Voice and piano SKU: BR.EB-9118 After a Poem by Joachim Sartorius....(+)
Voice and piano
SKU:
BR.EB-9118
After a
Poem by Joachim
Sartorius. Composed
by Jorg Birkenkotter.
Voice; Softcover. Edition
Breitkopf.
World
premiere: Ludwigslust,
July 20, 1997
Music
post-1945; New music
(post-2000). Score.
Composed 1997. 12 pages.
Duration 7'. Breitkopf
and Haertel #EB 9118.
Published by Breitkopf
and Haertel (BR.EB-9118).
Choral SSAA choir SKU: CF.CM9616 Composed by John Ratledge. Fold. Jbc. Pe...(+)
Choral SSAA choir
SKU:
CF.CM9616
Composed by
John Ratledge. Fold. Jbc.
Performance. 12 pages.
Duration 4 minutes, 2
seconds. Carl Fischer
Music #CM9616. Published
by Carl Fischer Music
(CF.CM9616).
ISBN
9781491156711. UPC:
680160915255. 6.875 x
10.5 inches. Key: C
major. English. Thomas
Troeger.
This SSAA
work, originally written
for SATB voices
celebrates the tenth
anniversary of the
Masterworks Community
Chorale in Newnan,
Georgia. The
inspirational text is
Somewhere I Have Never
Traveled, a text by the
Yale Theologian, Thomas
Troeger. Somewhere I Have
Never Traveled has
potential for building
tone and creating a
panorama of colors, while
at the same time creating
emotional soundscapes,
all through a delightful
text that creates a
dreamlike
innocence. It has been
a joy to re-voice this
original SATB composition
for SSAA voices and to
collaborate with Heather
Orr at Montgomery High
School. In July 2014, my
dear friend Kathy Bizarth
commissioned me to
compose a new work
celebrating the tenth
anniversary of the
Masterworks Community
Chorale in Newnan,
Georgia. It was in
September when we agreed
on the inspirational
text, Somewhere I Have
Never Traveled, a text by
the Yale Theologian,
Thomas Troeger. I moved
to Italy in January for a
sabbatical, and in
February, I spent four
days composing the piece
at the Palazzo Bassi
Brugnatelli, a dear
friend's villa in
Robbiate, Italy.
Interestingly enough, the
middle part of the piece
(mm. 30-39) and end of
the piece came first (mm.
40-62). Completed in
Conegliano in late
February, this
composition is very
special to me as it was
the first composition I
wrote after my mother
died, and it was also
composed for a dear
friend. I have a profound
connection to what I hope
will be a deeply
inspirational composition
to those who sing it.
Somewhere I Have Never
Traveled has real
potential for building
tone and creating a
panorama of colors, while
at the same time creating
emotional soundscapes,
all through a delightful
text that creates a
dreamlike innocence.
Somewhere I have never
traveled is the place I
want to be... (Me
too.). It has been a
joy to re-voice this
original SATB composition
for SSAA voices and to
collaborate with Heather
Orr at Montgomery High
School. In July 2014, my
dear friend Kathy Bizarth
commissioned me to
compose a new work
celebrating the tenth
anniversary of the
Masterworks Community
Chorale in Newnan,
Georgia. It was in
September when we agreed
on the inspirational
text, Somewhere I Have
Never Traveled, a text by
the Yale Theologian,
Thomas Troeger. I moved
to Italy in January for a
sabbatical, and in
February, I spent four
days composing the piece
at the Palazzo Bassi
Brugnatelli, a dear
friend’s villa in
Robbiate, Italy.
Interestingly enough, the
middle part of the piece
(mm. 30-39) and end of
the piece came first (mm.
40-62). Completed in
Conegliano in late
February, this
composition is very
special to me as it was
the first composition I
wrote after my mother
died, and it was also
composed for a dear
friend. I have a profound
connection to what I hope
will be a deeply
inspirational composition
to those who sing
it.Somewhere I Have Never
Traveled has real
potential for building
tone and creating a
panorama of colors, while
at the same time creating
emotional soundscapes,
all through a delightful
text that creates a
dreamlike
innocence.Somewhere I
have never traveled is
the place I want to be...
(Me too.).
Composed by
Anton Bruckner. Arranged
by Kirk Moss. Set of
Score and Parts.
20+24+3+15+10+10+2 pages.
Duration 4 minutes, 56
seconds. Carl Fischer
Music #SAS6. Published by
Carl Fischer Music
(CF.SAS6).
ISBN
9781491159286. UPC:
680160917860.
Bruck
ner began composing the
Eighth Symphony, his last
completed symphony, in
July 1884, working mainly
during the summer
vacations from his duties
at the University of
Vienna and the Vienna
Conservatory. When he
finished the work's
revelatory finale, he
signed it Hallelujah, and
reported
enthusiastically, The
Finale is the most
significant movement of
my life. Following the
premiere performance, a
peer composer penned, Its
success was almost
without precedent. It was
the absolute victory of
light over darkness. This
work leaps to life with
awe-inspiring power in
this first-ever setting
for string orchestra with
optional timpani.
Transposed from its
original key of C
minor/major to D
minor/major, the music
sits nicely for all
parts, ready for any
concert or festival. The
conductor should
encourage students to
vary the bow lanes,
weight, and speed to
produce powerful forte
and expressive piano
dynamics. Encourage
mature players to make
expressive fingering
choices and to use
vibrato. Students should
practice coloring the
tone and intensity
through bowing lanes,
variable bow weight, and
appropriate bow
speeds. Bruckner began
composing the Eighth
Symphony, his last
completed symphony, in
July 1884, working mainly
during the summer
vacations from his duties
at the University of
Vienna and the Vienna
Conservatory. When he
finished the work's
revelatory finale, he
signed it
Hallelujah,†and
reported
enthusiastically,
“The Finale is the
most significant movement
of my life. Following the
premiere performance, a
peer composer penned,
“Its success was
almost without precedent.
It was the absolute
victory of light over
darkness.â€This work
leaps to life with
awe-inspiring power in
this first-ever setting
for string orchestra with
optional timpani.
Transposed from its
original key of C
minor/major to D
minor/major, the music
sits nicely for all
parts, ready for any
concert or festival.The
conductor should
encourage students to
vary the bow lanes,
weight, and speed to
produce powerful forte
and expressive piano
dynamics. Encourage
mature players to make
expressive fingering
choices and to use
vibrato. Students should
practice coloring the
tone and intensity
through bowing lanes,
variable bow weight, and
appropriate bow
speeds.
Choral (SATB Choir) SKU: HL.288463 For SATB chorus, two pianos and tim...(+)
Choral (SATB Choir)
SKU: HL.288463
For SATB chorus, two
pianos and timpani.
Composed by Judith Weir.
Classical. Softcover.
Chester Music
#CH78628/02. Published by
Chester Music
(HL.288463).
UPC:
888680911294.
Stars
, Night, Music and Light
for chorus and orchestra
was commissioned by BBC
Radio 3 and first
performed at the BBC
Proms on 15th July 2011.
The performance was given
to open the First Night
of the Proms at the Royal
Albert Hall, London, by
the BBC Symphony
Orchestra, the BBC
Symphony Chorus and the
BBC Singers, conducted by
Jirí
Belohlávek. The
arrangement for chorus
with two pianos and
timpani was first
performed on 7th July
2018, at St Peter's
Church, Acton Green,
London, by the Addison
Oratorio Choir with
Matthew Hough and Joanna
Korzinek (pianos),
conducted by David
Wordsworth.
Composed by
Anton Bruckner. Arranged
by Kirk Moss. Full score.
20 pages. Carl Fischer
Music #SAS6F. Published
by Carl Fischer Music
(CF.SAS6F).
ISBN
9781491159453. UPC:
680160918034.
Bruck
ner began composing the
Eighth Symphony, his last
completed symphony, in
July 1884, working mainly
during the summer
vacations from his duties
at the University of
Vienna and the Vienna
Conservatory. When he
finished the work's
revelatory finale, he
signed it Hallelujah, and
reported
enthusiastically, The
Finale is the most
significant movement of
my life. Following the
premiere performance, a
peer composer penned, Its
success was almost
without precedent. It was
the absolute victory of
light over darkness. This
work leaps to life with
awe-inspiring power in
this first-ever setting
for string orchestra with
optional timpani.
Transposed from its
original key of C
minor/major to D
minor/major, the music
sits nicely for all
parts, ready for any
concert or festival. The
conductor should
encourage students to
vary the bow lanes,
weight, and speed to
produce powerful forte
and expressive piano
dynamics. Encourage
mature players to make
expressive fingering
choices and to use
vibrato. Students should
practice coloring the
tone and intensity
through bowing lanes,
variable bow weight, and
appropriate bow
speeds. Bruckner began
composing the Eighth
Symphony, his last
completed symphony, in
July 1884, working mainly
during the summer
vacations from his duties
at the University of
Vienna and the Vienna
Conservatory. When he
finished the work's
revelatory finale, he
signed it
Hallelujah,†and
reported
enthusiastically,
“The Finale is the
most significant movement
of my life. Following the
premiere performance, a
peer composer penned,
“Its success was
almost without precedent.
It was the absolute
victory of light over
darkness.â€This work
leaps to life with
awe-inspiring power in
this first-ever setting
for string orchestra with
optional timpani.
Transposed from its
original key of C
minor/major to D
minor/major, the music
sits nicely for all
parts, ready for any
concert or festival.The
conductor should
encourage students to
vary the bow lanes,
weight, and speed to
produce powerful forte
and expressive piano
dynamics. Encourage
mature players to make
expressive fingering
choices and to use
vibrato. Students should
practice coloring the
tone and intensity
through bowing lanes,
variable bow weight, and
appropriate bow
speeds.
Opera in 3 Acts.
Composed by Siegfried
Matthus. Choir;
Softcover. Deutscher
Verlag.
World
premiere: Netzeband, July
12, 1997
Opera; Music
theatre; Music post-1945;
New music (post-2000).
Choral score. Composed
1996/97. 20 pages.
Deutscher Verlag fur
Musik #DV 7969-02.
Published by Deutscher
Verlag fur Musik
(BR.DV-7969-02).
ISBN
9790200471618. 7.5 x 10.5
inches.
Duration:
full evening Text by the
composer using a text by
Walter Jens Place and
time: Chamber of the King
Philip V. of Spain,
Middle of the 18th
Century Characters:
Farinelli
(Countertenor/alto) -
King Philip V. of Spain
(baritone) - Nicola
Porpora (baritone) - The
Kings Personal Physician,
also Barber (tenor) - The
Kings Confessor, also
Impresario and Priest
(bass) - Maria (Bellino),
later Anna Maria Strada
(soprano) - Georg
Friedrich Handel
(baritone) - Jenny, Jim,
John, English Opera
Troupe (soprano, tenor,
baritone) - The young
Carlo Broschi (boy
treble) The dramaturgical
constellation of the
subject forced me to use
multifaceted and
stylistic means. I have
used melodic segments
from the Farinelli arias
that are still extant
today, as well as other
Baroque vocal and formal
elements, models inspired
by the Singspiel and the
musical, and even a rap
piece over a techno
rhythm. The musical
center of the opera
consists of song and the
human voice. Farinelli is
a bel canto opera.
(Siegfried Matthus) Carlo
Broschi, known as
Farinelli, was the
brightest star among the
castrato tenors of the
18th century. Handels
enemies brought him to
London so that he could
outshine Handels singers.
Here, Matthus depicts
Farinelli at the Spanish
court, ruled by the
pathologically melancholy
King Philip V. In a
review of his life, we
relive important stages
in the career of the
singer, who lived outside
of the norm and found his
home in the fascinating
twilight world between
art and
artificiality.
Konkretionen II Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.BG-499 Composed by Norbert Linke. This...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.BG-499
Composed by
Norbert Linke. This
edition: paperback.
Chamber music; Softcover.
Edition Gerig. World
premiere Darmstadt, July
16, 1963. Music
post-1945. Performance
score. Composed 1963. 8
pages. Duration 6'.
Breitkopf and Haertel #BG
499. Published by
Breitkopf and Haertel
(BR.BG-499).
Echo Andante Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.EB-9419 Composed by Helmut Lachenmann. Solo instruments; st...(+)
Piano
SKU:
BR.EB-9419
Composed
by Helmut Lachenmann.
Solo instruments;
stapled. Edition
Breitkopf. World
premiere: Darmstadt
(Darmstadter
Ferienkurse), July 18,
1962. Music post-1945;
New music (post-2000).
Score. Composed 1961/62.
20 pages. Duration 12'.
Breitkopf and Haertel #EB
9419. Published by
Breitkopf and Haertel
(BR.EB-9419).
ISBN
9790004188965. 10 x 12.5
inches.
Echo
Andante , nach meiner
Ruckkehr vom
Studienaufenthalt bei
Luigi Nono in Venedig
komponiert, von mir
selbst 1962 in Darmstadt
uraufgefuhrt, bedeutet -
trotz anderer fruherer
Arbeiten, die ich nicht
verleugnen mag (etwa die
Schubert-Variationen ) -
zusammen mit Souvenir und
Funf Strophen wohl mein
Opus 1, mit einer
ahnlichen zugleich
abschliessend
ruckblickenden und
aufbrechend
vorwartsblickenden Rolle,
die etwa Bergs
Klaviersonate oder
Weberns Passacaglia in
deren Schaffen spielte.
Ich war gepragt und
fasziniert von der
Reinheit und Konsequenz
des damaligen
nonfigurativen
Vokalsatzes meines
Lehrers Nono, bei welchem
die Tone als gehaltene
wahrend ihrer Dauer in
fliessende
Intervallbeziehungen
zueinander treten, wobei
diese uber flexible
Dynamik und Klang-
beziehungsweise
Vokalfarben noch weiter
innerlich artikuliert und
hierarchisch abgestuft
werden. Mein Vorhaben,
von solcher Praxis bei
der Entwicklung eines
Klaviersatzes auszugehen
(Nono hat damals
wohlweislich nichts fur
Klavier, uberhaupt kaum
etwas fur Soloinstrumente
geschrieben), war bewusst
ein Versuch am
widerspenstigen Objekt,
wo doch der Klavierklang
permanent unter den
Handen zerrinnt. Den
standig fliehenden Ton
als Komponente von sich
auf-, ab- und umbauenden
Intervallstrukturen
rechtzeitig zu nutzen und
gerade dadurch den
stereotypen
Diminuendo-Charakter
zugleich bewusst zu
machen und wenn schon
nicht zu uberwinden, so
doch immer wieder zu
uberlisten unter
Einbeziehung von Pedal-
und Flageolett-Techniken
(mittels stumm gedruckter
Tasten), aber auch durch
Einbeziehung von tonalen
Konsonanzen als horbar
gemachten
Obertonspektren, fuhrte
zu Ergebnissen, in denen
der Ausgangswiderspruch
sich selbst thematisierte
und die Form des Stuckes
regelte. Andererseits
fuhrte solche
Auseinandersetzung mit
dem Vorbild Nono zugleich
von dessen Idiom weg zu
einem Klangdenken, in dem
Struktur nicht Mittel zu
expressiven Zwecken,
sondern Expressivitat als
vorweg Gegebenes, den
Mitteln bereits
Anhaftendes, zum
Ausgangspunkt fur
strukturelle Abenteuer
wurde. (Helmut
Lachenmann, 1962) CDs:
Marino Formenti (piano)
CD Col legno WWE 20222
Steffen Schleiermacher
(piano) CD MDG 613 1005-2
Roland Keller (piano) CD
col legno 429 356-2
Helmut Lachenmann (piano)
CD NEOS
11630
World
premiere: Darmstadt
(Darmstadter
Ferienkurse), July 18,
1962.
Piano SKU: BR.EB-9428 Composed by Nicola Campogrande. Solo instruments; s...(+)
Piano
SKU:
BR.EB-9428
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2021. 8 pages.
Duration 4'. Breitkopf
and Haertel #EB 9428.
Published by Breitkopf
and Haertel (BR.EB-9428).
ISBN 9790004189054. 9
x 12 inches.
The
Travel Preludes are three
short pieces ideally
conceived for opening a
concert.The first, Urgent
Call, is like a bell
calling the audience and
stressing the importance
- and at times the
urgency - of making
music. The second
prelude, The Art of
Taking a Seat, has to do
with that carefulness,
kindness and attention
the attendance of a
concert requires from the
audience. Because to take
a seat, to concentrate
and to open heart and
mind to the music is an
art everybody should
practice. The third
piece, In Praise of
Discretion, is an homage
to all those musicians,
who enter the stage
without pretensions or
theatrics, being able to
concentrate on nothing
but the music itself.
(Nicola Campogrande, July
2021 ). Sono tre brevi
pagine, idealmente
pensate per aprire un
concerto. La prima,
Urgent call, e come un
campanello che richiama
il pubblico e gli ricorda
in modo deciso quanto sia
importante - e talvolta
davvero urgente - la
pratica della musica. La
seconda, The Art of
Taking a Seat, ha a che
fare con la cura, il
garbo, l'attenzione che
si richiedono a chi
assiste a un concerto.
Perche sedersi,
concentrarsi, aprire il
cuore e il cervello alla
musica sono davvero
un'arte che tutti
dovrebbero conoscere. La
terza, In Praise of
Discretion, e un elogio
agli interpreti che
salgono sul palcoscenico
senza enfasi, senza
teatralita, e sanno
concentrarsi sulla
musica. (Nicola
Campogrande, luglio
2021)
World
premiere:
Cernobbio/Italy, Piazza
del Risorgimento, July 1,
2021.
Piano solo SKU: HH.HH560-SOL Composed by J.N. Hummel and Wolfgang Amadeus...(+)
Piano solo
SKU:
HH.HH560-SOL
Composed
by J.N. Hummel and
Wolfgang Amadeus Mozart.
Edited by Sarah Jenner.
Playing score. Edition HH
Music Publishers
#HH560-SOL. Published by
Edition HH Music
Publishers
(HH.HH560-SOL).
ISBN
9790708185758.
The
Haffner symphony was
composed at the request
of Leopold Mozart for the
celebrations at the
ennoblement of
Wolfgang’s
childhood friend, Sigmund
Haffner, in Salzburg on
29 July 1782. Mozart was
under considerable
pressure at this time
with, amongst other
professional commitments,
preparations for the
opening performance of
Die Entfühtung aus dem
Serail on 16 July, and
the necessary
arrangements for his
forthcoming marriage to
Constanze on 4 August. It
is unclear from the
surviving evidence (the
relevant correspondence
between Wolfgang and
Leopold at this period is
incomplete) whether the
symphony arrived at
Salzburg in time for the
Haffner celebrations. The
symphony was first
performed in Vienna,
under Mozart’s
direction, at the
Hofburgtheater on 23
March 1783 in the
presence of the
Emperor.
Oboe(s) solo SKU: BR.EB-8343 Composed by Nicolaus A. Huber. Solo instrume...(+)
Oboe(s) solo
SKU:
BR.EB-8343
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf. World
premiere: Montepulciano,
July 1982. Music
post-1945; New music
(post-2000). Score.
Composed 1981. 12 pages.
Duration 14'30. Breitkopf
and Haertel #EB 8343.
Published by Breitkopf
and Haertel (BR.EB-8343).
ISBN 9790004176511. 9
x 12 inches.
Vor
und zuruck ist aus einem
Rhythmus-Modell der 13.
Diabelli-Variation von
Beethoven entwickelt.
Daraus sind alle
rhythmischen Verhaltnisse
nach den einzeln
veranderbaren Kategorien
a) Lange des Modells, b)
Zahl der Anschlage, c)
Proportion der Dauern
abgeleitet. Die
verschiedenen
spieltechnischen
Moglichkeiten der Oboe
hinsichtlich der Dynamik,
der Klangfarbe
(Alternativgriffe fur
einen Ton), der
Klangcharakteristik, der
Register, der
Artikulationen und deren
vielfaltige Mischung
sowie die einkomponierte
korperliche Anstrengung
des Interpreten farben
und ,,instrumentieren,
ebenfalls dem
Rhythmus-Modell
gehorchend, drei
Ausdruckscharakteristiken
. Diese knupfen in stets
veranderter Reihenfolge
aneinander an und bilden
dadurch, dass sie bei
jedem Auftauchen
kompositorisch neu
formuliert sind, die Form
des Stuckes als eines
fortlaufenden,
spiralartigen Prozesses.
Neben diesem ,,Vor und
zuruck gibt es auch ein
historisches: Aus
Beethovens Rhythmusmodell
wird ein Stuck mit
fortschrittlichen
Elementen unserer Zeit.
(Nicolaus A. Huber, 1981)
CDs: Matthias Arter CD
col legno WWE 1CD 20009
Christian Hommel CD ars
musici FMF AM 1224-2
Bibliography : Nimczik ,
Ortwin: Konzeptionelle
Rhythmuskomposition.
,,Vor und zuruck fur Oboe
(1981) von Nicolaus A.
Huber, in: Neue Musik
vermitteln. Analysen -
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott
2004, pp. 98-111. Schick
, Tobias Eduard:
Weltbezuge in der Musik
Mathias Spahlingers
(Beihefte zum Archiv fur
Musikwissenschaft, Band
80), Stuttgart; Franz
Steiner 2018, here p.
101.
Organ SKU: BR.BG-1312 Composed by Hans Ulrich Lehmann. This edition: pape...(+)
Organ
SKU:
BR.BG-1312
Composed
by Hans Ulrich Lehmann.
This edition: paperback.
Solo instruments;
Softcover. Edition Gerig.
World premiere Kassel,
July 13, 1977. Music
post-1945. Score.
Composed 1976. 8 pages.
Duration 6-8'. Breitkopf
and Haertel #BG 1312.
Published by Breitkopf
and Haertel (BR.BG-1312).
Chamber Music String Quartet SKU: PR.114416260 Composed by Samuel Adler. ...(+)
Chamber Music String
Quartet
SKU:
PR.114416260
Composed
by Samuel Adler.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed August 19 2013.
36+16+12+12+12 pages.
Duration 15 minutes.
Theodore Presser Company
#114-41626. Published by
Theodore Presser Company
(PR.114416260).
ISBN
9781491101070. UPC:
680160620043. 9 x 12
inches.
Adler's
milestone String Quartet
No. 10 was composed for
the Cassatt String
Quartet for performance
at the Bowdoin
International Music
Festival's 50th
Anniversary season in
2014. Built in a single
movement of contrasting
sections, Adler's 10th
will continue to be
featured in upcoming
concerts by the Cassatt
Quartet, including a
performance in Beijing in
July. The String
Quartet No. 10 was
written in 2013 for the
50th anniversary of the
Bowdoin International
Summer Music Festival and
is dedicated to the
Cassatt Quartet who
premiered the work during
the 50th anniversary
celebration in July 2014.
 The work was written
with a generous grant
from the Fromm Music
Foundation.The 10th
String Quartet is in one
continuous movement but
divided into four
sections. Â The first
section is a slow
introduction which
presents the basic
harmonic material of the
entire work. Â This is
suddenly interrupted by a
very agitated movement
forming a great contrast
to the calm of the
beginning. Â This
rhythmic drive comes to a
stop and is relieved by
the third section which
is a variation of the
beginning, but is a bit
longer and more
developed. Â This is
followed by the final
section which again
captures the agitation of
the second section and
brings the work to a wild
and most aggressive
end.—Samuel
Adler.
Primer Piano (I,II,III) - Early Elementary SKU: HL.645081 Primer Level...(+)
Primer Piano (I,II,III) -
Early Elementary
SKU:
HL.645081
Primer
Level Early Elementary
Level. Composed by
Zoltan Kodaly. Edited by
Jeff Schaum. Arranged by
John Revezoulis.
Educational Piano.
Christmas, Halloween,
Holiday, Patriotic,
Winter. Softcover. 24
pages. Duration 1 min.
Schaum Publications, Inc.
#1300. Published by
Schaum Publications, Inc.
(HL.645081).
ISBN
9781495081101. UPC:
888680685072.
9.0x12.0x0.101 inches.
Hungarian. Sandor
Weores.
Designed so
you can start anywhere in
the book, according to
the season of the year:
Every Witch Way
(Halloween) * Over the
River and Through the
Woods (Thanksgiving) *
Christmas Tree Medley
(Christmas) * Penguins at
Play (winter) * Ice
Skating (winter) *
Londonderry Air (St.
Patrick's Day) * Sleeping
Beauty (Valentine's Day)
* Dutch Dance (spring) *
Leapfrog (spring) *
America the Beautiful
(4th of July) * You're a
Grand Old Flag (4th of
July) * Water Park Fun
(summer).
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113600
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Full
score. Composed 1723. BWV
136. 36 pages. Duration
22 minutes. Carus Verlag
#CV 31.136/00. Published
by Carus Verlag
(CA.3113600).
ISBN
9790007171636. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part.
By John G. Mortimer. For 3 trumpets (or 3 cornets) and piano/keyboard (or CD acc...(+)
By John G. Mortimer. For
3 trumpets (or 3 cornets)
and piano/keyboard (or CD
accompaniment). Swiss
import. Play Along.
Level: 3. Sheet music and
accompaniment CD.
Published by Editions
Marc Reift. (EMR 6163)
Concert Band - Grade 3 SKU: AP.30796 Composed by Samuel Ward. Arranged by...(+)
Concert Band - Grade 3
SKU: AP.30796
Composed by Samuel Ward.
Arranged by Jack Bullock.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Concert
Band. 4th of July;
Patriotic; Summer. Score
and Part(s). 118 pages.
Belwin Music #00-30796.
Published by Belwin Music
(AP.30796).
UPC:
038081336404. English.
Words by Katharine Lee
Bates.
A grand
arrangement of this
highly patriotic theme is
sure to bring pride to
your ensemble. The
familiar verse can be
used as a sing-along if
desired. The craft of
this particular
arrangement is that
endurance and range has
been carefully considered
ensuring a dramatic close
to a program while not
overwhelming any one
section of your band.
Full of emotion, a
certain winner!
Call to the Heroes Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.39606S Composed by Chris M. Bernotas. Co...(+)
Concert Band - Grade 1.5
SKU: AP.39606S
Composed by Chris M.
Bernotas. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. 4th of
July; Patriotic; Summer.
Score. 20 pages. Alfred
Music #00-39606S.
Published by Alfred Music
(AP.39606S).
UPC:
038081454641.
English.
This piece
was inspired by the 10th
anniversary of 9/11 and
the heroic acts of the
first responders. Heroes
surround us in life; this
piece pays tribute to our
everyday heroes, such as
our parents, teachers,
and peers. (2:10)
Correlates to Sound
Innovations for Concert
Band Book 2, Level 3.
This title is available
in MakeMusic Cloud.
Three Romances Flûte traversière et Piano [Conducteur et Parties séparées] Notevole Music Publishing
Flute & Piano SKU: SU.97023310 For Flute & Piano. Composed by Will...(+)
Flute & Piano
SKU:
SU.97023310
For
Flute & Piano.
Composed by William
Thomas McKinley.
Woodwinds, Flute/Piccolo.
Accompanied by piano.
Score & Parts. Notevole
Music Publishing
#97023310. Published by
Notevole Music Publishing
(SU.97023310).
Inspired by the
French Romantic and
Impressionist traditions,
my romances for fute and
piano, composed during
late July and early
August 1984, was
carefully conceived for
the marvelous lyrical and
technical gifts of Robert
Stallman and Richard
Goode, to whom the work
is warmly dedicated. All
three Romances, although
brief in duration, unfold
with a sense of large
gesture and design. The
first Romance is in 3/4
time and flows generally
in the manner of a
lyrical waltz with
occasional turbulent
interruptions. The second
Romance is in 4/4 time,
unfolding in a stately
Baroque-like manner, and
the third Romance is in
2/4 time, melodically
expansive and often
tempestuous. All three
Romances strive to honor
the goals of traditional
performance practice
while, at the same time,
they create an energy and
drama of modernity and
contemporary richness.
And for these goals I am
indebted to so many of
the most outstanding
performers and conductors
of our time with whom I
have worked and from whom
I have learned
much– those who
have demonstrated the
importance of preserving
in addition to further
developing those
significant natural
attributes of musical
expression and
traditional performance
practice which are so
often ignored in
contemporary
compositional values.
— William Thomas
McKinleyFlute & Piano
Duration: 14' Composed:
1984 Published by:
Notevole Music
Publishing.
Marching Band - Grade 2.5 SKU: AP.40230S Arranged by Ralph Ford. Marching...(+)
Marching Band - Grade 2.5
SKU: AP.40230S
Arranged by Ralph Ford.
Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. 4th of July;
Patriotic; Summer. Score.
12 pages. Duration 1:25.
Alfred Music #00-40230S.
Published by Alfred Music
(AP.40230S).
UPC:
038081459394.
English.
Veteran
arranger Ralph Ford
combines five well-known
American melodies into a
stirring arrangement that
would be perfect for your
next parade, civic or
community event, or
halftime show. This chart
is very playable and will
be ready to perform after
just a few rehearsals.
(1:25).
Violin and Piano (Violin) SKU: HL.14004213 Composed by Lennox Berkeley. M...(+)
Violin and Piano (Violin)
SKU: HL.14004213
Composed by Lennox
Berkeley. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 56 pages. Chester
Music #CH55778. Published
by Chester Music
(HL.14004213).
9.0x12.0x0.175
inches.
Five Pieces
for Violin and Orchestra
was commissioned by
Frederick Grinke and
completed on 20 December
1961. The BBC Symphony
Orchestra with Frederick
Grinke (violin) and
conducted by the
composer, gave the first
performance on 31 July
1962 at the Royal Albert
Hall, London during the
BBC Proms season. This
work is so constructed
that each piece is
complete in itself and
can be played separately,
while at the same time
the whole set of five
constitutes a structural
unit. A basic motif
consisting of a rising
semitone followed by a
falling tone, and its
inversion plays an
important part in every
piece. Thus the first
piece, which is of a slow
and meditative character,
begins with this theme in
the bass. It is also
heard in the first entry
of the solo part, and
thereafter every episode
is in some way derived
from it. The next piece,
a vigorous and strongly
marked 'allegro', uses
the semitone of the
original figure as its
starting point. A second
theme appears, first on
the horns and is later
taken up by the solo
violin, while a third
section has the initial
idea as its
accompaniment. Next comes
an extended scherzo in
free form very closely
based on initial motif.
The fourth is a purely
melodic piece containing
allusions in its middle
section to the basic
figure. Here the strings
only are used for
accompaniment. In the
first section, violas and
cellos are divided in the
middle section, and all
the strings are used in
the last, which is
otherwise an almost exact
repetition of the
opening. The Finale is a
lighter movement than the
others, concerned mainly
with giving the soloist
material for display, but
not unconnected with what
has gone before.
Concert Band SKU: SU.91140241 For Concert Band. Composed by Edward...(+)
Concert Band
SKU:
SU.91140241
For
Concert Band.
Composed by Edward
Knight. Concert Band/Wind
Ensemble. Full Score.
Subito Music Corporation
#91140241. Published by
Subito Music Corporation
(SU.91140241).
Cold War space
race culminates withmoon
landing on July 20,
1969.Featured body
percussion; tango theme;
theatrical.GRADE
4Instrumentation: Concert
Band [picc. 2fl, ob, 3cl,
bcl, bn, 2asx, tsx, bari;
3tp, 2hn, 3tb, euph, tba;
3perc, drm set, 2mar,
vibr] Duration: 4'
Composed: 2018
Published by: Subito
Music Publishing
AMERICAN WONDERS is a set
of lyrical symphonic band
works created by composer
Edward Knight in
collaboration with
nationally known music
educator Michael Raiber,
and award-winning
journalist M.J.
Alexander, inspired by
episodes from American
history. These
cross-curricular pieces
focus on specific
areas of musical growth
in individual
musicianship and ensemble
experience. Each piece
has unique features that
offer musicians and
teachers learning
experiences beyond
typical repertoire for
bands at these
performance levels.