(5 Piano Solos and a Medley (Intermediate / Late Intermediate Piano)). Arr...(+)
(5 Piano Solos and a
Medley
(Intermediate / Late
Intermediate Piano)).
Arranged by Dan Coates.
For
Piano. Book; Graded
Standard
Repertoire; Piano
Collection; Piano
Supplemental. Official
Songs
of the United States
Armed
Forces. Form: March;
Medley.
4th of July; Patriotic;
Recital; Summer.
Intermediate; Late
Intermediate. 20 pages.
Published by Alfred Music
Concert Band - Grade 4 SKU: ML.013761080 Composed by Guillaume Détrez. F...(+)
Concert Band - Grade 4
SKU: ML.013761080
Composed by Guillaume
Détrez. Full set.
Molenaar Edition
#013761080. Published by
Molenaar Edition
(ML.013761080).
Available from
July
2024
Combining art
and sport, the muscle
with the spirit as Pierre
de Coubertin said, is one
of the foundations of
Olympism. For the Paris
2024 Games, art and sport
will interact and enrich
each other. To ensure
that the Games are open,
participatory, unifying
and inclusive, Paris 2024
is encouraging everyone -
artists, companies,
associations, local
authorities, sports
clubs, etc. - to play a
part in the cultural
programming of the Games.
It is against this
backdrop that the
Confédération Musicale
de France in Hauts de
France has commissioned a
piece from composer
Guillaume
Détrez.
Available
from July 2024
De
combinatie van kunst en
sport, de spier met de
geest zoals Pierre de
Coubertin zei, is een van
de fundamenten van het
Olympisme. Voor de Spelen
van Parijs 2024 zullen
kunst en sport op elkaar
inwerken en elkaar
verrijken. Om ervoor te
zorgen dat de Spelen
open, participatief,
verenigend en inclusief
zijn, moedigt Parijs 2024
iedereen aan -
kunstenaars, bedrijven,
verenigingen, lokale
overheden, sportclubs,
enz. - om een rol te
spelen in de culturele
programmering van de
Spelen. Tegen deze
achtergrond heeft de
Confédération Musicale
de France in Hauts de
France opdracht gegeven
voor een stuk van
componist Guillaume
Détrez.
Available
from July
2024
Associer
l'art et le sport, le
muscle à l'esprit comme
le disait Pierre de
Coubertin, est l'un des
fondements de
l'Olympisme. Pour les
Jeux deParis 2024, l'art
et le sport interagiront
et s'enrichiront
mutuellement. Pour que
les Jeux soient ouverts,
participatifs,
fédérateurs et
inclusifs,Paris 2024
encourage chacun -
artistes, entreprises,
associations,
collectivités locales,
clubs sportifs, etc. - à
s'impliquer dans
laprogrammation
culturelle des Jeux.
C'est dans ce contexte
que la Confédération
Musicale de France de la
région Hauts de France a
commandé une oeuvre au
compositeur Guillaume
Détrez.
Available
from July 2024
Die
Verbindung von Kunst und
Sport, der Muskel mit dem
Geist, wie Pierre de
Coubertin sagte, ist eine
der Grundlagen des
Olympismus. Bei den
Spielen von Paris 2024
werden Kunst und Sport
zusammenwirken und sich
gegenseitig bereichern.
Damit die Spiele offen,
partizipativ, verbindend
und integrativ sind,
fordert Paris 2024 alle
auf - Künstler,
Unternehmen, Verbände,
lokale Behörden,
Sportvereine usw. - dazu
auf, sich an der
kulturellen Gestaltung
der Spiele zu beteiligen.
Vor diesem Hintergrund
hat die Confédération
Musicale de France in
Hauts de France ein
Stück bei dem
Komponisten Guillaume
Détrez in Auftrag
gegeben.
May and June Quatuor de Saxophones: 4 saxophones [Conducteur et Parties séparées] Bill Holab Music
By Michael Torke (1961-). For saxophone quartet (SATB). This edition: saddle-sti...(+)
By Michael Torke (1961-).
For saxophone quartet
(SATB). This edition:
saddle-stitch. Score and
parts. 32 pages (score),
20 pages (each part).
Duration May - 8 minutes,
June - 6 minutes.
Published by Bill Holab
Music
Bassoon; Orchestra SKU: UT.HS-329R Composed by Simplicio Gualco. Edited b...(+)
Bassoon; Orchestra
SKU: UT.HS-329R
Composed by Simplicio
Gualco. Edited by Italo
Vescovo. Classical. Piano
Reduction. Ut Orpheus #HS
329R. Published by Ut
Orpheus (UT.HS-329R).
ISBN 9790215327962. 9
x 12 inches.
P
erformance Material on
Hire
[S
olo: Bs - Picc.2.2.2.2 -
2.2.2.0 - Str]
In
the second half of the
19th century, in Italy,
melodrama was still the
most practised musical
genre, but space for
instrumental production
began to grow, especially
thanks to the Quartet
societies which tried to
reduce the gap remaining
compared to other
European countries,
offering it to the public
with an energy which was
certainly praiseworthy.
However, they were not
the only institutions
where instrumental music
was cultivated. In this
context it must be
remembered that music
conservatories also
played an important role,
especially through the
music recitals given by
the best students. In one
of these, which was held
at the Milan Conservatory
on 9 July 1884, the
concert piece Andante
e Polacca for bassoon
and orchestra by
Simplicio Gualco
(1861-1942) was
performed, a piece which
aroused a great deal of
interest as stated in the
‘Gazzetta Musicale
di Milano’ of 20
July of that year. After
the recital, the piece
ended up in the
Conservatory archives and
was never played again.
It was rediscovered
recently, thanks to the
research work on the
composer by the
musicologists Italo
Vescovo and Flavio
Menardi Noguera, both
connected to the
composer’s
hometown.
Accordion and 1 or more inst. SKU: BR.EB-9261 Composed by Jose Maria Sanc...(+)
Accordion and 1 or more
inst.
SKU:
BR.EB-9261
Composed
by Jose Maria
Sanchez-Verdu. Solo
instruments; stapled.
Edition Breitkopf.
World premiere:
Montreal, July 7,
2000
Music post-1945;
New music (post-2000).
Performance score.
Composed 1999/2000. 12
pages. Duration 7'.
Breitkopf and Haertel #EB
9261. Published by
Breitkopf and Haertel
(BR.EB-9261).
ISBN
9790004185612. 9 x 12
inches.
Dhamar ist
fur zwei Instrumente
komponiert, die viel
miteinander verbindet.
Das Stuck erlebt die
Konfrontation von zwei
Individualitaten;
gleichzeitig aber konnen
sich beide Instrumente so
intim verschmelzen, dass
sie nicht mehr zu trennen
sind: sie versuchen, als
Soli und als Duo, ein
neues Instrument zu
entwickeln. Aus dieser
Konfiguration entsteht
eine Reise voll mit
intimen und poetischen,
farbigen und rhythmischen
Komplexitaten. Das
musikalische Material ist
durch Sparsamkeit
gepragt. Der Titel
bezieht sich auf einen
Tala aus Indien: dem
Rhythmus entspricht eine
Struktur, die in 14
Einheiten und in der
Reihenfolge: 3+4+3+2+2
geteilt wird. Dieser Tala
erscheint subtil und in
Transformationen an
einigen Momenten der
Komposition. (Jose M.
Sanchez-Verdu,
2017)
Chorus and piano SKU: BR.CHB-5357-00 Lass dich nur nichts nicht dauren...(+)
Chorus and piano
SKU:
BR.CHB-5357-00
Lass dich nur nichts
nicht dauren.
Composed by Johannes
Brahms. Choir; stapled.
Chor-Bibliothek (Choral
Library). Song; Romantic.
Choral score. Composed
1864. 4 pages. Breitkopf
and Haertel #ChB 5357-00.
Published by Breitkopf
and Haertel
(BR.CHB-5357-00).
ISBN
9790004412879. 9 x 12
inches. German.
In
the Geistliches Lied op.
30 for four-part mixed
choir and organ (or piano
for three to four hands),
Johannes Brahms sets a
text by the Baroque poet
Paul Fleming (1609-1640)
to music. Although the
piece was composed in
April 1856, it only
premiered as late as July
1865 in the church of St.
Jakobi in Chemnitz. This
is probably due to
changes that were
proposed by Joseph
Joachim. In February
1864, Brahms sent it
together with Op. 29 to
Breitkopf & Hartel where
it was published in July
1864. The subtitle in
brackets in the autograph
,,Doppel-Canon in der
None (,,Double canon in
the ninth) was not
printed on it, although
it closely captures the
essence of this
composition of about
three minutes.
Level 4 Piano - Early Intermediate SKU: HL.645085 Level 4 Early Interm...(+)
Level 4 Piano - Early
Intermediate
SKU:
HL.645085
Level 4
Early Intermediate
Level. Composed by H.
Geluk. Edited by Jeff
Schaum. Arranged by John
Revezoulis. Educational
Piano. Christmas,
Holiday, Patriotic.
Softcover. 24 pages.
Schaum Publications, Inc.
#1304. Published by
Schaum Publications, Inc.
(HL.645085).
ISBN
9781495081149. UPC:
888680683719.
9.0x12.0x0.108
inches.
Designed so
you can start anywhere in
the book, according to
the season of the year:
Appalachian Sunrise
(Autumn) * Gliding
(Autumn) * Funderal March
of a Marionette
(Halloween) * Lo, How a
Rose E'er Blooming
(Christmas) * Fum, Fum,
Fum (Christmas) * Nordic
Spring (Spring) * Walking
the Lakeshore (Spring) *
Barefoot Frolic (Summer)
* Scarborough Fair
(Summer) * The Ash Grove
(Summer) * Thunderere
(4th of July) * George
Washington (4th of
July).
Konkretionen II Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.BG-499 Composed by Norbert Linke. This...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.BG-499
Composed by
Norbert Linke. This
edition: paperback.
Chamber music; Softcover.
Edition Gerig. World
premiere Darmstadt, July
16, 1963. Music
post-1945. Performance
score. Composed 1963. 8
pages. Duration 6'.
Breitkopf and Haertel #BG
499. Published by
Breitkopf and Haertel
(BR.BG-499).
The Band in the Square Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Daehn Publications
Grade 1 SKU: CL.LDP-7026-00 (on the Fourth of July). Composed by L...(+)
Grade 1
SKU:
CL.LDP-7026-00
(on
the Fourth of July).
Composed by La Plante.
Concert Band. Score and
set of parts. Composed
2006. Duration 2 minutes,
13 seconds. Daehn
Publications
#LDP-7026-00. Published
by Daehn Publications
(CL.LDP-7026-00).
This very
appealing piece describes
an early twentieth
century Fourth of July.
The band is heard faintly
in the distance, coming
closer; the band is right
next to you; the band is
passing, then fading
away. A very attractive
patrol march for young
bands. A winner!
Organ SKU: BR.EB-9110 Composed by Adriana Holszky. Solo instruments; stap...(+)
Organ
SKU:
BR.EB-9110
Composed
by Adriana Holszky. Solo
instruments; stapled.
Edition Breitkopf.
World premiere:
Nuremberg, July 5,
1997Commissioned by
Internationale Orgelwoche
Nurnberg
Music
post-1945. Score.
Composed 1997. 20 pages.
Duration 12'. Breitkopf
and Haertel #EB 9110.
Published by Breitkopf
and Haertel (BR.EB-9110).
ISBN 9790004181676.
12.5 x 10
inches.
Der Titel
bezieht sich auf ein
Fragment aus der
Apokalypse nach
Johannes.Die
Aufmerksamkeit des Horers
wird in diesem Orgelwerk
auf die ruhelos
changierenden Klangraume
gelenkt. Die
Unendlichkeit dieser
Raume lassen Farben
entstehen wie Wellen
eines allen
durchflutenden Ozeans.Von
Augenblick zu Augenblick
wechseln gewaltige Bilder
von Licht und Farbe mit
geheimnisvollen, ruhenden
Momenten, die wie
Spaltoffnungen zu anderen
Dimensionen sich
verhalten.Durch
Friedemann Herz hat
dieses Werk den ersten
idealen Interpreten
gefunden.(Adriana
Holszky)CD:Dominik
Susteck (organ)CD WERGO
WER 6789
2Bibliography:Petersen,
Birger: Neue Musik.
Analysen, Berlin: Simon
Verlag fur
Bibliothekswissen 2013,
pp. 97-110.
World
premiere: Nuremberg, July
5, 1997, Commissioned by
Internationale Orgelwoche
Nurnberg.
Grade 1 SKU: CL.LDP-7026-01 (on the Fourth of July). Composed by L...(+)
Grade 1
SKU:
CL.LDP-7026-01
(on
the Fourth of July).
Composed by La Plante.
Concert Band. Extra full
score. Composed 2006.
Duration 2 minutes, 13
seconds. Daehn
Publications
#LDP-7026-01. Published
by Daehn Publications
(CL.LDP-7026-01).
This very
appealing piece describes
an early twentieth
century Fourth of July.
The band is heard faintly
in the distance, coming
closer; the band is right
next to you; the band is
passing, then fading
away. A very attractive
patrol march for young
bands. A winner!
Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052).
ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym.
Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Chorus a cappella SKU: BR.DV-7641-02 Composed by Siegfried Thiele. Choir;...(+)
Chorus a cappella
SKU:
BR.DV-7641-02
Composed by Siegfried
Thiele. Choir; Softcover.
Deutscher Verlag. World
premiere Dresden, July
25, 1998. Music
post-1945. Choral score.
Composed 1998. 8 pages.
Duration 6'. Deutscher
Verlag fur Musik #DV
7641-02. Published by
Deutscher Verlag fur
Musik (BR.DV-7641-02).
Voice and piano SKU: BR.EB-9118 After a Poem by Joachim Sartorius....(+)
Voice and piano
SKU:
BR.EB-9118
After a
Poem by Joachim
Sartorius. Composed
by Jorg Birkenkotter.
Voice; Softcover. Edition
Breitkopf.
World
premiere: Ludwigslust,
July 20, 1997
Music
post-1945; New music
(post-2000). Score.
Composed 1997. 12 pages.
Duration 7'. Breitkopf
and Haertel #EB 9118.
Published by Breitkopf
and Haertel (BR.EB-9118).
One Small Step... Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS29 Composed by...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS29
Composed by
Doris Gazda. This
edition: Medium
Easy/Medium. Carl Fischer
Concert String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #CAS29.
Published by Carl Fischer
Music (CF.CAS29).
ISBN
9780825860959. UPC:
798408060954. 8.5 X 11
inches. Key: C
major.
A
programatic work by
composer Doris Gazda that
sets out to depict the
historic moon landing by
the Apollo 11 astronauts
and the famous first step
by Neil Armstrong. A
sound portrait of this
remarkable event in
America history. In
July, 1959 the world
watched and listened as
the astronauts of Apollo
11 traveled from the
Earth to the moon. The
mission, launched by
NASA, successfully
carried men to the
surface of the moon and
returned them safely to
earth. The spaceship was
made up of a command
module, Columbia, and a
lunar module, Eagle.
Astronauts Neil
Armstrong, flight
commander, and Buzz
Aldrin, pilot of the
lunar module, actually
walked on the moon. The
third astronaut, Michael
Collins, piloted
Columbia, the command
module that orbited the
moon while Armstrong and
Aldrin were on the lunar
surface.The 238,000-mile
trip to the moon took
four days. Apollo 11 fell
into orbit 60 miles above
the moon's surface. The
Eagle separated from
Columbia, orbited the
moon nine miles above the
surface and then made a
powered descent, touching
down on the moon in the
Seat of Tranquility. Six
hours after landing,
Armstrong stepped onto
the moon's surface
uttering these memorable
words that brought to
reality the possibilities
of space travel and
exploration, That's one
small step for man, one
giant leap for
mankind.Armstrong and
Aldrin spent two hours
walking on the lunar
surface. They set up some
scientific equipment,
raised an American flag
and left a plaque signed
by the Apollo 11 crew and
President Richard Nixon,
reading:Here men from
planet earth first set
foot upon the moon. July
1969 A.D. We came in
peace for all
mankind.Twenty-one hours
after landing, the Eagle
with Armstrong and Aldrin
onboard, left the moon to
reunite with Columbia.
After docking
successfully, all three
men got into Columbia.
They jettisoned the Eagle
and Columbia left lunar
orbit to make the return
trip. Two days later
Columbia re-entered the
Earth's atmosphere and
splashed down in the
Pacific Ocean.
Chamber Music String Quartet SKU: PR.114416260 Composed by Samuel Adler. ...(+)
Chamber Music String
Quartet
SKU:
PR.114416260
Composed
by Samuel Adler.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed August 19 2013.
36+16+12+12+12 pages.
Duration 15 minutes.
Theodore Presser Company
#114-41626. Published by
Theodore Presser Company
(PR.114416260).
ISBN
9781491101070. UPC:
680160620043. 9 x 12
inches.
Adler's
milestone String Quartet
No. 10 was composed for
the Cassatt String
Quartet for performance
at the Bowdoin
International Music
Festival's 50th
Anniversary season in
2014. Built in a single
movement of contrasting
sections, Adler's 10th
will continue to be
featured in upcoming
concerts by the Cassatt
Quartet, including a
performance in Beijing in
July. The String
Quartet No. 10 was
written in 2013 for the
50th anniversary of the
Bowdoin International
Summer Music Festival and
is dedicated to the
Cassatt Quartet who
premiered the work during
the 50th anniversary
celebration in July 2014.
 The work was written
with a generous grant
from the Fromm Music
Foundation.The 10th
String Quartet is in one
continuous movement but
divided into four
sections. Â The first
section is a slow
introduction which
presents the basic
harmonic material of the
entire work. Â This is
suddenly interrupted by a
very agitated movement
forming a great contrast
to the calm of the
beginning. Â This
rhythmic drive comes to a
stop and is relieved by
the third section which
is a variation of the
beginning, but is a bit
longer and more
developed. Â This is
followed by the final
section which again
captures the agitation of
the second section and
brings the work to a wild
and most aggressive
end.—Samuel
Adler.