Harpsichord SKU: HL.48188417 Composed by Domenico Scarlatti. Edited by Ke...(+)
Harpsichord
SKU:
HL.48188417
Composed
by Domenico Scarlatti.
Edited by Kenneth
Gilbert. Heugel. Baroque.
Softcover. 200 pages.
Heugel & Cie #HE32522.
Published by Heugel & Cie
(HL.48188417).
UPC:
888680866266.
9.0x12.0x0.53
inches.
“Ital
ian composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
second volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The second
volume, comprising
Sonatas 53-103, includes
the popular and
recognised Sonatas in F
minor (K. 69) and B minor
(K. 87). Bearing in mind
that Domenico Scarlatti
was a highly competent
and popular Keyboard
player in his day, so
much so that he was
employed in the service
of two royal families,
his Sonatas are composed
with much experience,
understanding and
expertise, creating an
essential addition to the
repertoire of all
Keyboard players of the
Baroque genre.
â€.
Volume 11, K. 507-555. Composed by Domenico Scarlatti (1685-1757). Leduc. Cla...(+)
Volume 11, K. 507-555.
Composed by Domenico
Scarlatti (1685-1757).
Leduc.
Classical. Softcover. 195
pages. Heugel and Cie
#HE32298.
Published by Heugel and
Cie
Harpsichord SKU: HL.48188166 K. 408-457. Composed by Domenico Scar...(+)
Harpsichord
SKU:
HL.48188166
K.
408-457. Composed by
Domenico Scarlatti.
Edited by Kenneth
Gilbert. Leduc.
Classical. Softcover. 202
pages. Heugel & Cie
#HE32201. Published by
Heugel & Cie
(HL.48188166).
UPC:
888680975623.
9.0x12.0x0.528
inches.
“Ital
ian composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
ninth volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The ninth
volume, comprising
Sonatas 408-457, includes
many of the popular and
recognised Sonatas in a
variety of keys. Bearing
in mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed in the
service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre.
â€.
Volume 4,
K.156-205. Composed
by Domenico Scarlatti.
Edited by Kenneth
Gilbert. Leduc. Baroque.
Softcover. 212 pages.
Heugel & Cie #HE32486.
Published by Heugel & Cie
(HL.48188386).
UPC:
888680866136.
9.0x12.0x0.565
inches.
Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
fourth volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The fourth
volume, comprising
Sonatas 156-205, includes
the popular and
recognisable Sonata in C
major (K. 159). Bearing
in mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed in the
service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre. .
Volume 1, K.1-52.
Composed by Domenico
Scarlatti. Edited by
Kenneth Gilbert. Leduc.
Baroque. Softcover. 204
pages. Heugel and Cie
#HE32645. Published by
Heugel and Cie
(HL.48188514).
UPC:
888680872649.
9.0x12.0x0.562
inches.
â??Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
first volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. This first
volume, comprising
Sonatas 1-52, includes
the popular and
recognised Sonatas in D
minor (K. 9), E major (K.
20) and B minor (K. 27).
Bearing in mind that
Domenico Scarlatti was a
highly competent and
popular Keyboard player
in his day, so much so
that he was employed in
the service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre. â?.
Harpsichord SKU: BT.ALHE32121 By Kenneth Gilbert. By Domenico Scarlatti. ...(+)
Harpsichord
SKU:
BT.ALHE32121
By
Kenneth Gilbert. By
Domenico Scarlatti. Le
Pupitre - Heugel.
Classical. Book Only. 208
pages. Heugel & Cie
#ALHE32121. Published by
Heugel & Cie
(BT.ALHE32121).
French.
Itali
an composer, Domenico
Scarlatti
(1685-1757) is well-known
for his Keyboard
compositions. His 555
Keyboard
Sonatas
remain ever popular to
this day, and it is for
this reason that this
eighth volumeis
indispensable to
performers of the genre.
Originally
composed for the
Harpsichord, Organ or
early Pianoforte, the
Sonatas
display the riveting use
of discords and
unconventional
modulations toremote
keys. It is also thought
that much of
Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese
royalfamilies.The eighth
volume, comprising
Sonatas
358-407,
includes the popular and
recognised Sonatas in B
minor (K. 377) and E
major (K. 380). Bearing
in mind that Domenico
Scarlatti was a
highly competentand
popular Keyboard player
in his day, so much so
that he was employed in
the service of two royal
families, his
Sonatas
are composed with much
experience, understanding
and expertise, creating
an essentialaddition to
the repertoire of all
Keyboard players of the
Baroque genre.
Volume 10, K.458-506. Composed by Domenico Scarlatti (1685-1757). Leduc. Baro...(+)
Volume 10, K.458-506.
Composed by Domenico
Scarlatti (1685-1757).
Leduc.
Baroque. Softcover. 210
pages. Heugel and Cie
#HE32210.
Published by Heugel and
Cie
Harpsichord SKU: HL.48188975 Composed by Richard Siegel. Leduc. Softcover...(+)
Harpsichord
SKU:
HL.48188975
Composed
by Richard Siegel. Leduc.
Softcover. 64 pages.
Heugel and Cie #HE33876.
Published by Heugel and
Cie (HL.48188975).
UPC: 888680948825.
9x12 inches.
French.
?Richard
Siegel won prizes for the
Harpsichord and Chamber
Music at the Paris
Conservatoire before
going on the win first
prize in the 1977
International Harpsichord
Competition. He has since
recorded over 30 CDs and
his passion for the
instrument has been
apparent further in his
production of Learn to
Play the Harpsichord. As
stated in the preface,
the study of the
Harpsichord has long been
reserved, frequently
dismissed as an
'old-fashioned'
instrument. However, a
recent rise in the
popularity of early music
has rekindled interest in
it. In Learn to Play the
Harpsichord Volume 2
being the second of two
helpful volumes to aid
student's learning and
progression, Siegel
enables Harpsichord
beginners to learn
through repertoire pieces
themselves, drawn from
the Keyboard masters of
the Baroque period. The
pupil will be guided
towards an understanding
of technique and style
suited to the
Harpsichord. Furthermore,
Learn to Play the
Harpsichord enables
adults who learnt the
instrument as a child to
return to the instrument
and have the instant
feeling of ??music
making??. andrdquo.
Harpsichord SKU: UT.GCE-15 Composed by Francesco Geminiani. Edited by Rud...(+)
Harpsichord
SKU:
UT.GCE-15
Composed by
Francesco Geminiani.
Edited by Rudolf Rasch.
Francesco Geminiani Opera
Omnia. Classical. Ut
Orpheus #GCE 15.
Published by Ut Orpheus
(UT.GCE-15).
ISBN
9790215327658. 9 x 12
inches.
Menuetti
con variazioni composti
per il cembalo (1739) (H.
201-202); Pièces de
clavecin (1743) (H.
203-213); The Second
Collection of Pieces for
the Harpsichord (1762)
(H. 214-259)
Composed by Gottlieb Muffat. Editio princeps based on sources of the Berlin Si...(+)
Composed by Gottlieb
Muffat.
Editio princeps based on
sources of the Berlin
Sing-
Akademie and the
Osterreichische
Nationalbibliothek.
Breitkopf
and Haertel #EB 9325.
Published by Breitkopf
and
Haertel
Piano, harpsichord SKU: BA.BA04032 Individual Suites and Pieces - Part...(+)
Piano, harpsichord
SKU: BA.BA04032
Individual Suites and
Pieces - Part 2 (Nos.
1-34). Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series IV,
Volume 17. Suiten, Barock
(Suites, Baroque).
Complete edition,
Performance score,
anthology. Duration 1
hour, 39 minutes, 59
seconds. Baerenreiter
Verlag #BA04032_00.
Published by Baerenreiter
Verlag (BA.BA04032).
ISBN 9790006443390. 33
x 25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Harpsichord SKU: SU.50032150 For Harpsichord. Composed by William ...(+)
Harpsichord
SKU:
SU.50032150
For
Harpsichord. Composed
by William Sydeman.
Keyboard,
Piano/Harpsichord.
Harpsichord. Score.
Seesaw Music Corp
#50032150. Published by
Seesaw Music Corp
(SU.50032150).
Harpsichord SKU: SU.50025690 For Harpsichord. Composed by Paul Rea...(+)
Harpsichord
SKU:
SU.50025690
For
Harpsichord. Composed
by Paul Reale. Keyboard,
Piano/Harpsichord. Score.
Seesaw Music Corp
#50025690. Published by
Seesaw Music Corp
(SU.50025690).
Harpsichord SKU: SU.80101495 For Harpsichord. Composed by Carson C...(+)
Harpsichord
SKU:
SU.80101495
For
Harpsichord. Composed
by Carson Cooman.
Keyboard,
Piano/Harpsichord.
Harpsichord. Score.
Zimbel Press #80101495.
Published by Zimbel Press
(SU.80101495).
Suite in Three
Movements (2021) for
harpsichord was
commissioned by Scott
Hyslop. The three
movements take their
inspiration and forms
from early models. They
combine allusions to
common practice harmony
with later harmonic and
rhythmic elements. The
first movement, Concerto,
is in a bright,
Italianate manner (not
without a bit of humor).
The animating contrast is
between ripieno
(ritornello) sections and
filigree-driven solo
episodes. The second
movement, Arioso, is a
lyric aria in which the
baroque-like principal
material is integrated
with more varied harmonic
excursions. The third
movement, Sonata, is a
vibrant binary movement
in the manner of Domenico
Scarlatti.Harpsichord
Duration: 13’
Composed: 2021 Published
by: Zimbel Press.
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord
SKU: PR.110418390
Composed by Eric Ewazen.
Full score. 11 pages.
Duration 10 minutes.
Theodore Presser Company
#110-41839. Published by
Theodore Presser Company
(PR.110418390).
ISBN
9781491134603. UPC:
680160685158.
Eric
Ewazen’s THREE
INVENTIONS were inspired
by Bach’s Two-part
Inventions, yet they
sound thoroughly like
Ewazen. Composed for
harpsichord (with a piano
adaptation following
later), Ewazen’s
inventions maintain a
pure “one note per
hand†texture until
their final chord, with
strong-but-free imitative
counterpoint between the
two voices. While Ewazen
may be best known for his
wind music, he is a
pianist himself, and
composers’ works
for their own instrument
are a direct insight into
how they write for their
own performances. The
piano adaptation of THREE
INVENTIONS is also
available as a separate
publication. THREE
INVENTIONS was written
for my dear friend Maria
Rojas, who premiered the
work on a faculty recital
at Juilliard. Maria is
both a pianist and a
harpsichordist, and I
first met her when she
gave a demonstration of
the harpsichord for the
students in my theory
classes.I’ve
always been captivated by
Bach’s series of
Two-Part and Three-Part
Inventions. With the
Two-Part Inventions,
I’m amazed how
Bach could create such
wonderful intricacy and
counterpoint with only
two voices. I
consequently modeled my
inventions after the
counterpoint of Bach,
involving the traditional
contrapuntal devices he
used: imitation,
development, harmonic and
modal shifts,
fragmentation, and
sequence, essentially
creating a dialog between
two completely equal
voices conversing with
each other!Bach wrote 15
Two-Part Inventions (as
well as 15 Three-Part
Inventions, not to
mention the 48 preludes
and fugues in The
Well-Tempered Clavier!),
and that’s just
the start of his
voluminous repertoire for
the keyboard! I was happy
just to write
three!!!Each of my
inventions has a
distinctive mood. The
first is in a relaxed,
yet cheerful C Major
tonality (as a nod to
Bach’s Invention
No. 1 in C Major); the
second is heartfelt and
lyrical; and the third
invention (involving a
Gigue rhythm in the
compound meter of 12/8)
is energetic, and full of
life and spontaneity. The
third is primarily in a
minor tonality, resulting
in a feeling of drama,
bringing the THREE
INVENTIONS to an exciting
finale.
Piano, harpsichord SKU: BA.BA05086-02 Keyboard and Lute Works 6/2....(+)
Piano, harpsichord
SKU: BA.BA05086-02
Keyboard and Lute
Works 6/2. Composed
by Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: complete
edition, urtext edition.
Half-leather binding. New
Bach Edition (NBA) V/6/2.
Complete edition,
Performance score.
Baerenreiter Verlag
#BA05086_02. Published by
Baerenreiter Verlag
(BA.BA05086-02).
ISBN
9790006494361. 33.1 x
25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano, harpsichord SKU: BA.BA04028 Individual Suites and Pieces - Part...(+)
Piano, harpsichord
SKU: BA.BA04028
Individual Suites and
Pieces - Part 1 (Nos.
1-22). Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series IV,
Volume 6. Complete
edition, Performance
score, anthology.
Baerenreiter Verlag
#BA04028_00. Published by
Baerenreiter Verlag
(BA.BA04028).
ISBN
9790006443321. 33 x 25.6
cm inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding