Symphony-Cantata -
Urtext. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Wulf Konold. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library). The
Urtext edition of the
Lobgesang Symphony is the
first to take into
account the parts which
were written for the
first performances in
Leipzig and which help
clear up a number of
discrepant readings. Have
a look into CHB 5296.
Cantata; Romantic. Part.
34 pages. Duration 65'.
Breitkopf and Haertel #OB
5102-16. Published by
Breitkopf and Haertel
(BR.OB-5102-16).
ISBN
9790004332443. 10 x 12.5
inches.
Felix
Mendelssohn Bartholdy was
commissioned by the city
of Leipzig to write the
Symphony Cantata
Lobgesang for the 400th
anniversary of the
invention of the printing
press by Johannes
Gutenberg. The work was
given its first
performance in Leipzigs
Thomaskirche on 25 June
1840. Another performance
took place at the
Birmingham Music Festival
on 23 September 1840. The
composer created a hybrid
genre here, a formal
designation that he took
quite literally and which
he used here for the
first and only time:
after the three symphonic
movements have flowed one
into the other attacca,
comes the Lobgesang
Cantata in several
sections Alles, was Odem
hat. The present Urtext
edition is the first to
take into account the
parts which were written
for the first
performances in Leipzig
and which help clear up a
number of discrepant
readings.,,Der
Herausgeber hat sich die
Muhe gemacht, die 1841 im
selben Verlag
erstveroffentlichte
Partitur mit dem
Erstdruck der Stimmen zu
vergleichen und konnte
mit im Stimmensatz
gefundenen Angaben zur
Artikulation, Dynamik
etc. die neue Partitur
enorm bereichern. (Hans
Gebhard, Chor und Konzert
)
The Urtext
edition of the Lobgesang
Symphony is the first to
take into account the
parts which were written
for the first
performances in Leipzig
and which help clear up a
number of discrepant
readings.
Urtext. Composed
by Robert Schumann.
Edited by Christian
Rudolf Riedel. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Schumann's last work for
solo instrument and
orchestra was not given
its premiere until 1937.
This new edition is the
first meticulously
prepared Urtext edition
of the score and the
composer's own piano
reduction - from which
Clara played the piece!
Solo concerto; Romantic.
Part. 8 pages. Duration
32'. Breitkopf and
Haertel #OB 5302-27.
Published by Breitkopf
and Haertel
(BR.OB-5302-27).
ISBN
9790004340059. 10 x 12.5
inches.
Between
Beethoven and Brahms, a
long neglected
workSchumann's last work
for solo instrument and
orchestra was not given
its premiere until 1937,
at which time it was also
released in an
editorially inadequate
version. A re-evaluation
of Schumann's late oeuvre
began in the 1980s, in
the wake of which the
missing link between the
concertos of Beethoven
and Brahms (Yehudi
Menuhin) also drew
increasing attention.
Since then, those in the
know have come to
appreciate the work,
whose unique musical and
technical demands
challenge for both
interpreter and
listener.This new edition
of what is perhaps the
most underestimated
masterpiece of the
Romantic era is the first
meticulously prepared
Urtext edition of the
score. Nothing short of
incredible is the fact
that the composer's own
piano reduction from
which Clara Schumann and
Joseph Joachim played the
piece is being published
here for the first time!
Thomas Zehetmair, who has
significantly contributed
to the re-assessment of
the concerto, assumed the
task of providing a sound
technical basis to his
revision of the solo
part.Perhaps this edition
will help stimulate
awareness and
appreciation of this
unjustly forgotten
romantic violin concerto
described by Menuhin as
the missing link between
the concertos by
Beethoven to Brahms.
(John Thomson,
Stringendo)
Schuma
nn's last work for solo
instrument and orchestra
was not given its
premiere until 1937. This
new edition is the first
meticulously prepared
Urtext edition of the
score and the composer's
own piano reduction -
from which Clara played
the piece!
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-5317
Urtext. Composed
by Robert Schumann.
Edited by Christian
Rudolf Riedel. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Study
Score. Duration 32'.
Breitkopf and Haertel #PB
5317. Published by
Breitkopf and Haertel
(BR.PB-5317).
ISBN
9790004212356. 6.5 x 9
inches.
Between
Beethoven and Brahms, a
long neglected
workSchumann's last work
for solo instrument and
orchestra was not given
its premiere until 1937,
at which time it was also
released in an
editorially inadequate
version. A re-evaluation
of Schumann's late oeuvre
began in the 1980s, in
the wake of which the
missing link between the
concertos of Beethoven
and Brahms (Yehudi
Menuhin) also drew
increasing attention.
Since then, those in the
know have come to
appreciate the work,
whose unique musical and
technical demands
challenge for both
interpreter and
listener.This new edition
of what is perhaps the
most underestimated
masterpiece of the
Romantic era is the first
meticulously prepared
Urtext edition of the
score. Nothing short of
incredible is the fact
that the composer's own
piano reduction from
which Clara Schumann and
Joseph Joachim played the
piece is being published
here for the first time!
Thomas Zehetmair, who has
significantly contributed
to the re-assessment of
the concerto, assumed the
task of providing a sound
technical basis to his
revision of the solo
part.Perhaps this edition
will help stimulate
awareness and
appreciation of this
unjustly forgotten
romantic violin concerto
described by Menuhin as
the missing link between
the concertos by
Beethoven to Brahms.
(John Thomson,
Stringendo)
Schuma
nn's last work for solo
instrument and orchestra
was not given its
premiere until 1937. This
new edition is the first
meticulously prepared
Urtext edition of the
score and the composer's
own piano reduction -
from which Clara played
the piece!
Urtext. Composed
by Robert Schumann.
Edited by Christian
Rudolf Riedel. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Schumann's last work for
solo instrument and
orchestra was not given
its premiere until 1937.
This new edition is the
first meticulously
prepared Urtext edition
of the score and the
composer's own piano
reduction - from which
Clara played the piece!
Solo concerto; Romantic.
Part. 12 pages. Duration
32'. Breitkopf and
Haertel #OB 5302-19.
Published by Breitkopf
and Haertel
(BR.OB-5302-19).
ISBN
9790004340035. 10 x 12.5
inches.
Between
Beethoven and Brahms, a
long neglected
workSchumann's last work
for solo instrument and
orchestra was not given
its premiere until 1937,
at which time it was also
released in an
editorially inadequate
version. A re-evaluation
of Schumann's late oeuvre
began in the 1980s, in
the wake of which the
missing link between the
concertos of Beethoven
and Brahms (Yehudi
Menuhin) also drew
increasing attention.
Since then, those in the
know have come to
appreciate the work,
whose unique musical and
technical demands
challenge for both
interpreter and
listener.This new edition
of what is perhaps the
most underestimated
masterpiece of the
Romantic era is the first
meticulously prepared
Urtext edition of the
score. Nothing short of
incredible is the fact
that the composer's own
piano reduction from
which Clara Schumann and
Joseph Joachim played the
piece is being published
here for the first time!
Thomas Zehetmair, who has
significantly contributed
to the re-assessment of
the concerto, assumed the
task of providing a sound
technical basis to his
revision of the solo
part.Perhaps this edition
will help stimulate
awareness and
appreciation of this
unjustly forgotten
romantic violin concerto
described by Menuhin as
the missing link between
the concertos by
Beethoven to Brahms.
(John Thomson,
Stringendo)
Schuma
nn's last work for solo
instrument and orchestra
was not given its
premiere until 1937. This
new edition is the first
meticulously prepared
Urtext edition of the
score and the composer's
own piano reduction -
from which Clara played
the piece!
Urtext. Composed
by Robert Schumann.
Edited by Christian
Rudolf Riedel. Folder.
Orchester-Bibliothek
(Orchestral Library).
Schumann's last work for
solo instrument and
orchestra was not given
its premiere until 1937.
This new edition is the
first meticulously
prepared Urtext edition
of the score and the
composer's own piano
reduction - from which
Clara played the piece!
Solo concerto; Romantic.
Set of parts. 64 pages.
Duration 32'. Breitkopf
and Haertel #OB 5302-30.
Published by Breitkopf
and Haertel
(BR.OB-5302-30).
ISBN
9790004340066. 10 x 12.5
inches.
Between
Beethoven and Brahms, a
long neglected
workSchumann's last work
for solo instrument and
orchestra was not given
its premiere until 1937,
at which time it was also
released in an
editorially inadequate
version. A re-evaluation
of Schumann's late oeuvre
began in the 1980s, in
the wake of which the
missing link between the
concertos of Beethoven
and Brahms (Yehudi
Menuhin) also drew
increasing attention.
Since then, those in the
know have come to
appreciate the work,
whose unique musical and
technical demands
challenge for both
interpreter and
listener.This new edition
of what is perhaps the
most underestimated
masterpiece of the
Romantic era is the first
meticulously prepared
Urtext edition of the
score. Nothing short of
incredible is the fact
that the composer's own
piano reduction from
which Clara Schumann and
Joseph Joachim played the
piece is being published
here for the first time!
Thomas Zehetmair, who has
significantly contributed
to the re-assessment of
the concerto, assumed the
task of providing a sound
technical basis to his
revision of the solo
part.Perhaps this edition
will help stimulate
awareness and
appreciation of this
unjustly forgotten
romantic violin concerto
described by Menuhin as
the missing link between
the concertos by
Beethoven to Brahms.
(John Thomson,
Stringendo)
Schuma
nn's last work for solo
instrument and orchestra
was not given its
premiere until 1937. This
new edition is the first
meticulously prepared
Urtext edition of the
score and the composer's
own piano reduction -
from which Clara played
the piece!
Urtext. Composed
by Robert Schumann.
Edited by Christian
Rudolf Riedel. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Schumann's last work for
solo instrument and
orchestra was not given
its premiere until 1937.
This new edition is the
first meticulously
prepared Urtext edition
of the score and the
composer's own piano
reduction - from which
Clara played the piece!
Solo concerto; Romantic.
Part. 14 pages. Duration
32'. Breitkopf and
Haertel #OB 5302-23.
Published by Breitkopf
and Haertel
(BR.OB-5302-23).
ISBN
9790004340042. 10 x 12.5
inches.
Between
Beethoven and Brahms, a
long neglected
workSchumann's last work
for solo instrument and
orchestra was not given
its premiere until 1937,
at which time it was also
released in an
editorially inadequate
version. A re-evaluation
of Schumann's late oeuvre
began in the 1980s, in
the wake of which the
missing link between the
concertos of Beethoven
and Brahms (Yehudi
Menuhin) also drew
increasing attention.
Since then, those in the
know have come to
appreciate the work,
whose unique musical and
technical demands
challenge for both
interpreter and
listener.This new edition
of what is perhaps the
most underestimated
masterpiece of the
Romantic era is the first
meticulously prepared
Urtext edition of the
score. Nothing short of
incredible is the fact
that the composer's own
piano reduction from
which Clara Schumann and
Joseph Joachim played the
piece is being published
here for the first time!
Thomas Zehetmair, who has
significantly contributed
to the re-assessment of
the concerto, assumed the
task of providing a sound
technical basis to his
revision of the solo
part.Perhaps this edition
will help stimulate
awareness and
appreciation of this
unjustly forgotten
romantic violin concerto
described by Menuhin as
the missing link between
the concertos by
Beethoven to Brahms.
(John Thomson,
Stringendo)
Schuma
nn's last work for solo
instrument and orchestra
was not given its
premiere until 1937. This
new edition is the first
meticulously prepared
Urtext edition of the
score and the composer's
own piano reduction -
from which Clara played
the piece!
Urtext. Composed
by Robert Schumann.
Edited by Christian
Rudolf Riedel. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Schumann's last work for
solo instrument and
orchestra was not given
its premiere until 1937.
This new edition is the
first meticulously
prepared Urtext edition
of the score and the
composer's own piano
reduction - from which
Clara played the piece!
Solo concerto; Romantic.
Part. 12 pages. Duration
32'. Breitkopf and
Haertel #OB 5302-16.
Published by Breitkopf
and Haertel
(BR.OB-5302-16).
ISBN
9790004340028. 10 x 12.5
inches.
Between
Beethoven and Brahms, a
long neglected
workSchumann's last work
for solo instrument and
orchestra was not given
its premiere until 1937,
at which time it was also
released in an
editorially inadequate
version. A re-evaluation
of Schumann's late oeuvre
began in the 1980s, in
the wake of which the
missing link between the
concertos of Beethoven
and Brahms (Yehudi
Menuhin) also drew
increasing attention.
Since then, those in the
know have come to
appreciate the work,
whose unique musical and
technical demands
challenge for both
interpreter and
listener.This new edition
of what is perhaps the
most underestimated
masterpiece of the
Romantic era is the first
meticulously prepared
Urtext edition of the
score. Nothing short of
incredible is the fact
that the composer's own
piano reduction from
which Clara Schumann and
Joseph Joachim played the
piece is being published
here for the first time!
Thomas Zehetmair, who has
significantly contributed
to the re-assessment of
the concerto, assumed the
task of providing a sound
technical basis to his
revision of the solo
part.Perhaps this edition
will help stimulate
awareness and
appreciation of this
unjustly forgotten
romantic violin concerto
described by Menuhin as
the missing link between
the concertos by
Beethoven to Brahms.
(John Thomson,
Stringendo)
Schuma
nn's last work for solo
instrument and orchestra
was not given its
premiere until 1937. This
new edition is the first
meticulously prepared
Urtext edition of the
score and the composer's
own piano reduction -
from which Clara played
the piece!
For 4 violoncellos. Arranged by Arpad Pejtsik. Chamber Music for Violoncellos. V...(+)
For 4 violoncellos.
Arranged by Arpad
Pejtsik. Chamber Music
for Violoncellos. Volume
2. Pedagogical
performance pieces. Score
and parts. 40 pages.
Editio Musica Budapest
#EMBZ14324. Published by
Editio Musica Budapest
Organ SKU: HL.49004968 Organ. Composed by Hermann Schroeder. Edite...(+)
Organ
SKU:
HL.49004968
Organ. Composed by
Hermann Schroeder. Edited
by Rainer Mohrs. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Die
Beschrankung auf die
kleine Form half
Schroeder offensichtlich
bei der Loslosung von der
Romantik; Klarheit, und
formale Pragnanz treten
an die Stelle der
monumentalen Grossform.
Geeignet fur Konzert und
Liturgie. Classical.
Composed 1954. 24 pages.
Duration 12'. Schott
Music #ED 4539. Published
by Schott Music
(HL.49004968).
ISBN
9790001053273. UPC:
073999678697.
9.0x12.0x0.095
inches.
Hermann
Schroeder (1904-1984)
studied with Heinrich
Lemacher and Walter
Braunfels and became
Professor of Composition
and Music Theory at the
Academy of Music in
Cologne. From the end of
the 1920s he made an
important contribution to
the new stylistic
developments in organ
music His smaller-scale
compositions in
particular, such as the
Preambles and Interludes
(1954) or the Little
Preludes and Intermezzos
(1932, ED 2221) point in
new directions: the
constraints of form have
evidently been helpful in
the process of breaking
away from Romanticism;
clarity and formal
precision take the place
of monumental grandeur of
form. Suitable for
concert or liturgical
performance.
SKU: GI.G-10115 A Curriculum of Theory, History, and Creativity Lesson...(+)
SKU: GI.G-10115
A Curriculum of
Theory, History, and
Creativity Lessons and
Exercises for
Well-Rounded String
Students. Composed by
Christopher Selby.
Habits. Music Education.
Book. 52 pages. GIA
Publications #10115.
Published by GIA
Publications
(GI.G-10115).
ISBN
9781622774296.
The
perfect solution for
distance learning!
Concise lessons and
exercises are designed
for students to learn and
practice on their
own • Workbooks
give all students equal
access to quality
instruction • No
computer apps, Wi-Fi, or
additional programs are
needed •
Teacher’s edition
with hundreds of
activities, worksheets,
and quizzes will be
available
this summer—no
special apps needed.
Music Theory for the
Successful String
Musician is the music
theory and history
curriculum string
programs have been
waiting for. In two
carefully crafted books,
author Christopher Selby
presents a comprehensive
and pedagogically sound
sequence specifically for
orchestral string
students and also
addresses questions and
offers guidance in
resolving problems that
are unique to the
orchestra classroom. This
curriculum will help
directors teach music
theory, music literacy,
music history, and
creativity—all of
those hard-to-reach
standards that ultimately
help music students
become more well-rounded
and better performers,
creators, and consumers
of great music. Students
will learn:Â Tonal
literacy. Fingerboard
maps and diagrams teach
students how all sharp,
flat, and natural notes
on the staff relate to
the spaces on the
fingerboard. Sequential
lessons introduce
students to minor and
major seconds and the
effects that key
signatures and
accidentals have on
finger patterns. Students
also learn about thirds,
tetrachords, and key
signatures for all major
and minor scales.Â
Rhythmic literacy. The
rhythm units teach
students how to mark
their music so they can
perform rhythms
independently, correctly,
and confidently. Students
will learn to read and
decipher complex dotted,
tied, and syncopated
rhythms, as well as the
longer notes and rests
that are common in
orchestra music.Â
Historical awareness.
Students will learn the
evolution of string
instruments and how
string music has evolved
over the past four
centuries. They will
learn about some of the
great composers and
musical genres from the
Baroque, Classical,
Romantic, and Modern
eras. Creative
activities. Creativity
units teach students how
to write down their ideas
while also encouraging
them to break free from
written notation and
focus on the enjoyment of
making their own music
with friends. These units
give students
opportunities to
contribute their own
ideas to the
ever-evolving field of
string music. .
Featuring Large Music Notation, Lyrics, and Simplified Harmonies C Edition. C...(+)
Featuring Large Music
Notation, Lyrics, and
Simplified Harmonies C
Edition. Composed by
Various. Easy Fake Book.
Broadway, Pop, Standards.
Softcover. 176 pages.
Published by Hal Leonard
Shredding the Composers Guitare notes et tablatures [Partition + CD + DVD] - Intermédiaire/avancé Alfred Publishing
(Heavy Metal Guitar Meets 8 of the World's Greatest Classical Composers). By Ger...(+)
(Heavy Metal Guitar Meets
8 of the World's Greatest
Classical Composers). By
German Schauss. For
Guitar. Book; CD; DVD;
Guitar Method or
Supplement;
Method/Instruction;
Technique Musicianship.
Shredding Styles. Metal;
Rock. Advanced;
Intermediate. 64 pages.
Published by Alfred Music
Piano SKU: BR.EB-6761 Piano Lessons by Edvard Grieg. Composed by E...(+)
Piano
SKU:
BR.EB-6761
Piano
Lessons by Edvard
Grieg. Composed by
Edvard Grieg. Edited by
Heinz Walter. Solo
instruments; Softcover.
Edition Breitkopf.
Romantic period. Score.
16 pages. Breitkopf and
Haertel #EB 6761.
Published by Breitkopf
and Haertel (BR.EB-6761).
ISBN 9790004169629. 9
x 12 inches.
This
series of easy piano
pieces for teaching
purposes presents pupils
in the early and
early-middle stages with
a careful selection from
well-known and less-known
compositions by important
masters. The individual
volumes are deliberately
kept small in extent,
since it is more
stimulating for children
if the literature used
for instruction is
changed frequently. Of
all Grieg's piano music,
it is the Lyric Pieces
(EB 8832) that enjoy the
greatest popularity.
These character pieces,
which are very varied in
their difficulty and
their length, preoccupied
the composer throughout
his creative life. The
easiest pieces from the
first three books (op.
12, 38 and 43) have been
chosen for the present
volume. In the musical
sense, however, they are
by no means light-weight.
Only someone who has made
the art of playing
expressively in the
Romantic style his own
with the help of
Schumann's Scenes from
childhood (EB 8436) will
be able to interpret this
poetry filled with the
soul of nordic peoples
appropriately.
Interpretative
indications have been
partly added to;
fingerings and the
distribution of the music
between the hands have,
as far as possible, been
adapted to smaller hands.
Sensitive use of the
pedal and a tempo rubato
imbued with the sense of
the music are
prerequisites. Heinz
Walter, Salzburg, Summer
1977.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-19. Published by
Breitkopf and Haertel
(BR.OB-15121-19).
ISBN
9790004340141. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Set
of parts. 92 pages.
Duration 30'. Breitkopf
and Haertel #OB 15121-30.
Published by Breitkopf
and Haertel
(BR.OB-15121-30).
ISBN
9790004340172. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
25
Easy Pieces for Violin
and Piano Book with Audio
Online. Composed by
Various. Edited by Peter
Mohrs. Edition Schott.
Baroque, Classical,
Romantic. Softcover Audio
Online. 40 pages. Schott
Music #ED20684D.
Published by Schott Music
(HL.49047090).
ISBN
9783795726966. UPC:
196288120612.
9.0x12.0x0.195
inches.
25 easy
pieces from the Baroque,
Classical and Romantic
eras, playable in the
first three finger
patterns in the first
position, forviolin
pupils from the second
year of learning. Apart
from lesser known works,
this edition also
contains many popular
pieces, such as themes
from Vivaldi's Four
Seasons, Handel's
Fireworks Music and Water
Music, Mozart's Magic
Flute or Beethoven's
Symphony No. 9.This
volume's intention is to
grant access to classical
masterpieces of concert
literature with the help
of such easy arrangements
and spread the joy of
classical music. The
approach to the pieces is
made easier by the
accompanying audio tracks
which, on the one hand,
offers the opportunity to
listen to and get to know
the pieces beforehand,
and, on the other hand,
thanks to the separate
piano accompaniments,
provides first experience
in ensemble playing and
conveys the vivid joy of
music-making. When the
tracks were recorded by
Prof. Benjamin Bergmann,
violin, and Leonid
Dorfman, piano, they
deliberately decided in
favour of moderate tempos
to make it easier for the
young violinists to play
along with the piano
part. A treasure trove
for auditions at schools
and music schools.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-16. Published by
Breitkopf and Haertel
(BR.OB-15121-16).
ISBN
9790004340134. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-23. Published by
Breitkopf and Haertel
(BR.OB-15121-23).
ISBN
9790004340158. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-15. Published by
Breitkopf and Haertel
(BR.OB-15121-15).
ISBN
9790004340127. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).