Vocal and Guitar (BR) SKU: HL.49023860 Lieder und Geschichten. Com...(+)
Vocal and Guitar (BR)
SKU: HL.49023860
Lieder und
Geschichten. Composed
by Dapper. Edited by
Beate Dapper. This
edition: Paperback/Soft
Cover. Sheet music.
Kunter-bund-edition.
Melody line (with
chords). 96 pages. Schott
Music #BUND 71153.
Published by Schott Music
(HL.49023860).
ISBN
9783795756864. German.
Viktoria
Lundgruen.
Diese
Sammlung von insgesamt 36
Liedern, Mythen, Marchen,
Gedichten und
Wissenswertem fuhrt auf
eine faszinierende Reise
durch die
Sternenwelt.
Piano; Piano/Keyboard - intermediate SKU: HL.49003594 Sketches for Pia...(+)
Piano; Piano/Keyboard -
intermediate
SKU:
HL.49003594
Sketches for
Piano. Composed by
Alexander Gretchaninoff.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Op. 115. 14
pages. Schott Music #ED
2071. Published by Schott
Music (HL.49003594).
ISBN 9790001035439.
UPC: 884088048792.
9.0x12.0x0.066
inches.
Percussion solo SKU: BR.DV-8173 Composed by Karl Ottomar Treibmann. Solo ...(+)
Percussion solo
SKU:
BR.DV-8173
Composed
by Karl Ottomar
Treibmann. Solo
instruments; Softcover.
Deutscher Verlag. World
premiere Leipzig, 1980.
Music post-1945. Score.
Composed 1979. 30 pages.
Duration 10'. Deutscher
Verlag fur Musik #DV
8173. Published by
Deutscher Verlag fur
Musik (BR.DV-8173).
ISBN 9790200480832. 9
x 12 inches.
World
premiere Leipzig, 1980
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'.
(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edite...(+)
(Kantate zum Sonntag
Septuagesimae). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Solo
Soprano, SATB Choir,
Oboe, Violin solo,
Strings, Organ. This
edition: paperbound. BWV
84. Full score available
separately - see item
CA.3108400. Cantatas;
Stuttgart Urtext
editions; Occasions:
Praise and thanks; Use
during chuch year:
Special Days. Level 3.
Study score. Language:
German/English. Composed
1727 (?). 48 pages.
Duration 16 min
Viola SKU: M7.VHR-3906 Arbeitsbuch Viola. Composed by Simone Drebe...(+)
Viola
SKU:
M7.VHR-3906
Arbeitsbuch Viola.
Composed by Simone
Drebenstedt. Sheet music.
100 pages. Holzschuh
Musikverlag #VHR 3906.
Published by Holzschuh
Musikverlag
(M7.VHR-3906).
ISBN
9783940069849.
Umfa
ngreiches Schulwerk
für den
Streicherklassenunterrich
t- für 2
JahreBesetzung: Viola Das
neue Schulwerk verbindet
Lieder und Aufgaben in
sehr übersichtlicher
Form. Viele Liedbeispiele
und Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
Men's choir (TTBB) and piano (Volksmusikinstruments) (Fl, Klar, Fag, Git, Akk. V...(+)
Men's choir (TTBB) and
piano
(Volksmusikinstruments)
(Fl, Klar, Fag, Git, Akk.
V, Vc, Bass, Schlagz.) -
easy
SKU:
HL.49015313
(Irland). Composed
by Hilger Schallehn. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Set of Parts.
162 pages. Duration 12'.
Schott Music #ED 7517-11.
Published by Schott Music
(HL.49015313).
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Choral
Score. Composed 1724. BWV
139. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.139/05. Published by
Carus Verlag
(CA.3113905).
ISBN
9790007181093. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score available
separately - see item
CA.3113900.
Composed
by Piet Swerts. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2005. Hal
Leonard #1053776.
Published by Hal Leonard
(HL.44007582).
Thi
s delightful new
composition takes its
inspiration from the
classic French swash
buckling tale of Cyrano
de Bergerac and his fight
to win the love of the
beautiful maiden Roxane.
The subject was a perfect
departure point for
composing a symphonic
poem with a variety of
musical aspects
reflecting the story.
Lyricism (the theme of
Roxane), dramatic
episodes, as well as
Debussy-inspired
impressionist moments are
some of the elements that
give the band and its
conductor the chance to
expose themselves as a
versatile ensemble being
able to create colour, to
sing and to play like
virtuosi. This work is
sure to become a standard
item in the concert band
repertoire.
In
Cyrano verklankt
de componist Piet Swerts
het romantische en
tragische verhaal van de
briljante dichter en
zwaardkunstenaar Cyrano
de Bergerac en zijn
mooie, intellectuele
nicht Roxane, op wie hij
tot over zijn oren
verliefdis. Zijn
uiterlijk, met name zijn
buitengewoon grote neus,
belet hem om zijn
gevoelens tegenover haar
te uiten. De vele
verwikkelingen die uit
deze situatie voortkomen
zijn te herkennen in deze
programmatische
compositie.
Piet
Swerts erzahlt hier
musikalisch die
tragisch-romantische
Geschichte von Cyrano de
Bergerac, der einem
verliebten Freund hilft,
seine Liebe zu erobern
und sich dann selbst
unglucklich in dessen
Angebetete verliebt.
Diese Komposition
spiegelt die Geschichte
mit einer Vielfalt an
musikalischen Aspekten
eindrucksvoll wider.
Lyrik, dramatische
Episoden sowie von
Debussy inspirierte,
impressionistische
Momente sind einige der
Elemente, die dem
Blasorchester und seinem
Dirigenten die Chance
bieten, sich als
vielseitiges Ensemble,
das zugleich Farben
entfalten, singen und
virtuos spielen kann, zu
prasentieren.
La
comedie heroique
Cyrano de Bergerac
(1897) valut a son auteur
une gloire immediate.
Cyrano, heros tragique et
attachant, est entre dans
le patrimoine universel,
sans doute parce qu'il
incarne superbement un
mythe bien ancien : celui
de l'amour et du bonheur
impossibles. Ce delicieux
chef-d'œuvre
theatral d'Edmond Rostand
a inspire ce poeme
symphonique de Piet
Swerts qui s'articule
autour d'une grande
diversite musicale
exprimant differentes
scenes de la piece.
Passages lyriques,
episodes dramatiques et
moments impressionnistes,
Cyrano comprend de
nombreux ingredients qui
permettent au chef et a
sa formation d'exploiter
leur polyvalence a
travers lacouleur, le
chant et le jeu virtuose.
La commedia
Cyrano de Bergerac (1897)
valse al suo autore
gloria immediata. Cyrano,
eroe tragico e
commovente, e entrato nel
patrimonio universale
senza dubbio perche
incarna a meraviglia un
mito molto antico: quello
dell'amore e della
felicita impossibili.
Questo delizioso
capolavoro teatrale di
Edmond Rostand ha
ispirato il poema
sinfonico che si articola
attorno ad una grande
diversita musicale
esprimendo diverse scene
dell'opera teatrale.
Passaggi lirici, episodi
drammatici e momenti
impressionanti, Cyrano
comprende numerosi
ingredienti che
permettono al maestro di
sfruttare la polivalenza
attraverso il colore, il
canto e il suono
virtuoso.
(200 Songs. ) Selected by Sergius Kagen, composed by Franz Schubert (1797-1828)....(+)
(200 Songs. ) Selected by
Sergius Kagen, composed
by Franz Schubert
(1797-1828). Collection
for high voice and piano.
Text language German.
Published by
International Music Co..
(72 Solo Cantatas for Voice, Instrument and Basso continuo). By Georg Philipp Te...(+)
(72 Solo Cantatas for
Voice, Instrument and
Basso continuo). By Georg
Philipp Telemann
(1681-1767). Edited by
Gustav Fock; Ute Poetzch.
For Melodic Instrument,
Basso Continuo. This
edition: Stapled, Urtext
edition. Stapled.
Cantatas for the Sundays
after . Set of Parts.
Men's choir (TTBB) and piano (Volksmusikinstruments) (Score) - easy SKU: HL.4...(+)
Men's choir (TTBB) and
piano
(Volksmusikinstruments)
(Score) - easy
SKU:
HL.49015312
(Irland). Composed
by Hilger Schallehn. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score. 82
pages. Duration 12'.
Schott Music #ED 7517-10.
Published by Schott Music
(HL.49015312).
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext. 1x
31.139/21 oboe d'amore 1,
1x 31.139/22 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/09. Published by
Carus Verlag
(CA.3113909).
ISBN
9790007208233. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900.
Jagd-(Gluckwunsch-)Kantat e, nach dem Urtext der Neuen Bach-Ausgabe - Congratula...(+)
Jagd-(Gluckwunsch-)Kantat
e, nach dem Urtext der
Neuen Bach-Ausgabe -
Congratulatory Cantata.
By Johann Sebastian Bach.
Edited by Alfred Durr.
Arranged by Dorr, Alfred.
For Soprano Solo (2),
Tenor Solo, Bass Solo,
Mixed Choir-SATB, Alto
Recorder (F,G) (2),
Oboe-Dacc (2), Bassoon,
Corno Da Caccia (2),
Strings, Basso Continuo.
Piano Reduction/Vocal
Score. BWV 208. Published
by Baerenreiter-Ausgaben
(German import). (BA10208
90)
Composed by Hagen Barz.
Sheet music. 12 pages.
MDS (Music Distribution
Services) #DOHR 16459.
Published by MDS (Music
Distribution Services)
(M7.DOHR-16459).