Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in set

SKU: AP.36-A744648

Composed by Wolfgang Amadeus Mozart. Full Orchestra, Solo Violin Part. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A744648. Published by LudwigMasters Publications (AP.36-A744648).

ISBN 9798888529812. UPC: 659359901379. English.

It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219. The likely reason for the replacement is a complaint by Italian violinist Antonio Brunetti, recently brought to the Salzburg court orchestra by the Prince-Archbishop of Salzburg, Heironymus Colloredo, that the original movements was too artificial, according to a letter from Leopold Mozart. The Mozarts, finding Brunetti boorish and morally objectionable, also would have thought his complaint regarding the artificial second movement to confirm their worst opinions of Italian taste. Still, young Mozart wrote the replacement Adagio as requested, and its serene beauty in sonata form remains a fine example of his lyrical ability. Instrumentation: 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Cello

SKU: HL.48188823

For Cello and Orchestra (Piano Reduction). Composed by Henri Dutilleux. Leduc. Classical. Softcover. 80 pages. Heugel & Cie #HE33633. Published by Heugel & Cie (HL.48188823).

UPC: 888680883478. 9.25x12.25x0.075 inches.

“Comp osed between 1967 and 1970, Tout un monde lointain for Cello and Orchestra, by Henri Dutilleux, is one of the most important additions to the cello repertoire in the 20th century. Lasting nearly half an hour, each of the five movements are inspired by a poem of Charles Baudelaire: 1. Énigme / Enigma 2. Regard / Gaze 3. Houles / Surges 4. Miroirs / Mirrors 5. Hymne / Hymn The main theme, initially introduced in the first part Énigme / Enigma, is often replayed through the piece. The third part, Houles / Surges is the most difficult to interpret with a Scherzo part that's quite challenging and no break between the movements. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a piano sonata, two symphonies, the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).”.

Recorder

SKU: FZ.5910

Edited by Suzi Mohlmeier, Frederique Thouvenot. This edition: Facsimile. Fac-Similes Enseignement. Score. Published by Anne Fuzeau Productions - France (FZ.5910).

ISBN 9790230659109. 22.00 x 31.00 cm inches.

Anne Fuzeau Classique propose you period copies of classical music scores. These original publications of Loeillet, Telemann and Bellinzani are in facsimile on Fac-similes et Enseignement collection. Loeillet Jean-Baptiste : XII Sonates a une flute & basse continue. Amsterdam, Estienne Roger, s. d. Opus I. Sonata III : Largo, Allegro, Adagio, Gavotta Allegro. Telemann Georg Philipp : Die kleine Kammermusik - 1728. Partita 5 : Andante, Vivace, Presto, Vivace, Siciliana, Vivace, Presto. Bellinzani Paolo Benedetto : Sonate a flauto solo con cembalo, o violoncello. Opera terza. Venezia, Antonio Bortoli, 1720. Sonata quinta : Largo, C barre, Affetuoso, 2/4. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - National Library of Paris (France). - Hessische Landes und Hoch-Schulbibliothek of Darmstadt (Germany). - Civico Museo Bibliographico Musicale of Bologna (Italy).

Chorus (with soloists) and orchestra (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.PB-32091

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Full score. 52 pages. Duration 15'. Breitkopf and Haertel #PB 32091. Published by Breitkopf and Haertel (BR.PB-32091).

ISBN 9790004215777. 9.5 x 12 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

By William Walton (1902-1983). Arranged by Hugh MacDonald. For Chamber ensemble. This edition: WE19. Scores. William Walton Edition. Walton Edition. Full score. 288 pages

SKU: HL.50511224

Arranged by Bé, k, and la Bartó. EMB. Editio Musica Budapest #Z8050. Published by Editio Musica Budapest (HL.50511224).

UPC: 073999942811. Author: Wolfgang Amadeus Mozart.

From the Urtext. By Ludwig van Beethoven. Arranged by Alfred Hoehn. Schott. Size 9x12 inches. 27 pages. Published by Schott.

By Various. Arranged by Larry Clark Roy Phillippe. For Violin. Published by Carl Fischer.

Classics (For Solo Instruments and Play-Along CD with Orchestra). By Peter Ilyich Tchaikovsky Georges Bizet. Arranged by Joseph Compello Larry Clark. For Cello, Bass. Playing with the Orchestra. Classical. Solo part. Standard notation. 20 pages. Published by Carl Fischer

Cello - late intermediate

SKU: BT.DOW-03508-400

Composed by Benedetto Marcello. Dowani 3 Tempi Play Along. Book with CD. Composed 2009. 12 pages. Dowani #DOW 03508-400. Published by Dowani (BT.DOW-03508-400).

ISBN 9783905477887. 9x12 inches.

Violin

SKU: HL.50039660

Score. By G. Prato. By Antonio Vivaldi. Edited by Gian Francesco Malipiero. String Solo. Score Only. Composed 1984. Ricordi #PR1074. Published by Ricordi (HL.50039660).

8.0x10.75x0.056 inches.

Violin

SKU: HL.50039640

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. String Solo. Score Only. Composed 1979. Ricordi #PR1079. Published by Ricordi (HL.50039640).

UPC: 073999275193. 8.0x10.75x0.071 inches.

Score and Parts. By Anton Filtz. Arranged by Reinhard Ruf, Hugo Ruf. (Flute). Schott. Book only. 40 pages. Published by Schott.

Violin, Violin, Cello, Organ

SKU: HL.50484905

Score. Composed by Antonio Vivaldi. Edited by Gianfranco Prato. String. Classical. Score Only. Composed 1984. Ricordi #PR1065. Published by Ricordi (HL.50484905).

Flute

SKU: HL.237254

Book/CD. Composed by Various. Arranged by Kevin Baker. Music Sales America. Classical. Softcover with CD. Composed 2017. Hal Leonard #ME0274. Published by Hal Leonard (HL.237254).

English.

With its extensive and diverse repertoire, this tutorial allows you as a cross flutist to access the best of what classical music has to offer.If you choose to work with this tutorial, you will not only broaden your musical horizon and improve your playing technique, but indeed enjoy performing all kinds of masterpieces on your own cross Flute.All the great composers are featured - with one or even several of their works, with concerts, symphonies and sonatas, with lieder, arias and overtures, with Renaissance dances, orchestral pieces, waltzes and ballets, but also with instrumentals suchas preludes, nocturnes, etudes, marches, gymnopedies and much more. And in order not to lose your enthusiasm while practicing, each score is accompanied by 2 audio-recordings, which you will find on the mp3 CD attached to the tutorial.In the first recording, the cross Flute-part is played along to the corresponding accompaniment. In the second, only the backing track (the accompaniment) can be heard, which gives you the possibility of taking up the score yourself. In total, youare invited to enjoy 174 recordings, which add up to more than 6 hours of musical practice(!).

Saxophone

SKU: BT.MUSME0294

For Alto Saxophone. Play Music. Classical. Book with CD. Composed 2016. Play Music Publishing #MUSME0294. Published by Play Music Publishing (BT.MUSME0294).

English.

With its extensive and diverse repertoire, this tutorial allows you as a saxophonist to access the best of what classical music has to offer. If you choose to work with this tutorial, you will not only broaden your musical horizon and improve your playing technique, but indeed enjoy performing all kinds of masterpieces on your own Saxophone. All the great composers are featured – with one or even several of their works, with concerts, symphonies and sonatas, with lieder, arias and overtures, with Renaissance dances, orchestral pieces, waltzes and ballets, but also with instrumentals such as preludes, nocturnes, etudes, marches, gymnopedies and much more. And in order not tolose your enthusiasm while practicing, each score is accompanied by 2 audio-recordings, which you will find on the mp3 CD attached to the tutorial. In the first recording, the Saxophone-part is played along to the corres-ponding accompaniment. In the second, only the backing track (the accompaniment) can be heard, which gives you the possibility of taking up the score yourself. In total, you are invited to enjoy 174 recordings, which add up to more than 6 hours of musical practice(!).