(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by Lara Downes. Collection. Theodore Presser Company #440-40028. Published by Theodore Presser Company

By Carol Barratt. For Piano. Folk, Blues, Classical. 64 pages. Published by Music Sales

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

Edited by Aaron Stang. Fretted instrument mixed folio (guitar). Published by Warner Brothers.

Composed by Richard Wernick (1934-). Sws. Duration 17 minutes. Theodore Presser Company #110-41833. Published by Theodore Presser Company

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.

Chamber Music Bass Flute, Piano

SKU: PR.114418900

Composed by Daniel Dorff. Set of Score and Parts. 24+8 pages. Duration 14 minutes. Theodore Presser Company #114-41890. Published by Theodore Presser Company (PR.114418900).

ISBN 9781491129517. UPC: 680160668632.

A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.
When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling” leads directly to the rapid Mvt. 2 “Sparkling, glistening,” followed by another slow-fast pair: Mvt. 3 “Under Winter” which leads directly into Mvt. 4 “Spring Spirits.” In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.

The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo. Music Sales America. Classical. Softcover. 400 pages. Music Sales #AM967549. Published by Music Sales

Composed by Sean Osborn. Score and part(s). With Standard notation. 32 pages. Duration 17 minutes. Theodore Presser Company #114-41866. Published by Theodore Presser Company (PR.114418660).

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Costa. For clarinet and piano. Score with parts. Opus 120. Published by Baerenreiter Verlag

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For viola and piano. This edition: urtext edition. Paperback. Level 3. Score with parts. Opus 120. Published by Baerenreiter Verlag

Piano (Piano)

SKU: HL.14030351

Composed by Edward Gregson. Music Sales America. Classical. Book [Softcover]. Novello & Co Ltd. #NOV100341. Published by Novello & Co Ltd. (HL.14030351).

ISBN 9780853605485. UPC: 884088434175. 8.5x11.75 inches.

Commissione d by Richard Deering with funds provided by the Arts Council of Great Britain and first performed by him in October 1982 in Amsterdam. The title is the same as the Schoenberg ones of 1911 and like those pieces my title is something of an understatement. They are not musically or technically undemanding as the title may perhaps suggest. In my case these pieces were in a sense sketches for my larger scale Piano Sonata of the following year. Each piece has its own essential character, but all of them are linked in the use of common pitch material. There is more than a hint of parody in the mood of the music.

(Popular). Arranged by Nancy Faber and Randall Faber. For Piano. This edition: Revised Edition. Faber Piano Adventures®. Popular. SMP Level 2 (Late Elementary). Softcover. 32 pages

Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 50 pages. G. Henle #HN1475. Published by G. Henle

Composed by Eric Ewazen. Set of Score and Parts. Duration 18 minutes. Theodore Presser Company #114-41741. Published by Theodore Presser Company

Piano

SKU: BT.EMBZ14505A

Suppl. 10. By Adrienne Kaczmarczyk_Ágnes Sas. By Franz Liszt. EMB New Listz Edition. Book Hardcover. Composed 2014. 224 pages. Editio Musica Budapest #EMBZ14505A. Published by Editio Musica Budapest (BT.EMBZ14505A).

English-German-Hungari an.

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.

Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.

Piano SKU: HU.HN601 Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Piano Solo, Piano and Keyboard, Repertoire, Solos. Piano Sonata G major K. 283 (189h). Classical. Softcover Book. 19 pages. G. Henle #HN601. Published by G. Henle (HU.HN601).

Revised Edition for Piano Solo with Fingering by 18 Pianists. Composed by Franz Joseph Haydn (1732-1809). Edited by Georg Feder. Henle Music Folios. Classical. Softcover. G. Henle #HN1338. Published by G. Henle

(for the Piano) Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Nathan Broder. Collection for solo piano. Published by Theodore Presser Company.

Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 great masterpieces from the baroque, classical, romantic and modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.

Op. 22 'Grand Sonata' Piano Solo. Composed by Ludwig van Beethoven (1770-1827). Edited by Murray Perahia and Norbert Gertsch. Henle Music Folios. Classical. Softcover. 28 pages. G. Henle #HN1515. Published by G. Henle

By Amy Appleby. For Piano. Classical. Sheet Music. 240 pages. Published by Music Sales.

A Major Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Murray Perahia and Norbert Gertsch. Arranged by Murray Perahia. Sheet music. Henle Music Folios. Classical. Softcover. Op. 2/2. G. Henle #HN772. Published by G. Henle

(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Flamm. For piano. This edition: Urtext edition. Performance score, Anthology (paperbound). Text language: German, English. 123 pages. Published by Baerenreiter Verlag