Oratorio in two parts. Composed by George Frideric Handel (1685-1759). Edited ...(+)
Oratorio in two parts.
Composed by George
Frideric
Handel (1685-1759).
Edited by
Michael Pacholke. This
edition: complete
edition,
urtext edition. Cloth
bound.
Hallische Handel-Ausgabe
(HHA) I/4,1. Rome 1707.
Complete Edition, Score.
HWV
46a. Baerenreiter Verlag
#BA10721-01. Published by
Baerenreiter Verlag
Oratorio in two
Parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. Arranged by
Christopher Sokolowski.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Rome
1707. Vocal Score. HWV
46A. Baerenreiter Verlag
#BA10721_90. Published by
Baerenreiter Verlag
(BA.BA10721-90).
ISBN
9790006568680. 27 x 19 cm
inches. Text Language:
Italian. Preface: Annette
Landgraf. Text: Pamphili,
Benedetto.
Handel
composed his first
Italian oratorioLa
Bellezza ravveduta nel
trionfo del Tempo e del
DisingannoHWV 46a in
1707. It is based on an
allegorical moral
libretto written by
Cardinal Benedetto
Pamphili who also
commissioned this
work.
Disinganno
(Illumination) and Tempo
(Time) try to get the
young, beautiful and
frivolous Bellezza
(Beauty) to recognise the
true values of life and
to act accordingly. The
audience accompanies
Bellezza in her spiritual
development, in which she
increasingly distances
herself from Piacere
(Pleasure) and listens
more and more to Tempo
and
Disinganno.
The
oratorio contains some of
the most beautiful music
Handel ever composed.
This includes the
enchanting ariaLascia la
spina, in which he uses
the music of the
sarabande from the
operaAlmira, composed in
Hamburg in 1704, and
which then achieved
immortal fame
inRinaldo(1711) asLascia
ch'io pianga.
By Michael Davis. Composed by Michael Davis. Tenor trombone and bass trombone wi...(+)
By Michael Davis.
Composed by Michael
Davis. Tenor trombone and
bass trombone with CD
accompaniment. For tenor
trombone and bass
trombone with CD
accompaniment. Adds
wonderful contrast to the
standard concert/recital.
Published by Hip-Bone
Music. (52)
Level: intermediate.
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
Saddle-stitched, Wedding.
World Music. Book/insert.
68 pages. Mel Bay
Publications, Inc #30859.
Published by Mel Bay
Publications, Inc
(MB.30859).
ISBN
9781513465951. 8.75x11.75
inches.
Imagine a
campfire! Envision
sitting around the bright
flames with your friends
and family singing songs
out in the great expanse.
Imagine that those
melodies you sing stir up
joy, hope, and belief in
the great wonders of the
world. Melodies have
connected different kinds
of people for many, many
years. Music brings us
closer, and music makes
any occasion more festive
and memorable. This book
was written to promote
the love of old folk
melodies, provide
processional music for
special celebrations, and
to include players of all
levels. Music educators
will find that there are
many possibilities and
combinations for practice
and performance. Includes
a 16-page pull-out
section of twelve
selected pieces for an
optional cello
part.
It is my great
hope that music students,
families, and educators
will all enjoy this very
special collection of
Beautiful Melodies
from Around the
World.Â
Easter Fantasy.
Composed by Michael
Bilkes. Musica Sacra.
Hymns & Chorals. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053796-010. Published by
De Haske Publications
(BT.DHP-1053796-010).
English-German-French-
Dutch.
Based on
traditional Easter chants
Fantasia di Pasqua is a
tremendous work to
feature four of your
players in a religiously
inspired work. Often this
work is performed in
church concerts or
religious situations and,
as such, the composer
suggests that the quartet
may be utilised
performing from two
‘galleries’.
This creates a wonderful
double-choir effect that
befits the
Renaissance-like style of
such great composers as
Gabrieli. A truly
inspired work to bring a
touch of Renaissance
class to your
concerts.
In
Fantasia di Pasqua
speelt het (koper)kwartet
een cruciale rol. De
componist raadt aan dit
kwartet vanuit een
galerij te laten spelen:
de zo gecreëerde
dubbelkorigheid past bij
de enigszins
renaissancistische stijl
van hetwerk. De gebruikte
koraalmelodieën worden
alle - veelal dansrijk -
door het kwartet
uitgevoerd in diverse
cadansen, die mede door
de dubbelkorigheid
resulteren in een
levendige en afwisselende
uitvoering. Het kwartet
hoeft nietper se te
bestaan uit twee
trompetten (cornetten) en
twee trombones, maar kan
naar believen worden
samengesteld.
In
seiner Fantasia di
Pasqua verwendete
Michael Bilkes
traditionelle
Osterlieder. Ein Quartett
spielt hier eine
entscheidende Rolle. Dies
kann ein Blech- und/oder
Holzbläserquartett
sein, möglich ist auch
ein Posaunenchor (der
Komponist gibt hierzu
Tipps). In Kirchen kommt
die Fantasie besonders
schön zur Geltung,
wenn das Quartett von der
Empore herab spielt. Der
so kreierte
Doppelchor-Effekt passt
ausgezeichnet zum
Renaissance ähnlichen
Stil und verspricht eine
sehr lebhafte und
abwechslungsreiche
Aufführung.
Fantasia di
Pasqua, basata su melodie
tradizionali, utilizza un
quartetto, che riveste un
ruolo fondamentale nello
sviluppo del brano. Sono
possibili varie
combinazioni, come ad
esempio un quartetto di
ottoni e/o legni, come
anche un coro di
tromboni). Fantasia di
Pasqua è scritta in
uno stile simile alla
musica rinascimentale,
una scelta che si spiega
con il fatto che la
maggior parte delle
melodie corali datano di
questo periodo. Queste
melodie danzanti,
interpretate dal
quartetto, segnano la
trama del brano. La
bellezza del doppio coro
conferisce al brano un
carattere variegato e
divertente.
Easter Fantasy.
Composed by Michael
Bilkes. Musica Sacra.
Hymns and Chorals. Score
Only. Composed 2005. 24
pages. De Haske
Publications #DHP
1053796-140. Published by
De Haske Publications
(BT.DHP-1053796-140).
English-German-French-
Dutch.
Based on
traditional Easter chants
Fantasia di Pasqua is a
tremendous work to
feature four of your
players in a religiously
inspired work. Often this
work is performed in
church concerts or
religious situations and,
as such, thecomposer
suggests that the quartet
may be utilised
performing from two
galleries_x001A_. This
creates a wonderful
double-choir effect that
befits the
Renaissance-like style of
such great composers as
Gabrieli. A truly
inspired work tobring a
touch of Renaissance
class to your
concerts.
In
Fantasia di Pasqua
speelt het (koper)kwartet
een cruciale rol. De
componist raadt aan dit
kwartet vanuit een
galerij te laten spelen:
de zo gecreëerde
dubbelkorigheid past bij
de enigszins
renaissancistische stijl
van hetwerk. De gebruikte
koraalmelodieën worden
alle - veelal dansrijk -
door het kwartet
uitgevoerd in diverse
cadansen, die mede door
de dubbelkorigheid
resulteren in een
levendige en afwisselende
uitvoering. Het kwartet
hoeft nietper se te
bestaan uit twee
trompetten (cornetten) en
twee trombones, maar kan
naar believen worden
samengesteld.
In
seiner Fantasia di
Pasqua verwendete
Michael Bilkes
traditionelle
Osterlieder. Ein Quartett
spielt hier eine
entscheidende Rolle. Dies
kann ein Blech- und/oder
Holzbläserquartett
sein, möglich ist auch
ein Posaunenchor (der
Komponist gibt hierzu
Tipps). In Kirchen kommt
die Fantasie besonders
schön zur Geltung,
wenn das Quartett von der
Empore herab spielt. Der
so kreierte
Doppelchor-Effekt passt
ausgezeichnet zum
Renaissance ähnlichen
Stil und verspricht eine
sehr lebhafte und
abwechslungsreiche
Aufführung.
Fantasia di
Pasqua, basata su melodie
tradizionali, utilizza un
quartetto, che riveste un
ruolo fondamentale nello
sviluppo del brano. Sono
possibili varie
combinazioni, come ad
esempio un quartetto di
ottoni e/o legni, come
anche un coro di
tromboni). Fantasia di
Pasqua è scritta in
uno stile simile alla
musica rinascimentale,
una scelta che si spiega
con il fatto che la
maggior parte delle
melodie corali datano di
questo periodo. Queste
melodie danzanti,
interpretate dal
quartetto, segnano la
trama del brano. La
bellezza del doppio coro
conferisce al brano un
carattere variegato e
divertente.
Edited by Amy Appleby, Liz Seelhoff Byrum. For voice and piano. Format: piano/vo...(+)
Edited by Amy Appleby,
Liz Seelhoff Byrum. For
voice and piano. Format:
piano/vocal/chords
songbook (spiral bound).
With vocal melody, piano
accompaniment, lyrics,
chord names,
illustrations and
introductory text.
Children's and Folk. 240
pages. 9x12 inches.
Published by Music Sales.
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm (Clarinet)...(+)
Chorales and Warm-up
Exercises for Tone,
Technique, and Rhythm
(Clarinet). Composed
by Peter Boonshaft and
Chris Bernotas. Band
Method; Book;
Method/Instruction. Sound
Innovations for Concert
Band: Ensemble
Development. 24 pages.
Published by Alfred Music
(AP.40711).
Concert Band Piano SKU: AP.40724 Chorales and Warm-up Exercises for To...(+)
Concert Band Piano
SKU: AP.40724
Chorales and Warm-up
Exercises for Tone,
Technique, and Rhythm
(Piano). Composed by
Chris M. Bernotas and
Peter Boonshaft. Band
Method; MakeMusic Cloud;
Method/Instruction; NAMM
Best Tools for Schools;
Technique Musicianship;
Warm-Ups. Sound
Innovations for Concert
Band: Ensemble
Development. Book. 52
pages. Alfred Music
#00-40724. Published by
Alfred Music (AP.40724).
ISBN 9781470634018.
UPC: 038081520568.
English.
Sound
Innovations: Ensemble
Development for Young
Concert Band is a
complete curriculum for
beginning band students
to help them grow as
ensemble musicians. The
series complements any
band method and
supplements any
performance music. It
contains 167 exercises,
including more than 100
chorales by some of
today's most renowned
young band composers.
Various exercises at the
grade 1/2, 1, and 1 1/2
levels are grouped by
key, including:
The
compositions were written
by Roland Barrett, Chris
Bernotas, Jodie
Blackshaw, Matt Conaway,
Ralph Ford, Tyler S.
Grant, Rob Grice, John
O'Reilly, Robert Sheldon,
Todd Stalter, Randall
Standridge, Michael
Story, and Scott Watson.
Whether your students are
progressing through
exercises to better their
technical facility, or
improving their
musicianship with
beautiful chorales, we
are confident your
performers will be
excited, motivated, and
inspired by using Sound
Innovations: Ensemble
Development for Young
Concert Band. The
Ensemble Development
Series is also available
for Intermediate and
Advanced Band. Learn more
at www.alfred.com/SIED.
This title is
available in MakeMusic
Cloud.
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm (Baritone Saxo...(+)
Chorales and Warm-up
Exercises for Tone,
Technique, and Rhythm
(Baritone Saxophone).
Composed by Peter
Boonshaft; Chris
Bernotas. Band Method;
Method/Instruction; NAMM
Best Tools for Schools;
SmartMusic; Technique
Musicianship; Warm-Ups.
Sound Innovations for
Concert Band: Ensemble
Development. Book. 24
pages. Alfred Music
#00-40715. Published by
Alfred Music (AP.40715).
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm. Composed ...(+)
Chorales and Warm-up
Exercises for Tone,
Technique, and
Rhythm. Composed by
Peter Boonshaft; Chris
Bernotas. Band Method;
Method/Instruction; NAMM
Best Tools for Schools;
SmartMusic; Technique
Musicianship; Warm-Ups.
Sound Innovations for
Concert Band: Ensemble
Development. Score. 232
pages. Alfred Music
#00-40709. Published by
Alfred Music (AP.40709).