By
Various. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar
Songbook. Softcover Audio
Online. Published by Hal
Leonard
Composed by Colin Brumby. Text: 13th C English poem. Easy macaronic carol to Our...(+)
Composed by Colin Brumby.
Text: 13th C English
poem. Easy macaronic
carol to Our Lady.
Marian. Octavo. Published
by CanticaNOVA
Publications (C5.5123).
0.49
Cajun Folk Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:40.
Published by Manhattan
Beach Music.
Cajun Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:40. Published
by Manhattan Beach Music.
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
By Lois Brownsey and Marti Lunn Lantz. Choir Secular. 2-Part Choir. Choral Octav...(+)
By Lois Brownsey and
Marti Lunn Lantz. Choir
Secular. 2-Part Choir.
Choral Octavo. Choral
Designs. Chanukah;
Winter. 12 pages.
Published by Alfred Music
Publishing
Piano/Vocal/Guitar. Composed by various artists and composers. This edition: Pia...(+)
Piano/Vocal/Guitar.
Composed by various
artists and composers.
This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords;
Worship Resources.
Contemporary Christian;
Sacred. 256 pages.
Published by Alfred Music
Transcribed Scores Bass;
Drums; Guitar;
Piano/Keyboard;
Vocal
Complete Scores
Collectors
Edition. By Queen.
Transcribed
Score. Pop, Rock.
Hardcover.
Published by Hal Leonard
SATB a cappella Choral (SATB ACAPPEL) SKU: HL.466848 Folk Song from Am...(+)
SATB a cappella Choral
(SATB ACAPPEL)
SKU:
HL.466848
Folk
Song from Amasya, Turkey
The Sharon Gratto Global
Music Series.
Arranged by Ertugrul
Bayraktar. Pavane Choral.
Folk, Multicultural.
Octavo. Pavane Publishing
#P1719. Published by
Pavane Publishing
(HL.466848).
UPC:
196288070764.
6.75x10.5x0.029
inches.
“Tek
Kapidan†is a
Turkish folk song in
which the choir shares a
young girl's musings
about her boyfriend, who
was killed in an
accident. She reminisces
about their past times
together and wishes for
the old days when they
were together. She says
how much more important
being with him was than
the material things in
life. Sopranos and altos
alternate solo sections
with the tenors and
basses in this
arrangement.