(Audio Sampler (includes actor script and listening CD)). Composed by Chad Begue...(+)
(Audio Sampler (includes
actor script and
listening CD)). Composed
by Chad Beguelin and
Matthew Sklar. For Choral
(AUDSAMPLER). Recorded
Promo - Stockable.
Published by MTI (Music
Theatre International)
Mvt. 2 from Symphony
No. 6 (Three Places in
the East). Composed
by Dan Welcher. Full
score. 52 pages. Theodore
Presser Company
#165-00102F. Published by
Theodore Presser Company
(PR.16500102F).
ISBN
9781491131749. UPC:
680160680276.
Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work.
From A Consort of Choral Christmas Carols. By PDQ Bach. Arranged by Peter Schick...(+)
From A Consort of Choral
Christmas Carols. By PDQ
Bach. Arranged by Peter
Schickele. Text by Peter
Schickele. For SATB. S.
359. Duration 2:30.
Published by Theodore
Presser Company.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Opera Vocal Soloists, SATB Chorus, Orchestra SKU: PR.411411640 An Oper...(+)
Opera Vocal Soloists,
SATB Chorus, Orchestra
SKU: PR.411411640
An Opera in Two
Acts. Composed by
Ricky Ian Gordon. Vocal
score. Duration 2
minutes, 30 seconds.
Theodore Presser Company
#411-41164. Published by
Theodore Presser Company
(PR.411411640).
ISBN
9781491137642. UPC:
680160691098. The Garden
of the Finzi-Continis
novel by Giorgio
Bassani.
Based on
Bassani’s 1962 novel,
THE GARDEN OF THE
FINZI-CONTINIS dramatizes
the true story of a
prosperous Jewish
family’s disruptions
and consequences from
state-mandated
antisemitism in Italy
during World War II.
Gordon describes the
opera as “romantic,
sun-drenched, and
cataclysmic, all at the
same time.” This
dramatically topical and
personal grand opera
premiered at New York
City Opera and National
Yiddish Theatre
Folksbiene to rave
reviews in 2022. Chris
Ruel wrote in OperaWire,
“I have chosen Ricky
Ian Gordon and Michael
Korie’s THE GARDEN OF
THE FINZI-CONTINIS as my
favorite opera of
2022.”. At one
point, in 2008, I was
walking down 72nd Street,
and I passed the video
store, (this is when
there were video stores)
and I thought to myself,
I wonder if Kevin (my
partner) has ever seen
The Garden of the
Finzi-Continis? which was
always one of my favorite
movies. My reaction when
we watched it that night
was unlike any other time
I had seen it. I was
wrenched, sobbing,
inconsolable. My heart
felt like the autumn
leaves we see blowing
through the garden at the
end of the movie. It
seemed immediately that
this had to be my next
opera. I called Michael
Korie, and we both bought
the Bassani novel and
read it. We settled on
it. It felt clear that we
both had a collective
story to tell through
it.Because this opera is
so close to both of our
hearts, it is dedicated
to our fathers.It is not
only that The Garden of
the Finzi-Continis is a
Holocaust story that
makes it so resonant for
me, though obviously this
is no small matter, but
the tragedy of people
trying to live their
lives, or actually living
them, their petty
disappointments, their
heartbreaks, against the
backdrop of total
catastrophe… that makes
it so moving. They cannot
possibly imagine what
will befall them, but we
know… and this makes
their every move
fascinating and
devastating… like
watching moths under a
glass. It is romantic,
sun-drenched and
cataclysmic, all at the
same time.This is why I
had to write it.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
(Audio Sampler (includes actor script and listening CD)). For Choral (AUDSAMPLER...(+)
(Audio Sampler (includes
actor script and
listening CD)). For
Choral (AUDSAMPLER).
Recorded Promo -
Stockable. Published by
MTI (Music Theatre
International)
Audio Sampler. (Audsampler). Choral. Recorded Promo - Stockable. Children's Mus...(+)
Audio Sampler.
(Audsampler). Choral.
Recorded Promo -
Stockable. Children's
Musical. BOOK W/CD. Size
9x12 inches. Published by
Music Theatre
International.
(Movement 1 from from the Path of Beauty ). By Chen Yi. Mixed chorus. For SATB ...(+)
(Movement 1 from from
the Path of Beauty ). By
Chen Yi. Mixed chorus.
For SATB Chorus, A
Cappella. 8 pages.
Duration 2 minutes.
Published by Theodore
Presser Company
Simplified SATB Choir SKU: WD.080689062278 Composed by Mark Mcclure. Arra...(+)
Simplified SATB Choir
SKU:
WD.080689062278
Composed by Mark Mcclure.
Arranged by Mark McClure
& Russell Mauldin.
Choral. Simply the Best
Series. Sacred Anthem.
Book. Word Music
#080689062278. Published
by Word Music
(WD.080689062278).
UPC:
080689062278.
With
the weekly demands of
providing music for
corporate worship, choirs
need an easy solution for
quality worship music.
Music ministries need
arrangements that provide
options for performance,
conserve rehearsal time,
and are consistent with
the same style and
integrity of the
selections already at use
in their program.
Simply...the
Best is that
solution: an easy-to-sing
booklet with three proven
anthems re-arranged to
maximize rehearsal
efficiency. The songs are
familiar and the parts
are easy enough to learn
in as little as one
rehearsal.
Simply...the
Best arrangements
are even crafted to work
when there are no men
available to sing,
creating flexibility and
the option for a
women's-only
choir.
An
exclusive benefit of the
Simply...the
Best series is
the Virtual Accompanist
trax (included on the CD
accompaniment trax.) The
Virtual Accompanist trax
includes the women's
parts being sung and
played on the left
channel and men's voice
parts being sung and
played on the right. By
panning the trax to
either side, you can let
each section hear its
parts separately.
Whether you
sing all three songs
together or on separate
occasions, with live
accompaniment or with the
split track accompaniment
CD, this series is a
simple solution to
encourage choirs to lift
their voices in praise.
No choir is too small or
too large to benefit from
the practical
arrangements and the new
trax features of
Simply...the
Best.
Composed by Faye Lopez. For SATB choir, piano (with optional cello). Sacred Anth...(+)
Composed by Faye Lopez.
For SATB choir, piano
(with optional cello).
Sacred Anthem, Holy Week,
Maundy Thursday. Octavo.
Lorenz Publishing Company
#10/4696L. Published by
Lorenz Publishing Company
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
A
Musical to Ring in the
Holidays. Composed by
John Higgins and John
Jacobson. ExpressiveArts.
Christmas, Elementary,
Holiday, Musicals,
Winter. Softcover with
CD-ROM. 52 pages.
Duration 1500 seconds.
Published by Hal Leonard
(HL.144494).
ISBN
9781495017698. UPC:
888680062385.
8.5x11.0x0.204 inches. By
John Jacobson and John
Higgins.
The bells
of ol' Ring-A-Ding Town
have stopped ringing!
Why? Because everyone who
lives there has
completely lost their
holiday spirit. With all
the pressures of the
season, they have become
so comically grumpy that
even the bells refuse to
ring. When a severe
winter storm pounds the
village with ice, wind
and snow, the grumpy
citizens are reminded how
much they need each
other. They also
rediscover how rewarding
it can be to share and
care for one another in
the true spirit of the
season. When peace, love
and joy returns to warm
their hearts, the bells
of Ring-A-Ding Town ring
in a new season of Peace
on Earth Goodwill for
all! This comical
25-minute holiday musical
features five original
songs and easy-to-learn
rhyming dialog with over
30 speaking parts. The
enhanced Teacher Edition
includes piano/vocal
arrangements with
choreography, helpful
production guide with
staging and costume
suggestions, PLUS an
enclosed CD-ROM with
reproducible singer and
speaking part PDFs. The
Classroom Kit includes
Teacher/SGR CD-ROM plus a
Performance/Accompaniment
CD. ScorePlay - click to
view score with
recording.
SATB Choir (Mixed Choir) SKU: HL.14063892 Composed by John Tavener. Chora...(+)
SATB Choir (Mixed Choir)
SKU: HL.14063892
Composed by John Tavener.
Choral. Hymns & Chorals.
General Merchandise.
Composed 2013. 96 pages.
Duration 240 seconds.
Chester Music #CH81246R.
Published by Chester
Music (HL.14063892).
ISBN 9781785588341.
UPC: 840126939231.
6.75x9.75x0.304
inches.
This
album features 16
of John
Tavener's
anthems for SATB
choir.
Contents
include: 'A Christmas
Round', 'Advent
Antiphon', 'Agnus Dei',
'As one who has slept',
'Exhortation and Kohima',
'TheFounder’s
Prayer', 'God is with us
(A Christmas
Proclamation)', 'A Hymn
to the Mother of God',
'The Lamb', 'Mother of
God, here I stand', 'Nunc
dimittis', 'O that we
were there', 'Rocking',
'Song for Athene', 'Today
theVirgin' and 'What
God is, we do not
know'.
Audio Sampler. Composed by Sir Arthur Seymour Sullivan (1842-1900). Recor...(+)
Audio Sampler.
Composed by Sir Arthur
Seymour Sullivan
(1842-1900). Recorded
Promo - Stockable.
Broadway Junior.
Softcover with CD.
Published by MTI (Music
Theatre International)
(HL.160203).
Choral (Preview CD) SKU: HL.144495 A Holiday Musical for Young Voices<...(+)
Choral (Preview CD)
SKU: HL.144495
A Holiday Musical for
Young Voices.
Composed by John Higgins
and John Jacobson.
ExpressiveArts.
Christmas, Elementary,
Holiday, Musicals,
Winter. CD only.
Published by Hal Leonard
(HL.144495).
ISBN
9781495017704. UPC:
888680062392. 5x5 inches.
By John Jacobson and John
Higgins.
The bells
of ol' Ring-A-Ding Town
have stopped ringing!
Why? Because everyone who
lives there has
completely lost their
holiday spirit. With all
the pressures of the
season, they have become
so comically grumpy that
even the bells refuse to
ring. When a severe
winter storm pounds the
village with ice, wind
and snow, the grumpy
citizens are reminded how
much they need each
other. They also
rediscover how rewarding
it can be to share and
care for one another in
the true spirit of the
season. When peace, love
and joy returns to warm
their hearts, the bells
of Ring-A-Ding Town ring
in a new season of Peace
on Earth Goodwill for
all! This comical
25-minute holiday musical
features five original
songs and easy-to-learn
rhyming dialog with over
30 speaking parts. The
enhanced Teacher Edition
includes piano/vocal
arrangements with
choreography, helpful
production guide with
staging and costume
suggestions, PLUS an
enclosed CD-ROM with
reproducible singer and
speaking parts.
By John Williams. Edited by Bob Dingley. Arranged by Keith Christopher. Pop chor...(+)
By John Williams. Edited
by Bob Dingley. Arranged
by Keith Christopher. Pop
choral octavo (SATB). 28
pages. Published by
Warner Brothers. (CH9995)
6-PACK includes six
original copies of this
piece.
Sing With the Symphony, Volume 1 Chorale Unison Unison, Piano [Reduction|Collection / Songbook|Accompaniment CD] Themes and Variations
Arranged by Claude Lapalme. For Unison Choir and Piano Reduction. Collection an...(+)
Arranged by Claude
Lapalme. For Unison Choir
and Piano Reduction.
Collection and
Performance/Orchestral
Accompaniment CD. 40
pages. Published by
Themes & Variations
(Canadian import).
Stella Sung : Chorale Orchestre à Cordes [Conducteur et Parties séparées] Theodore Presser Co.
(for String Orchestra). By Stella Sung. String Orchestra. For string orchestra. ...(+)
(for String Orchestra).
By Stella Sung. String
Orchestra. For string
orchestra. Partita (on
rental) - for Orchestra.
Classical. Score and
parts. Standard Notation.
6 pages. Duration 5:00.
Published by Theodore
Presser Company