Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published ...(+)
Guitar and orchestra
SKU: BO.B.3610
Composed by Jaume
Torrent. Published by
Editorial de Musica
Boileau (BO.B.3610).
The concerto
establishes a dialogue
which alternates
constantly between the
guitar and the symphony
orchestra, with the two
sound worlds being
maintained in perfect
balance while also
exploring the unique
possibilities presented
by each: the guitar
develops a surprising
array of resources which
enhance its expressive
capacity to the utmost,
while the orchestra
envelops it in an
extensive range of
textures which at times
give rise to subtle
tones, and at others, all
the tonal vigour of the
tutti.
The
language I employ is
intended as a means of
achieving an efficient
symbiosis between
modernity and tradition,
continuing in the line of
my previous works as a
composer. It contains no
references to popular
music and at all times
veers away from the
expectations created by
the language of folklore
exploited in concertos of
this kind by the majority
of recognised composers.
In Concerto de Rialp,
modernity is reflected
through a search for
unique expressive forms,
experimentation with new
means of thematic
development and a unique
presentation of formal
solutions, all the while,
however, respecting
expressiveness and
lyricism as the
foundations of
communicating with the
audience.
The
concerto also explores
the guitar's new
technical resources.
Thanks to specific work
on left hand extensions,
mechanical formulas have
been developed which
allow certain scales to
be played at
unprecedented speeds. In
the cadenza of the first
movement, the guitar
develops the main theme
in the form of an
instrumental motif that
has never been used
before in guitar scores,
producing a polyphonic
effect of new
dimensions.
I have
worked to exploit the
distinctive sound
differences existing
between the guitar and
the orchestra -both from
the dynamic and the tonal
points of view- in order
to really develop the
dramatic effect that
their being brought
together affords. In the
second movement -calmo
assai- this dramatic
quality is expressed in a
way that is particularly
powerful by means of a
tension never before
achieved in a concerto
for guitar and
orchestra.
(Authentic Bass TAB). For Bass Guitar. This edition: Authentic Bass TAB. Artist/...(+)
(Authentic Bass TAB). For
Bass Guitar. This
edition: Authentic Bass
TAB. Artist/Personality;
Authentic Guitar TAB;
Bass Guitar Method or
Supplement; Book;
Enhanced CD; Guitar TAB;
Play-Along. Ultimate
Play-Along. 56 pages.
Published by Alfred Music
Publishing
A Comprehensive Guide for Hand Drummers Book/CD Pack. By Jose Rosa, Hector Ponch...(+)
A Comprehensive Guide for
Hand Drummers Book/CD
Pack. By Jose Rosa,
Hector Poncho Neciosup.
Percussion. BOOK W/CD. 40
pages. Published by
Centerstream Publications
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 1
SKU:
CF.FAS123
Composed by
Kathryn Griesinger. Carl
Fischer First Plus String
Orchestra Series. Set of
Score and Parts.
8+8+5+5+5+2+8 pages. Carl
Fischer Music #FAS123.
Published by Carl Fischer
Music (CF.FAS123).
ISBN 9781491160404.
UPC:
680160918997.
This
mysterious hunt for
ancient artifacts reveals
important new pedagogical
concepts, including
staccato, accents,
bow-lifts, pizzicato,
dynamics, 4th finger, and
natural symbols without
using low-2 finger
patterns. Composed in B
minor, the piece features
intriguing modal shifts
while avoiding extended
fingerings. Sudden and
dramatic dynamic changes
add excitement as
students can work on bow
placement, speed, and
weight to achieve the
desired volume. Violin 2
doubles viola and cello
doubles bass for a full
sound with only a little
third position shifting
in the bass. The piano
part can be added to
support the ensemble in
both rehearsal and
performance. A
skill-building concert
selection designed to
help developing string
players feel confident
and successful!
Composed by Andrew D. Gordon. Arranged by Andrew D. Gordon. 100 Ultimate Blue...(+)
Composed by Andrew D.
Gordon. Arranged by
Andrew
D. Gordon. 100 Ultimate
Blues Riffs. Blues.
Book/digital audio. ADG
Productions #ADG175.
Published by ADG
Productions
Chamber Music Trombone, Piano SKU: PR.114414450 Man vs. Machine. C...(+)
Chamber Music Trombone,
Piano
SKU:
PR.114414450
Man
vs. Machine. Composed
by Adolphus Hailstork.
Sws. Folk. Set of Score
and Parts. With Standard
notation. Composed 2009.
24+8 pages. Duration 12
minutes. Theodore Presser
Company #114-41445.
Published by Theodore
Presser Company
(PR.114414450).
ISBN
9781598064087. UPC:
680160597635. 9x12
inches.
Inspired by
the tale of a legendary
folk hero, Adolphus
Hailstork’s
tour-de-force for
trombone and piano is a
riveting portrayal of the
steely strength and
stamina of John Henry, a
former slave who helped
build the American
railroads and ultimately
outperformed a steam
engine. This composition
uses quotes from the
spiritual Every Time I
Feel the Spirit and the
folk song The Ballad of
John Henry. For advanced
players. Duration:
13’_______________
_________________________
__Text on the scanned
back cover:JOHN HENRY'S
BIG(MAN vs. MACHINE)FOR
TROMBONE AND
PIANOInspired by the tale
of the legendary hero,
Adolphus
Hailstork’s
tour-de-force for
trombone and piano is a
riveting portrayal of the
steely strength and
stamina of John Henry, a
former slave who helped
build the American
railroads and ultimately
outperformed a steam
engine. PROGRAM NOTES
by the ComposerJohn Henry
was born a slave in the
1840’s or
1850’s. It is
important to remember
that no one knows for
sure if John Henry
existed or is a tall tale
created by writers. That
is one of the things that
makes the legend so
intriguing.According to
the legend, he grew to
stand 6 feet tall, 200
pounds – a giant
in that day.Though the
story of John Henry
sounds like the
quintessential tall tale,
it is certainly based, at
least in part, on
historical circumstance.
There are disputes as to
where the legend
originates. Some place
John Henry in West
Virginia, while recent
research suggests
Alabama. Still, all share
a similar back-story.In
order to construct the
railroads, companies
hired thousands of men to
smooth out terrain and
cut through obstacles
that stood in the way of
the proposed tracks. One
such chore that figures
heavily into some of the
earliest John Henry
ballads is the blasting
of the Big Bend Tunnel,
more than a mile straight
through a mountain in
West
Virginia.Steel-drivinââ‚
¬â„¢ men like John Henry
used large hammers and
stakes to pound holes
into the rock, which were
were then filled with
explosives that would
blast a cavity deeper and
deeper into the mountain.
In the folk ballads, the
central event took place
under such conditions.
Eager to reduce costs and
speed up progress, some
tunnel engineers were
using steam drills to
power their way into the
rock. According to the
great American tall
tales, on hearing of the
machine, John Henry
challenged the steam
drill to a contest. He
won, but died of
exhaustion, his life cut
short by his own
superhuman effort.This
composition uses quotes
from the spiritual Every
Time I Feel the Spirit
and the folk song The
Ballad of John Henry.JOHN
HENRY’S BIG was
composed for trombonist
David Jackson.
(A System for Creative Drumming and Improvisation). By Mike Mangini. For Drums. ...(+)
(A System for Creative
Drumming and
Improvisation). By Mike
Mangini. For Drums.
Instructional/Drum/DVD.
DVD. Hudson Music
#HDDVDTG21. Published by
Hudson Music
Pre 1 SKU: CL.023-4785-00 Composed by Galvin. Young Concert Band. Sound F...(+)
Pre 1
SKU:
CL.023-4785-00
Composed by Galvin. Young
Concert Band. Sound
Foundations Series. Score
and set of parts.
Composed 2020. Duration 1
minute, 30 seconds. C.L.
Barnhouse #023-4785-00.
Published by C.L.
Barnhouse
(CL.023-4785-00).
Your youngest
musicians can sound like
professionals on their
first concert with Six
Note Symphony! While
using only the first six
notes learned in band
instruction,
there’s excitement
and adventure in each
section of the young
band. Extensive doubling
provides security across
the ensemble, and
students will enjoy
demonstrating their
speedy progress on this
upbeat and engaging work!
Great music for beginning
band!
Composed by Joshua
Reznicow. Solo or
Ensemble. Apex String
Orchestra. Score and set
of parts. Kendor Music
Inc #9997. Published by
Kendor Music Inc
(KN.9997).
UPC:
822795099973.
We
welcome Joshua Reznicow
to the Kendor family of
writers with this festive
original that sounds more
difficult to play than it
is. Written in G major
and its relevant minor
key, it gives directors a
chance to teach both
sharp and flat keys while
using open strings to
maintain a solid pitch
center. Controlling bow
speed and style using
hooked bow, spiccato, and
slurred techniques helps
to drive the musical
energy throughout. Short
solos and a brief violin
cadenza lead to a
rewarding finish and
allow more advanced
players to showcase their
skills. Duration ca.
3:40. Available in
SmartMusic.
From the Classic Hot Licks Video Series. By Marty Friedman. Hot Licks. Metal, ...(+)
From the Classic Hot
Licks
Video Series. By Marty
Friedman. Hot Licks.
Metal,
Rock Instruction.
Softcover
Video Online. With guitar
tablature. 32 pages.
Published by Hal Leonard
Woodwinds
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-30
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: wind parts.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois Monnard's
new Urtext edition is the
first to be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Set of parts. 134
pages. Duration 16'.
Breitkopf and Haertel #OB
5299-30. Published by
Breitkopf and Haertel
(BR.OB-5299-30).
ISBN
9790004339343. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Viola
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-19
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: viola part.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-19.
Published by Breitkopf
and Haertel
(BR.OB-5299-19).
ISBN
9790004339312. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Violin 1
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-15
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: violin 1
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-15.
Published by Breitkopf
and Haertel
(BR.OB-5299-15).
ISBN
9790004339299. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Violoncello
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-23
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: cello part.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-23.
Published by Breitkopf
and Haertel
(BR.OB-5299-23).
ISBN
9790004339329. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Violin 2
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-16
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: violin 2
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-16.
Published by Breitkopf
and Haertel
(BR.OB-5299-16).
ISBN
9790004339305. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Double bass
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-27
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: double bass
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 4 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-27.
Published by Breitkopf
and Haertel
(BR.OB-5299-27).
ISBN
9790004339336. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.