Bassoon - 2 SKU: EB.1-930292-33-3 Premier Performance. Instructional Meth...(+)
Bassoon - 2
SKU:
EB.1-930292-33-3
Premier Performance.
Instructional Method
Book. Ed Sueta Music
Publications
#1-930292-33-3. Published
by Ed Sueta Music
Publications
(EB.1-930292-33-3).
ISBN
9781930292338.
Prem
ier Performance(r)is an
innovative and
comprehensive band method
written with one primary
goal:providing band
directors with the most
effective and logically
sequenced instructional
materials for young
instrumentalists.Premier
Performance(r) is
carefully structured to
develop the three
cornerstones of
outstanding musicianship:
superior tone quality,
accurate rhythm reading
skills and technical
facility.Strong emphasis
is placed on rhythmic
development since this
may be the greatest
challenge facing first
and second year
students.
Premier
Performance(r) Book One
and Book Two each offer
instrument specific
downloadable
accompaniments.
Th
e first accompaniment
track features a
professional musician
playing the melody line
so students can hear and
emulate the sound of
their own instrument. The
second track eliminates
the melody line and
provides the background
accompaniment so students
may play independently.
The accompaniments
include solo and solo
accompaniment for each
student method book.
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Part. 24
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-12. Published by
Breitkopf and Haertel
(BR.OB-5562-12).
ISBN
9790004344460. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Tenor Saxophone - 1 SKU: EB.1-930292-06-6 Premier Performance. Instructio...(+)
Tenor Saxophone - 1
SKU:
EB.1-930292-06-6
Premier Performance.
Instructional Method
Book. Ed Sueta Music
Publications
#1-930292-06-6. Published
by Ed Sueta Music
Publications
(EB.1-930292-06-6).
ISBN
9781930292062.
Prem
ier Performance(r)is an
innovative and
comprehensive band method
written with one primary
goal:providing band
directors with the most
effective and logically
sequenced instructional
materials for young
instrumentalists.Premier
Performance(r) is
carefully structured to
develop the three
cornerstones of
outstanding musicianship:
superior tone quality,
accurate rhythm reading
skills and technical
facility.Strong emphasis
is placed on rhythmic
development since this
may be the greatest
challenge facing first
and second year
students.
Premier
Performance(r) Book One
and Book Two each offer
instrument specific
downloadable
accompaniments.
Th
e first accompaniment
track features a
professional musician
playing the melody line
so students can hear and
emulate the sound of
their own instrument. The
second track eliminates
the melody line and
provides the background
accompaniment so students
may play independently.
The accompaniments
include solo and solo
accompaniment for each
student method book.
Trumpet/Cornet - 2 SKU: EB.1-930292-34-1 Premier Performance. Instruction...(+)
Trumpet/Cornet - 2
SKU:
EB.1-930292-34-1
Premier Performance.
Instructional Method
Book. Ed Sueta Music
Publications
#1-930292-34-1. Published
by Ed Sueta Music
Publications
(EB.1-930292-34-1).
ISBN
9781930292345.
Prem
ier Performance(r)is an
innovative and
comprehensive band method
written with one primary
goal:providing band
directors with the most
effective and logically
sequenced instructional
materials for young
instrumentalists.Premier
Performance(r) is
carefully structured to
develop the three
cornerstones of
outstanding musicianship:
superior tone quality,
accurate rhythm reading
skills and technical
facility.Strong emphasis
is placed on rhythmic
development since this
may be the greatest
challenge facing first
and second year
students.
Premier
Performance(r) Book One
and Book Two each offer
instrument specific
downloadable
accompaniments.
Th
e first accompaniment
track features a
professional musician
playing the melody line
so students can hear and
emulate the sound of
their own instrument. The
second track eliminates
the melody line and
provides the background
accompaniment so students
may play independently.
The accompaniments
include solo and solo
accompaniment for each
student method book.
String quartet SKU: FG.55011-510-1 Composed by Matthew Whittall. Score an...(+)
String quartet
SKU:
FG.55011-510-1
Composed by Matthew
Whittall. Score and
parts. Fennica Gehrman
#55011-510-1. Published
by Fennica Gehrman
(FG.55011-510-1).
ISBN
9790550115101.
Matt
hew Whittall's preface to
Bright Ferment (2019): I
have a complicated
history with the string
quartet. Actually, it's
not that complicated. I
spent months writing a
huge one in my early
twenties and hastily
withdrew it after a long
delayed premiere, vowing
never to write another.
In a typical case of
karmic retribution, my
fear of the form would
eventually be overcome by
the unrefusable offer to
write the compulsory
piece for the Banff
International String
Quartet Competition in my
native Canada. The short
duration requested, about
nine minutes, also felt
like a good way to wade
gingerly back into the
medium. The title was
originally just a
nice-sounding pair of
words that surfaced in a
brainstorming session
with fellow composer Alex
Freeman over an
injudicious amount of
fermented barley. When I
looked it up later, I
found that it was a
phrase of older coinage,
seemingly used more for
poetic resonance than any
fixed meaning. Ferment by
itself denotes a state of
confusion, change or lack
of order. With bright, it
takes on a more positive
connotation with regard
to society and
creativity: a wild
profusion of ideas barely
checked by reason. (It
may not actually mean
that, but it describes
this piece nicely, so
let's go with it.)
Fermentation in its
trendy culinary usage is
also hinted at via a
recurrent percolating
device of scattered
pizzicati. As one may
guess from the tone of
this introduction, there
is little attempt at
gravity in Bright
Ferment, the only means
by which I felt I could
sidestep the historical
and expressive weight of
the string quartet genre.
Styles, gestures and
moods are tossed around,
cross-cut and abandoned
in
stream-of-consciousness
fashion, connected by
little except an
intuitive sense of
rightness in their
juxtaposition. If the
piece acquires depth in
spite of me, it will only
be because its disparate
parts amplify and
strengthen each other
simply by being together
- much like the ensemble
itself. Bright Ferment
was commissioned by the
Banff Centre for the Arts
and Creativity and the
Canadian Broadcasting
Corporation, with
additional funding from
the Americas Society (New
York), for the 2019 Banff
International String
Quartet Competition.
Duration: ca. 9
minutes.
(Over 150 Standards with Professionally Altered Chords). Arranged by Frank Manto...(+)
(Over 150 Standards with
Professionally Altered
Chords). Arranged by
Frank Mantooth. For C
Instruments. Lead Sheets:
Melody line, lyrics and
chord symbols. Softcover.
320 pages. Published by
Hal Leonard
Chorus a cappella (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - or...(+)
Chorus a cappella (solos:
SSTB - choir: SATBSATB -
1.2.0.2 - 2.2.3.0 - timp
- org - str)
SKU:
BR.CHB-5387-02
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled. Chor-Bibliothek
(Choral Library). Mass;
Classical. Sheet Music.
44 pages. Duration 52'.
Breitkopf and Haertel
#ChB 5387-02. Published
by Breitkopf and Haertel
(BR.CHB-5387-02).
ISBN
9790004413883. 7.5 x 10.5
inches. Latin.
The
performance material of
the pioneering completion
of Mozart's great Missa
in cK. 427 by the Dutch
musicologist Clemens
Kemme is now completed
with a choral score. The
reconstruction, seen by
many international
experts as the most
convincing solution,
especially in the
double-choir Sanctus
fugue, thus becomes
affordable for larger
choirs. The compact and
clearly arranged choral
score is also
considerably lighter than
the piano vocal score;
cue notes provide good
orientation within the
work.
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
For Chamber
Orchestra. Composed
by James Matheson. This
edition: Version 6/10/10.
Contemporary. Large
Score. With Standard
notation. Composed
February 13 2003. 84
pages. Duration 18
minutes. Theodore Presser
Company #416-41423L.
Published by Theodore
Presser Company
(PR.41641423L).
UPC:
680160602094. 11 x 14
inches.
Colonnade
is inspired by Albanys
majestic New York State
Board of Education
Building, and written on
a commission from the
Albany Symphony
Orchestra. It was an
intriguing task, in part
because in order to
accept the commission I
had to agree to write a
work inspired by a
building I had not yet
seen. This problem was
compounded by the fact
that, for me, the very
notion of extra-musical
inspiration is a complex
one, particularly with
respect to literary or
visual sources. I
generally find ideas and
abstracted notions more
generative of musical
ideas than specific ones
(a poem, an experience, a
painting). So when I went
to see and tour the
building, I sought to
identify fundamental
formal aspects of the
building which I could
process into musical
ideas, and would then be
linked to the building
through a sense of formal
relationship. In the end,
two characteristics of
the building stood out as
noteworthy and
undiminished by time
(compared with, for
instance, the buildings
rotunda, which contains a
series of quaintly
outdated allegorical
paintings): the exterior
colonnade and a beautiful
interior vaulted ceiling,
designed by Rafael
Guastavino. For me, a
colonnade acts as a
metaphor for the tension
between knowledge and
perception. We all know,
for instance, that the
columns are of the same
height and are
equidistant from each
other. Nevertheless,
while the mind
understands this fully,
it is also the case that
there exists no place no
standpoint or viewpoint
anywhere in the universe
from which one can
perceive this; the
columns always appear to
be of uneven height and
spacing. If one then adds
motion to perspective a
walk along the colonnade,
for instance the fixed,
even, rigidly identical
columns acquire
elasticity, and begin to
change kaleidoscopically
they shrink, grow, become
closer, and then further
apart. Further, the
detail of the buildings
facade behind the
colonnade shifts into and
out of visibility, with
different portions
obscured by the columns
from each vantage point.
These considerations
underlie the outer
sections of Colonnade, in
which a continuously
repeated, continuously
varied rising figure
suggestive of a column
dominates. The iterations
of this elastic, evolving
figure are interspersed
with other music
suggestive of the
buildings facade. The
second feature of the
building that caught my
attention was the vaulted
ceiling, designed by
Guastavino, of one of the
buildings largest rooms.
The ceiling enhances the
spaciousness of the room,
giving it an openness and
lightness that is quite
captivating. The middle
section of Colonnade has
this openness at its
core, and is dominated by
long, arching lines that,
to me, suggest the
refined beauty of this
ceiling. World premiere
March 8, 2003; Albany
Symphony Orchestra
conducted by David Alan
Miller.
Composed by
Bruce Fraser. Band Music,
closer. Score only.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.S11203).
Freedom's Sword
tells the tale of battle
and reconciliation
between two lands,
deriving themes from the
well-known Scottish song
Ca' the yowes. Horn calls
and pounding drums set
the tone for the battle
scenes while a dreamy
alto saxophone solo
creates an air of
optimism.
This
work was originally
commissioned by Nigel
Boddice for the West
Lothian Schools Brass
Band to play at the
European Youth Brass Band
Championships in 1997
entitled Devolution to
celebrate the setting up
of the new Scottish
Parliament. It appears in
this revised version for
Concert Band with the
title Freedom's Sword.
The opening section
recalls days gone by when
the Scots and English
fought many a battle. The
themes are derived from
the well-known haunting
song Ca' the yowes. The
horn calls and off-stage
percussion sound of a
distant battle and it
gradually comes closer.
The centre section
creates a mood of
reconciliation with a
dreamy Alto Saxophone
solo. The last section
now looks ahead with
optimism and various
bright dance themes
appear based on
traditional Scottish reel
tunes, one of which is a
two-part vocal scat
section The piece then
heads for its conclusion
including a full
statement of the main
theme.
Composed by
Mordy Ferber. Solos,
Style, Contemporary,
Perfect binding. Bill's
Music Shelf. Jazz. Book.
84 pages. Mel Bay
Publications, Inc #22154.
Published by Mel Bay
Publications, Inc
(MB.22154).
ISBN
9780786682560. UPC:
796279111102. 8.5 X 11
inches.
This book
is an attempt to capture
the highlights of
twenty-eight years of
composing. Each of these
32 compositions is an
expression, and as such
-- an exposure, of a
genuine part of myself
which I present within
the framework of jazz; my
beloved art form. When I
listen to this music I
hear shades of my early
classical and rock
influences. It also
brings to my mind my
birth place, a small
neighborhood outside of
Haifa, Israel. I really
hope that you will listen
to these pieces come
alive on my CDs All The
Way To Sendai.
Composed by
Bruce Fraser. Band Music,
closer. Score and parts.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.R10203).
Freedom's Sword
tells the tale of battle
and reconciliation
between two lands,
deriving themes from the
well-known Scottish song
Ca' the yowes. Horn calls
and pounding drums set
the tone for the battle
scenes while a dreamy
alto saxophone solo
creates an air of
optimism.
This
work was originally
commissioned by Nigel
Boddice for the West
Lothian Schools Brass
Band to play at the
European Youth Brass Band
Championships in 1997
entitled Devolution to
celebrate the setting up
of the new Scottish
Parliament. It appears in
this revised version for
Concert Band with the
title Freedom's Sword.
The opening section
recalls days gone by when
the Scots and English
fought many a battle. The
themes are derived from
the well-known haunting
song Ca' the yowes. The
horn calls and off-stage
percussion sound of a
distant battle and it
gradually comes closer.
The centre section
creates a mood of
reconciliation with a
dreamy Alto Saxophone
solo. The last section
now looks ahead with
optimism and various
bright dance themes
appear based on
traditional Scottish reel
tunes, one of which is a
two-part vocal scat
section The piece then
heads for its conclusion
including a full
statement of the main
theme.
Studio
Ghibli, Anime. Score.
Yamaha Music Media
#GTP01101983. Published
by Yamaha Music Media
(YM.GTP01101983).
ISBN
9784636116342. 12 x 9
inches.
This book
contains a total of 77
lead sheets of music from
Studio Ghibli films.
Melody lines and chord
symbols are provided for
all songs. It can be used
for playing on keyboard
instruments such as
pianos and keyboards, and
is also suitable for
other C-instruments with
a suitable range e.g.
Flutes, Violins. You can
also use this book very
conveniently as a base
for playing your own
arrangements of your
favorite songs! We hope
you will use this book in
a variety of creative
ways and enjoy plenty of
Studio Ghibli music.
Guitar - very easy SKU: HL.49005329 Guitar. Edited by Ludwig Ander...(+)
Guitar - very easy
SKU: HL.49005329
Guitar. Edited by
Ludwig Andersen. Arranged
by Walter Lutz and Willi
Draths. This edition:
Plastic cover. Paperback.
Edition Schott.
Classical. Melody Line
(with Chords). 168 pages.
Schott Music #ED5000.
Published by Schott Music
(HL.49005329).
ISBN
9783795740009. UPC:
073999172874.
4.75x7.25x0.46 inches.
German.
Diese
Standard-Sammlung von 203
der schonsten und
bekanntesten Volks-,
Wander-, Trink- und
Scherzlieder gehort in
jeden Wander-Rucksack und
die Hand eines jeden, der
Freude am Singen hat. Zu
dieser Sammlung ist auch
ein Textbuchlein
erhaltlich (ISBN
3-7957-3000-7).
Piano/vocal SKU: HL.49003672 Libretto. Edited by Ludwig Andersen. ...(+)
Piano/vocal
SKU:
HL.49003672
Libretto. Edited
by Ludwig Andersen.
Arranged by Wilhelm Lutz.
This edition: Saddle
stitching. Book. Edition
Schott. Classical. Text
book/libretto. 96 pages.
Schott Music #ED2222-10.
Published by Schott Music
(HL.49003672).
ISBN
9783795730000. UPC:
073999821666.
4.25x6.25x0.203 inches.
German.
Diese
Standard-Sammlung von 203
der schonsten und
bekanntesten Volks-,
Wander-, Trink- und
Scherzlieder gehort in
jeden Wander-Rucksack und
die Hand eines jeden, der
Freude am Singen hat.
Dies ist das zur Sammlung
erhaltliche
Textbuchlein.
Piano/Keyboard; Vocal - very easy to easy SKU: HL.49003673 Violin Part...(+)
Piano/Keyboard; Vocal -
very easy to easy
SKU:
HL.49003673
Violin
Part. Edited by
Ludwig Andersen and
Wilhelm Lutz. Arranged by
Wilhelm Lutz. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. 56 pages.
Schott Music #ED 2223.
Published by Schott Music
(HL.49003673).
ISBN
9790001036580. UPC:
073999590135.
9.0x12.0x0.255
inches.
Diese
Standard-Sammlung von 203
der schonsten und
bekanntesten Volks-,
Wander-, Trink- und
Scherzlieder gehort in
jeden Wander-Rucksack und
die Hand eines jeden, der
Freude am Singen hat. Zu
dieser Sammlung ist auch
ein Textbuchlein
erhaltlich (ISBN
3-7957-3000-7).
Complete Jazz Keyboard Method: Intermediate Jazz Keyboard. (Intermediate Jazz Ke...(+)
Complete Jazz Keyboard
Method: Intermediate Jazz
Keyboard. (Intermediate
Jazz Keyboard). For
keyboard. Keyboard/Piano;
Method/Instruction.
National Keyboard
Workshop Book - Approved
Curriculum.
Instructional, Method,
Jazz and Play Along.
Intermediate.
Instructional book and
examples/accompaniment
CD. Leadsheet notation,
instructional text and
standard notation. 96
pages. Published by
Alfred Music Publishing
Amazing Grace Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:00.
Published by Manhattan
Beach Music.