Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For piano. Format: instructional book. With introductory text, instructional text, illustrations, big note notation, easy piano notation, fingerings and lyrics (on most songs). Learn To Play. Series: Alfred's Basic Piano Library. 64 pages. 9x12 inches. Published by Alfred Publishing.

SATB choir, piano

SKU: LO.10-5298MD

Composed by Jay Rouse. Choral. Sacred Anthem, Eastertide, General, Lent. Octavo. Medallion Music #10/5298MD. Published by Medallion Music (LO.10-5298MD).

ISBN 9780787765576.

Jay Rouse presents a novel worship treatment for the classic hymn that focuses on the redemption sinners receive through the blood of Christ. The moving music portrays the forgiveness that is now ours. This anthem from the musical The Lamb (55/1192MD) will be additive to Lenten and Eastertide services or any service where the redeeming love of Christ is the focus.

Trumpet

SKU: HL.48180095

For Trumpet. Composed by Guillaume Balay. Leduc. Classical. Softcover. 55 pages. Alphonse Leduc #AL15691. Published by Alphonse Leduc (HL.48180095).

UPC: 888680831950. 9.5x12.25 inches.

Méthode complète de Cornet à Pistons for the Cornet, Trumpet or Saxhorn, composed by Guillaume Balay is a method for beginners in two volumes and one of the most complete for these instruments. This first volume focuses on the establishment of the music and on the quality of the sonority obtained. The first two chapters will therefore focus on the establishment of the rhythms. They are followed by some studies of scales and liaisons. The last three chapters concentrate on learning how to play certain nuances of melody, arpeggios and syncopation. All techniques acquired while studying this volume would not be fully effective if not followed by the study of Méthode complète de Cornet à Pistons Volume 2. Guillaume Balay (1871-1943) is a French soloist and composer. As a member of the military, he was the Head of Music for the Republican Guard and composed many chamber music and solo music pieces, for cornets and other wind instruments. He was also a respected music teacher.

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco. For Piano. Piano Method. Alfred's Basic Piano Library. Book and CD. 64 pages. Published by Alfred Publishing.

24 Exercises for Clarinet. Composed by Kalmen Opperman. Contemporary. Student book. With Standard notation. 40 pages. Carl Fischer #WF00202. Published by Carl Fischer (CF.WF202).

Arranged by Russell Mauldin. For SATB choir, piano accompaniment. Anthem. Christmas. Octavo. Published by Word Music

Piano - Early Intermediate

SKU: FJ.FJH2339

Composed by Christopher Oill. Piano Collection; Piano Supplemental. Composers in Focus. Book. The FJH Music Company Inc #98-FJH2339. Published by The FJH Music Company Inc (FJ.FJH2339).

ISBN 9781619282841. UPC: 241444410554. English.

A highly original collection wittily depicts various superpowers with titles such as Strength, Mind Control, Healing, X-Ray Vision plus five more. Christopher adds short suggestions and a technique tip about each piece. Students will be intrigued and inspired by the concepts and the music... making them become super pianists!

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Piano (Solo Piano) - Intermediate; Late Intermediate

SKU: FJ.FJH2307

Composed by Jeanne Costello. Piano Collection; Piano Supplemental. Composers in Focus. Book. The FJH Music Company Inc #98-FJH2307. Published by The FJH Music Company Inc (FJ.FJH2307).

ISBN 9781619282179. UPC: 241444385296. English.

The ten lyrical nocturnes in this appealing collection each explore a different minor key. Ranging from two to four pages, these pieces are easier than the Chopin or Field nocturnes and serve as a stepping-stone toward more advanced literature. Artistic yet accessible.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Piano - Early Intermediate; Late Elementary

SKU: FJ.FJH1415

Composed by Judith R. Strickland. Piano Collection; Piano Supplemental. Composers In Focus. Contents include: Parade; Fife and Drum; March; Tuba Tune; Paint the Town Red, White, and Blue; Holiday Fanfare; Walking on Stilts; Riding a Float; Clowns; Big Brass Band; Cloud Nine; The Jaunty Jalopy. Traditional scale and chord patterns make these piec. Book. The FJH Music Company Inc #98-FJH1415. Published by The FJH Music Company Inc (FJ.FJH1415).

ISBN 9781569393529. UPC: 674398213962. English.

The sights and sounds of a festive parade come alive in this collection: Fife and Drum, Tuba Tune, Holiday Fanfare, Walking on Stilts, Riding a Float, Clowns and much more. Traditional scale and chord patterns make these pieces easy to learn (keys of C, F, and G), and provide a good supplement to any piano method.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Choral Double bass voice, Piano, Viola, Violin 1, Violin 2, SATB chorus

SKU: CF.CM9735

Jubilate Agno. Composed by Z. Randall Stroope. 16 pages. Duration 0:03:05. Carl Fischer Music #CM9735. Published by Carl Fischer Music (CF.CM9735).

ISBN 9781491161159. UPC: 680160919741. Key: A minor. Latin, English. Christopher Smart and ZRS.

Origins of the Tarantella The tarantella is a popular southern Italian dance with origins in the 11th century. (There is even some mention of the tarantella in ancient Greek mythology.) Of the possible sources of the dance, the most popular comes from the villages of Tanto and Tarentum (little spider), Italy. During harvest, workers in the field were sometimes bitten by the tarantula spider. To combat the poison, the afflicted workers went into a frenetic, almost musical exorcism to sweat the venom out of their pores. In the millennium since, the very energetic nature of the dance has remained, although the curative focus of the dance has given way to more enjoyable endeavors, even stately courtship. Origins of the Text Christopher Smart (1722-1771), also known as Kit Smart or Jack Smart, was born in Kent, England and suffered from what is now believed to be acute asthma and other health issues as a child. As such, he did not work in the fields, but spent much time reading and writing, a passion that he nurtured for a lifetime. Well known in London literary circles, his career as a writer floundered due to mounting debts and his falling out of favor with the literary establishment: Sadly, he was forced to confinement at St. Luke's Hospital for Lunatics, though this was based on his mounting debt, and not on insanity. (Confinement, or debtor's prison, was common during this period if one's debts could not be paid.) During his confinement, he worked on two of his most famous works, Jubilate Agno and A Song of David. (Part of Jubilate Agno [Rejoice in the Lamb] was set to music by English composer, Benjamin Britten.) Smart's writing style (which, at times, bordered on the absurd), along with his many obsessions, lead to frequent misperceptions of his work and his lucidity. In this present work, portions of Smart's Jubilate Agno were used in mm. 24-31, 103-110 and 149-156. The remaining text was gathered by the composer, including the rapid, almost patter-like, delivery of words from A-Z in the alphabet. (Christopher Smart had a preoccupation with the alphabet.) These words both rhyme and accentuate the frenetic nature of the spider dance: theraphosa [teh-rah-fo-sa] a genus of tarantula spiders bellicose [beh-lee-ko-sah] hostile; aggressive odiosa [o-dee-o-sa] hateful; vexation tenebrosa [teh-neh-bro-sa] creeping; dark nemorosa [neh-mo-ro-sa] wooded; shady lapidosa [lah-pee-do-sa] stony area; gritty The convergence, then, of the medieval tarantella (spider dance), the writings of a brilliant poet who bordered on the absurd, and the infusion of strong, descriptive and otherwise random, rhyming words, synthesizes to make dramatic lyrics for this work. About the Composer Z. Randall Stroope is an American composer and conductor. He has served as Professor of Music at three universities (an Endowed Professor at two), conducted 47 all-state choirs, and directed over 40 times at Carnegie Hall, among other American venues. Randall guest conducts full-time, and composes from his home studios on Merritt Island, Florida and in Sandia Park, New Mexico. Performance Notes Text: In Latin, the r is flipped; use s instead of z on endings such as phosa, cosa, and so on; the Latin o is a cross between oh and aw; in the transliteration above, I chose to simply use an o for consistency. The director will blend the oh and aw in the rehearsals to his/her own preference. Lastly, tarantula is pronounced tah-rah-n-too-lah (avoid teh-ran-choo-luh) within the confines of this text. Stomp: This can be done by the entire chorus, or just the first row. It is as much visual as it is auditory. The string quartet is preferred over piano when that option affords itself. I created a piano score that is a viable option and included it in the piano/vocal score if a performance uses chorus/piano.
The tarantella is a popular southern Italian dance with origins in the 11th century. (There is even some mention of the tarantella in ancient Greek mythology.) Of the possible sources of the dance, the most popular comes from the villages of Tanto and Tarentum (“little spider”), Italy. During harvest, workers in the field were sometimes bitten by the tarantula spider. To combat the “poison,” the afflicted workers went into a frenetic, almost musical exorcism to sweat the venom out of their pores. In the millennium since, the very energetic nature of the dance has remained, although the curative focus of the dance has given way to more enjoyable endeavors, even stately courtship.Christopher Smart (1722-1771), also known as “Kit Smart” or “Jack Smart,” was born in Kent, England and suffered from what is now believed to be acute asthma and other health issues as a child. As such, he did not work in the fields, but spent much time reading and writing, a passion that he nurtured for a lifetime. Well known in London literary circles, his career as a writer floundered due to mounting debts and his falling out of favor with the literary establishment: Sadly, he was forced to confinement at St. Luke’s Hospital for Lunatics, though this was based on his mounting debt, and not on insanity. (Confinement, or debtor’s prison, was common during this period if one’s debts could not be paid.) During his confinement, he worked on two of his most famous works, Jubilate Agno and A Song of David. (Part of Jubilate Agno [“Rejoice in the Lamb”] was set to music by English composer, Benjamin Britten.) Smart’s writing style (which, at times, bordered on the absurd), along with his many obsessions, lead to frequent misperceptions of his work and his lucidity. In this present work, portions of Smart’s Jubilate Agno were used in mm. 24-31, 103-110 and 149-156. The remaining text was gathered by the composer, including the rapid, almost patter-like, delivery of words from A-Z in the alphabet. (Christopher Smart had a preoccupation with the alphabet.) These words both rhyme and accentuate the frenetic nature of the spider dance:The convergence, then, of the medieval tarantella (spider dance), the writings of a brilliant poet who bordered on the absurd, and the infusion of strong, descriptive and otherwise random, rhyming words, synthesizes to make dramatic lyrics for this work.Z. Randall Stroope is an American composer and conductor. He has served as Professor of Music at three universities (an Endowed Professor at two), conducted 47 all-state choirs, and directed over 40 times at Carnegie Hall, among other American venues. Randall guest conducts full-time, and composes from his home studios on Merritt Island, Florida and in Sandia Park, New Mexico. In Latin, the “r” is flipped; use “s” instead of “z” on endings such as “phosa,” “cosa,” and so on; the Latin “o” is a cross between “oh” and “aw”; in the transliteration above, I chose to simply use an “o” for consistency. The director will blend the “oh” and “aw” in the rehearsals to his/her own preference. Lastly, “tarantula” is pronounced “tah-rah-n-too-lah� �€ (avoid “teh-ran-choo-luhâ €) within the confines of this text.Stomp: This can be done by the entire chorus, or just the first row. It is as much visual as it is auditory. The string quartet is preferred over piano when that option affords itself. I created a piano score that is a viable option and included it in the piano/vocal score if a performance uses chorus/piano.
The tarantella is a popular southern Italian dance with origins in the 11th century. (There is even some mention of the tarantella in ancient Greek mythology.) Of the possible sources of the dance, the most popular comes from the villages of Tanto and Tarentum (“little spider”), Italy. During harvest, workers in the field were sometimes bitten by the tarantula spider. To combat the “poison,” the afflicted workers went into a frenetic, almost musical exorcism to sweat the venom out of their pores. In the millennium since, the very energetic nature of the dance has remained, although the curative focus of the dance has given way to more enjoyable endeavors, even stately courtship.Christopher Smart (1722-1771), also known as “Kit Smart” or “Jack Smart,” was born in Kent, England and suffered from what is now believed to be acute asthma and other health issues as a child. As such, he did not work in the fields, but spent much time reading and writing, a passion that he nurtured for a lifetime. Well known in London literary circles, his career as a writer floundered due to mounting debts and his falling out of favor with the literary establishment: Sadly, he was forced to confinement at St. Luke’s Hospital for Lunatics, though this was based on his mounting debt, and not on insanity. (Confinement, or debtor’s prison, was common during this period if one’s debts could not be paid.) During his confinement, he worked on two of his most famous works, Jubilate Agno and A Song of David. (Part of Jubilate Agno [“Rejoice in the Lamb”] was set to music by English composer, Benjamin Britten.) Smart’s writing style (which, at times, bordered on the absurd), along with his many obsessions, lead to frequent misperceptions of his work and his lucidity. In this present work, portions of Smart’s Jubilate Agno were used in mm. 24-31, 103-110 and 149-156. The remaining text was gathered by the composer, including the rapid, almost patter-like, delivery of words from A-Z in the alphabet. (Christopher Smart had a preoccupation with the alphabet.) These words both rhyme and accentuate the frenetic nature of the spider dance:The convergence, then, of the medieval tarantella (spider dance), the writings of a brilliant poet who bordered on the absurd, and the infusion of strong, descriptive and otherwise random, rhyming words, synthesizes to make dramatic lyrics for this work.Z. Randall Stroope is an American composer and conductor. He has served as Professor of Music at three universities (an Endowed Professor at two), conducted 47 all-state choirs, and directed over 40 times at Carnegie Hall, among other American venues. Randall guest conducts full-time, and composes from his home studios on Merritt Island, Florida and in Sandia Park, New Mexico.In Latin, the “r” is flipped; use “s” instead of “z” on endings such as “phosa,” “cosa,” and so on; the Latin “o” is a cross between “oh” and “aw”; in the transliteration above, I chose to simply use an “o” for consistency. The director will blend the “oh” and “aw” in the rehearsals to his/her own preference. Lastly, “tarantula” is pronounced “tah-rah-n-too-lah� �€ (avoid “teh-ran-choo-luhâ €) within the confines of this text.Stomp: This can be done by the entire chorus, or just the first row. It is as much visual as it is auditory. The string quartet is preferred over piano when that option affords itself. I created a piano score that is a viable option and included it in the piano/vocal score if a performance uses chorus/piano.

Piano - Intermediate

SKU: FJ.FJH2332

Composed by Kevin Costley. Piano Collection; Piano Supplemental. Composers in Focus. Book. The FJH Music Company Inc #98-FJH2332. Published by The FJH Music Company Inc (FJ.FJH2332).

ISBN 9781619282742. UPC: 241444408124. English.

For the composer, indelible describes lasting memories that are unforgettable-a summer rain, a christening, a beautiful horizon, a jam session. Costley's lyricism is evident throughout this new intermediate collection of joyous memories.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

(Grade 2 to 4 - Score Only). By James Curnow. Curnow Music Concert Band. Grade 2-4. 72 pages. Curnow Music #070103. Published by Curnow Music

Piano - Early Intermediate; Late Elementary

SKU: FJ.FJH2319

1. Composed by Edwin Mclean. Piano Collection; Piano Supplemental. Composers in Focus. Contents: Where the Horses Roam Jalopy Town Appalachian Ballad Little Prelude in C Scherzetto Marionette Reminiscence The Haunted Guitar Landing on Planet Tritonius Black Key Country Insistence. Book. The FJH Music Company Inc #98-FJH2319. Published by The FJH Music Company Inc (FJ.FJH2319).

ISBN 9781619282575. UPC: 024144440119. English.

These short, artistic solos offer a variety of moods and styles that will appeal to both younger students and adults. Most of the eleven pieces are two pages and are good preparation for classical literature.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Piano - Intermediate; Late Intermediate

SKU: FJ.FJH2316

Composed by Timothy Brown. Piano Collection; Piano Supplemental. Composers in Focus. Contents: Waltz in D Major Waltz in G Major Waltz in E-flat Major Waltz in G Minor Waltz in A Major Waltz in E Minor Waltz No. 2 in E-flat Major Waltz in F Minor Waltz in C Major Waltz in F Major. Book. The FJH Music Company Inc #98-FJH2316. Published by The FJH Music Company Inc (FJ.FJH2316).

ISBN 9781619282490. UPC: 024144439717. English.

Written in the romantic style, these original waltzes soar with beautiful melodies and lush harmonies. Most are four pages long and explore a variety of keys. These waltzes are great preparatory literature for the Chopin waltzes, and perfect for any performance venue.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Piano - Intermediate; Late Intermediate

SKU: FJ.FJH2340

Composed by Kevin Olson. Piano Collection; Piano Supplemental. Composers in Focus. Book. The FJH Music Company Inc #98-FJH2340. Published by The FJH Music Company Inc (FJ.FJH2340).

ISBN 9781619282933. UPC: 241444412916. English.

In this delightful work the sounds of the deep South come alive! Each of the four movements has its own character and style, depicting a scene from the colorful environment of the South. Every piece explores dramatic, catchy rhythms and melodies as performers create their own musical stories set in the South.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Piano - Early Elementary

SKU: FJ.FJH2325

Composed by Christopher Oill. Games; Piano Collection; Piano Supplemental. Composers in Focus. Fun and Games. Book. The FJH Music Company Inc #98-FJH2325. Published by The FJH Music Company Inc (FJ.FJH2325).

ISBN 9781619282650. UPC: 241444404546. English.

No matter what your mood---excited, silly, angry, confused---there is an emoji etude for you! All of these interesting, little etudes are two pages with accidentals --- no key signatures. Lyrics and optional teacher duets add even more fun to this fresh, new collection of elementary solos. The composer supports overly dramatic performances i.e. students can storm off the stage after Angry, show heavy eyes during Sleepy and smile during Happy. Kids can color the emoji for each title.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Piano - Early Intermediate; Intermediate

SKU: FJ.FJH2252

Composed by Kevin Costley. Piano Collection; Piano Supplemental. Composers in Focus. Classical. Book. The FJH Music Company Inc #98-FJH2252. Published by The FJH Music Company Inc (FJ.FJH2252).

ISBN 9781619281110. UPC: 674398233038. English.

The beautiful, hazy-blue mountains, flowing rivers, waterfalls, and magnificent vistas of the Smokies are highlighted in this collection. Some titles are: Deer in the Cove, A Peaceful Mountain Trail, The Newfound Gap, and Smokey Mountain Laurel. Other pieces bring to mind traditional Appalachian music: The Happy Fiddler, Autumn Hoedown, and Old Settlers' Waltz. Most of the nine pieces are three pages.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Piano - Elementary

SKU: FJ.FJH2360

Composed by Kevin Costley. Piano Collection. Composers in Focus. Classical. Book. The FJH Music Company Inc #98-FJH2360. Published by The FJH Music Company Inc (FJ.FJH2360).

ISBN 9781619283442. English.

A collection of elementary solos by Kevin Costley lets students explore a world of movement and color. These pieces are easy to read, and include exploration of dynamics, phrasing and articulation, with no teacher accompaniment. Multiple hand positions are explored, but each piece adheres to one position. Repetition of musical phrases helps the student solidify their technical skills.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Piano - Early Intermediate; Intermediate

SKU: FJ.FJH2326

2. Composed by Edwin Mclean. Piano Collection; Piano Supplemental. Composers in Focus. Book. The FJH Music Company Inc #98-FJH2326. Published by The FJH Music Company Inc (FJ.FJH2326).

ISBN 9781619282667. UPC: 241444405918. English.

Vignettes, Book 2, contains ten pieces in varying styles that introduce students to the sound, feel and artistry of artistic solos through the lens of a modern-day composer. These works are well-suited for young students as well as adults, and are good preparation for classical literature.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Orchestra Orchestra

SKU: PR.416413710

For Chamber Orchestra. Composed by Clint Needham. Watkiss. Contemporary. Full score. With Standard notation. Composed 2008. 92 pages. Duration 21 minutes. Theodore Presser Company #416-41371. Published by Theodore Presser Company (PR.416413710).

ISBN 9781598068214. UPC: 680160587162. 9x12 inches.

Needham's original intent with Chamber Symphony was to encapsulate the 2008 presidential election, from the Democratic primaries to the historic general election campaign and win of Barack Obama. But, says Needham, In the midst of the general election circus, I decided to broaden my inspiration and have the work's overall goal focus on the larger ideas of hope and transformation. Chamber Symphony was commissioned by the American Composers Orchestra with generous support of Paul Underwood. Additional support was from the National Endowment for the Arts.
I originally envisioned a work inspired by the political landscape of the 2008 presidential election, focusing primarily on the hard-fought Democratic Primary race. I was fascinated by the historic and hopeful spirit that both the Barack Obama and Hillary Clinton campaigns embodied. Sometime later, in the midst of the general election circus, I decided to broaden my inspiration and have the work’s overall goal focus on the larger ideas of hope and transformation. Chamber Symphony is constructed in three movements (played without pause): I. Hammering Out, II. Open-ended Echoes, and III. Radiant Nation. The titles suggest a general atmosphere that each movement attempts to express. The outer movements, both quick in tempo, act as the antithesis of each other in terms of mood. “Hammering Out” employs an aggressive, relentless, pounding beat that frequently shifts, often emphasized with metallic sounds. “Radiant Nation” is much lighter and more optimistic in tone, and uses an up-beat groove throughout the movement. The middle movement, “Open-ended Echoes,” is the proverbial calm after the storm. Unlike the outer movements, “Open-ended Echoes” is almost void of any strong sense of pulse. The movement attempts to create a peaceful, contemplative mood that transforms the volatile nature of the first movement tothe radiant spirit of the last. Chamber Symphony was commissioned by the American Composers Orchestra for its Orchestra Underground Series with the generous support of Paul Underwood. Additional support for the ACO’s Emerging Composers Program comes from the National Endowment for the Arts.— November 5, 2008.

Choral Cello, Piano, SATB chorus

SKU: CF.CM9714

Composed by Z. Randall Stroope. 16 pages. Duration 4 minutes, 48 seconds. Carl Fischer Music #CM9714. Published by Carl Fischer Music (CF.CM9714).

ISBN 9781491160329. UPC: 680160918904. Key: F major. English. Robert Frost.

About the work ... Few American poems are as well known as The Road Not Taken. Robert Frost, the author, is an international icon, not unlike Pablo Picasso, Winston Churchill or Mark Twain in their own disciplines.The poem is full of contradictions and quirks of form and structure. Perhaps that illusiveness is part of the poem's intrigue. But beyond all of the literary devices that only a few scholars may fully appreciate, this poem has taken on a sort of fanfare for the common person credo - a challenge to individualism, stepping out on one's own, and breaking the mold out of sheer determination if nothing else. Frost connects to the core of the human spirit in just a few stanzas using the analogy of a fork in a road. The message super cedes geography, culture, race or creed. Rather, it is part of the DNA of most every person on the planet - the inner desire to feel empowered to create one's own destiny, to forge a road not taken, and ultimately in doing so, to make a difference. Rehearsal notes ... Research strongly suggests that there is a direct connection between the first rehearsal and the performance. First impressions last. I find it helpful to immediately lock three concepts into place - mechanics (notes/rhythms), text/phrasing (intent and motivation) and color (timbre). Performers need to think musically from the first reading forward (first impression). The cello is very much a collaborative instrument in this work, and should be located in front of the ensemble (not to side). Lastly, let the text speak. The simplest melodic lines are often the most exposed. Keep the voices clear and transparent, floating over the top in softer passages, and singing with vibrancy and forward focus throughout. Z. Randall Stroope A definitive recording was made by the New American Voices, with Randall conducting. This can be found on Spotify, YouTube, his website (www.zrstroope), and other social media. About the composer ... Z. Randall Stroope is an American composer and conductor. His composition teachers were Normand Lockwood and Cecil Effinger, both students of the Nadia Boulanger, the famous French teacher (and student of Gabriel Faure). He is the artistic director of two international summer music festivals, is an Honorary Member of the National Association of Italian Choral Directors, and has conducted in 25 countries. He has directed over 40 times at Carnegie Hall, and is a frequent conductor at other prestigious concert venues. Randall has 190 published works, and his music can be heard on Spotify, YouTube and other platforms, including his website (www.zrstroope.com).
A bout the work ...Few American poems are as well known as The Road Not Taken. Robert Frost, the author, is an international icon, not unlike Pablo Picasso, Winston Churchill or Mark Twain in their own disciplines.The poem is full of contradictions and quirks of form and structure. Perhaps that illusiveness is part of the poem's intrigue. But beyond all of the literary devices that only a few scholars may fully appreciate, this poem has taken on a sort of fanfare for the common person credo - a challenge to individualism, stepping out on one's own, and breaking the mold out of sheer determination if nothing else. Frost connects to the core of the human spirit in just a few stanzas using the analogy of a fork in a road. The message super cedes geography, culture, race or creed. Rather, it is part of the DNA of most every person on the planet - the inner desire to feel empowered to create one's own destiny, to forge a road not taken, and ultimately in doing so, to make a difference.Rehearsal notes ...Research strongly suggests that there is a direct connection between the first rehearsal and the performance. First impressions last. I find it helpful to immediately lock three concepts into place - mechanics (notes/rhythms), text/phrasing (intent and motivation) and color (timbre). Performers need to think musically from the first reading forward (first impression). The cello is very much a collaborative instrument in this work, and should be located in front of the ensemble (not to side). Lastly, let the text speak. The simplest melodic lines are often the most exposed. Keep the voices clear and transparent, floating over the top in softer passages, and singing with vibrancy and forward focus throughout.Z. Randall StroopeA definitive recording was made by the New American Voices, with Randall conducting. This can be found on Spotify, YouTube, his website (www.zrstroope), and other social media.About the composer ...Z. Randall Stroope is an American composer and conductor. His composition teachers were Normand Lockwood and Cecil Effinger, both students of the Nadia Boulanger, the famous French teacher (and student of Gabriel Fauré). He is the artistic director of two international summer music festivals, is an Honorary Member of the National Association of Italian Choral Directors, and has conducted in 25 countries. He has directed over 40 times at Carnegie Hall, and is a frequent conductor at other prestigious concert venues. Randall has 190 published works, and his music can be heard on Spotify, YouTube and other platforms, including his website (www.zrstroope.com).

Piano - Easy Level

SKU: YM.GTP01101529

Composed by Maki Iida and Miyuki Ichikizaki. Yamaha's Waku Waku Piano Technique. Piano Educational, Exercise, Studies. Book. Yamaha Music Media #GTP01101529. Published by Yamaha Music Media (YM.GTP01101529).

ISBN 9784636112153. 8.75 x 12 inches.

The New WAKU WAKU Piano Technique Series is the essential piano technique books for children prior to Hanon exercises and the trusted Japanese piano skilled books. Learn the basics of piano playing with simple and short sheet music. Each book in the series features titles and illustrations based on children's daily lives, allowing players to add expression to the music while imagining the scenes. With a total of 7 volumes, each volume is structured with 7-8 steps. Each step has a clearly defined practice objective, enabling efficient strengthening of foundational skills. Suitable for use from around 4 years old, it can be used in conjunction with any song collection, making it recommended for all students! Piano Technique 1, 2, 3 Volumes: Learn basic techniques such as staccato and legato with simple sheet music. Effective for strengthening fingertips and muscles, expanding the range of volume and expressiveness. Fingering Exercises allow practicing finger usage without producing sound, and it is beneficial to focus on fingertips and wrist form while using them. Transposing Exercises provide a fun experience of transposing playing with the teacher's accompaniment. Scale & Arpeggio 1 and 2 Volumes: Acquire basic finger usage using short phrases. Highly effective for students who cannot play 1-octave scales or get stuck in the middle of phrases. Transposing Exercises provide an enjoyable experience of transposing playing with the teacher's accompaniment. A la carte 1 and 2 Volumes: Experience various techniques such as ornamentation, unison, octaves, pedal, and more. Since these involve short phrases, you can play without exerting too much force, allowing for practice with a focus on relaxation.

Essentials of Musicianship Grade 2-4 - Score and Parts. By James Curnow. Curnow Concert Band Full Set. Size 9x12 inches. Published by Curnow Music.