The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy
Classical Music arranged
by Amy Appleby. For Piano
Solo. Music Sales
America. Classical.
Softcover. 400 pages.
Music Sales #AM967549.
Published by Music Sales
Edited by Amy Appleby. For piano. Format: piano solo book (spiral bound). With f...(+)
Edited by Amy Appleby.
For piano. Format: piano
solo book (spiral bound).
With fingerings.
Renaissance, baroque,
classical period,
romantic period,
impressionistic and 20th
century. 400 pages. 9x12
inches. Published by
Amsco.
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...(+)
Edited by Amy Appleby.
Collection and examples
CD for solo piano. Over
125 great masterpieces
from the Baroque,
Classical, Romantic, and
Modern eras. Series:
Piano Treasury Series.
399 pages. Published by
Music Sales.
55 Selections from Symphonies, Ballets, Operas & Piano Literature for Piano Solo...(+)
55 Selections from
Symphonies, Ballets,
Operas & Piano Literature
for Piano Solo. Arranged
by Blake Neely, Richard
Walters. World's Greatest
Classical Music. Size
9x12 inches. 240 pages.
Published by Hal Leonard.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417570 For Flute, Bb C...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417570
For
Flute, Bb Clarinet, And
Piano. Composed by
Edvard Grieg. Arranged by
Michael Webster. Sws
each. See the program
notes on pages two and
three of the full score.
Set of Score and Parts.
With Standard notation.
Composed 2008. 40 8 8
pages. Duration 18
minutes. Theodore Presser
Company #114-41757.
Published by Theodore
Presser Company
(PR.114417570).
ISBN
9781491107867. UPC:
680160636013. 9x12
inches.
The famous
set of dances by Norway's
greatest composer were
written for piano duet.
Grieg later created a
piano solo version, but
refused to orchestrate
the set. After some study
of Grieg and his music,
Michael Webster has
arranged the four dances
for Flute, Clarinet, and
Piano in a faithful
setting, using the piano
duet version as a guide.
This lively Grieg classic
will be a welcome new
addition to performance
programs. For advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
MICHAEL WEBSTER made his
New York recital debut at
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice Universityâ??s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
â??TeachingClarinetâ?
in The Clarinet Magazine
since 1998. Michael
Webster is a Buffet
artist-clinician,
performing on Buffet
clarinets
exclusively. NORWEGIAN
DANCES (Grieg)Michael
Websterâ??s
transcriptions for Flute,
Clarinet, and Piano have
created the core
literature for this
instrumental genre.
Working directly from
Griegâ??s original piano
four-hands version of the
charmingly familiar
Norwegian Dances, Webster
has given flutists and
clarinetists another
addition to the
ensembleâ??s
repertoire.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Piano Solo. By Igor Stravinsky. Arranged by Vladimir Leyetchkiss. Piano Large Wo...(+)
Piano Solo. By Igor
Stravinsky. Arranged by
Vladimir Leyetchkiss.
Piano Large Works
(Arranged for piano).
Size 9x12 inches. 60
pages. Published by G.
Schirmer, Inc.
Selections from The Brandenburg Concertos,Eine kleine Nachtmusik, The Four Seaso...(+)
Selections from The
Brandenburg
Concertos,Eine kleine
Nachtmusik, The Four
Seasons and More.
Arranged by Fred Kern.
For Piano. Piano
Collection. Masterwork.
Level: Intermediate.
Book. 80 pages. Published
by Alfred Publishing.
By Edvard Grieg. Edited by Angus Morrison. For Piano solo. Level: 2, 3, 4, 5. 48...(+)
By Edvard Grieg. Edited
by Angus Morrison. For
Piano solo. Level: 2, 3,
4, 5. 48 pages. Published
by ABRSM (Associated
Board of the Royal
Schools of Music).
By Edvard Grieg. Edited by Angus Morrison. For Piano solo. Level: 6, 7, 8. 64 pa...(+)
By Edvard Grieg. Edited
by Angus Morrison. For
Piano solo. Level: 6, 7,
8. 64 pages. Published by
ABRSM (Associated Board
of the Royal Schools of
Music).
Edited by Amy Appleby. Music Sales America. Baroque and Classical Period. Set of...(+)
Edited by Amy Appleby.
Music Sales America.
Baroque and Classical
Period. Set of
performance parts
(includes separate
pull-out violin part,
softcover). With solo
part and piano
accompaniment (spiral
bound). 238 pages. Music
Sales #AM948926.
Published by Music Sales
133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced...(+)
133 Selections by 43
Composers. Piano Solo
Mixed Folio (Intermediate
to advanced piano
arrangements with no
lyrics). Size 9x12
inches. 480 pages.
Published by Hal Leonard.
The Music of Richard Rodgers and Lorenz Hart: 21 of Their Most Popular Works. By...(+)
The Music of Richard
Rodgers and Lorenz Hart:
21 of Their Most Popular
Works. By Richard
Rodgers, Lorenz Hart.
Arranged by Matt Hyzer.
For Piano. Piano -
Personality Book. Simply
Series. Standard. Level:
Easy Piano. Book. 80
pages. Published by
Alfred Publishing.
Composed by Edvard Grieg (1843-1907). Edited by Einar Steen-N�¸kleberg and ...(+)
Composed by Edvard Grieg
(1843-1907). Edited by
Einar
Steen-N�¸kleberg and
Ernst-G�¼nter
Heinemann. For Piano.
Henle Music Folios.
Softcover. 252 pages. G.
Henle #HN1136. Published
by G. Henle
Dances and Daydreams Flûte traversière et Piano [Reduction] Theodore Presser Co.
(11 Pieces for Flutists of All Ages) for Flute and Piano. By Gary Schocker. For ...(+)
(11 Pieces for Flutists
of All Ages) for Flute
and Piano. By Gary
Schocker. For Flute,
Piano. Classical. Solo
part with piano
reduction. 24 pages.
Duration 18:00. Published
by Theodore Presser
Company.
Piano SKU: BR.EB-8033 Piano Lessons by Jean-Philippe Rameau. Compo...(+)
Piano
SKU:
BR.EB-8033
Piano
Lessons by Jean-Philippe
Rameau. Composed by
Jean-Philippe Rameau.
Edited by Heinz Walter.
Solo instruments;
stapled. Edition
Breitkopf. Suite;
Dances/marches; Baroque.
Score. 20 pages.
Breitkopf and Haertel #EB
8033. Published by
Breitkopf and Haertel
(BR.EB-8033).
ISBN
9790004174364. 9 x 12
inches.
This series
of easy piano music for
teaching purposes
presents pupils in the
lower and lower middle
grades with a carefully
chosen selection of
well-known and
lesser-known compositions
by important masters. The
volumes are deliberately
kept small in extant,
since it is more
stimulating for children
to change the teaching
material frequently.
Jean-Philippe Rameau
(1683-1764) is the second
great keyboard master of
the Baroque Age next to
Couperin. His works are
as unknown to pianists,
with few exceptions, as
they are famous among
harpsichord players. The
virtuosity and
imaginativeness of his
works lend themselves
especially well to the
sound of harpsichord,
which is why the piano
interpretation of works
by Couperin, Rameau,
Scarlatti and other
composers of that time
has been categorically
rejected. But, after all,
the works of Bach and
Handel were written for
the harpsichord and
clavichord, and no one
would dare question their
interpretation on the
pianoforte. In order to
introduce these
Impressionists of the
Baroque Era to piano
instructions, the editor
has added to this series
a folio of both
Couperin's (EB 8029) and
Rameau's music. The
selection of the pieces
is based on two criteria:
1. relatively modest
demands made on
technique, 2. various
musical forms of
expression. Baroque dance
forms and graceful
character pieces
(LaJoyeuse,
L'Indifferente) are
typical ofRameau's work.
Simplifications to a
small extent of the
harpsichord setting and
also of the omamentation
in the original version
were required, based on
the teaching experience
of the editor. The
indications for phrasing
and articulation are
those of the editor. The
Minuet on page 6 has been
precisely elaborated on
in this respect to serve
as a model, whereas the
remaining pieces contain
only suggestions. As in
other folios of this
series: what is here to
be stressed, is the
importance of working out
independently the
phrasing and the
dynamics. Directions for
this are given by the
espective footnotes;
these directions,
however, are not
obligatory. Indications
pertaining to dynamics
and tempo have been
omitted completely; the
clearly recognizable
character of the
individual pieces should
be direction enough. The
tonal possibilities of
the piano should in any
case by used subtly. The
very precise fingerings
have been adapted to the
suggested phrasings and
to the corresponding
realisation of trills
(according to the table).
Heinz Walter, Salzburg,
Spring 1980.
Piano 4 Hands SKU: BR.EB-6775 Piano Lessons by Wolfgang Amadeus Mozart...(+)
Piano 4 Hands
SKU:
BR.EB-6775
Piano
Lessons by Wolfgang
Amadeus Mozart.
Composed by Wolfgang
Amadeus Mozart. Edited by
H. Walter. Arranged by
Heinz Walter. Solo
instruments; Softcover.
Edition Breitkopf.
Dances/marches;
Classical. Score. 20
pages. Breitkopf and
Haertel #EB 6775.
Published by Breitkopf
and Haertel (BR.EB-6775).
ISBN 9790004169742. 9
x 12 inches.
This
series of easy piano
music for teaching
purposes presents pupils
in the lower and lower
middle grades with a
carefully chosen
selection of well-known
and lesserknown
compositions by important
masters. The volumes are
deliberately kept small
in extent, since it is
more stimulating for
children to change the
teaching material
frequently. In his last
years, Mozart composed a
large number of German
Dances for orchestra.
This music for daily use
of the time - intended
functionally, for dancing
and entertainment - is
distinguished by
enchanting ideas and
simple textures. The
editor has tried to cany
over the instrumental
subtleties into the
piano-duet writing. These
dances are particularly
suitable for introducing
some relaxation into the
learning of the piano,
for the interpretative
and technical workingout
demanded by Mozart's
original piano-duet works
is not required to the
same degree here. The
marks of expression have
been taken over from the
original score and in
part supplemented. Notes
not marked otherwise are
to be played non legato.
The technical difficulty
of these pieces
corresponds roughly to
the third and fourth year
of study. Heinz Walter,
Salzburg, Spring
1977.