Band concert band - Grade 0.5

SKU: CF.PPS51

March. Composed by Larry Clark. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3 +1+1+2+2+12+2 pages. Duration 2 minutes, 8 seconds. Carl Fischer Music #PPS51. Published by Carl Fischer Music (CF.PPS51).

ISBN 9781491151952. UPC: 680160909452.

The march style is important to the heritage of the modern concert band. Why not get beginners off to a great start by teaching them this essential band style as early as possible? Achieve u ses only the first six notes of the Bb-major scale and utilizes two repeated eighth notes as the most difficult rhythm. It is written in traditional march form and style, but without modulation in the trio.
The march style is important to the heritage of the modern concert band, and it is my opinion that even the youngest of students should be taught the march style and form as early as possible. This march sets out to give these students that opportunity. It uses only the first six notes of the Bb-major scale, and the most difficult rhythm is two repeated eighth notes. Yet it has all of the traditional march form and style. The form of this easy march is the traditional intro, first strain, second strain and trio. The only difference from more challenge marches is that the key does not change to the subdominant at the trio. Most everything else is the same as you would find in the American marches of Sousa, Fillmore or King.The march begins forte with a quote from the end of the second strain, something that is common in many marches. This is followed by the first strain at a softer dynamic level. Additional voices are added on the repeat for variety. The second strain has tradition changes in dynamics, first starting out loud, then getting soft with crescendos to the end of the strain. The trio following again in typical fashion with the first time being very soft and legato. There are some suggestions for changing the orchestration, but you can use your creativity to tailor the instrumentation to your musical taste. The repeat of the trio should then be back to a more marcato march style. This should start with the last note of the first ending in m. 70. The march then ends with the traditional stinger.It is my opinion that in marches with this form that the repeats should not be eliminated. By doing so, it changes the form and makes the march lopsided, with the first half of the marching being too short compared to the trio section.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.

Composed by Lisa Bastien and Lori Bastien. Music book. Neil A. Kjos Music Company #WP460. Published by Neil A. Kjos Music Company

By Len Vogler (Compiler). For Piano Solo, Keyboard. Sheet Music and Audio CD. 32 pages. Published by Wise Publications.

By Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Method. Primer - Level 2B. CD only. Faber Music #CD1025. Published by Faber Music

Composed by Mel Bay. Saddle- stitched. Method. Book and online audio. 48 pages. Published by Mel Bay Publications, Inc

By John W. Schaum. For Piano. Schaum Publications - Method Book. Fingerpower. Book. Published by John Schaum (Milwaukee).

(Primer). By Wesley Schaum. For Piano. Method/Instruction; Piano - Schaum Method; Theory. Schaum Publications Theory Workbook. Early Elementary. Book. Published by Alfred Music Publishing

Guitar

SKU: HL.14045823

Composed by Fernando Rivas. CARISCH - MUSIC SALES. General Merchandise. Real Musical #REALMK17355. Published by Real Musical (HL.14045823).

ISBN 9788438710326. Spanish.

By Larry Clark. Arranged by Sandy Feldstein. For French Horn. The Yamaha Advantage. Instructional Method; Concert Band Curriculum

By Walter Noona. For accompaniment CD. Accompaniment CD. Level: Primer Plus. Piano method. Published by Heritage Music Press. (99/1151H)

by Frank Zucco. For violin. All styles, children. Level: Beginning. Book. Method. Size 8.75x11.75. 24 pages. Published by Mel Bay Pub., Inc.

By Jane Smisor Bastien. For Piano. Bastien Piano. Bastien Piano Solos. Primer. Music Book

Horn

SKU: M7.AHW-2153

Composed by Bugs Bower and Charles Colin. Sheet music. 50 pages. Charles Colin Corp. #AHW 2153. Published by Charles Colin Corp. (M7.AHW-2153).

English.

'Rhythm s Complete' By Bugs Bower and Dr. Charles Colin is the most widely used primer in the world for teaching rhythm, syncopation and phrasing, employing a very melodic format of exercises in rhythmic structures and combinations of rhythms. It requires time, practice and repetition to master, however once you can read this in 4/4 and cut time correctly, you will be able to read anything. While written especially for the beginning/intermediate levels, it is also used by advanced players of the french horn as a daily practice book to maintain facility.

By Forrest Buchtel. For Bb clarinet. Solos/Ensembles. Primer Level piece for the Trumpet Solo Event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Grade 1.5. Music Book

(Pre-Primer). By John W. Schaum. For Piano. Method/Instruction; Piano - Schaum Method. Schaum Publications. Beginner. Book. Published by Alfred Music Publishing

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, Vibraphone, alto Saxophone and more. - Grade 0.5

SKU: CF.PPS49

Composed by Richard Summers. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3 +1+1+2+1+12+2 pages. Duration 2 minutes. Carl Fischer Music #PPS49. Published by Carl Fischer Music (CF.PPS49).

ISBN 9781491151938. UPC: 680160909438.

Exemp lary is a mature musical� �piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship.
Exemplar y is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  .

By Dusan Bogdanovic (1955-). For 2-3 guitars. Grade 2-3. Score and parts. 40 pages. Published by Les Editions Doberman-Yppan

By Lisa Bastien. Bastien Piano. Bastien Piano Solos. Music Book. Published by Neil A. Kjos Music Company.
Level: Primer.

SKU: HL.645859

Composed by Various. Edited by Jeff Schaum. Educational Piano. Softcover. 24 pages. Duration 7200 seconds. Schaum Publications, Inc. #0725. Published by Schaum Publications, Inc. (HL.645859).

ISBN 9781495081651. UPC: 008148007257. 9.0x12.0 inches.

This series helps to widen the student's musical horizons by offering an introduction to some of the world's greatest music. These arrangements enable a pupil to have the satisfaction of hands on experience with master themes, after only a few months of study. Selections include pieces from Beethoven, Brahms, Mozart, and many other famous composers.

By Peter Pickow. For Pennywhistle. Sheet Music. 64 pages. Published by Music Sales. Beginners will be playing tunes in no time with the introductory guide to one of the world's easiest instruments. Features fingering charts, and easy-to-read tablature.

By June Montgomery. Keyboard. Level: Early Elementary (1A). Published by Alfred Publishing.

Composition

SKU: FP.FTJ06

Composed by John Turner. Sheet Music and Books. Recorder virtuosi and composer John Turner's indispensible new guide for composers writing for the solo recorder. This hugely useful book features chapters on the history of recorder composition, as well as the instrument's range, player technique, dynami. Classical, Instructional. Reference Book. Forsyths Publications #FTJ06. Published by Forsyths Publications (FP.FTJ06).

ISBN 9780951479537.

Comp osing for the recorder can be intimidating for those with limited or no experience playing the instrument. John Turner's new book is the ideal primer, taking the would be recorder composer on a journey through the history of recorder composition, and onwards to explore player techniques and the musicality offered by this versatile instrument. Each section is extensively referenced to exisiting compositions, providing a fantastic platform for further research by the reader.

About the Author:

JOHN TURNER is one of the leading recorder players of today. Born in Stockport, he was Senior Scholar in Law at Fitzwilliam College Cambridge before pursuing a legal career, acting for many distinguished musicians and musical organisations alongside his many musical activities. These included numerous appearances and recordings with David Munrow's Early Music Consort of London, the Academy of Ancient Music, the English Chamber Orchestra, the Academy of St. Martin-in-the-Fields and the English Baroque Soloists. He now devotes his time to playing, writing, reviewing, publishing, composing and generally energising.

He has played as recorder soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the English Baroque Soloists, the English Chamber Orchestra, and many other leading orchestras and ensembles. Concertos and works with orchestra have been written for him by Gordon Crosse, Anthony Gilbert, Peter Hope, Kenneth Leighton, Elis Pehkonen, Alan Bullard, John Casken, and many other distinguished composers. His recordings include no less than five sets of the Brandenburg Concertos, as well as the F Major version of Brandenburg Concerto No. 4 with Menuhin and George Malcolm, but lately he has madenumerous acclaimed recordings of the recorder’s contemporary concerto and chamber music repertoire, including several concerto discs, all of which have received critical acclaim. In all, he has given the first performances of over 600 works for the recorder, with works by many non-British composers, including Leonard Bernstein, Ned Rorem, Peter Sculthorpe, Douglas Lilburn and Petr Eben.

Many of the works he has premiered have now entered the instrument’s standard repertoire, and these and his own recorder compositions are regularly set for festivals and examinations. He edits series of recorder publications for both Forsyths and Peacock Press, and founded the periodical Manchester Sounds, in response to the perceived threat to music libraries in Great Britain. In addition he was responsible for the rediscovery of several works for his instrument, including the Rawsthorne Recorder Suite, Antony Hopkins' Pastiche Suite, Herbert Murrill’s Sarabande, the Handel F Major Trio Sonata and John Parry's Nightingale Rondo (the only substantial known British nineteenth century work for a fipple flute). He was awarded an Honorary Fellowship by the Royal Northern College of Music in 2002 for his services to British music, and is a Visiting Distinguished Scholar of Manchester University.

For string bass. Just the Facts for Strings. Instructional book. Published by Music Bag Press

By David Carr Glover and Louise Garrow. For Piano. Piano - Glover Library. Book. 32 pages. Published by Alfred Publishing.

For piano. Piano. Level: Primer. Method Book. Published by Neil A. Kjos Music Company.