Composed by David Ritt.
Arranged by David Ritt.
Classical. Score and
Parts. Cherry Classics
#CC3093. Published by
Cherry Classics
(CY.CC3093).
ISBN
9790530110706. 8.5 x 11
in inches.
* The
Rochut/Bordogni Etudes
for Trombone have enjoyed
immense popularity over
the years. * If you play
the Trombone, or any
brass instrument for that
matter, you most likely
have played and listened
to countless hours of
them as a student or
teacher in the studio or
practice room. * David
Ritt has composed Volume
II of 31-60 of the 60
Melodious Etudes from
Book I as duets for Alto
Trombone and Tenor
Trombone. * Etude numbers
1-30 from Book I are
available as Volume I. *
Performed as duets (both
parts on the same page)
they will be an
invaluable asset to
teachers and students,
helping them gain insight
into performing these
gorgeous melodies and
learning a melodious
style of performing as
well as improving
intonation, rhythm, style
and getting to know the
Alto Trombone. * Book I
Volume II for Alto and
Tenor Trombone includes
Etudes 31-60, from the
vocalises from Book I of
the Rochut etudes and are
contained in a handsome
coil-bound book of 89
pages or available as a
download or even both. *
Beautifully engraved,
these accompaniments are
perfectly suited for
advanced performers. *
This edition includes
both the Alto and Tenor
parts together on the
same page for easy
reading.
Full orchestra - Difficult SKU: OU.9780193683167 William Walton Editio...(+)
Full orchestra -
Difficult
SKU:
OU.9780193683167
William Walton Edition
vol. 16. Composed by
William Walton. Edited by
Michael Durnin.
Orchestral parts for
sale. William Walton
Edition. Full score. 256
pages. Oxford University
Press #9780193683167.
Published by Oxford
University Press
(OU.9780193683167).
ISBN 9780193683167. 13
x 10 inches.
This
volume contains newly
edited versions of four
important later
orchestral works by
Walton: Capriccio
Burlesco, Improvisations
on an Impromptu of
Benjamin Britten, Prologo
e Fantasia, and Varii
Capricci. The first three
works were written for
American orchestras; the
last for the opening of
the Royal Festival Hall
in
1976.
Voic
ing Cappricio
Burlesco - picc, 2 fl, 2
ob, ca, Ebcl, 2 cl, bcl,
2 bn, cbn, 4 hn, 3 tpt, 2
tbn, btbn, tba, timp, 3
perc (SD, TD, BD, cast, w
blk, cym, whip, xylo,
tamb, bongo), hp, str
Improvisations on an
Impromptu of Benjamin
Britten - 3 fl
(III+picc), 3 ob
(III+ca), 3 cl (III+bcl),
3 bn (III+cbn), 4 hn, 3
tpt, 3 tbn, tba, timp, 3
perc (glock, xylo, clash
cym, sus cym, BD, tamb, 3
bongos, SD, MD), hp, str
Prologo e Fantasia - 3
fl, 3 ob (III+ca), 3 cl,
3 bn (IIII+cbn), 4 hn, 3
tpt, 3tbn, tba, timp, 4
perc (SD, cym, BD, xylo,
clash cym), hp, pn, str
Varii Capricci - 3 fl
(III+picc), 2 ob, ca, 3
cl, 3 bn, 4 hn, 3 tpt, 3
tbn, tba, timp, 3 perc,
cel, hp, str.
About William
Walton
Edition
In
March 2014 Oxford
University Press
published the last volume
in its magnificent
William Walton Edition,
the only complete
critical edition of a
20th-century British
composer's oeuvre. All 24
volumes are handsomely
printed and bound.
Walton's entire output is
now available to scholars
and performers in a
definitive and fully
practical edition, based
on the form in which the
composer ultimately
wished his music to be
performed. The general
editor, David Lloyd-Jones
- the eminent conductor,
English music specialist,
and founder of Opera
North - invited a
world-class expert to
edit each volume.
Carefully researched
introductory essays place
the works in their
historical context and in
the composer's oeuvre,
and there are full
critical notes.
Song of David Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1135481-020 Based on Dies Irae....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1135481-020
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135481-020. Published by
De Haske Publications
(BT.DHP-1135481-020).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan Song of
David, dessen Titel
auf die dritte Textzeile
von Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione
de_x001E_finitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.
Song of David Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-140 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135481-140
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Score Only. Composed
2013. 60 pages. De Haske
Publications #DHP
1135481-140. Published by
De Haske Publications
(BT.DHP-1135481-140).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan Song of
David, dessen Titel
auf die dritte Textzeile
von Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione
de_x001E_finitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.
Song of David Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-010 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135481-010
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135481-010. Published by
De Haske Publications
(BT.DHP-1135481-010).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies Irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan
David’s Song,
dessen Titel auf die
dritte Textzeile von
Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione definitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.
Song of David Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1135481-120 Based on Dies Irae....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1135481-120
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Score Only. Composed
2013. 12 pages. De Haske
Publications #DHP
1135481-120. Published by
De Haske Publications
(BT.DHP-1135481-120).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan Song of
David, dessen Titel
auf die dritte Textzeile
von Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Piano - very easy to easy SKU: M7.ART-42104 26 leichte und sehr leicht...(+)
Piano - very easy to easy
SKU: M7.ART-42104
26 leichte und sehr
leichte Klavierstücke
für Kinder &
Erwachsene. Composed
by Tatjana Davidoff.
Score with online audio
files. 44 pages. MDS
(Music Distribution
Services) #ART 42104.
Published by MDS (Music
Distribution Services)
(M7.ART-42104).
ISBN
9783866421042.
Du
hast Schwierigkeiten
Noten zu lesen? Besonders
der Bassschlüssel
bereitet Dir
Schwierigkeiten? Du
stehst auf
gefühlvolle, schön
klingende Klaviermusik?
'Deine Noten, Dein
Klavier, Deine Musik'
enthält 26 leichte und
sehr leichte
Klavierstücke, die
fast nur in Viertelnoten
geschrieben sind und
dennoch anspruchsvoll
klingen. Dadurch hast Du
die Möglichkeit Noten
fehlerfrei zu erlernen
und gleichzeitig legst Du
den Grundstein für
einen sicheren Umgang mit
dem Violin- und dem
Bassschlüssel. In
allen Stücken sind die
Fingersätze und der
Pedaleinsatz
ausführlich
gekennzeichnet. Die
Begleitung mit der linken
Hand beschränkt sich
auf einzelne ganze Noten,
damit Du Dich auf Deine
Fingerhaltung, Deinen
deutlichen und sauberen
Anschlag sowie auf die
Koordination Deiner
Finger konzentrieren
kannst. Die einfachen
Dur- und Mollharmonien
sind zudem
abwechslungsreich
gestaltet und schulen
Dein Gehör. Da Du die
hier gesammelten
Stücke ohne
Schwierigkeiten spielen
kannst, empfindest Du das
Ãœben nicht als etwas
Mühsames oder
Anstrengendes - ganz im
Gegenteil: Du erlebst das
Klavierspielen so, wie
wir es lernen und spielen
wollen. Als eine
wundervolle Art und
Weise, die eigenen
Gefühle in Musik
auszudrücken. Der
optionale Download dient
als praktische Lernhilfe
und soll eine Anregung
dafür sein, wie diese
Klavierstücke beim
Spielen klingen
könnten.
By David Carr Glover, Mary Elizabeth Clark. For Piano. Piano - Glover Library. D...(+)
By David Carr Glover,
Mary Elizabeth Clark. For
Piano. Piano - Glover
Library. David Carr
Glover Piano Library.
Book. 36 pages. Published
by Alfred Publishing.
Oboe SKU: BT.MUSM570362158 By Melinda Maxwell_John Stringer. Classical. B...(+)
Oboe
SKU:
BT.MUSM570362158
By
Melinda Maxwell_John
Stringer. Classical. Book
Only. 40 pages.
University of York Music
Press #MUSM570362158.
Published by University
of York Music Press
(BT.MUSM570362158).
English.
This
collection of oboe music,
written by living
composers, is an
invaluable resource for
any oboist of Grade 8 and
conservatoire standard
who is curious about
widening their
repertoire, and exploring
the various languages of
modern music. The term
modern music can alienate
many minds who may think
it will be too difficult
technically; aurally
unknown and therefore
unsatisfying; harmful or
damaging to their musical
sensibility. To all these
points this volume has
the answers. Every one of
these pieces requires
challenging technical
skills demanded of any of
the more traditional oboe
repertoire, and
additionally they will
improve technique. Each
piece portrays a
characterand language
that is approachable and
compelling. Far from
damaging musical
sensibility these musical
types will open the ear
and enrich the spirit.
Some are physically
demanding and require
very good breath control,
others need patience in
learning new fingerings
and timbres, and some
travel to extreme
registers. But, in all
cases, the effort will be
rewarding, and not only
that, the knowledge
gained about the oboe and
how it works will be
equally entertaining and
stimulating.
(Level 3, Complete Blues Harmonica Lesson Series). Composed by David Barrett. ...(+)
(Level 3, Complete Blues
Harmonica Lesson Series).
Composed by David
Barrett.
For diatonic harmonica.
Perfect binding.
Harmonica
Masterclass Lesson.
Blues.
Intermediate-Advanced.
Book
and Online Audio. 32
pages.
Published by Mel Bay
Publications, Inc
(Complete Blues Harmonica Lesson Series). Composed by David Barrett. For harmoni...(+)
(Complete Blues Harmonica
Lesson Series). Composed
by David Barrett. For
harmonica.
Saddle-stitched.
Harmonica Masterclass
Lesson.
Intermediate-Advanced.
Book and online audio.
Published by Mel Bay
Publications, Inc
By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-...(+)
By David R. Gillingham.
Percussion Ensemble. For
Marimba (4-mallet)
(marimba (5-octave)).
Medium to difficult.
Duration 20:00. Published
by C. Alan Publications
(Heavy Metal Pyrotechnics Meet the Bass Guitar). Composed by David Overthrow. Fo...(+)
(Heavy Metal Pyrotechnics
Meet the Bass Guitar).
Composed by David
Overthrow. For Bass
Guitar. Bass Guitar
Method or Supplement;
Book; CD;
Method/Instruction.
Shredding Series. Metal.
Beginner. 64 pages.
Published by Alfred Music
Critters Chorale SSAA SSAA A Cappella Subito Music
SSAA a cappella SKU: SU.YR7300 For SSAA a cappella. Composed by Da...(+)
SSAA a cappella
SKU:
SU.YR7300
For SSAA
a cappella. Composed
by David Thomas.
Vocal/Choral, Secular
Choral. A cappella,
Women’s Chorus,
SSAA. Choral Octavo.
Subito Music Corporation
#YR7300. Published by
Subito Music Corporation
(SU.YR7300).
Seven American
folk songs arranged by
David Evan ThomasSSAA a
cappella Composed: 1998
Published by: Yelton
Rhodes Music Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com.
Cello SKU: HL.14028929 Composed by David Blake. Music Sales America. Clas...(+)
Cello
SKU:
HL.14028929
Composed
by David Blake. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV120425.
Published by Music Sales
(HL.14028929).
Written for
Moray Welsh whilst still
an undergraduate at York
University. This piece
was completed in
mid-September. Inspired
by Hermann Hesse's
Steppenwolf. A solo
'cello seemed an
appropriate medium for
music which might explore
the character of Harry
Haller, with his desire
for bourgeois comfort and
his strong misanthropic
and suicidal tendencies.
The opening theme
attempts to express this
- melancholy, nostalgic,
a bit Biedermeyer (cf.
Brahms Intermezzi). The
basic theme of the book,
at its simplest, is that
every human personality
consists of hundred of
different personalities -
within every man there
lurks a wolf. Accordingly
the tendency of my piece
is for all its musical
material to become
distorted, either by
thematic transformation
or by changes of timbre.
There are three movements
played without a break.
The first is a character
portrait of the
Steppenwolf. The second
is concerned in the most
general sort of way with
the dance elements in the
novel - Harry's being
taught to dance and
appreciate low 'popular'
music - a tango is
recapitulated in a waltz
and 'Yearning', a popular
song of the time (1927)
is hinted at. The third
movement concerns the
Masked Ball and the Magic
Theatre. Mozart is one of
Hesse's great loves and
he is repeatedly
mentioned in the book.
Inevitably some Mozart
quotes have been worked
in, the most significant
being a reference to The
Magic Flute 'fire and
water' flute theme in the
middle of the second
movement. Long before I
finished the piece, I was
disenchanted with the
work of Hesse. Much of
Steppenwolf I now find
rather embarrassing and
the claims currently made
for Hesse's greatness
seem to me exaggerated.
Since my piece is in no
important sense
programmatically
specific, this change of
heart doesn't really
matter. ~ David
Blake.