Cadenzas to Beethoven's Violin Concerto fur Violin and Orchestra op. 61 by Ludwig van Beethoven (1770-1827). Edited by Martin Wulfhorst. For violin solo (violin and orchestra). This edition: Stapled. For piano reduction and performance material see BA 9019. Performance score, Anthology. Opus 61. 59 pages. Published by Baerenreiter Verlag

Composed by Anton Stepanovich Arensky (1861-1906). This edition: Paperback. Concerto/Instrumental Solo, Original Works. Romantic Period; Russian. Study Score. Published by Petrucci Library Press (SA.19870).

Violin and Orchestra

SKU: HL.50485236

Composed by Ludwig van Beethoven. Classic. EMB. Solo & Concerto. Book [Softcover]. Op. 61. Editio Musica Budapest #Z40060. Published by Editio Musica Budapest (HL.50485236).

ISBN 9790080400609. A/5 (14,2x20) inches. Gabor Darvas.

Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.

By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For violin and orchestra (solo violin/flute/2 oboes/2 clarinets/2 bassoons/2 horns/2 clarin trumpets/timpani/2 violins/viola/cello/doubl e bass). This edition: Paperback, Urtext edition. Broad selection of cadenzas included in BA 9020. Study score. Text Language: English/German. Opus 61. 82 pages. Duration 42'. Published by Baerenreiter Verlag

Violin and Orchestra

SKU: BT.SCHEE661

Classical. Set (Score & Parts). 24 pages. Simrock #SCHEE661. Published by Simrock (BT.SCHEE661).

This arrangement is for violin with a piano reduction of the original orchestral score. Cadenzas by Joseph Joachim.

Violin and orchestra

SKU: FG.55011-261-2

Kuusi humoreskia. Composed by Jean Sibelius. This edition: urtext. Spiral-bound. Score. 161 pages. Published by Fennica Gehrman (FG.55011-261-2).

ISBN 9790550112612.

Base d on the composer's manuscripts, this Urtext edition has an extensive preface and commentary shedding light on the genesis of the work and correcting many misprints and misinterpretations in the previous editions. The edition also includes the early version of Humoresque No. 1, now published for the first time.

Violin and Orchestra

SKU: BT.EMBZ40060

Composed by Ludwig van Beethoven. EMB Study Scores. Solo & Concerto. Book Only. Editio Musica Budapest #EMBZ40060. Published by Editio Musica Budapest (BT.EMBZ40060).

Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.

Violin and Orchestra

SKU: BT.PWM9264999

Op. 35, Op. 61. Composed by Karol Szymanowski. Classical. Score Only. Polskie Wydawnictwo Muzyczne #PWM9264999. Published by Polskie Wydawnictwo Muzyczne (BT.PWM9264999).

By Ludwig van Beethoven. Arranged by Alan Tyson. (Study Score). Schott. Size 5.25x7.5 inches. 111 pages. Published by Eulenburg.

By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For Violin-Solo, Orchestra. Score; Urtext Edition (paperbound). Op. 61. Duration 42'

Violin solo and String Orchestra

SKU: VD.ED17521

Composed by Ludwig van Beethoven. Arranged by Wolfgang Birtel. Classical. Score. 89 S. pages. Verlag Dohr #ED17521. Published by Verlag Dohr (VD.ED17521).

ISBN 9790202035214. 12 x 9 inches.

Violin and Orchestra

SKU: HL.50496124

Opus 77. Composed by Johannes Brahms. MGB. Solo & Concerto. Score Only. Composed 1984. Ricordi #PR494. Published by Ricordi (HL.50496124).

PER VIOLINO E ORCHESTRA - PARTITURA.

Violin and Orchestra

SKU: BT.PWM5902

Composed by Antonio Vivaldi. Classical. Book Only. Polskie Wydawnictwo Muzyczne #PWM5902. Published by Polskie Wydawnictwo Muzyczne (BT.PWM5902).

Study Score. By Alexander Glasunow, Alexander Glazunov. (Study Score). Schott. Size 5.25x7.5 inches. 66 pages. Published by Eulenburg.

Orchestra; Violin (Study Score)

SKU: HL.49045166

Study Score. Composed by Ryan Wigglesworth. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. Composed 2011. 72 pages. Duration 16'. Schott Music #ED13695. Published by Schott Music (HL.49045166).

ISBN 9790220135002. UPC: 888680724214. 8.25x11.75x0.276 inches.

Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece. The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centers on a twofold search. First there is the ongoing pursuit to recapture the simple melodic material stated by the solo violin - accompanied by thar harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue. The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabas Kelemen and the Halle.