366 More Great Songs for Better Living. Arranged by Jim Beloff, Liz Belof...(+)
366 More Great Songs
for Better Living.
Arranged by Jim Beloff,
Liz Beloff. Fake Book.
Country, Pop,
Standards. Softcover. 416
pages. Published by Hal
Leonard (HL.212971).
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Composed by Natalie
Sleeth. Arranged by
Martha Lynn Thompson.
Sing & Ring Series.
Contemporary, Easter
Sunday, Children, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #8700C. Published
by Hope Publishing
Company (HP.8700C).
Original
Anthem Natalie
Sleeth's original SATB
choral setting is also
known as In the Bulb
There Is a Flower. The
provocative text relates
both to our present life
and our hope of eternal
life, as expressed in I
Corinthians 15:35-58.
This fresh setting
emphasizes the
resurrected life as it
builds to the final
victory stanza with
driving rhythm and a
change to common meter
(4/4). This arrangement
is also available in a
medium-voice vocal solo
in the key of
F.
Please note
that the Conductor's
Score in the Orchestraion
is hand written and
marked. For this reason,
the Orchestration is
available at a reduced
price of $30 dollars.
Vocal, Solo choir;
handbell; handchimes;
vocal duet - Level 3
SKU: HP.8700
Composed by Natalie
Sleeth. Arranged by
Martha Lynn Thompson.
Sing & Ring Series.
Contemporary, Easter
Sunday, Children, Sacred.
Vocal score. 8 pages.
Hope Publishing Company
#8700. Published by Hope
Publishing Company
(HP.8700).
Original
Anthem Natalie
Sleeth's original SATB
choral setting is also
known as In the Bulb
There Is a Flower. The
provocative text relates
both to our present life
and our hope of eternal
life, as expressed in I
Corinthians 15:35-58.
This fresh setting
emphasizes the
resurrected life as it
builds to the final
victory stanza with
driving rhythm and a
change to common meter
(4/4). This arrangement
is also available in a
medium-voice vocal solo
in the key of
F.
Please note
that the Conductor's
Score in the Orchestraion
is hand written and
marked. For this reason,
the Orchestration is
available at a reduced
price of $30 dollars.
SATB choir; orchestra SKU: HP.A686O Composed by Natalie Sleeth. Piano Acc...(+)
SATB choir; orchestra
SKU: HP.A686O
Composed by Natalie
Sleeth. Piano
Accompaniment with
Optional Orchestra.
Hope's All-Time Best
Sellers Series. Easter
Sunday, Hope, Sacred. Set
of Instrumental Parts.
Hope Publishing Company
#A686O. Published by Hope
Publishing Company
(HP.A686O).
Original
anthem Natalie
Sleeth's original SATB
choral setting is also
known as In the Bulb
There Is a Flower. The
provocative text relates
both to our present life
and our hope of eternal
life, as expressed in I
Corinthians 15:35-58.
This fresh setting
emphasizes the
resurrected life as it
builds to the final
victory stanza with
driving rhythm and a
change to common meter
(4/4). This arrangement
is also available in a
medium-voice vocal solo
in the key of
F.
Please note
that the Conductor's
Score in the Orchestraion
is hand written and
marked. For this reason,
the Orchestration is
available at a reduced
price of $30 dollars.
For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, pia...(+)
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, basic guitar
chords chart (diagrams),
illustrations and
introductory text. Folk.
352 pages. 9x12 inches.
Published by Hal Leonard.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
Solo SATB choir; orchestra SKU: HP.C5636O Composed by Natalie Sleeth. Arr...(+)
Solo SATB choir;
orchestra
SKU:
HP.C5636O
Composed by
Natalie Sleeth. Arranged
by Thomas Fettke. Piano
Accompaniment with
Optional Orchestra. Vocal
Solo Sheet Music Series.
General Worship, Sacred.
Set of Instrumental
Parts. 53 pages. Hope
Publishing Company
#C5636O. Published by
Hope Publishing Company
(HP.C5636O).
Popular
choral anthem Natalie
Sleeth's popular choral
anthem and hymn, also
known as In the Bulb
There Is a Flower, has
been given a lovely new
treatment by Tom Fettke
for SATB choirs. The
provocative text relates
both to our present life
and our hope of eternal
life, as expressed in I
Corinthians 15:35-58.
This fresh setting
emphasizes the
resurrected life as it
builds to the final
victory stanza with
driving rhythm and a
change to common meter
(4/4). This arrangement
is also available in a
medium-voice vocal solo
in the key of F.
The orchestration
by Camp Kirkland contains
a Conductor's Score and
parts for: Flute 1 & 2,
Oboe, Clarinet 1 & 2,
Horn 1 & 2, Alto Sax 1 &
2 (substitute for Horn 1
& 2), Trombone 1 & 2,
Tenor Sax/Baritone TC
(substitute for Trombone
1 & 2), Trombone 3/Tuba,
Percussion 1 & 2, Harp,
Violin 1 & 2, Viola,
Clarinet 3 (substitute
for Viola), Cello/Bassoon
and String Bass, Keyboard
String Reduction.
Be the Church Piano seul - Intermédiaire/avancé Alfred Publishing
18 Arrangements Inspired by Universal Statements of Faith. Arranged by Albert ...(+)
18 Arrangements Inspired
by
Universal Statements of
Faith. Arranged by Albert
Mendoza. Other Church;
Piano
Collection; Piano
Supplemental; Worship
Resources. Sacred
Performer
Collections. Form:
Prelude.
Communion;
Peace/Brotherhood;
Sacred;
Stewardship. Book. 60
pages.
Alfred Music #00-47784.
Published by Alfred Music
Trio Vocal Trio, key of F - Level 3 SKU: HP.9033 Composed by Natalie Slee...(+)
Trio Vocal Trio, key of F
- Level 3
SKU:
HP.9033
Composed by
Natalie Sleeth. Hymntune,
Hymn Arrangements, Easter
Sunday, General Worship,
Eternal Life, Promise.
Vocal Score. 8 pages.
Hope Publishing Company
#9033. Published by Hope
Publishing Company
(HP.9033).
UPC:
763628190330.
Origi
nal Anthem Natalie
Sleeth's original SATB
choral setting is also
known as In the Bulb
There Is a Flower. The
provocative text relates
both to our present life
and our hope of eternal
life, as expressed in I
Corinthians 15:35-58.
This fresh setting
emphasizes the
resurrected life as it
builds to the final
victory stanza with
driving rhythm and a
change to common meter
(4/4). This arrangement
is also available in a
medium-voice vocal solo
in the key of
F.
Please note
that the Conductor's
Score in the Orchestraion
is hand written and
marked. For this reason,
the Orchestration is
available at a reduced
price of $30 dollars.
